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For Mel Depaz, the streets of Compton are her studio

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For Mel Depaz, the streets of Compton are her studio

As a muralist, Mel Depaz is a storyteller. But when you look at her work overall, it’s clear how much her surroundings influence what she puts down with her brush. She’s all about community.

Mel’s paintings are about Compton and the elements that make up the city. I think that her work is very important because it allows the people who live here to have a visual of their community. For example, her mural featuring the Compton Cowboys. When you come through the city, you don’t really just see people riding horses around at all times of day. Then Mel’s work makes you wonder: Where are they at? How do I get close? Her work is inviting the public to take a closer look.

I met Mel at her family home on the east side of Compton, before we took a short drive to see her murals. Like her large-scale work, Mel’s paintings told the story of our shared city.

Mr. Wash: All of your work and your whole practice is in the outside space. Let’s talk about it in the sense it’s your studio. What do you like about it?

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Mel Depaz: Getting to know the neighborhood. I don’t use spray paint. I only brush, so it takes me a while. I usually spend a week minimum on a mural, and I get to know the regulars. People are really nice — at least they’ve been nice to me. I’ll get offered free food, sometimes free drinks.

I feel like I know different areas of L.A. pretty intimately. I’ve been outside and I’m watching all the cars and seeing the people go by. I like that aspect. And then I also like being away from home all day and coming back and being tired. I like being exhausted at the end of the day. It’s a good feeling. Like, damn, I really put a lot into the wall.

MW: What do you not like about it?

MD: Sometimes it can be sketchy and you feel vulnerable. The other day I was up in the ladder and I had a box of brand-new paint, and some guy just got out of a car and stole it. But then he came back ten minutes later. He was like, “I’m sorry, I had a change of heart.”

MW: Really? Wow. Can you talk through the practicalities of having an open-air practice?

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MD: The reason I haven’t moved into a studio or rented one is because as a muralist, you don’t really need it; the outside is your studio. So I just have a car. I’d rather spend what I would on a studio on a car, ’cause I need a big one. I have to think about transportation and space and things like that.

"Artists in Space" by Mr. Wash book jacket
Mural by Mel Depaz on Compton Blvd.

MW: I go down to Texas to work with my nephew Poncho. He’s a mural artist. He basically works out of the bed of his truck, going back and forth. So you are working as an artist here in Compton, you mentioned you have a car. Is it a hatchback? Is it an SUV?

MD: A Jeep. A Wrangler. It has storage capacity for buckets and stuff. I used to drive an older Camry and it got to the point where I was crossing ladders through the passenger seat and I popped the spraycan in the backseat. I ran it through. So I was like, OK, I can get a used car. But I also had used car trauma — my check engine light coming on, my dashboard lights. So I thought, I can get a used car or just get a new car with space. And I really needed one that’s closed. If I bought a truck, someone could steal my stuff while I get lunch. With the Jeep, I’ve been good at keeping it clean. I’m thinking about buying it. But that’s why I was like, let me get a car instead of a studio, because that’s really what I need.

MW: Smart decision. How long have you been a muralist?

MD: Six years. The NHS [Neighborhood Housing Services, Center for Sustainable Communities] one was my first mural.

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MW: Can we talk about that connection?

MD: That was the first time I saw you. That was crazy. I came to the opportunity to paint that mural because I did a painting for Patria Coffee. That’s the first Compton-based painting I had ever done.

They had a regular who worked at the center at NHS, and he got my Instagram. He was like, I see you don’t have any mural experience, but we need a muralist. Do you mind finding another Compton artist that might have experience? I’d seen Anthony [Lee Pittman, also featured in this book] at a show maybe a month before. So I DMed Anthony like, “Hey, I got this opportunity. I have a meeting tomorrow. Do you want to be part of it?” We met literally 15 minutes before the meeting and we got the job.

When I was painting with Anthony, you came one day. I had just got off the scissor lift and then you said you were supposed to paint the wall, but got too busy. I was like, that’s crazy.

MW: Yeah. That was crazy. That was way back. What was it about the first mural that had you hooked and wanted to keep on doing them?

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MD: I think I just liked being able to drive somewhere and stare at how big it was. I’ve always been a fan of street art and outside work, and even graffiti is a pathway to that. I’ve never been good at graffiti or none of that. So I just brought what I learned in school through painting to walls.

Compton mural by artist Mel Depaz
Artist Mel Depaz pictured here with two of her pieces of artwork.

I grew up in the east side of Compton, and I would say I feel more connected to Compton overall now that I’ve been in little pockets of it through several hours and days.

— Mel Depaz

Detail of a piece of art by artist Mel Depaz.
Mr. Wash and artist Mel Depaz looking at her mural.

MW: Well, you’re very good at what you do. Neat, clean, and a storyteller. How many murals have you got in Compton?

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MD: I’ve done 27 total, and 14 in Compton.

MW: How do you think painting murals in Compton has changed your relationship with the city?

