Entertainment
'It's a little holiday gift': Inside the Weeknd's free Santa Monica show for his biggest fans
In the digital streaming era, one of the biggest flexes an artist can have is being a member of Spotify’s Billions Club, a playlist that highlights every song that has been streamed more than 1 billion times on the platform. Among the nearly 500 artists who have graced the glorified list are Mariah Carey (“All I Want for Christmas Is You”), Rihanna (“Needed Me”), Fleetwood Mac (“Dreams”), Kendrick Lamar (“All the Stars” featuring SZA), Billie Eilish (“Ocean Eyes”), but the distinction of having the most tracks — 24 to be exact — to hit 1 billion streams on Spotify belongs to the Weeknd.
To commemorate this milestone, the Toronto pop star teamed up with Spotify to host an intimate, invite-only concert with nearly 2,000 of his biggest fans — his top 10% listeners on the platform — on Tuesday night at the Barker Hangar in Santa Monica.
“It’s a little holiday gift for the OG XO fans supporting me [since] Day 1,” the Weeknd said during his 70-minute set. “2024 is almost done, but 2025, we got some new s— coming out. New album. New tour. New movie. New everything. We’re shutting this s— down.” His upcoming album “Hurry Up Tomorrow,” which is the third and final installment of his “After Hours” / “Dawn FM” trilogy,” will be supported by a psychological thriller starring the singer born Abel Tesfaye, alongside Jenna Ortega and Barry Keoghan.
With the support of his longtime collaborator Mike Dean (on the keys) and guitarist Patrick Greenaway, the Weeknd performed 20 of the 24 songs that landed him on the Billions Club playlist including “Blinding Lights” (the most streamed song on Spotify), “The Hills,” “Can’t Feel My Face,” and “After Hours.” He also performed three additional songs for the energetic crowd, who knew every word, including “São Paulo,” “Timeless,” and “Wicked Games.”
“I know that song didn’t hit a billion, but I felt like I had to do it,” he said about “Wicked Games.” “It’s necessary, at least one ‘House of Balloons’ song.”
Fans started lining up overnight at 4 a.m. for the highly anticipated show and a few folks traveled from Newark, N.J., for the chance to get inside even though they didn’t have tickets to the event. (Unfortunately, the aforementioned Jersey fans didn’t make it inside because they didn’t have a ticket.) The special night featured food trucks including L.A.’s beloved Kogi Korean BBQ, an open bar (for attendees 21 and up) and the Weeknd merchandise — all of which was free to attendees.
Fans take photos at the Weeknd’s show with Spotify on Tuesday at the Barker Hangar in Santa Monica.
(Jason Armond/Los Angeles Times)
For an international superstar like the Weeknd, who regularly sells out arenas and stadiums around the globe, the event was a chance for fans to experience his music in a personal setting. In fact, it was likely the first time since his early days that he’s performed for an audience of fewer than 2,000 people. “It feels like back in the ‘Kiss Land’ tour,” he said. “Maybe after the stadium tour, we’ll go back to smaller venues. I like this.”
Ashley Graver, who leads artist partnerships and is head of pop, dance and indie at Spotify, says the Weeknd and his team were involved throughout the entire process of putting together the show, including on the merch design, stage and sound design.
“This milestone really shows how massive the Weeknd’s impact is around the world,” she said. “His success is a testament to his artistry and his constant drive to push creative boundaries. Right now, ‘Blinding Lights’ is the most-streamed song on Spotify, even four years after it came out, which just goes to show how much staying power he has and how loyal his fans are.”
Before the show, we caught up with attendees to ask them about their fandom and what it means to be invited to such an exclusive event.
Elijah Shen Muralles, 21, left, and Cole Dizon, 20, attend the Weeknd’s show with Spotify on Tuesday in Santa Monica.
(Jason Armond/Los Angeles Times)
Cole Dizon and Elijah Shen Muralles
Age:
Dizon: 20
Shen Muralles: 21
Neighborhood:
Dizon: Lancaster
Shen Muralles: South Gate
How long have you been a fan of the Weeknd?
