The first critics’ reactions to Now You See Me: Now You Don’t are finally here, and they largely agree that the Lionsgate threequel is another major hit. After being stuck in development, the highly anticipated Now You See Me Sequel will finally arrive in theaters on November 14, 2025, continuing the story of the iconic Four Horsemen, illusionists and street magicians who are experts in orchestrating elaborate heists. 

In Now You See Me‘s third installment, the Four Horsemen recruit three skilled illusionists for another heist involving the world’s largest queen diamond before finding it belongs to a powerful crime syndicate. The hype surrounding the movie is poised to rise after the first wave of reactions had high praise for the project. 

Critics who saw an early screening of Now You See Me: Now You Don’t in New York shared their first reactions on X. The threequel received largely positive reactions, with nearly all critics saying that it is thoroughly entertaining and fun. 

Film critic Andre Saint-Albin described the film as “a sleight-of-hand masterpiece,” noting that Now You See Me 3 has an “entertaining story” and a “phenomenal diamond heist.” He also teased that the film has an “epic” third act while also praising the new casting additions: 

“‘Now You See Me: Now You Don’t’ is a sleight-of-hand masterpiece! The Four Horsemen (Eisenberg, Harrelson, Franco, Fisher) return for their next trick with an entertaining story & a phenomenal diamond heist. Smith, Sessa & Greenblatt plant the seeds as Gen-Z firebrands, clashing with old-school magic. New seeds, old tricks, epic third act! Fleischer’s directs a ride so good fun you’d swear it was sorcery!”

Entertainment reporter Jonathan Sim boldly claimed that Now You See Me: Now You Don’t is a “funny, thrilling heist movie” and teased that it was “filled with surprises:”

“#NowYouSeeMe: Now You Don’t gives us the magic we’ve been waiting for. A funny, thrilling heist movie. The Horsemen are back in action with non-stop fun, tricks, and joy. The new characters are an A+ addition. Filled with surprises and just as dazzling and astonishing as ever.”

While Critics Choice’s Tony Mosello admitted that it’s more of the same, he said that fans will love Now You See Me: Now You Don’t due to its fun “twists and surprises, with elevated stakes:”

“NOW YOU SEE ME: NOW YOU DON’T proves the original Horsemen still have “it”, injecting the show with youthful energy via the newcomers and a fun, campy, and villainous Rosamund Pike. Full of twists and surprises, with elevated stakes; it’s more of the same, but fans will LOVE it.”

CinemaBlend’s Riley Utley shared that the threequel made her “smile from ear to ear,” and the movie reminded her why the first movie made her fall in love with films in the first place:

“‘Now You See Me: Now You Don’t’ reiterates with exclamation points why the first ‘Now You See’ movie was one of the projects that made me fall in love with movies. There’s nothing better than projects that make me smile from ear to ear, blow my mind and make it clear why movies are magic.”

That Hashtag Show’s Manny Gomez praised how the latest Now You See entry allowed the original cast to “set the stage for the new magicians to shine:”

“#NowYouSeeMe is a fun addition to the franchise that allows the beloved cast to set the stage for the new magicians to shine. Loved the magic… misdirection… and twists and turns that make going to the movies fun.”

The Direct’s David Thompson was proud to declare that the “magic is back” in the Now You See Me franchise after seeing that the third installment was filled with “some satisfying twists and turns:”

“Happy to report the magic is BACK in the #NowYouSeeMe franchise — loved the new cast, a bunch of fun sequences, & some satisfying twists and turns.”

Film critic and The Film Blerds host Brandon Norwood said that fans of the series will definitely “love” Now You See Me: Now You Don’t because it is “thoroughly entertaining:”

“NOW YOU SEE ME: NOW YOU DON’T: Thoroughly entertaining! The younger cast mixes in well with the OGs. Fans of the series, you’ll love this. Really miss mid-budget studio popcorn fare like this.”

Popternative’s Christopher Gallardo enjoyed the latest Now You See Me entry and described it as a “new-gen rivals old-gen story” that has a special flair:

“NOW YOU SEE ME: NOW YOU DON’T is an exciting thrill-ride with all the tricks and dazzle you’d want. It’s a ‘new-gen rivals old-gen’ story with a special flair that shines with it’s fun cast chemistry. Sessa, Greenblatt, and Smith especially rock all throughout!”

FandomWire’s PossesSEAN gave high praise to the movie’s “impressively staged set pieces,” calling the threequel a “great popcorn movie:”

“#NowYouSeeMe: NOW YOU DON’T was catnip for me — another exhilarating, funny caper with some of the most impressively staged set pieces of the year. A great blend of old and new that effectively ups the stakes and scale. What a great popcorn movie!”

Ethan Simmie of The Movie Draft Podcast admitted that Now You See Me: Now You Don’t went “full Mission: Impossible mode,” with him celebrating the fact that it was “some of the most fun” he’s had at the movies this year: 

“NOW YOU SEE ME: NOW YOU DON’T is some of the most fun I’ve had at the movies all year! This entry goes full Mission: Impossible mode and is hilarious, entertaining, and perfectly meta. I could watch one of these every single year forever. We really do come to the movies for magic.”

Directed by Ruben Fleischer, Now You See Me: Now You Don’t is one of the 12 biggest sequels in 2025. The movie has a stacked cast, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco. They are joined by newcomers Justice Smith, Ariana Greenblatt, Dominic Sessa, and Rosamund Pike. Now You See Me: Now You Don’t ⁠⁠⁠will premiere in theaters on November 14, 2025.