MD: I grew up in the east side of Compton, and I would say I feel more connected to Compton overall now that I’ve been in little pockets of it through several hours and days.

I wouldn’t sign the first few murals I did because I wasn’t really too happy with what I was doing. I still felt like I was learning. But these last ones that I painted I signed them. This older Latino man came up to me and he was like, “Hi, mija. I’ve seen your work before. I want to say thank you for everything that you’ve done. I’ve looked for your name and I haven’t been able to find it, and I’m so happy that you’re here.” And then he gave me some lunch money. I guess he was religious, and he blessed me.

It was a cute moment because I didn’t even know people knew of me. And there’s little moments like that where it’s like, oh people are really watching and you don’t even realize.

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MW: I was thinking that a lot of people who live in Compton, they’re seeing your work as part of their everyday, and there’s something really special about that.

MD: Lately I feel more proud of what I’ve been doing. There’s more sense of like, damn, I really did that. But in the beginning it was kind of that imposter syndrome. Like, I don’t really know what I’m doing, but I’m just going to keep doing it.

MW: That’s how it grows. Listen, same here. When I painted the first picture, I knew what I wanted to try to do, but when it came out onto the brushes, it wasn’t what I had in my head. It was just something totally different.

I was like, should I start over? Should I quit? Should I throw it away? I said, no, I’m going to keep it and I’m going to find lessons inside of that and just build off of that. You get better and better.

This interview was excerpted from Artists in Space by Mr. Wash, available to order on Feb. 16. Fulton Leroy Washington, a.k.a. Mr. Wash, is a Compton-based, self-taught artist and criminal justice reform advocate. All book sales will go toward the Art by Wash Studio & Community Center. Mr. Wash’s work has been exhibited at Jeffrey Deitch L.A., the Hammer Museum, LACMA, the Huntington Library, Palm Springs Art Museum and more.

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Mural by Mel Depaz in Compton

Lifestyle

Thanks to ‘Mormon Wives,’ Dirty Soda Is a National Obsession

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Thanks to ‘Mormon Wives,’ Dirty Soda Is a National Obsession

The first time Pop’s Social, a catering company in South Orange, N.J., that specializes in dirty soda, served an alcoholic drink at an event, something strange happened.

At the event in December, its nonalcoholic offering, a spiced pear-cider seltzer with vanilla and peach syrups, cream, lemon and cold foam, was a hit. The Prosecco-spiked version? Not so much.

“People were more interested in the mocktail than the cocktail,” Ali Greenberg, an owner of the business, said in an interview.

Dirty soda — a customizable blend of soda, flavored syrup, creamer and sometimes fruit, served over pebble ice — has been crossing into the mainstream for years, especially after the cast of “The Secret Lives of Mormon Wives,” the hit reality show that premiered in 2024, frequented Swig, the Utah chain that started it all.

But its reach has gone far beyond the Mormon corridor, and its rise in popularity has dovetailed with an overall decline in U.S. alcohol consumption. “There’s not a lot of Mormon people in our neighborhood,” said Greenberg. “But there are a lot of people who are sober-curious or not drinking.”

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The reality show, which follows a group of Mormon influencers in Utah, helped popularize dirty soda beyond the Mountain States and inspired a wave of TikTok videos on the subject. Swig rapidly expanded — growing from 33 locations in Utah and Arizona in 2021 to now more than 150 locations in 16 states — along with other Utah chains, and spawned copycats nationwide.

Dirty soda has joined other Mormon cultural exports, like tradwife influencers, a “Real Housewives” franchise in Salt Lake City and Taylor Frankie Paul, the Bachelorette who wasn’t, that have captivated America.

With the recent rollouts of dirty soda at McDonald’s, Chick-fil-A and Dunkin’ — behold the Dunkin’ Dirty Soda: Pepsi, coffee milk and cold foam — and the appearance on grocery shelves of Dirty Mountain Dew and a coconut-lime Coffee Mate creamer for homemade dirty sodas, we may have reached peak dirty.

The idea for dirty soda came out of a desire for members of the Church of Jesus Christ of Latter-day Saints, which has millions of followers in Utah and surrounding states, to have more options for social drinking, as the church prohibits the consumption of alcohol, hot coffee and hot caffeinated tea.

When Swig introduced dirty soda in 2010, it filled a need, providing a pick-me-up for car-pooling moms and an after-school treat for their kids. It was quickly adopted by many in the community.

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“In other cultures, parents go, they pick up their coffee in the morning, and for me and for a lot of my other friends’ parents, it was, ‘Let’s go pick up our dirty soda,’” Whitney Leavitt, a breakout star of “Mormon Wives,” said in an interview.

Leavitt was surprised when her dirty soda order became a recurring question from reporters in recent years. “They were so excited to hear all of the different syrups and creamers that we add to our drinks to make whatever your go-to dirty soda is,” Leavitt said. (Hers is sparkling water with sugar-free pineapple, sugar-free peach and sugar-free vanilla syrups, raspberry purée, a squeeze of lime, and fresh mint if she’s “feeling really fancy.”)