Dizon: About two years ago, one of my friends showed me a few songs — some of the mainstream ones like “Die For You” and “Blinding Lights.” I knew he was a household name, but once I started getting into the groove of it, I was like “OK, he’s pretty good.” Eventually, I went to his Spotify profile and started listening to more of his songs. I was like, “Hold on. I can see why he’s so popular. The trend has motion to it.” So I started listening to him more and more.
Shen Muralles: I would hear him here and there and he was always one of the big celebrities, but I didn’t really get deep into it until maybe like a year or two ago. My friend was just blasting his music all the time and I was like, “You know what, I’m going to hear this artist out.” After a few songs, I realized, “Oh my gosh. He’s one of the best sounding artists I’ve ever heard. I should’ve hopped onto the bandwagon sooner.”
What’s your favorite song by the Weeknd?
Dizon: “I Feel It Coming.” Daft Punk is a classic. When the song dropped, I wasn’t on the bandwagon yet but listening to it recently I was like, first off, I remember this song. [Secondly], I’ve been sleeping on this because this is straight heat.
Shen Muralles: “House of Balloons.” I’m a big fan of the first half. The second half is still really good. However, I think the first half, it’s just the beat, the lyrics, it really just gets me in the mood. Also, “Stargirl Interlude.” I’m a bit of a Lana Del Rey fan. Her voice just hard carries that song.
How does it feel to be at this exclusive show?
Dizon: It’s super surreal. When I got the email [invite] from Spotify, I didn’t believe it was real… We got here and saw the line and I was like, “Holy smokes! This is actually legitimate.” We were stressing in line cause we thought we weren’t going to get in… I’m going to see him in like four weeks from now [at his tour], so to me this is not only a wonderful surprise, but it’s a great love letter to his fans.
Shen Muralles: I’m not one to drop a whole lot of money to go to concerts, so to get to come to something like this with Spotify is like, “Wow, this is crazy.” I’m just so grateful to be here because this is like a once in a lifetime opportunity for me… This is a Christmas gift right here.
Friends America Maldonado, left, Maya Garcia and Kessai Suksanguan were among the first people in line at the Weeknd’s Spotify show in Santa Monica.
(Jason Armond/Los Angeles Times)
America Maldonado, Maya Garcia and Kessai Suksanguan
Age:
Maldonado: 21
Garcia: 21
Suksanguan: 19
Neighborhood:
Maldonado: Downtown L.A.
Garcia: Bellflower
Suksanguan: Long Beach
How long have you been a fan of the Weeknd?
Maldonado: Since I was 13. I would listen to his mixtapes.
Garcia: Probably since middle school.
Suksanguan: Around middle school. I would hear him a lot on the radio.
What’s your favorite song by the Weeknd?
Maldonado: “Adaptation.” It’s just a beautiful story. If you listen to [the album] “Kiss Land,” every song ends and it just continues on with the story.
Garcia: I know it’s basic, but I’m going to say “Earned It.” It’s super catchy and it highlights his voice, which I love.
Suksanguan: “After Hours.” I really like the style of that whole album and that time period for him.
How does it feel to be at this exclusive show?
Maldonado: It feels amazing. Unfortunately, I’ve only seen him perform live twice. I’ve been listening to him for so long, but to be a part of this free event where I feel comfortable, is great.
Garcia: I’m honestly so glad that he’s doing this show in L.A. I just love being here in L.A.
Suksanguan: I think it’s just really special that it was free and invite only, so it makes us feel really wanted and really special. And the fact that it’s close to us too, it’s really convenient.
Hamza Akmal, left, Adeeb Ali and Ameer Ali attend the Weeknd’s Billions Club show in collaboration with Spotify on Tuesday at the Barker Hangar in Santa Monica.
(Jason Armond/Los Angeles Times)
Hamza Akmal, Adeeb Ali and Ameer Ali
Age:
Ameer: 25
Adeeb: 28
Akmal: 29
Neighborhood:
Ameer: Whittier
Adeeb: West Covina
Akmal: Culver City
How long have you been a fan of the Weeknd?
