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Finding a star for ‘Wednesday’ who embodies ‘Family’ values with her own kooky twist | CNN

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Finding a star for ‘Wednesday’ who embodies ‘Family’ values with her own kooky twist | CNN



CNN
 — 

There was rather a lot using on the casting selection for the titular character of the brand new Netfilx collection “Wednesday.” Along with somebody who may pull off creepy, kooky, mysterious and spooky, the function of raven-haired, pigtail-braided Wednesday Addams wanted to go to a younger actress who may rise to the event of taking part in a personality from such an iconic property.

“It’s at all times a bit of bit daunting while you begin a course of with such legacy and storied roles round it,” casting director John Papsidera stated in a chat with CNN.

The present marks a return to the Addams Household world, primarily based on the cartoons by Charles Addams and first introduced on display screen within the iconic Sixties black-and-white sitcom and later within the much-loved early 90s movies by Barry Sonnenfeld. Within the new collection, Wednesday finds herself at a boarding faculty known as the Nevermore Academy the place all method of outcast and freak can roam free.

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For these anticipating a tongue-in-cheek rehash of “The Addams Household” – full with the double-snap theme music – suppose once more. This “teen-centric darkish comedy,” as described by showrunners Al Gough and Miles Millar, shouldn’t be a reboot, however slightly a better examination and celebration of the majorly macabre and sharp-as-a-razor older sister of the Addams clan.

In looking for their excellent Wednesday, Gough and Millar labored with casting administrators Papsidera and Sophie Holland, amongst others, and stated in an electronic mail to CNN that it “was at all times our intention to solid a Latina actress” for the function, as a result of they wished to honor Gomez Addams’s heritage. Whereas the character of household patriarch Gomez was portrayed by White actor John Astin within the “Addams Household” sitcom from the Sixties, he was portrayed by Puerto Rican actor Raul Julia within the Sonnenfeld motion pictures. In “Wednesday,” Gomez is performed by veteran performer Luis Guzmán, additionally from Puerto Rico.

The function of daughter Wednesday ultimately went to teen it-girl Jenna Ortega (“Scream,” “You,” “X”), an actress of Mexican and Puerto Rican descent. Gough and Millar knew they’d discovered their Wednesday as quickly as they met Ortega, they stated.

“I had talked about Jenna rather a lot in going into (the casting course of),” Papsidera stated of Ortega. “It’s additionally a skinny world of ladies that may be primary on the decision sheet and deal with the stress of that, and likewise is achieved in her personal proper. Whenever you begin to discuss a younger Latina actress, she rises to the highest of the heap.”

Millar and Gough stated the present employed a Mexican artistic marketing consultant to “assist make sure that the scripts mirrored Jenna’s particular heritage.”

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“This era is all about authenticity. We have been very intentional in each side of the casting course of,” the showrunners added. “We wished to make sure the scholars at Nevermore Academy have been really reflective of recent American society. It’s not solely about collection regulars, it’s in regards to the depth of casting throughout the complete collection, together with background extras.”

One other coup scored by the casting workforce on “Wednesday” was to snag actress Christina Ricci, who timelessly portrayed the character in Sonnenfeld’s motion pictures, within the smaller function of Marilyn Thornhill. It nearly didn’t occur, as a result of Ricci’s schedule and dedication to her hit Showtime collection “Yellowjackets.”

“It was actually a stunning lengthy sport with Christina,” Papsidera stated. “We had at all times talked about her from the start. And it wasn’t till nearly the very finish that her schedule opened up, after which we pivoted there and Tim (Burton, director of “Wednesday”) obtained on the telephone along with her and all of it labored out.”

Ricci and Burton, who marks his first foray into directing a tv collection with the brand new collection, had beforehand labored collectively on the 1999 movie “Sleepy Hole.”

“I feel the thought of working with Tim once more was most likely the largest bonus in our camp,” Papsidera stated of touchdown the veteran actress. “I additionally suppose that she obtained the thought of collaborating in one thing that she loves too, that it was actually particular for everyone concerned.”

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“Wednesday” definitely wastes no time in surreptitiously honoring Ricci’s contributions to the character. With out spoiling an excessive amount of, the pilot episode incorporates a group of individuals dressed as pilgrims who meet with an unlucky destiny, calling to thoughts Ricci’s more-than-memorable Thanksgiving scene in 1993’s “Addams Household Values.”

“There’s a sure serendipity to the entire collection in that manner,” Holland added of nabbing Ricci. “It’s like issues got here collectively typically final minute, typically once we have been pulling our hair considering, ‘We will’t discover this, we are able to’t discover this.’ After which one thing would lock into place. And the entire collection, you’ll see when you watch the entire thing, is that all of it type of works collectively nearly like a Rubik’s dice.”

“Wednesday” additionally stars Gwendoline Christie, Catherine Zeta-Jones and Pleasure Sunday, amongst others.

The casting workforce operated underneath the course of Burton, who Papsidera stated had a transparent imaginative and prescient for the present and characters.

“If something, that’s the place all of us sort of began and ended our discussions – with what Tim noticed and who he felt he was drawn to as these characters,” Papsidera stated.

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Venturing into such a longtime world, the purpose was to “try to reinvent what it’s with out throwing away the spirit of it,” he added.

“There’s a certain quantity of stress as a result of additionally…we’re followers,” echoed Holland.

Holland stated she wished to “fulfill everyone’s wants and needs” and provides “correct care to what we do” with regard to the franchise.

“You need the essence of what these authentic characters have been, however you need it in a brand new manner. In order that’s at all times the problem, and the reward while you get it,” Papsidera stated.

