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Challengers (2024) – Movie Review

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Challengers (2024) – Movie Review

Challengers, 2024.

Directed by Luca Guadagnino.
Starring Zendaya, Josh O’Connor, Mike Faist, A.J. Lister, Nada Despotovich, Naheem Garcia, Alex Bancila, Hailey Gates, and Jake Jensen.

SYNOPSIS:

Tashi, a former tennis prodigy turned coach is married to a champion on a losing streak. Her strategy for her husband’s redemption takes a surprising turn when he must face off against his former best friend and Tashi’s former boyfriend.

Sports-themed narratives tend to culminate in a big matchup with an accolade or some form of personal and professional redemption involved, and while it would be accurate to say that director Luca Guadagnino’s Challengers builds to something similar, the entire film is ambitiously structured around such a match. Of course, the formatting of tennis (sets and match points) fittingly lends itself to such a format, with each set telling its own part of the film’s story while allowing for flashbacks continuously reshaping what viewers know about these characters and why they are playing each other.

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Challengers is a psychosexual relationship drama that is, simply put, on-edge absorbing, leaving one sucked in for 2+ hours and questioning aspects of the narrative, eagerly guessing and anticipating the blanks being filled in. With that said, it’s a disservice to talk about the plot, especially since so much of the film’s intensely draining success comes from form and structure, seamlessly transitioning between past years and a 2019 low-level tournament matchup between Art Donaldson (Mike Faist) and Patrick Zweig (Josh O’Connor) playing for a confidence boost and to increase their player ranking, respectively,  essentially vying for a shot in the more prestigious, nationally covered tournament.

Initially, it comes across as a standard matchup between the two, with Art on a losing streak and his wife/coach Tashi (Zendaya) choosing the tournaments and opponents. Meanwhile, Patrick has his card declined for a cheap motel room and sleeps in his car before the game. What starts as a matchup seemingly just about the sport and competition quickly and gradually is stripped and redressed throughout flashbacks into a bitter, personal rivalry where some of these people can’t stand looking at each other, let alone talking to each other

13 years ago, Art and Patrick were childhood best friends in the equivalent of Beavis and Butthead if they were charismatically horny 18-year-olds (considering one of them is blonde and the other is dark-haired, the only thing that’s missing are the band T-shirts) but talented at something. They found themselves practically drooling over Tashi, a prodigy college tennis player with the skill to become famous, make her family rich, and start a foundational charity. Their obsession also came down to polar opposite reasons; one became romantically infatuated, the other more of an open relationship type, lusting after, well, the beauty of Zendaya. As much as it is about this friendship falling apart and fighting over her affection, Challengers is also very much about the internal feelings Tashi has about those perceptions and what she wants from her life and these men across the years.

To call the dynamics between each character relationship thorny would still be an understatement, as Challengers piles layers on top of itself. Even when the flashbacks reach the pivotal career-ending injury for Tashi, her character and performance from Zendaya don’t lose a domineering edge. She is still in control, if not more so than when she was younger, slyly slipping her face away from a three-way make-out session, leaving Art and Patrick kissing each other. It is a slightly frustrating creative choice to sideline Tashi from the action on the court, although a more conventional film would turn the film and character into something supportive and sappy. Luca Guadagnino (working from a dense, rich screenplay from Justin Kuritzkes) doubles down on intricate power dynamics, scorching sexual tension, and the subtle, endlessly tantalizing psychological mind-bend of what these characters ultimately want from each other and what the endgame is for each of their actions.

It’s a no-brainer that the tennis sequences would be livened up through the score by Trent Reznor and Atticus Ross, but it is also pleasantly surprising and immensely effective that the dialogue also feels supercharged by these upbeat tempo swings, pulsating thumps, and scratchy sounds. There is a scene between Art and Patrick in a sauna, naturally drenched in sweat, but the score accomplishes that same feeling for the viewer. Not to break out the old cliché, but the score becomes a character, driving and adding context to a war of words between these characters and their shifting alignments.

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If the seamless transitions between past and 2019, tight pacing, and kinetic depiction of tennis weren’t enough, Challengers also features an insane climactic shot following one of those balls in real time as it whacked around and upside down, similar to us watching this thorny, arguably toxic love triangle. It’s an impossible film to digest in one viewing, character-driven with some seriously dazzling style. If Tashi views the art of tennis as a relationship, perhaps Luca Guadagnino feels the same about cinema. This recent sizzling streak he is on proves him to be a modern-day great at his craft.

Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

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Review | 96 Minutes: train bomb thriller forgoes excitement for life lessons

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Review | 96 Minutes: train bomb thriller forgoes excitement for life lessons

2/5 stars

Guilt proves to be a powerful trigger for a retired bomb disposal expert in the Taiwanese action thriller 96 Minutes, when his past mistakes prove every bit as deadly as a bomb planted on board a cross-country express train.

Austin Lin Po-hung stars as Kang-ren, still haunted by his failure to prevent a deadly department store bomb attack three years earlier, whose past catches up with him at high speed after attending a memorial service for the victims.

Travelling back to the capital with the other attendees, Captain Li (Lee Lee-zen), who was Kang-ren’s boss, receives an anonymous message warning that there is a bomb on board set to detonate in exactly 96 minutes, or if any attempt is made to stop the vehicle or unload its passengers.

Clues point to the bomber being on either their train or the one that left a few minutes prior. Both are filled with grieving relatives, scarred survivors, as well as Kang-ren’s own mother (Lu Hsueh-feng) and fiancée (Vivian Sung Yun-hua).

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With the clock ticking, the police must find the device, identify the bomber and save the day before either train hurtles into Taipei station.

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Review | Another World: macabre human fable is a new milestone for Hong Kong animation

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Review | Another World: macabre human fable is a new milestone for Hong Kong animation

4/5 stars

Hong Kong filmmakers rarely get as philosophical about the human condition as they do in the animated feature Another World, which contemplates the limits of goodness in the face of great evil, set against a vibrant action fantasy backdrop.

Adapted from Naka Saijo’s novel Sennenki: Thousand-Year Journey of an Oni with both narrative flair and visual potency, this impressive effort by first-time director Tommy Ng Kai-chung and writer-producer Polly Yeung Po-man is an anomaly in more ways than one.

Although the film’s focus on reincarnation appears to align it with Eastern religions, Another World’s belief in kindness renders it a universally engaging watch. Young children should stay away, however, as they might be scarred by some of the shockingly grisly moments in this macabre tale.

Leading us into the afterlife is one of its spirit guides, Gudo (voiced by Chung Suet-ying), who is tasked with helping deceased souls let go of their memories and escorting them past a magical waterfall into the next life – all the while making sure the “seed of evil” inside each of them, if any, does not sprout out of resentment.

His latest charge is a girl named Yuri (Christy Choi Hiu-tung), whose pure and lively character fascinates Gudo. Yuri is initially not aware that she has died and is instead persistent in her search for her younger brother, whose fate remains unknown for much of the runtime.

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Now You See Me: Now You Don’t Movie Reviews Are In – And There’s One Clear Critics’ Consensus

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Now You See Me: Now You Don’t Movie Reviews Are In – And There’s One Clear Critics’ Consensus

The first critics’ reactions to Now You See Me: Now You Don’t are finally here, and they largely agree that the Lionsgate threequel is another major hit. After being stuck in development, the highly anticipated Now You See Me Sequel will finally arrive in theaters on November 14, 2025, continuing the story of the iconic Four Horsemen, illusionists and street magicians who are experts in orchestrating elaborate heists. 

In Now You See Me‘s third installment, the Four Horsemen recruit three skilled illusionists for another heist involving the world’s largest queen diamond before finding it belongs to a powerful crime syndicate. The hype surrounding the movie is poised to rise after the first wave of reactions had high praise for the project. 

Critics who saw an early screening of Now You See Me: Now You Don’t in New York shared their first reactions on X. The threequel received largely positive reactions, with nearly all critics saying that it is thoroughly entertaining and fun. 

Film critic Andre Saint-Albin described the film as “a sleight-of-hand masterpiece,” noting that Now You See Me 3 has an “entertaining story” and a “phenomenal diamond heist.” He also teased that the film has an “epic” third act while also praising the new casting additions: 

“‘Now You See Me: Now You Don’t’ is a sleight-of-hand masterpiece! The Four Horsemen (Eisenberg, Harrelson, Franco, Fisher) return for their next trick with an entertaining story & a phenomenal diamond heist. Smith, Sessa & Greenblatt plant the seeds as Gen-Z firebrands, clashing with old-school magic. New seeds, old tricks, epic third act! Fleischer’s directs a ride so good fun you’d swear it was sorcery!”

Entertainment reporter Jonathan Sim boldly claimed that Now You See Me: Now You Don’t is a “funny, thrilling heist movie” and teased that it was “filled with surprises:”

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“#NowYouSeeMe: Now You Don’t gives us the magic we’ve been waiting for. A funny, thrilling heist movie. The Horsemen are back in action with non-stop fun, tricks, and joy. The new characters are an A+ addition. Filled with surprises and just as dazzling and astonishing as ever.”