Ameer: The Drake collabs made me a fan. The songs were very unique. I’d never heard anything like that at the time.
Adeeb: I became a fan when I heard him on “Crew Love” with Drake. I was like, “This guy is good.”
Akmal: I became a fan around high school [around] like 2011. A couple of my friends liked to explore a lot of new music and they told me to check him out, so I’ve been listening since then.
What’s your favorite song by the Weeknd?
Ameer: I’m a big Michael Jackson fan. I love how the Weeknd did “Dirty Diana” [with his song] “D.D.”
Adeeb: “Out of Time.” It’s just so pretty. He sampled some Japanese city pop and it sounded really nice.
Akmal: Probably “The Hills.” It’s just too catchy for me. I just love the beat of it and everything.
How does it feel to be at this exclusive show?
Ameer: It’s exciting.
Adeeb: It seemed a little too good to be true. I was like, “Are we being set up right now?” And like, no, it’s just super cool.
Akmal: Coming to this, I didn’t really know what to expect, but based on what I’m seeing, it’s really cool to be here.
Mother and daughter, Kenyah Moore, 18, and Shenita Moore, 48, attend a show put on by Spotify to celebrate the Weeknd on Tuesday.
(Jason Armond/Los Angeles Times)
Shenita and Kenyah Moore
Age:
Kenyah: 18
Shenita: 48
Neighborhood:
Kenyah: Santa Monica
Shenita: Santa Monica
How long have you been a fan of the Weeknd?
Kenyah: He’s just always been there. Growing up, he’s one of the most popular artists of my generation.
Shenita: I’m just here supporting her, but I am familiar with his music.
What’s your favorite song by the Weeknd?
Kenyah: “In the Night.” I like the story that it tells.
How does it feel to be at this exclusive show?
Kenyah: I’m glad I saw the email. It’s a pretty cool thing that he achieved — to get that many songs over 1 billion [streams].
Grace Chandler, left, Jessie Sheridan and Isabella Elsesser were among the nearly 2,000 fans who were invited to attend the Weeknd’s Spotify show.
(Jason Armond/Los Angeles Times)
Grace Chandler, Jessie Sheridan and Isabella Elsesser
Age:
Chandler: 20
Sheridan: 20
Elsesser: 19
Neighborhood:
Chandler: Long Beach
Sheridan: San Luis Obispo
Elsesser: Long Beach
How long have you been a fan of the Weeknd?
Chandler: It had to have been when I was in the fifth grade when “The Hills” came out. Everyone was singing that song and I would play it 24/7 with my mom and my sister. Respectfully. It was just the beat. It just started from there.
Sheridan: Since the third grade. My sister put me on. I have no idea what album it was, but that was my life. I’ve been singing his music since the third grade. He will always and forever be my guy.
Elsesser: I heard about him from “The Hills” but it was the Echos Remix. There’s a woman who sings it in a house, dubstep kind of way and I was always into dubstep. I was like, “Yes. Yes. I love this.”
What’s your favorite song by the Weeknd?
Chandler: “Stargirl Interlude” and “Save Your Tears.”
Sheridan: “Stargirl Interlude.”
Elsesser: “The Morning” [starts singing song]. It’s empowering. I feel like I’m the girl. I’m like “Yeah, I’m the money. I’m the motive.” I also love “São Paulo” with Anitta. It’s so fire.
How does it feel to be at this exclusive show?
Chandler: Unreal!
Sheridan: So exciting.
Elsesser: I’m excited to dance.
Zachary Cutting, 37, of Belmont, Calif., wears an exclusive hoodie from the Weeknd’s Spotify Billions Club performance on Tuesday.
(Jason Armond/Los Angeles Times)
Zachary Cutting
Age: 37
Neighborhood: Belmont, Calif.
How long have you been a fan of the Weeknd?
I was doing security at the Fonda Theatre, but he wasn’t popular yet. I heard him performing. He did the “Dirty Diana” song and I liked that, so from then on, I followed his career and I’ve been a fan ever since.