“Wednesday” is streaming now on Netflix.

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Movie Reviews: ‘Blitz’

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Movie Reviews: ‘Blitz’

All content © copyright WFMJ.com News weather sports for Youngstown-Warren Ohio.

WFMJ | 101 W. Boardman Street | Youngstown, OH 44503

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Paul McCartney brings Ringo Starr onstage at tour closer in London: 'Should we rock?'

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Paul McCartney brings Ringo Starr onstage at tour closer in London: 'Should we rock?'

Paul McCartney and Ringo Starr hope you enjoyed the show.

The surviving Beatles reunited onstage Thursday night at McCartney’s Got Back Tour finale in London to perform two of the band’s most iconic songs.

As McCartney, 82, welcomed his surprise guest — “the mighty, the one and only, Ringo Starr” — thousands of fans filled the O2 arena with prolonged applause. Starr, 84, flashed his signature peace sign, then McCartney asked, “Should we rock?”

“I only rock,” Starr quipped before assuming his position at the drum kit.

The former bandmates joined McCartney’s band for a rendition of “Sgt. Pepper’s Lonely Hearts Club Band (Reprise),” then capped off their mini-set with “Helter Skelter.” (Starr joined McCartney for the same two songs when he appeared at the “Maybe I’m Amazed” singer’s sold-out show at Dodger Stadium in 2019.)

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“I’ve had a great night and I love you all,” Starr told the doting crowd as he made his exit Thursday. “Thanks to this man.”

But that wasn’t the only surprise of the night. Earlier in the show, McCartney had introduced his audience to another old friend: his original bass guitar, which was stolen half a century ago and made its way back to its rightful owner in February.

“Sounds like a bass,” McCartney remarked as he played the recovered instrument for the first time in 50 years. “And what is more, we’ve got a special guest for you — Rolling Stone Ronnie Wood!”

The two embraced before launching into a performance of the Beatles’ 1969 single “Get Back,” which Starr previously performed with Wood and McCartney at the same London venue in 2018.

“There’s a connection between the bass player and the drummer, you know,” Starr told The Times in September as he recalled that moment. “You’re both the deep end of it all.”

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“Paul’s the man — and he’s still the most magical bass player I know,” he said.

Times staff writers Alexandra Del Rosario and Mikael Wood contributed to this report.

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Movie review: 'Better Man' upends biopic with Robbie Williams charm – UPI.com

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Movie review: 'Better Man' upends biopic with Robbie Williams charm – UPI.com

1 of 5 | Robbie Williams appears behind the scenes of his biopic “Better Man,” in theaters Dec. 25. Photo courtesy of Paramount

LOS ANGELES, Dec. 21 (UPI) — Robbie Williams is the latest subject of a musician biopic. Better Man, in theaters Dec. 25, takes such a wild approach that it easily stands apart from films like Walk the Line and Bohemian Rhapsody.

Williams got the performing bug at age 9 in a school performance of The Pirates of Penzance. As a teenager, he auditioned to be in a boy band and landed a spot in Take That.

Williams went solo after friction with the band but still struggled to write original lyrics. By Better Man‘s accounts, Williams had a similar cinematic trajectory as Johnny Cash or Freddie Mercury.

However, Better Man represents Williams as a talking monkey. Director Michael Gracey explains in a pre-film video that he took Williams literally when the singer called himself a performing monkey.

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So this is a Planet of the Apes visual effect. It’s Williams’ voice but Jonno Davies performing the reference footage, along with a few other performers for elaborate dance scenes.

The film never gets used to having a monkey as the lead character, a real-life figure who is still alive at that. It never ceases to be off-putting, especially when Williams sings and dances elaborate choreography, and that is part of the film’s power.

Now, when Williams goes through the stereotypical spiral into drugs and alcohol, watching a monkey recreate those scenes is avant-garde art. The visual effect captures Williams’ charm and emotional turmoil, so it’s not a joke.

It only becomes more shocking the more famous Williams gets. Once he starts sporting revealing dance outfits, even more fur is on display.

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It’s not even a movie star embodying Williams. There’s neither the real Williams nor an actor’s persona to attach to the film, removing yet another layer of artifice but replacing it with an even more jarring one.

As if one monkey isn’t daring enough, Williams’ inner demons are also visualized as monkeys. So many scenes boast monkey Williams staring at disapproving monkeys too.

Other biopic traditions include a scene where Williams sings a rough demo of his future hit “Something Beautiful” and confronting his absent father (Steve Pemberton) over abandoning him. The biopic tradition of showing photos of the real Williams during the credits actually breaks the spell when audiences can see he was not an actual monkey.

The monkey is the boldest leap Better Man takes but it is not the only one. A disco ball effect lights vast outdoor locations, and the film includes a climactic action scene.

Musical numbers are dynamic, including a romp through the streets of London in an unbroken take. A duet between Williams and lover Nicole Appleton (Raechelle Banno) evokes Astaire and Rogers.

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The film embodies Williams’ irreverent spirit, as if a drama starring a monkey could ever be reverent. In his narration, Williams is self-deprecating, and some of the dance numbers blatantly injure pedestrians in their choreography.

The new arrangements of Williams’ songs add dimensions to his hits.

Better Man is bold cinema. The audacity alone is worth celebrating, but the fact that it works is a miracle.

Fred Topel, who attended film school at Ithaca College, is a UPI entertainment writer based in Los Angeles. He has been a professional film critic since 1999, a Rotten Tomatoes critic since 2001, and a member of the Television Critics Association since 2012 and the Critics Choice Association since 2023. Read more of his work in Entertainment.

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