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Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN

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Inside Christine McVie’s and Stevie Nicks’ decades-long friendship | CNN



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All through the varied private turmoils for which the members of Fleetwood Mac are recognized, one relationship buoyed the band for many years: the friendship between its two frontwomen, Christine McVie and Stevie Nicks.

McVie joined the band in 1970 throughout one in all its early lineup modifications and for years was its solely lady. When Nicks was added to the lineup in 1975, the 2 turned quick buddies.

Theirs was not a aggressive relationship, however a sisterly one – each girls had been gifted songwriters chargeable for crafting most of the band’s best-known tunes. Although the 2 grew aside within the Eighties amid Nicks’ worsening drug habit and the band’s rising inside rigidity, they got here again collectively when McVie returned to Fleetwood Mac in 2014.

At a live performance in London, shortly earlier than McVie formally rejoined the band, Nicks devoted the track “Landslide” to her “mentor. Large sister. Greatest pal.” And on the present’s finish, McVie was there, accompanying her bandmates for “Don’t Cease.”

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“I by no means need her to ever exit of my life once more, and that has nothing to do with music and every little thing to do along with her and I as buddies,” Nicks informed the Minneapolis Star-Tribune in 2015.

On Wednesday, McVie, the band’s “songbird,” died after a quick sickness at age 79. Under, revisit McVie’s and Nicks’ years-long relationship as bandmates, finest buddies and “sisters.”

The story of Nicks becoming a member of Fleetwood Mac is legend now: Band founder and drummer Mick Fleetwood wished to recruit guitarist Lindsey Buckingham, who stipulated that he would solely be part of if his girlfriend and musician Nicks may be part of, too. McVie solid the deciding vote, and the remainder is historical past.

“It was vital that I received on along with her as a result of I’d by no means performed with one other lady,” McVie informed the Guardian in 2013. “However I preferred her immediately. She was humorous and good but in addition there was no competitors. We had been fully completely different on the stage to one another and we wrote in a different way too.”

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All through the band’s many private problems – McVie married and divorced Fleetwood Mac bassist John McVie and had an affair with the band’s lighting director, whereas Nicks had rollercoaster romances with Buckingham and Fleetwood – they had been one another’s heart.

“To be in a band with one other lady who was this wonderful musician – (McVie) form of immediately turned my finest pal,” Nicks informed the New Yorker earlier this 12 months. “Christine was an entire different ballgame. She preferred hanging out with the fellows. She was simply extra comfy with males than I had ever been.”

The 2 protected one another, Nicks stated, in a male-dominated trade: “We made a pact, within the very starting, that we’d by no means be handled with disrespect by all of the male musicians in the neighborhood.

“I’d say to her, ‘Collectively, we’re a critical drive of nature, and it’ll give us the power to maneuver the waters which can be forward of us,’” Nicks informed the New Yorker.

“Rumours” was the band’s biggest success so far when it was launched in 1977. However the band’s relationships with one another had been deteriorating, save for the one between McVie and Nicks. Whereas the pair had been enduring breakups with their vital others, Nicks and McVie spent their time offstage collectively.

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The Guardian requested McVie if she was making an attempt to offset the band’s tumult along with her songs on “Rumours,” together with the lighthearted “You Make Lovin’ Enjoyable” and optimistic “Don’t Cease.” She stated she probably had been.

As a number of members’ drug use intensified, the band’s dynamic grew tense. McVie distanced herself from the group in 1984 amid her bandmates’ addictions, telling the Guardian she was “simply sick of it.” Nicks, in the meantime, was turning into depending on cocaine.

After Fleetwood Mac was inducted into the Rock & Roll Hall of Fame in 1998, Christine McVie (third from left) quit the band.

McVie informed Rolling Stone that 12 months that she’d grown other than Nicks: “She appears to have developed her personal fantasy world, by some means, which I’m not a part of. We don’t socialize a lot.”

In 1986, Nicks checked into the Betty Ford Middle to deal with her habit, although she later turned hooked on Klonopin, which she stated claimed years of her life. She give up the prescription drug within the Nineties.

After recording some solo works, McVie returned to Fleetwood Mac for his or her 1987 album “Tango within the Evening,” and two of her songs on that file – “Little Lies” and “In every single place” – turned main hits. However Nicks departed the band quickly after, and the band’s best-known lineup wouldn’t formally reunite till 1997 for “The Dance” tour and subsequent reside album.