What’s your favorite song by the Weeknd?
“Is There Someone Else?” Sometimes I be wondering… with the person I’m talking to, like, “Is there someone else?” [laughs]
How does it feel to be at this exclusive show?
I’ve only seen him perform that one time, so I’m excited.
Carmen Flores, 25, and Marco De La Cruz, 26, of Maywood arrived at the Barker Hangar early so they could attend the Weeknd’s Billions Club show with Spotify.
(Jason Armond/Los Angeles Times)
Carmen Flores and Marco De La Cruz
Age:
Flores: 25
De La Cruz: 26
Neighborhood: Maywood
How long have you been a fan of the Weeknd?
Flores: I think I was in middle school. My sister asked if I ever heard of his music.
De La Cruz: Around 2015-2016, probably during the “Trilogy” era.
What’s your favorite song by the Weeknd?
Flores: “Faith.” First of all, I think it’s a very fun song. Just meaning of faith and how it transitions into [the next song, “Blinding Lights”]. It’s very underrated.
De La Cruz: “After Hours.” Just the whole production on that song and his vocals.
How does it feel to be at this exclusive show?
Flores: It means everything. But I will be seeing him again next month and I also saw him with Mike Dean on March 1 at the Wiltern when he came out with Travis Scott and it was the best thing ever.
David Reyes, 19, of Riverside became a fan of the Weeknd after his sister put him onto the pop star’s “Starboy” album.
(Jason Armond/Los Angeles Times)
David Reyes
Age: 19
Neighborhood: Riverside
How long have you been a fan of the Weeknd? My sister put me on when “Starboy” came out. She always played it.
What’s your favorite song by the Weeknd?
“Die For You” for sure. It’s just a classic. 10/10.
How does it feel to be at this exclusive show?
It’s very unique how Spotify and Abel are doing this for his fans. It’s just cool how artists actually care for their fans.
Catherine Carrasco, 25, and Jonathan Serna, 26, were among the first fans in line at the Weeknd’s exclusive Billions Club show put on by Spotify.
(Jason Armond/Los Angeles Times)
Jonathan Serna and Catherine Carrasco
Age:
Carrasco: 25
Serna: 26
Neighborhood:
Carrasco: Santa Ana
Serna: Santa Ana
How long have you been a fan of the Weeknd?
Carrasco: In 2015. I was a sophomore in high school. I think the first song that I listened to by him was “The Morning” and I got introduced to his music by an ex-boyfriend. [laughs] I got this hoodie a while ago and then his first concert I went to was the “Starboy” [tour].
Serna: When “Starboy” released, I kept listening to it on repeat like crazy. After that, I listened to everything he’s made and I became a fan. I wasn’t a big fan until “After Hours” [though].
What’s your favorite song by the Weeknd?
Carrasco: That’s such a hard question. I think “The Birds Pt. 1” and Pt. 2. I love every song by him, but I have those on repeat. He’s No. 1 on my Spotify Wrapped every year.
Serna: “After Hours.” He was No. 1 on my Wrapped.
How does it feel to be at this exclusive show?
Carrasco: I’m like shaking. I’m excited. I’ve seen him a couple of times, but this is a free event.
Serna: It’s amazing. I didn’t think I was going to get it. When I got the [email], I just went on break at my job. They gave you like 20 minutes to respond and I know she would’ve killed me if I didn’t.
Katherine Martinez, left, Jorge Martinez and Angelina Bomar flew to L.A. from New Jersey for the chance to attend the Weeknd’s Spotify show.
(Jason Armond/Los Angeles Times)
Jorge Martinez
Age: 20
Neighborhood: We live in Newark, N.J. I saw a couple of TikToks like two days ago about the Spotify event. Unfortunately, we’re on Apple Music so we didn’t get the invite, but I was like maybe Abel might stop and sign our vinyl. She has on her “After Hours” hoodie. We came here for the SoFi show in November for the three-year anniversary. [Then we came back for this], so we traveled a long way.
How long have you been a fan of the Weeknd? I’ve been a big fan since “After Hours” came out. It was really good. It was a dream seeing him in concert [at his recent show]. The next dream is hopefully meeting him.
