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As California Burns, ‘Octavia Tried to Tell Us’ Has New Meaning

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As California Burns, ‘Octavia Tried to Tell Us’ Has New Meaning

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In the wake of the devastating fires in Los Angeles, many people are referencing the work of the science fiction writer Octavia Butler. Butler, who grew up in Pasadena, was the daughter of a housekeeper and a father who was a shoeshiner. She went on to become the first science fiction writer to win a MacArthur “genius” award. Her book “Parable of the Sower,” published in 1993, paints a picture of a California ravished by the effects of climate change, income inequality, political divisiveness and centers on a young woman struggling to find faith and the community to build a new future.

The phrase “Octavia tried to tell us,” which began to gain momentum in 2020 during the pandemic, has once again resurfaced, in part because Butler studied science and history so deeply. The accuracy with which she read the shifts in America can, at times, seem eerily prophetic. One entry in “Parable of the Sower,” which is structured as a journal, dated on “February 1, 2025” begins, “We had a fire today.” It goes on to describe how the fear of fires plague Robledo, a fictional town that feels much like Altadena, a haven for the Black middle class for more than 50 years, where Butler lived in the late ’90s.

In 2000, Butler wrote a piece for Essence magazine titled, “A Few Rules for Predicting the Future.” She wrote: “Of course, writing novels about the future doesn’t give me any special ability to foretell the future. But it does encourage me to use our past and present behaviors as guides to the kind of world we seem to be creating. The past, for example, is filled with repeating cycles of strength and weakness, wisdom and stupidity, empire and ashes.”

In one of the last interviews before she died in 2006, Butler spoke to Democracy Now!, an independent news organization, about how she’d been worried about how climate could devastate California . “I wrote the two ‘Parable’ books back in the ’90s,” she said, referring to “Parable of the Sower” and her 1998 follow-up, “Parable of the Talents.” These books, she explained, were about what happens when “we don’t trouble to correct some of the problems we are brewing for ourselves right now. Global warming is one of those problems. And I was aware of it back in the ’80s.” She continued: “A lot of people were seeing it as politics, as something very iffy, as something they could ignore because nothing was going to come of it tomorrow.

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Lynell George, a writer who lives in Los Angeles and the author of a book on Butler and her creative journey, has spent many years studying Butler’s archives at the Huntington Library in Pasadena. In 2022, we asked George to write about how Butler predicted the world we live in. As so many people are turning to her work during this time of tremendous loss, we wanted to share that story with our readers again.

In her piece, “The Visions of Octavia Butler,” George wrote: “In ‘Parable of the Sower,’ Earth is tipping toward climate disaster: A catastrophic drought has led to social upheaval and violent class wars. Butler, a fervent environmentalist, researched the novel by clipping articles, taking notes and monitoring rain and growth in her Southern California neighborhood. She couldn’t help but wonder, she later wrote, what ‘environmental and economic stupidities’ might lead to. She often called herself a pessimist, but threaded into the bleak landscape of her ‘Parable’ novels are strands of glimmering hope — ribbons of blue at the edges of the fictional fiery skies.”

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How a Beer Hall Keeps Up With a World Cup Crowd

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The fans see the games, the crowds, the food and the beer. But behind every World Cup watch party is a team working long before kickoff and well after the final whistle. We go behind the scenes at a beer hall in Brooklyn to see what it takes to serve a room full of soccer fans on game day.

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With the white nationalist group Patriot Front, what you see is not what you get

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With the white nationalist group Patriot Front, what you see is not what you get

Members of the group Patriot Front ride the subway as a commuter looks on, in Washington, D.C., on July 4.

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The sight of hundreds of masked men roaming the streets of Washington, D.C., on July Fourth weekend, wearing khakis, blue shirts and uniform patches, was chilling to some of the city’s residents.

For many Americans, it was the first they heard about Patriot Front, a white nationalist organization that was born out of the deadly 2017 Unite the Right rally in Charlottesville, Va. A now-viral Reuters photo prompted reflections on the experience of a lone African American woman who was photographed in a Metro subway car, surrounded by white supremacists.

The planned demonstration of force was timed to bring a fringe group of extremists into public view as the nation marked 250 years of its independence. Indeed, the stunt succeeded in earning the group media coverage across mainstream outlets, amplifying its brand and potential to reach new recruits. On this occasion, the members refrained from engaging in violence and property damage, projecting an image of law-abiding, orderly activism.

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But those who are closely familiar with Patriot Front’s history and operations warn: Don’t believe what you see.

“That is not who they are in private,” said Len Kamdang, director of the Criminal Justice Project at the Lawyers’ Committee for Civil Rights Under Law. “Although they were on their best behavior [last] weekend, this is a dangerous group that commits acts of violence all over the country.”

Patriot Front’s history of violence and property damage

Kamdang’s organization sued members of Patriot Front for vandalizing a public mural dedicated to the tennis legend and Black activist Arthur Ashe in Richmond, Va., in 2021. Ashe, who was inducted into the International Tennis Hall of Fame in 1985, was born in Richmond and his legacy is a continuing source of pride to members of that community.

“A couple of Patriot Front members showed up under cover of night and vandalized the mural,” Kamdang said. “They painted white stencils all over. … They literally tried to whitewash him and they put their symbols of hate all over — their stencils, their slogans. And all the while they were caught on video. And that video leaked using some of the most horrible language that you can imagine.”

In many jurisdictions, law enforcement can seek additional hate crime charges or sentencing enhancements in cases where illegal acts appear to have been motivated by racial bias. But in this case, Kamdang said, Patriot Front members faced no criminal charges and their identities were only revealed when online activists later infiltrated the group and leaked internal records.

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Graham Platner makes it official in Maine, submitting paperwork to leave Senate race

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Graham Platner makes it official in Maine, submitting paperwork to leave Senate race

Now-former Democratic Senate candidate Graham Platner speaks at his primary election night event on June 9 in Blue Hill, Maine. Platner officially dropped out of the race July 10 following rape allegations from a former romantic partner that he denies.

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Graham Platner, Maine’s Democratic nominee for Senate, is officially out of the race.

The Maine Secretary of State said Platner filed the necessary paperwork to withdraw his candidacy two days after he announced he planned to do so following an accusation of rape by a former romantic partner. Platner denies the allegation.

The Maine Democratic Party has until July 27 to pick Platner’s replacement.

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In his withdrawal notice, Platner said “people are desperate for change” and that’s why they voted “for a new kind of politics” by making him the Democratic nominee. He expressed gratitude for those who supported his campaign and said that he will continue to fight for “the movement we have built together and the future we believe in.”

He ended his notice with a strong statement aligned with the progressive platform.

“F*ck ICE. Free Palestine. Up the Hearts.”

Platner announced his plan to withdraw from the race in an 11-minute video he posted to social media on July 8. He said he had no choice but to suspend his campaign, citing it was no longer viable financially.

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“We are going to lose our ability to fundraise. We are going to lose our ability to access voter data. We are going to lose all of the things that any campaign needs on the basic level simply to function,” he said.

Platner added that dropping out was not an admission of guilt. Rather, the decision, he said, is to keep the progressive movement in Maine alive to defeat Republican Sen. Susan Collins in November. Platner blamed the “political establishment” for his downfall and argued the goal was to force him out of the race.

“We built a campaign. We engaged in electoral politics. We motivated people. We banded together. We did it the way that we were told we are supposed to make change and we won. And now they are not going to let us have it. Not if it’s me,” he said.

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