Movie Reviews
“Argylle” is Death by Mystery Boxes (Movie Review)
“Argylle,” promoted as a creation from the ‘twisted mind’ of writer/director Matthew Vaughn, is set has hit theaters this weekend. However, despite Vaughn’s previous successes with blockbusters like “X-Men: First Class” and “Kingsman: The Secret Service,” the film is being characterized as less cohesive and more indicative of his bloated, uninhibited, and excessively self-indulgent tendencies in the later stages of his career. Critics suggest that the movie deviates from Vaughn’s earlier well-constructed and satisfying films, showcasing convoluted storytelling and a departure from previous successes.
In a bygone era, Vaughn crafted tight and thrillingly well-constructed films that left audiences satisfied. However, over his last three films, there has been a noticeable shift toward absurdly convoluted storytelling. “Argylle,” in particular, is criticized for being nearly indecipherable at times, burdened by ever-contradicting twists. Vaughn’s inclination towards a gaudy, digitally-altered visual aesthetic has also intensified, with both “Kingsman: The Golden Circle” and “Argylle” opting for green screen work that fails to create a convincing impression of reality. Additionally, his recent attempts at franchise expansion, including a post-credit scene in “Argylle” and setting up Adolf Hitler as a franchise big-bad in “The King’s Man,” have been deemed classless and in poor taste. “Argylle” is seen as the culmination of Vaughn’s ambitions, showcasing his worst tendencies and resulting in a film that is an absolute slog to endure.
TOP FIVE THINGS ABOUT “ARGYLLE”
5. The Cast
“Argylle” boasts an A-list cast that delivers commendable performances, showcasing both talent and a sense of enjoyment in their roles. Noteworthy mentions include Henry Cavill for successfully pulling off a distinctive haircut, Sam Rockwell for effortlessly embodying an endearing everyman spy, and Bryce Dallas Howard for earnestly selling even the most outrageously ridiculous aspects of the movie.
The cast exhibits strong chemistry at different junctures, leaving one yearning for a scenario where Vaughn allows these characters to truly shine without overshadowing them. Unfortunately, as it currently stands, “Argylle” provides only fleeting glimpses of the potential brilliance that could have been.
4. Weak Spot: The Action
Matthew Vaughn received acclaim for the action sequences in the first “Kingsman” film a decade ago. The action was praised for its wild and raucous nature, combined with visual clarity and balletic choreography. This was particularly noteworthy during a time when many American action films were adopting the fast-cutting style of Paul Greengrass’ “Bourne” sequels, resulting in incoherent messes.
Regrettably, I watched “Argylle” with a heavy heart and much dismay as its action setpieces fell into many of the same traps that Matthew Vaughn deliberately avoided earlier in his career. Numerous sequences in “Argylle” suffer from staging, editing, and camera movement issues, making them feel messy and lacking in impact. Despite having about half a dozen action sequences, with the exception of a memorable ice-skating bit towards the end, I would struggle to recall a single beat of the action. The visuals are rendered into complete mush.
3. Weak Spot: The Needle Drops
The action sequences in “Argylle” are further confounded by the film’s musical choices. While Lorne Balfe’s score is not the issue, it’s Matthew Vaughn’s frequent and gratuitous use of needle drops that becomes mind-numbing. Every single action sequence features an attempt at an anachronistic needle drop, and it quickly grows old. It seems like Vaughn aimed to draw a connection between these action sequences and musical dance sequences, but the end result feels cheap and haphazard. The songs don’t feel truly integrated into the work but are rather hastily pasted over the top.
Every action sequence in “Argylle” features a gratuitous attempt at an anachronistic needle-drop, and it quickly becomes tiresome. It seems like Vaughn tried to establish a connection between these action sequences and musical dance sequences in the editing bay, but the result feels cheap and haphazard. The songs don’t feel genuinely integrated into the work; instead, they are hastily pasted over the top.
The most egregious example of these musical choices is the use of The Beatles’ ‘new’ song, ‘Now and Then,’ which plays no less than three times throughout “Argylle” and never once gives even the vaguest impression of feeling like it belongs.
2. Weak Spot: The Twists
What makes a good twist?
With Vaughn’s recent bad takes in the press on “Star Wars,” let’s take a look at twists through the lens of a galaxy far, far away. The big ‘I am your father’ twist of “Empire Strikes Back” works because of the ways in which it completely uproots all of the audience’s and Luke’s understandings. The dividing lines of good and evil have been so thoroughly etched into stone up until this point, and suddenly, Vader’s revelation thrusts the entirety of the story into brand new territory, narratively and thematically.
Compare this to any of the dozen twists in “Argylle,” none of which have any impact whatsoever. The film throws twist after twist at its audience without ever taking the time to establish any kind of norm in the first place firmly. The result is that none of the twists feel shocking because we don’t care about these characters or even begin to understand their motivations, world, or stakes. So, instead of ground-shaking twists that fundamentally recontextualize our perception of the story, it all just feels like babbling, incoherent nonsense.
1. Weak Spot: Numbingly Empty
The cumulative effect of all of these things is that “Argylle” is just fucking boring to sit through. It’s an absolute drag of a film, which is an insane thing to say about a movie this ludicrously over-the-top, but it’s true. By the time the film got to its biggest setpieces, they just washed over me because I was already so thoroughly unmoored by its baffling decisions at every turn. There’s a lot of stuff happening in “Argylle,” but it so rarely feels like anything of any substance is happening at all.
With its many twists, the movie practically conditions its audience to not believe anything it shows you. When paired with its already vapid, surface-level storytelling and grotesquely underbaked visual stylings, it makes for a film that just leaves one entirely numb.
(D+)
By the time “Argylle” arrives at its absolutely eye-roll-inducing tie-in post-credit bit, it’s nigh impossible not to feel like Matthew Vaughn has gotten so lost in his own echo chamber of lunacy that the once vital filmmaker has been diminished to little more than a bad joke.
Vaughn has made quintessential works, and I absolutely believe that he can again. But so long as he’s content to deliver absolute drivel like this and proudly hang his ‘twisted mind’ hat on it, that won’t happen.
Movie Reviews
MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue
By BREANNA WHIPPLE
Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters
Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters.
More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.


THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.”
“Haunted” feels like an inappropriate description. What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook.

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.
Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.
Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious.
We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.
THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms.
Movie Reviews
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A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
Movie Reviews
Movie Reviews 2026: Ukrainian and World Premieres
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
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