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John Mulaney hosts eventful 'SNL' with Kamala Harris in cold open, new song from Chappell Roan

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John Mulaney hosts eventful 'SNL' with Kamala Harris in cold open, new song from Chappell Roan

You know it’s a stacked week on “Saturday Night Live” when a new John Mulaney-led Duane Reade at the Port Authority Bus Terminal musical sketch is only about the fifth-most important thing to discuss.

The biggest news, as reported earlier, was that Vice President Kamala Harris appeared in the cold open to “stop the dramala” and to literally mirror Maya Rudolph’s portrayal of her. We’ll talk more about that sketch in a moment.

Also notable was that musical guest and festival sensation Chappell Roan performed her sing-along hit “Pink Pony Club” and also debuted a surprise country song, “The Giver.”

In another surprise, 2016 vice presidential candidate, Virginia Sen. Tim Kaine, who ran alongside Hillary Clinton, portrayed himself in “What’s That Name?” a game-show sketch. In it, Mulaney plays a man who claims to care deeply about Tuesday’s presidential election, yet can’t remember Kaine’s name.

Maya Rudolph, left, with Vice President Kamala Harris during the cold open.

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(NBC/Will Heath/NBC)

Mulaney, who hosted “Everybody’s in L.A.” for Netflix in May and who will host a weekly live show for the streamer in early 2025, did an admirable job holding it all together in a solid mix of sketches. There was a sublimely silly video in which Mulaney plays a ground control officer trying to help a chimp astronaut return to Earth early in the show. Two sketches late in the episode jammed in a lot of jokes into simple premises: one was about Little Richard (Kenan Thompson) appearing too many times in a 1990s sitcom. And the other featured Mulaney playing real-life New York City Council candidate Harvey Epstein, who acknowledges in a campaign video that both his names are highly problematic.

Even without the Broadway fantasia that is the latest edition of Duane Reade (more on that one below), Mulaney’s hosting would have been tops for the 50th season so far, or at least neck-and-neck with Ariana Grande from a few weeks ago.

Before the closing goodbyes, a title card honored Teri Garr, who died this week. The actor hosted the show three times in the 1980s.

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Rudolph finally came face-to-face with the real-life Harris in this week’s cold open, whose speaking-to-the-mirror conceit was similar to a recent Jennifer Coolidge sketch. But there was lots of ground to cover three days before the national election, including former President Trump (James Austin Johnson) at a rally, sporting a big orange vest for “wearing it in garbage truck” and mocking former Wyoming Rep. Liz Cheney (“I just said I wanted her to go hunting with her dad”).

J.D. Vance (Bowen Yang) appeared briefly before we saw the return of Jim Gaffigan as Minnesota Gov. Tim Walz, Andy Samberg as Doug Emhoff and Dana Carvey as President Biden.

But of course, it was Kamala Harris who got the biggest reaction, joining Rudolph with, “Live from New York, it’s Saturday Night!”

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For his sixth outing as host, Mulaney performed a monologue that was extremely quick-moving, jumping from topic to topic, and that was notable for making absolutely no mention of the impending election. Instead, Mulaney began by updating the audience on his family life: He recently married Olivia Munn and now has a 5-week old daughter along with a 2-year-old son. He described the relative heights of all the people in his life who he’s taller than, including Munn, his even shorter mother-in-law and a nanny who is “negative one-feet tall.” Mulaney talked about his parents, who are aging too slowly for his taste (“They still have brown hair and go on bike trips”) and what it’s been like, at age 42, to already be thinking about hip-replacement surgery.

Best sketch of the night: Bring Beppo home

There’s just something about Mulaney and monkeys that works on “SNL.” Two years after appearing as a monkey judge, the host plays a character trying very hard to bring Beppo, America’s first chimp to orbit the Earth, back home safely. Beppo can communicate with words via a keyboard of icons, but when mission control loses control of the spacecraft, it’s up to Mulaney’s character to tell the chimp the bad news in words he can understand: “Beppo no go home. Beppo go dark. Beppo equals zero forever.” The video sketch takes several dark and absurd turns, includes a “Hidden Figures” reference and ends triumphantly … sort of. Extra points for making Beppo the doomed chimp look so realistic and adorable.