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The reunion was short-lived: After the band was inducted into the Rock & Roll Corridor of Fame in 1998, McVie formally give up Fleetwood Mac, citing a worry of flying and exhaustion of life on the street.

Within the 2010s, after greater than a decade of retirement, McVie toyed with returning to performing. She formally rejoined Fleetwood Mac after calling Fleetwood himself and gauging what her return would imply for the group.

“Thankfully Stevie was dying for me to return again, as had been the remainder of the band,” she informed the Arts Desk.

In 2015, a 12 months after she’d rejoined Fleetwood Mac, McVie hit the street along with her bandmates. Touring with the group was tiring however enjoyable, the primary time they’d carried out collectively in years.

“I’m solely right here for Stevie,” she informed the New Yorker that 12 months.

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Christine McVie (left) and Stevie Nicks perform together at Radio City Music Hall in 2018.

Nicks concurred: “Once we went on the street, I noticed what a tremendous pal she’d been of mine that I had misplaced and didn’t notice the entire penalties of it until now,” she informed the Minneapolis Star-Tribune in 2015.

Throughout that tour, McVie wore a silver chain that Nicks had given her – a “metaphor,” McVie informed the New Yorker, “that the chain of the band won’t ever be damaged. Not by me, in any case. Not once more by me.”

McVie informed the Arts Desk in 2016 that she and Nicks had been “higher buddies now than (they) had been 16 years in the past.”

Touring with Buckingham and Fleetwood may rapidly get tumultuous for Nicks, McVie stated, as a consequence of their shared historical past. “However with me in there, it gave Stevie the possibility to get her breath again and never have this fixed factor occurring with Lindsey: her sister was again,” she stated.

Their mutual reward continued: In 2019, McVie stated Nicks was “simply unbelievable” onstage: “The extra I see her carry out on stage the higher I feel she is. She holds the fort.”

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When their 2018-2019 tour ended, although – with out Buckingham, who was fired – the band “form of broke up,” McVie informed Rolling Stone earlier this 12 months. She added that she didn’t converse with Nicks as typically as she did once they toured collectively.

As for a reunion, McVie informed Rolling Stone that whereas it wasn’t off the desk, she wasn’t feeling “bodily up for it.”

“I’m getting a bit lengthy within the tooth right here,” she stated. “I’m fairly pleased being at dwelling. I don’t know if I ever need to tour once more. It’s bloody laborious work.”

Information of McVie’s demise rattled Nicks, who wrote that she had solely discovered McVie was sick days earlier. She referred to as McVie her “finest pal in the entire world because the first day of 1975.”

On her social media accounts, Nicks shared a handwritten be aware containing lyrics from the Haim track “Hallelujah,” a few of which discusses grief and the lack of a finest pal.

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“See you on the opposite facet, my love,” Nicks wrote. “Don’t overlook me – All the time, Stevie.”

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'What We Do in the Shadows' finale: All good things must end

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'What We Do in the Shadows' finale: All good things must end

This article contains spoilers for the series finale of “What We Do in the Shadows.”

Can vampires be funny? After six seasons of “What We Do in the Shadows,” the answer is a resounding yes.

Like the 2014 film by Taika Waititi and Jemaine Clement that it is based on, the series is a mockumentary that follows a group of vampire roommates, Laszlo Cravensworth (Matt Berry), Nadja of Antipaxos (Natasia Demetriou), Nandor the Relentless (Kayvan Novak) and Colin Robinson (Mark Proksch), and their familiar Guillermo de la Cruz (Harvey Guillén). The vampires here are much like the ones you’ve seen in movies and read about in books: they’re immortal, blood-sucking creatures who kill mercilessly. But the series, like the film, shows that vampires are also multidimensional — vulnerable, emotional, funny, absurd — and completely out of place in the modern world. “Shadows” was often at its best when we saw the characters trying to blend in and act like everyday citizens of Staten Island, N.Y.

But what differentiated the FX series from its source material was how it expanded the vampire universe and our understanding of it. Case in point: the creation of energy vampires like Colin Robinson, who feed on emotional energy instead of blood. It was the perfect analogy to our tech-driven, capitalist, corporate society where meetings, office small-talk and bureaucracy often feel like they can drain us of our life force.

