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5 takeaways from the 2025 Emmy nominations

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5 takeaways from the 2025 Emmy nominations

Britt Lower and Adam Scott in Severance. Both were nominated for Emmys Tuesday.

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Emmy nominations came out on Tuesday, and the winners will be announced on September 14. There are a lot of familiar faces, a few new ones, and a few … new old ones. (You can see the list here.) Here’s what we noticed.

Shows with big, well-regarded casts ran up their totals

Seth Rogen plays a flustered movie executive in The Studio.

Seth Rogen in The Studio.

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Severance and The Studio, both from Apple TV+, were the most-nominated shows on the drama and comedy sides, respectively. Severance received 27 nominations, and The Studio received 23. Of those Severance nominations, nine were for actors. Of the Studio nominations, 10 were for actors — including quite a run through the guest actor categories, where five men and one woman were nominated. The Studio and Severance were both very well-reviewed shows, too, but when you look at totals, it helps to have a lot of famous faces people admire. (See also: The White Lotus, which continues to crowd the supporting categories in drama.)

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Jeff Hiller and Bridget Everett in Somebody Somewhere.

Jeff Hiller and Bridget Everett in Somebody Somewhere.

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The supporting actor in a comedy series category has a couple of nice surprises

It will always be annoying that the Emmys never paid much attention to the beautiful, funny Somebody Somewhere on HBO. But in the show’s final year of eligibility, at least, they found room to recognize Jeff Hiller, who played Joel, and who gave one of the most distinctive, heartfelt, big-hearted performances of the season. They also recognized an up-and-comer named Harrison Ford — his first Emmy nomination ever — for his great work in Apple TV+’s Shrinking, which was one of the most disappointing snubs last time around.

Colin Farrell as Oswald Cobb in The Penguin on HBO.

Colin Farrell in The Penguin.

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The streaming players are always shifting

For a while, the big streamers at the Emmys were Netflix and Hulu, but Apple TV+, Max and Disney+ are all well-established in the awards game at this point. Apple TV+ has to be thrilled with the big showings for The Studio and Severance, plus Shrinking and Slow Horses and even the very so-so Presumed Innocent miniseries. HBO is still very popular among voters, but its presence is changing a bit. When it comes to big nominees, there are The White Lotus and The Last Of Us on the drama side, and those aired on traditional HBO. But then there’s The Pitt in drama series, and Hacks in comedy, and those were on Max, or what was then Max — in other words, they were streaming-only. (An outlier: The Penguin, which is competing in the limited/anthology series category, was developed for Max but ultimately did air on HBO.) Disney+ also got 14 nominations for Andor, and Netflix is still in there with Adolescence, Monsters: The Lyle and Erik Menendez Story, and with Black Mirror. Hulu’s top performer this year, at least by numbers, and excluding those FX shows like The Bear, is Only Murders in the Building, though Paradise did well also.

Ted Danson as Charles in A Man on the Inside. Listen to the Pop Culture Happy Hour episode about the new series.

Ted Danson in A Man on the Inside.

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There are always some heartbreakers

There is a difference between the concept of a “snub” and a nod that just didn’t happen, but there’s always some very good work that goes unrecognized. As a big fan of The Pitt, I was disappointed not to see Taylor Dearden, who played Dr. King, nominated, and as a fan of Netflix’s A Man on the Inside, I would certainly have nominated that. There will be great consternation over Diego Luna and the rest of the cast not being nominated for Andor, often paired with eye-rolling over all those The White Lotus acting nominations, which do seem to be nearly automatic — you get on that show, you get nominated.

Tramell Tillman in Severance.

Tramell Tillman in Severance.

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The most fun comes from the first-time nominees

It’s always fun to see people get their first nods. There are established actors who just haven’t specialized in TV, like Harrison Ford, Colin Farrell (in The Penguin), and Javier Bardem and Chloë Sevigny (both for Monsters). There are surprising first-timers like Kristen Bell and Adam Brody, who have both been on TV for ages and were both finally nominated for Netflix’s Nobody Wants This. Exciting actors who are blowing up, like Tramell Tillman and Zach Cherry, both of Severance. The great Michael Urie, nominated for Shrinking and worth every vote; the marvelous Cristin Milioti, who’s been the best thing about several different shows and is nominated now for The Penguin.

And, of course, in the end, there are all those nominations for The Studio, which, as a show-business satire, would give a hefty side-eye to the whole process.

Lifestyle

Sunday Puzzle: Five plus two, two plus five

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Sunday Puzzle: Five plus two, two plus five

Sunday Puzzle

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Sunday Puzzle

On-air challenge

I’m going to give you two five-letter words. Add the same two letters at the end of the first one and the start of the second one, in each case to complete a familiar seven-letter word.

Ex. Later Ready –> LATERAL/ALREADY

1. Habit Tempt

2. Laten Press

3. Blank Ching

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4. Since Venue

5. Shack Groom

6. Surge Stage

Last week’s challenge

Last week’s challenge came from Rawson Sheinberg. of Plymouth, Mich. Think of a U.S. city with a two-word name. Add a letter to the first word, without rearranging letters, to name a country. Then, without adding a letter, rearrange the letters of the second word to name another country. What places are these?

Answer: Los Angeles –> Laos, Senegal

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Winner

Elaine Neel of Derby, Kansas.

This week’s challenge

Next weekend will be the 186th convention of the National Puzzler League, in Bloomington, Ind., which I’ll be attending as always. Two other people who will be there are Henri Picciotto and Joshua Kosman, who created this week’s challenge. Name two words that are opposites. They share a single letter. Remove that shared letter from each word, put a hyphen between the two starting words, and you’ll get a term you sometimes see in food ads. What are the two words?

If you know the answer to the challenge, submit it here by Thursday, July 9 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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But first, coffee: The drink that energized the American Revolution

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But first, coffee: The drink that energized the American Revolution

An illustration of the Boston Tea Party, when colonists dumped British East India Company tea into the harbor on Dec. 16, 1773. Some accounts say this marked a pivotal moment when Americans started loving coffee. But one historian says Americans were drinking lots of coffee before then.

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A consequential act of defiance secured tea’s place as perhaps the most iconic beverage of America’s colonial era.

The Boston Tea Party became an essential ingredient in the recipe for revolution in the following years.

But tea wasn’t the only hot beverage with a prominent role in America’s fight for independence.

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Coffee was an important part of American culture from the start. And coffeehouses were essential, too — serving as hubs for brewing ideas of independence.

As the United States celebrates 250 years, here’s what to know about America’s early history of coffee.

Colonists were drinking coffee long before the United States existed

Europeans brought coffee with them when they came to America.

“The first documented example of a mortar and pestle used to grind coffee beans was on the Mayflower” in 1620, says historian Michelle Craig McDonald, the author of Coffee Nation: How One Commodity Transformed the Early United States.

“The fact that coffee was present so early is not surprising if you think about it,” McDonald says. “A number of those who were on the Mayflower came to North America from Amsterdam, which was a major coffee trading center in Western Europe by the 17th century.”

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The first coffeehouse in the colonies opened in 1676 in Boston, a century before the U.S. declared independence, she says. Some taverns sold coffee even earlier.

The Boston Tea Party probably wasn’t the dramatic turning point toward coffee that some claim

On the night of Dec. 16, 1773, disgruntled colonists boarded three ships moored in Boston Harbor and threw overboard more than 92,000 pounds of tea owned by the British East India Company.

Tensions had been building between the Crown and the colonies over the previous decade, as Britain tried to levy taxes on its colonies to recoup war debts.

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.

Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.

As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.

To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.

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In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.

But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.

Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:

It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.

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