What’s your favorite song by the Weeknd?
“After Hours.” The way it slowly transitions to the beat drop — I like the 808s.
You flew out to L.A. just for the chance to see the show even though you don’t have tickets. Why was it important to you?
It would mean a lot for us to make it inside of the show or even to meet him, that would be amazing too. We’re planning to maybe fly out to the Rose Bowl show. But we got to try it out.
[Unfortunately, Jorge, his girlfriend and sister didn’t make it inside of the show because they didn’t have tickets.]
Entertainment
‘Children of Blood and Bone’ author won’t see film after feud with star Amandla Stenberg
Tomi Adeyemi, the author of the bestselling fantasy “Children of Blood and Bone,” isn’t planning to see the forthcoming film adaptation — even though she co-wrote it.
Over the weekend, the Nigerian American author posted a video on TikTok addressing fans who have been asking her the same question, “Why don’t you post about the adaptation of your first film adaptation anymore?”
“There is a reason I will not post anything about the adaptation of my work,” the author wrote in what appear to be screenshots of a group chat. “I have not seen the film, and I will not watch it.”
The adaptation of the first installment of Adeyemi’s “Legacy of Orïsha” fantasy trilogy is slated to hit theaters in January 2027. Gina Prince-Bythewood — who wrote and directed “Love & Basketball” and helmed “The Woman King” — is directing. The film stars Amandla Stenberg, Thuso Mbedu, Tosin Cole, Damson Idris, Cynthia Erivo, Lashana Lynch, Regina King, Idris Elba, Chiwetel Ejiofor and Viola Davis.
Alongside the screenshots of her comments in the group chat, she shared a February 2025 exchange with Stenberg that shows the author severing ties with the actor.
Adeyemi shared only her final message to Stenberg, which reads, “Do not ever use my name in an interview or video again. Do not text me. Do not call me.” That exchange is followed by a notification that she blocked Stenberg, who plays Princess Amari in the upcoming fantasy flick.
The message from Stenberg that preceded Adeyemi’s reply is not shown in full.
Stenberg, who played Rue in “Hunger Games,” Starr Carter in “The Hate U Give” and, recently, Verosha “Osha” Aniseya and Mae-ho “Mae” Aniseya in Disney’s “Star Wars” series “The Acolyte,” had been getting flack from readers of the series, who claimed colorism was an issue while casting the movie.
In February 2025, Stenberg posted a since-deleted nine-minute TikTok addressing the controversy and told followers that Adeyemi had given the actor her blessing when cast as the series’ princess.
“I am four months into training for ‘Children of Blood and Bone’ and I am getting my ass whooped,” Stenberg joked in the video, per BET.
“This year was mostly defined for me, honestly, by contending with what it felt like to receive racist death threats just for existing in the ‘Star Wars’ universe, and that was a really difficult thing for me to move through,” she continued. “But honestly, it feels so much more painful for me to feel like I’m at odds with my own community.”
Stenberg said that she considers her skin tone when navigating her career choices and would “never go after a role” she didn’t feel well suited for. “I know that colorism is an insidious system that relentlessly impacts every facet of entertainment.”
The actor continued that it was actually a meeting with the “Children of Blood and Bone” author that gave her the confidence to pursue the role.
“I had the opportunity to meet Tomi, the novelist, for the first time. … And she goes, ‘Amandla, I want you to know that when you were a little girl and you were cast as Rue in “The Hunger Games,” and people said that Rue’s death wouldn’t be as sad because you’re a Black girl — that inspired me to write this series so that Black girls like you and Black girls of all shades could have a story written about them,’” Stenberg said in the video. “We started crying, and I said to myself, ‘God wants me here.’”
Representatives for Stenberg, Adeyemi and Prince-Bythewood did not immediately respond to The Times’ request for comment.