Now, the show is coming to a close, and not just in our world. In the “Shadows” universe, Guillermo and the vampires are saying goodbye to the documentary camera crew that have followed them for the past six years. For the vampires, it’s just another day as immortal beings; we learn they’ve been through this before, having shot a documentary in the 1950s. But for Guillermo, it’s bittersweet; he’s trying to come to terms with the news, what it means and what’s next for him.

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The other question it raises: How do you come up with a perfect ending for a show? Guillermo ponders this and the finale plays with it. We see the boom mics, cameras and operators emerge from behind the scenes and a clapperboard close the documentary, but a twist at the end of the episode opens the possibility for more — will Guillermo start a new life as a vigilante with Nandor or leave the vampires behind? We don’t know for certain, but for now, Times staff writer Tracy Brown and television editor Maira Garcia discuss the finale of the series, favorite moments and what made the comedy so special.

Will familiar and vampire become vigilante and sidekick? Nandor (Kayvan Novak) and Guillermo (Harvey Guillén) in their superhero outfits.

(FX)

Maira Garcia: All good things must come to an end, to quote Nadja of Antipaxos, or was it Nelly Furtado who said that originally? In any case, we’ve come to the end of the road for “What We Do in the Shadows,” one of my favorite comedies of the past decade. Tracy, you’ve heard me wax on about this show and my love for Jackie Daytona and Matt Berry probably more than you ever wanted to hear, but its quirkiness, ongoing jokes and macabre humor were always my kind of humor.

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Now that the finale has aired, I’m curious to hear what you thought of the episode and how it ties things up? We’ve seen the characters occasionally break the fourth wall by addressing the camera directly or acknowledging the documentary crew, but this was a wrecking ball.

Tracy Brown: I wouldn’t have had it any other way. I thought the episode was a very wild and fitting “Shadows” way to wrap things up. One of the things I’d asked showrunner Paul Simms before the season started was whether the finale was a period or more like a semicolon so I knew we were getting an episode more like the latter. Still, I wasn’t sure what to expect because series finales are tough — just look at all the best/worst lists that have been published. It was fun to see the show just skewer the whole idea of endings and closure and sticking the landing. Of course Guillermo got caught up in his feelings about the “documentary” coming to the end because it’s a very human thing to reflect on the crossing of milestones and to want the passage of time to mean something. And he experienced a lot of growth and change over the course of the show. But for the vampires, it’s just any other day. One of my favorite gags in the episode was the vampires revealing that this documentary (a.k.a. the show) wasn’t even the first time they’d let a film crew into their lives. The unreleased Maysles brothers film was great both thematically and as a way to revisit some favorite moments from the past.

How about you, Maira? What did you think of the episode? More importantly, how excited were you for Jackie Daytona’s return?

A black and white photo of a man standing at the head of a room as four people sitting in armchairs look up at him.

The vampires in a documentary — in 1958. (Russ Martin/FX)

A black and white photo of a man wearing a hat with toothpick in his mouth.

Jackie Daytona from Tucson, Arizonia, has been around awhile. (Russ Martin/FX)

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Garcia: I was thrilled. Jackie’s been around town for awhile, as we learn. I think the nod to “The Usual Suspects” was another moment that had me in stitches (and don’t laugh, but it took me a minute to realize what I was watching — the movie came out in 1995! I can barely remember what I had for lunch.) I was curious how they would tie everything together, considering so much of this season has been about Guillermo — played by Harvey Guillén, a brilliant actor who I hope we see more of soon — beginning to let go of the roommates/coven that he’s been with for so long. First, he decides he no longer wants to be a vampire, and he gets a corporate job in finance, but that ends up not working out either, as we see in the penultimate episode. In some ways, he still seems to be finding his way, but it’s true, he’s grown so much. He went from a meek, subservient familiar to realizing he has Van Helsing blood, and has the ability to lay waste to vampires (which he does, to Laszlo, Nadja, Colin and Nandor’s benefit), to the infinitely more confident person he is now. His arc, including when he came out to his family in Season 4, was handled with care and it showed that you can be sensitive and kind, but also a no-holds-barred vampire killer when you need to be.

A man sits up in a fur-lined coffin as a man stands next to it.

Nandor (Kayvan Novak) and Guillermo (Harvey Guillén) in one of the final scenes from the finale of “What We Do in the Shadows.”