While Critics Choice’s Tony Mosello admitted that it’s more of the same, he said that fans will love Now You See Me: Now You Don’t due to its fun “twists and surprises, with elevated stakes:”

“NOW YOU SEE ME: NOW YOU DON’T proves the original Horsemen still have “it”, injecting the show with youthful energy via the newcomers and a fun, campy, and villainous Rosamund Pike. Full of twists and surprises, with elevated stakes; it’s more of the same, but fans will LOVE it.”

CinemaBlend’s Riley Utley shared that the threequel made her “smile from ear to ear,” and the movie reminded her why the first movie made her fall in love with films in the first place:

“‘Now You See Me: Now You Don’t’ reiterates with exclamation points why the first ‘Now You See’ movie was one of the projects that made me fall in love with movies. There’s nothing better than projects that make me smile from ear to ear, blow my mind and make it clear why movies are magic.”

That Hashtag Show’s Manny Gomez praised how the latest Now You See entry allowed the original cast to “set the stage for the new magicians to shine:”

“#NowYouSeeMe is a fun addition to the franchise that allows the beloved cast to set the stage for the new magicians to shine. Loved the magic… misdirection… and twists and turns that make going to the movies fun.”

The Direct’s David Thompson was proud to declare that the “magic is back” in the Now You See Me franchise after seeing that the third installment was filled with “some satisfying twists and turns:”

“Happy to report the magic is BACK in the #NowYouSeeMe franchise — loved the new cast, a bunch of fun sequences, & some satisfying twists and turns.”

Film critic and The Film Blerds host Brandon Norwood said that fans of the series will definitely “love” Now You See Me: Now You Don’t because it is “thoroughly entertaining:”

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“NOW YOU SEE ME: NOW YOU DON’T: Thoroughly entertaining! The younger cast mixes in well with the OGs. Fans of the series, you’ll love this. Really miss mid-budget studio popcorn fare like this.”

Popternative’s Christopher Gallardo enjoyed the latest Now You See Me entry and described it as a “new-gen rivals old-gen story” that has a special flair:

“NOW YOU SEE ME: NOW YOU DON’T is an exciting thrill-ride with all the tricks and dazzle you’d want. It’s a ‘new-gen rivals old-gen’ story with a special flair that shines with it’s fun cast chemistry. Sessa, Greenblatt, and Smith especially rock all throughout!”

FandomWire’s PossesSEAN gave high praise to the movie’s “impressively staged set pieces,” calling the threequel a “great popcorn movie:”

“#NowYouSeeMe: NOW YOU DON’T was catnip for me — another exhilarating, funny caper with some of the most impressively staged set pieces of the year. A great blend of old and new that effectively ups the stakes and scale. What a great popcorn movie!”

Ethan Simmie of The Movie Draft Podcast admitted that Now You See Me: Now You Don’t went “full Mission: Impossible mode,” with him celebrating the fact that it was “some of the most fun” he’s had at the movies this year: 

“NOW YOU SEE ME: NOW YOU DON’T is some of the most fun I’ve had at the movies all year! This entry goes full Mission: Impossible mode and is hilarious, entertaining, and perfectly meta. I could watch one of these every single year forever. We really do come to the movies for magic.”

Directed by Ruben Fleischer, Now You See Me: Now You Don’t is one of the 12 biggest sequels in 2025. The movie has a stacked cast, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco. They are joined by newcomers Justice Smith, Ariana Greenblatt, Dominic Sessa, and Rosamund Pike. Now You See Me: Now You Don’t ⁠⁠⁠will premiere in theaters on November 14, 2025.

Now You See Me 3’s Success Could Lead to Franchise’s Promising Future 

Lionsgate

Based on the first wave of reactions, Now You See Me: Now You Don’t seems poised for success, which is good for the franchise’s future. Moreover, widespread critical praise could boost the movie’s box office returns.

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The long wait for Now You See Me: Now You Don’t could be seen as an advantage because it offers a sense of nostalgia to original fans. The nine-year gap also allowed the movie’s writers to strike an ideal balance, crafting intricate heists while establishing seamless chemistry between the returning cast and new additions.

If successful, Now You See Me: Now You Don’t could lead to future installments or potential spin-offs. With prequel entries to many recognizable franchises like Alien: Earth (read more about Season 2 here) and It: Welcome to Derry finding success in streaming, the threequel’s triumph at the box office could push Lionsgate to explore a spin-off focusing on the younger versions of the Horsemen. 

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