Now You See Me 3’s Success Could Lead to Franchise’s Promising Future 

Based on the first wave of reactions, Now You See Me: Now You Don’t seems poised for success, which is good for the franchise’s future. Moreover, widespread critical praise could boost the movie’s box office returns.

The long wait for Now You See Me: Now You Don’t could be seen as an advantage because it offers a sense of nostalgia to original fans. The nine-year gap also allowed the movie’s writers to strike an ideal balance, crafting intricate heists while establishing seamless chemistry between the returning cast and new additions.

If successful, Now You See Me: Now You Don’t could lead to future installments or potential spin-offs. With prequel entries to many recognizable franchises like Alien: Earth (read more about Season 2 here) and It: Welcome to Derry finding success in streaming, the threequel’s triumph at the box office could push Lionsgate to explore a spin-off focusing on the younger versions of the Horsemen. 

Of all the crazy things to happen in 2025 so far, was anybody expecting two filmmakers with reputations for being melodramatic– Darren Aronofsky and Derek Cianfrance — to branch out of their comfort zones and direct light-hearted films set in the late 1990s with a lot of comic relief?

Last month it was Aronofsky with Caught Stealing, and now Cianfrance gives us Roofman. Inspired by real incidents throughout North Carolina, Roofman is now one of my favorite movies of the year.

In late 1998, Jeffrey Manchester (Channing Tatum) is a divorced dad with a military background who is unemployed and can barely afford his kids’ birthday presents. Despite his failures, Jeff is very good on his feet and can come up with a plan and execute it very quickly — such as breaking into McDonald’s and stealing from the register to make up for his mistakes to his family.

But when he’s busted for a kidnapping along with a robbery and sent to prison, Jeff successfully breaks out and secretly begins living in the ceiling of a Toys “R” Us outside Charlotte, NC. Things take an unexpected turn when he becomes friendly with one of the store’s employees, single mom Leigh Wainscott (Kirsten Dunst), who is active in the choir and toy drive of the town’s Presbyterian church.

LaKeith Stanfield, Peter Dinklage, Emory Cohen, Juno Temple, Melonie Diaz, Ben Mendelsohn and Jimmy O. Yang are some of the recognizable faces in the supporting cast. Roofman was co-written by Cianfrance and Kirt Gunn, and is the director’s return to the big screen following his HBO mini-series “I Know This Much is True” (2020).

Besides being an funny and charming comedy-drama, the new picture also counters Kogonada’s A Big, Bold, Beautiful Journey in reminding us that product placement incorporated into a plot can be easily forgiven, or at least less distracting, if the story and final product are good enough. Though lighter in tone than his usual projects, Roofman does still have the cinematic DNA Cianfrance is known for, and it works well with a fairly modest story.

Tatum remains one of the best leading men of his generation and Dunst, a lifelong favorite actress of mine, delivers the best performance in the movie, even making me cry during a scene near the end. If spooky films aren’t your thing during October, Roofman gets a recommendation from me this month.

The wait is over! October 24th brought the release of the highly anticipated psychological horror film, Shelby Oaks, and the answer is a resounding “Yes”—you absolutely need to see this movie. Shelby Oaks is a tense film that will keep you guessing right up to its terrifying final moments.

Shelby Oaks grips you from the start, chronicling a desperate search that morphs into a dangerous obsession. When the police dismiss her sister’s disappearance, Mia, played with determined resolve by Camille Sullivan, embarks on a solo mission to find her missing sister, Riley. A mysterious tape leads Mia to crucial new clues, pushing her deeper into an investigation of her own. She must ultimately confront a horrifying possibility: that something chillingly supernatural is at play.

The emotional weight of the film rests squarely on its two leads, and they carry it magnificently. Camille Sullivan delivers an intense, compelling performance as Mia, exuding a steely confidence and unshakable resolve that grounds the desperate search.

Equally fantastic is Sarah Durn, who plays Riley, the missing sister. Durn powerfully conveys trauma, fear, and deep-seated horror, giving the viewer a visceral connection to the character. Both actresses perform amazingly well, making their characters feel honest and deeply sympathetic. Their passionate intensity drives the entire narrative.

Shelby Oaks marks the feature directorial debut of Chris Stuckmann, and we applaud his accomplishment. Stuckmann crafts a film defined by intense tension, a uniquely fascinating story, and multiple twists you won’t see coming. The pacing is a prime example of great timing, carefully unfolding the story to maximize the impact of every revelation.

The film’s atmosphere is palpable. The cinematography beautifully captures a sense of darkness and decay, often showing scenes choked by mold, rot, and general ‘ick.’ While the majority of the special effects look incredibly well done, a few minor CGI elements involving dogs, unfortunately, stood out as slightly disappointing. However, the rest of the film’s visual design is fantastic, contributing heavily to its unsettling tone.

Shelby Oaks keeps the audience on the edge of their seats from beginning to end. It’s a terrifying, thought-provoking film. It lingers long after the credits roll, forcing you to think about the unsettling reality of families searching for lost loved ones and those who have been forgotten.

I highly recommend seeing Shelby Oaks; luckily, you can watch it now on the big screen. Be sure to watch our interview with star Sarah Durn (Riley), who gives us insight into the film and her role.