(Russ Martin/FX)

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Brown: Guillermo really was the beating heart of the show — literally! And I laughed when the Guide (Kristen Schaal) suggested turning Guillermo into a vampire for their perfect ending because it was a perfect nod to how most people probably expected the show to end before Season 5 happened. But I think for me that arc in particular really highlights what was special about this show. Guillermo standing up for himself to finally make his dreams come true on his own terms since his (toxic) boss had strung him along for years, only to realize the big life change wasn’t for him and that being OK. It was something very relatable wrapped up in the unabashedly silly vampire trappings of the show. “Shadows” was proudly a comedy through and through but it handled its deeper themes with care. Like the time in Season 3 when Nadja’s ghost felt so neglected that it jumped from her doll to possess various other things including a giant inflatable rat. A hilarious lesson on the importance of self care. But that levity and absurdity was really the show’s superpower at a time when a lot of the other buzzy comedy shows are making us cringe or cry.

Garcia: Absolutely. Sometimes I just need to laugh, and this show consistently delivered without being too heavy-handed. And each character was more than the face they put on; for example, Laszlo was a self-described lothario, but he was also the guy who became a father figure for Colin Robinson when he rebirthed himself, and he created the Monster, who he cares for like a son. Plus, we got a cameo this season from Steve Coogan, as Laszlo’s father Lord Roderick, which showed the complicated relationship between them, and again, showcases the depth of our vamps. Similarly with Nandor, who was once a great Ottoman warrior, we see that he is really just a big softie looking for love, romantic and platonic.

Tracy, you spent some time with the cast this year in the lead up to the final season. They seem like a group with a lot of chemistry from what we’ve seen on screen, and each has comedic chops that work well together. What did they say about the show coming to a close?

Brown: I got to talk to them right around the time that they would usually be heading to Toronto to film the next season, so they were all feeling a little nostalgic and mentioned how it was weird that they weren’t getting ready for more “Shadows.” The cast is really close so they shared how they had just been texting each other “I miss you” or even messages joking about their flight being delayed or making plans in Toronto as if they were about to go shoot another season. I’ll let you guess who was sending what. But the overall sentiment was love — for the show, for each other and for the fans. I think Natasia Demetriou said it best: “There wasn’t one season where I didn’t think at least 10 times a day, ‘I cannot believe this is my job. I cannot believe I get to do this.’ … I’m going to miss the show so much.” I’m going to miss it, too.

Garcia: That is genuinely heartwarming. I love it when a cast becomes real-life friends. But I’d be remiss if I didn’t mention the many guest stars on this series, a who’s who of comedy appeared over the six seasons. We even saw OG “Shadows” vampires Jemaine Clement, Taika Waititi and Jonny Brugh on the show. But it was the ongoing appearances of Haley Joel Osment as Topher and Benedict Wong as Wallace the necromancer that were among my favorites. Who were some of yours?

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A man in a pink furry coat and hat drives an old car covered in string lights.

Matt Berry in the Season 5 episode “Pride Parade.” (Russ Martin/FX)

A woman in a white shirt and plaid beige cardigan looks a man in a beige sweater who is seen from behind.

Vanessa Bayer and Mark Proksch in Season 5’s “The Campaign.” (Russ Martin/FX)

Brown: It’s tough to keep it to a short list but I’ll go with Vanessa Bayer as emotional vampire Evie Russell and, of course, Mark Hamill as Jim the Vampire. And Doug Jones as the Baron was my favorite recurring guest star. If we’re talking cameos, my absolute favorite moment was when Sofia Coppola, Phoenix’s Thomas Mars and Jim Jarmusch showed up as themselves in Nadja’s vampire nightclub. The vampire councils were great but I laugh at that scene every time. And since we’re reminiscing, I have to give a shout to Season 5’s “Pride Parade,” about the vampires helping Laszlo’s human buddy Sean appeal to the “LGBTQLMNOP community” to help his campaign, and Season 2’s “Ghosts,” which introduces Nadja’s human ghost that possesses her doll, as a couple of my favorite episodes. What about you?