Also good: Duane Reade milk is organ, not organic

Whenever John Mulaney hosts “SNL,” there’s always a good chance he’ll bring back his musical homage sketch that take place at a Duane Reade at the Port Authority Bus Terminal. For this latest version, former cast member Pete Davidson returned, looking to buy a jug of milk that turns out to be from a family of possums (Thompson and Ego Nwodim), who turn the bit into a “Lion King” number. Marcello Hernández played a shampoo bottle kept under lock and key while New York mayor Eric Adams (Thompson) parodied “Aladdin” in reference to his Turkish connections. There was more, lots more, but the standout may have been Samberg returning to perform “Baby Bear Carcass,” in tune with the “Hamilton” opening number, a reference to Robert F. Kennedy Jr.’s bizarre Central Park story. As the sketch notes, the former presidential candidate is still on the ballot in two swing states. Either you love these New York-centric musical sketches or you find them completely random, but you can’t deny they’re ambitious.

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‘Weekend Update’ winner: Reba!

Hernandez and new cast member Jane Wickline played “a couple you can’t believe are together,” but it was Heidi Gardner as “The Voice” coach and country superstar Reba McEntire who won “Weekend Update” this week. In a segment that continued to indulge the show’s fascination with McEntire (why not have her host sometime?) Gardner portrayed the singer as an undecided voter. “Call me Shawn Mendes because I’m still figuring it out,” she said. Gardner’s arm-waving impression paired with strange stories about McEntire’s hometown of McAlester, Okla., where, “If you think the milk is spoiled, give it another sip.” More disturbing: Reba says she’s the daughter of a Republican momma and a daddy who was Pennywise the Clown from Stephen King’s “It.” “Momma worked 59 jobs. Daddy only had one: eating kids.” Was it the most accurate Reba impression? It was not. Was it the strangest? Absolutely. Let’s have the real McEntire on the show to do another one of those mirror sketches.

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Jada Pinkett Smith asks court to make Will Smith’s former friend pay her $49,000 legal bills

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Jada Pinkett Smith asks court to make Will Smith’s former friend pay her ,000 legal bills

Jada Pinkett Smith is asking a judge to make Bilaal Salaam cover the $49,000 in legal fees she racked up fighting claims he made in a December lawsuit.

According to a motion filed April 20 and obtained by The Times, Pinkett Smith is asking that Salaam pay $49,181.23, consisting of “reasonable attorneys’ fees incurred” in connection with Pinkett Smith’s successful special motion to strike Salaam’s complaint, “plus further fees and costs associated with this motion.”

Salaam — Will Smith’s former best friend of 40 years who also goes by Brother Bilaal — filed a lawsuit against the “Bad Moms” actor in December, alleging emotional distress and seeking $3 million in damages.

Salaam claimed that in September 2021, he attended a private birthday party for Will Smith at the Regency Calabasas Commons. According to his lawsuit, he was in the lobby of the movie theater when Pinkett Smith approached him with about seven members of her entourage and threatened him. Salaam’s suit claims that Pinkett Smith told him he would “end up missing or catch a bullet” if he kept “telling her personal business.” She also allegedly pressured him to sign a non-disclosure agreement.

In November 2023, Salaam appeared on the “Unwine With Tasha K” podcast and alleged that he walked into Duane Martin’s dressing room and saw Will Smith having a sexual encounter with the “All of Us” actor. He also made claims about Pinkett Smith’s sexual habits.

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Pinkett Smith swiftly responded during an appearance on “The Breakfast Club” and said that Salaam started the rumors as part of a broader “money shakedown” and that his claims were “ridiculous and nonsense.”

“It’s not true and we’re going to take care of it,” she said. “We’re about to take legal action.”

Salaam beat Pinkett Smith to the courthouse and sued her in December, but Pinkett Smith asked the judge to toss the case in February.

According to the motion filed this week, the former “Red Table Talk” host argues Salaam should pay her hefty legal bills because she “prevailed on her anti-SLAPP motion” and the court struck all allegations relating to media statements “that formed the basis for Plaintiff’s three causes of action, as well as additional allegations regarding a cease-and-desist letter.”

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‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

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‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

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With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

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On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

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Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

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