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The ‘skill’ beef: Magic Johnson, Isiah Thomas fire back at Anthony Edwards over dig at older generation

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The ‘skill’ beef: Magic Johnson, Isiah Thomas fire back at Anthony Edwards over dig at older generation

Anthony Edwards has opinions about the generations of players before he was born. Magic Johnson doesn’t think Edwards has the credentials to warrant a response. Isiah Thomas has his own thoughts, and thus the recipe for offseason NBA beef is born.

In an interview with the Wall Street Journal released last week, Edwards gave a bevy of answers reinforcing his self-assured reputation. Is there anything you’re bad at? I haven’t found it yet, he said. Favorite moment from the Olympics? Dunking on Kevin Durant in practice.

And what about today’s generation of basketball, is it different from older generations?

“I didn’t watch it back in the day so I can’t speak on it,” Edwards, who was born in 2001, said. “They say it was tougher back then than it is now, but I don’t think anybody had skill back then. (Michael Jordan) was the only one that really had skill, you know what I mean? So that’s why when they saw Kobe (Bryant), they were like, ‘Oh, my God.’ But now everybody has skill.”

That chirp didn’t land well on Johnson’s ears.

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The Los Angeles Lakers legend, who won five titles in the 1980s, told ESPN’s Stephen A. Smith that Edwards needs a ring of his own before he can start making such claims.

“I don’t never respond to a guy that’s never won a championship,” Johnson said. “There’s not nothing to really say. He didn’t win a college championship, I don’t know if he even won a high school championship.”

And Johnson wasn’t alone, as fellow Hall of Famer Isiah Thomas had some thoughts to add as well.

“Propaganda works, so be careful what you choose to believe,” the Detroit Pistons legend shared in a post on X.

Days later, Thomas had more thoughts on the current generation of players.

“The only skill ’emphasized’ more is the 3-point shot, creating the illusion that the athlete and skills have magically evolved into another athletic species,” Thomas posted on Aug. 22.

Later that same day, Thomas argued that the taller players of today are “less skilled in low post offense and defensive play” and said players in the current generation only appear faster due to rule changes.

In summation, Edwards spoke on a topic he said he couldn’t speak on, which set off a firestorm. Johnson said he doesn’t respond to players who don’t have championships, but responded anyway. Thomas, who is active in replying and debating with fans on X, had plenty to say as well.

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Edwards, who just turned 23 earlier this month, is no stranger to eye-catching quotes. Earlier this summer, he called himself the No. 1 option for Team USA before the team’s gold-medal run. In 2022, he called himself “Black Jesus.” And most virally, in May he told TNT analyst Charles Barkley to “Bring ya ass” to Minnesota for the Western Conference finals.

Through four seasons, Edwards has made two All-Star teams and led the Timberwolves to their farthest playoff run in decades. That recent trip to the Western Conference finals proved to be the end of the road for Minnesota, however, as Edwards’ first ring — and thus Johnson’s response — still eludes him.

Additionally in his interview with the WSJ, Edwards said he isn’t in much of a rush to win that first title, saying it doesn’t necessarily need to arrive this coming season.

“I don’t know too many guys who won a championship super young, besides Kobe,” he said. “Other than him, everybody took years and years of losing to get there. I just want to keep taking the next step.”

(Photo: Jamie Squire / Getty Images)

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Try This Quiz on Passionate Lines From Popular Literature

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Try This Quiz on Passionate Lines From Popular Literature

Welcome to Literary Quotable Quotes, a quiz that tests your recognition of memorable lines. This week’s installment is all about love, highlighting lines about attraction and relationships from popular novels and short stories published in the late 20th century. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you want to experience the entire work in context.

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Video: Farewell, Pocket Books

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Video: Farewell, Pocket Books

new video loaded: Farewell, Pocket Books

Our books reporter Elizabeth A. Harris explores the disappearance of mass market paperbacks — and talks with Stephen King about what paperbacks have meant to him.

By Elizabeth A. Harris, Léo Hamelin and Laura Salaberry

February 6, 2026

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Is Emily Brontë’s ‘Wuthering Heights’ Actually the Greatest Love Story of All Time?

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Is Emily Brontë’s ‘Wuthering Heights’ Actually the Greatest Love Story of All Time?

Margot Robbie and Jacob Elordi in Emerald Fennell’s adaptation of “Wuthering Heights.”

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Warner Bros.

Catherine and Heathcliff. Since 1847, when Emily Brontë published her only novel, “Wuthering Heights,” those ill-starred lovers have inflamed the imaginations of generations of readers.

Who are these two? Definitely not the people you meet on vacation. The DNA of “Wuthering Heights,” set in a wild and desolate corner of Northern England, runs through the dark, gothic, obsessive strains of literary romance. Heathcliff, a tormented soul with terrible manners and a worse temper, may be the English novel’s most problematic boyfriend — mad, bad and dangerous to know. What redeems him, at least in the reader’s eyes, is Catherine’s love.

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As children growing up in the same highly dysfunctional household, the two form a bond more passionate than siblinghood and purer than lust. (I don’t think a 179-year-old book can be spoiled, but some plot details will be revealed in what follows.) They go on to marry other people, living as neighbors and frenemies without benefits until tragedy inevitably strikes. In the meantime, they roil and seethe — it’s no accident that “wuthering” is a synonym for “stormy” — occasionally erupting into ardent eloquence.

Take this soliloquy delivered by Catherine to Nelly Dean, a patient and observant maidservant who narrates much of the novel:

This all-consuming love, thwarted in the book by circumstances, has flourished beyond its pages. Thanks to Catherine and Heathcliff — and also to the harsh, windswept beauty of the Yorkshire setting — “Wuthering Heights,” a touchstone of Victorian literature, has become a fixture of popular culture.

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Laurence Olivier and Merle Oberon played Heathcliff and Catherine in William Wyler’s 1939 multi-Oscar-nominated film adaptation.

Since then, the volatile Heathcliff has been embodied by a succession of British brooders: Richard Burton, Ralph Fiennes, Tom Hardy. At least for Gen X, the definitive Catherine will always be Kate Bush, dancing across the English countryside in a bright red dress in an indelible pre-MTV music video.

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Now, just in time for Valentine’s Day, we’ll have Emerald Fennell’s new R-rated movie version, with Margot Robbie (recently Barbie) as Catherine and Jacob Elordi (recently Frankenstein’s monster) as Heathcliff.

Is theirs the greatest love story of all time, as the movie’s trailer insists? It might be. For the characters, the love itself overwhelms every other consideration of feeling. For Brontë, the most accomplished poet in a family of formidable novelists, that love is above all a matter of words. The immensity of Catherine and Heathcliff’s passion is measured by the intensity of their language, which of course is also Brontë’s.

Here is Heathcliff, in his hyperbolic fashion, belittling Catherine’s marriage to the pathetic Linton:

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Which is what romance lives to do. It’s a genre often proudly unconstrained by what is possible, rational or sane, unafraid to favor sensation over sense or to pose unanswerable questions about the human heart. How could Catherine love a man like Heathcliff? How could he know himself to be worthy of her love?

We’ll never really have the answers, which is why we’ll never stop reading. And why no picture will ever quite match the book’s thousands of feverish, hungry, astonishing words.

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