Movie Reviews
‘Night Nurse’ Review: A Caretaker Explores Her Kink for Elder Abuse in the Year’s Strangest Erotic Thriller
There are any number of erotic thrillers in which rich old men are robbed blind and/or left for dead, but Georgia Bernstein’s admirably bizarre “Night Nurse” might be the first movie of its kind where elder abuse is the source — and possible subject— of its erotic thrills. If there are others, I’m not sure I want to know.
But this woozy debut feature doesn’t rely on its audience being turned on by the relationship between a nubile caretaker and her dementia-addled patient. Their psychosexual bond, meanwhile, hinges on cold-calling vulnerable old people under the guise of a grandchild in financial distress. (“I’m in trouble, nana, send me $10,000 or I’ll be left to rot in jail!” That sort of thing). With its slim wisp of a premise stretched into a Strickland-esque dreamscape that substitutes kink for conflict, the film itself hardly seems convinced by its own wrinkled lust — all desperate kisses and non-touching poses of subservience. More important to Bernstein is what that lust reveals about her characters’ deepest needs, specifically how their need to care and be cared for can be as easily perverted as any other form of desire.
As moody and weightless as the noir-accented score that blows through the movie like a curlicue gust of wind in an old cartoon (credit to musicians Sam Clapp and Steven Jackson), “Night Nurse” lacks the pulse required for its stray feelings to come alive. Still, the film ambiently taps into the latent eroticism of teasing out the distance between how you see yourself and who you really are. Bernstein plays with that distance like a telephone cord wrapped around her fingers, and Eleni — played by the excellent newcomer Cemre Paksoy, powerfully helpless — only frays even more as the receiver is brought near the hook. “Everything I did before today wasn’t me,” the nurse tells co-worker Mona (Eleonore Hendricks) after starting a new job at an Illinois retirement home. “It was somebody else.”
What she did before today remains unexplored (specifically, what she did to get herself fired from her last gig), but I’m guessing she’s probably changed less than she thought. There’s a faraway flicker in her eyes the moment she catches the vibe between Mona and Douglas (a ribald and elusive Bruce McKenzie), a white-haired seventysomething who shows early signs of dementia but still commands an undiminished sexual energy. “I’m not an invalid,” he coos as Mona bathes him in the tub, to which she replies, “yes, you are,” in a supplicant tone that hints at a rich history of power games between them.
Later that same night, Douglas will force Eleni to call a stranger, pretend that she’s their granddaughter, and ask for money — he’ll wrap the phone cord around the nurse’s body as she talks and shove her against the wall as they kiss. She’s into it. So into it that he has to clarify the terms of his whole deal: “If you’re looking for a pogo stick, I’m really not your guy.” But Eleni isn’t looking for anything to bounce on. She just wants to be needed, and maybe to need someone in return. Someone who will see her for who she really is and allow her the fantasy of pretending she isn’t being herself when she cons vulnerable strangers out of their money — when she exploits how enthralled those strangers are by the care they have for their loved ones.
“Night Nurse” doesn’t belabor the psychology, as Bernstein prefers to express her story through heavy-lidded suggestion. Somnambulating from the moment it starts, the film moves through a series of beautifully arranged poses that stretch their latent meaning thin across the surface (Lidia Nikonova’s cinematography lacquers every shot with a seductive dreaminess). We see Douglas smoking in a lawn chair with Mona and Eleni curled around his feet. Eleni riding in the backseat of a convertible as the wind blows through her curls. The full staff of nurses — all of them under Douglas’ sway — stumbling around his condo in a state of zonked out bliss as they roll on the prescription drugs they’ve stolen from the residents.
Once you’ve seen one shot of this movie, you’ve practically seen them all, at least until things escalate during a rushed and unsatisfying third act that forces Eleni into an honest confrontation with herself. People will do just about anything to feel needed — they’ll give whatever degree of care allows them to receive it in return. “Night Nurse” understands that desire, but remains far too numb to treat it.
Grade: C+
The Independent Film Company will relase “Night Nurse” in theaters on Friday, July 10.
Entertainment
Lucas Museum to give free annual passes to South L.A. neighbors, host community preview day
The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.
The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.
Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.
“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”
The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.
The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.
More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.
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