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Garcia: The Nadja nightclub storyline was so good, from start to finish. It’s so hard to pick. But since you mention Vanessa Bayer, that episode from Season 5 with the energy vampire council is a recent favorite. Evie and Colin’s meeting with them is the equivalent to the most painful Zoom meeting you’ve ever been on at work, where someone doesn’t know how to mute or notification pings keep interrupting the conversation or someone is trying to fix a tech problem as everyone else waits. It is breathtaking in its similarities and that feeling you get, like you just died inside a little. I’ve never seen anything capture that feeling so closely.

I think another favorite for me is the finale of Season 3, after Colin Robinson dies and it seems like everyone is going their separate ways, only for there to be a twist: Colin is alive. There’s also an earlier episode from Season 3, where Nandor joins a wellness cult, that’s great. From this final season, the ninth episode is a standout, where Guillermo’s cousin Miguel, played by Frankie Quiñones, arrives to help him battle other vampires, including barista vampires — ahem, I mean artists and writers. It demonstrates how intricate the vampiric world is on this show. Oh, and it’s hilarious.

As much as I wish this show would go on, ending on a high note is good, though I’ll miss hearing “You’re Dead” any time I started up a new episode.

Brown: At least Season 6 gave us the Matt Berry cover.

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Even Drew McIntyre’s movie reviews are savage

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Even Drew McIntyre’s movie reviews are savage

In case you forgot while he was away for a couple months after the CM Punk feud wrapped up at Bad Blood, Drew McIntyre can be savage. In the ring (or the many other places McIntyre and his rivals have been known to fight each other), on the microphone, and perhaps especially online — Drew knows how to use social media to vicious, hilarious effect.

It doesn’t even have to be about WWE or pro wrestling. Take McIntyre’s latest, for instance. It’s a self-affirming review of the new movie, Kraven the Hunter.

Sure, Sony’s “Spider-Man Villains Cinematic Universe without Spider-Man” is low-hanging fruit. The flick Drew offer his unvarnished review of just bombed at the box office over the weekend, and is being called a lowlight of the six-film franchise… a franchise that includes all-time clunkers Morbius and Madame Web.

McIntyre popped us with it, though. And convinced us that he should have been cast as Sergei Kravinoff, and really anything Aaron Taylor-Johnson’s up for. Including being the next James Bond.

Sorry, I digress. Let us know what you think about Drew’s Kraven review, or the movie itself, or McIntyre’s current WWE program, or his Hollywood prospects, in the comments below.

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'Community' star Yvette Nicole Brown marries actor Anthony Davis: 'He is the one for me'

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'Community' star Yvette Nicole Brown marries actor Anthony Davis: 'He is the one for me'

Yvette Nicole Brown is a married woman after tying the knot with actor Anthony Davis.

The “Community” alumna and “JD’s Place” actor Davis said their “I do’s” on Saturday at the Maybourne Beverly Hills, Brown announced in a series of Instagram posts Sunday evening and Monday morning. “I had no nerves when it came to marrying this man,” the “Drake & Josh” actor-comedian told People, which published photos from the actors’ weekend ceremony.

The photos showcase the “Act Your Age” star’s sheer-sleeved, mermaid-cut wedding gown adorned with floral appliqués from designer Ines Di Santo. For the special day, Davis opted for brown suit pants and a matching velvet suit jacket.

Brown, 53, and Davis married decades after meeting in their 20s at an acting class. Davis was married at the time and the actors struck up a friendship, Brown recalled to “The View” in 2023 when she announced her engagement. They lost contact but reconnected after Brown’s mother died in May 2021. “He found me… after he divorced,” Brown told “The View” last year.

During the TV spot last year, Davis told the “View” audience that his then-fiancée was the “most beautiful person in the world.”

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Brown added: “He’s a nice man, you guys. A good, kind, loving man.”

Brown, a long-time comedy TV staple and Emmy nominee, has taken her love with Davis to more than just the daytime talk space. She and Davis have flaunted their love on Instagram with Valentine’s Day posts and photo shoots with her cocker spaniel Harley. This year, the newlyweds also appeared together at multiple Hollywood events including the Paley Honors Gala, the premiere of “Inside Out 2” and the BET Awards.

Most recently, Brown appeared on “The Jennifer Hudson Show” and Davis kept her company in the audience. She recalled their unintentional first date in New York and discussed finding love in her 50s, telling the audience the importance of waiting until they find “the one their heart loves.” A week and a wedding later, Brown told People that Davis is just that.

“He is the one for me. Absolutely,” she said.

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