In April, Leavitt became the chief creative and brand officer at Cool Sips, a beverage chain based in New York that sells dirty sodas.

“Mormon Wives” inspired Kaitlyn Sturm, a 26-year-old mother of three from Jackson, Miss., to post recipes for dirty sodas on her TikTok. The one she makes the most contains Coke or Dr Pepper, homemade cherry syrup, a glug of coconut creamer and a packet of True Lime crystallized lime powder, which she combines in a pasta-sauce jar filled with pebble ice. “It kind of has become like a ritual, where I make one for my husband as well, and we have it most evenings,” Sturm said in an interview.

The trend has also hit fast-food menus. The new “crafted soda” menu at McDonald’s is riddled with dirty soda DNA. The Dirty Dr Pepper, with vanilla flavoring and a cold-foam topper, is the chain’s version of what has shaped up to be the universal dirty soda flavor. Since 2024, Sonic, beloved for its porous, soda-absorbing pebble ice, has offered “dirty” drinks — your choice of soda plus coconut syrup, sweet cream and lime.

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These drinks might feel new, but there are antecedents in the Italian sodas of the ’90s (fizzy water and a pump of Torani syrup); the Shirley Temple (ginger ale or lemon-lime soda with grenadine and maraschino cherries); and the egg cream, a tonic of seltzer, chocolate syrup and milk. And what is a dirty Dr Pepper with cold foam if not a descendant of the root beer float? “It’s just a soda fountain from 125 years ago,” Kara Nielsen, a food and beverage trend forecaster, said in an interview.

Though Leavitt moved to New York City with her family in December, her dirty soda ritual has remained consistent, with one key difference. “In Utah, we don’t get to walk to dirty soda shops,” Leavitt said. “We have to drive there.”

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Chaos Gardening: A Laid-Back Way to Garden

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Chaos Gardening: A Laid-Back Way to Garden

Annuals include flowers like marigolds and nasturtiums. They grow fast but won’t come back the next spring (though they will drop seeds and possibly propagate). Perennials like lavender and sage will return year after year, but they may take longer to grow. Wildflower and pollinator packets often contain both annual and perennial seeds but are frowned upon by some serious gardeners, because the selection can be haphazard and ill-suited to the area.

It’s a good idea to exercise a little situational awareness. How much rain can you expect? How much sunlight? Dig the earth and feel it between your fingers — is it sandy? Loamy? These are things to keep in mind as you prepare for your journey into horticultural chaos.

“You want to prepare your soil, your site, at least a little bit,” said Deryn Davidson, a sustainable landscape expert at Colorado State University Extension in Longmont, Colo. “Try to get rid of weeds. Make sure the soil is ready to receive seeds.”

Davidson, who has written about chaos gardening, strongly advised covering the seeds with a layer of soil, lest they become bird food. As for watering, that depends on where you live, she added. On the whole, though, the formula is straightforward: “Soil, sun and water is what these seeds need,” Davidson said.

Not everyone is a fan of the trend, or at least the way it has been portrayed on social media. “Nature is not chaos — nature is pattern,” said Robin Wall Kimmerer, a botanist and the author of “Braiding Sweetgrass,” which recommends imbuing modern life with Indigenous wisdom.

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“It seems unrealistic,” Kimmerer said of the chaos gardening videos she has watched. The feeling of effortlessness they convey — a common social media effect, almost always the result of deft editing — seems to elide the work that goes into a garden, whether chaotic or not, she suggested.

“I want my garden to be natural and biodiverse,” she said. “That’s a good impulse. I don’t think this technique is going to get you there, but that’s an important impulse.”

Boitnott, the maker of the viral video, offered a simple reason for why chaos gardening has become popular: “It just makes you happy.”

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What is an eye massage? We tried it at this under-the-radar L.A. spot

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What is an eye massage? We tried it at this under-the-radar L.A. spot

Admission: I suffer from eyestrain. Even right this very second. As a reporter working on a computer more than eight hours most days, my eyes often feel fatigued and itchy by evening.

I’m not alone: More than half of the U.S. population lives with computer vision syndrome, also known as digital eyestrain, and nearly 16.4 million Americans suffer from dry eye syndrome. So I was especially excited to stumble on New Vogue Spa, in the City of Industry, which offers a relaxing, if intriguing, treatment called “Eyeball Care” — something I’d never heard of before at a day spa.

New Vogue Spa is an Asian-style spa with Korean and Chinese influences. The spa’s offerings include massages and body scrubs — I was curious about the “Red Wine Body Scrub” — but I couldn’t help exploring eyeball care, which was much needed after my 50-minute drive from Silver Lake. (The City of Industry is about 30 minutes from downtown L.A. without heavy traffic.)

So it came to be that I found myself lying on a massage table, wearing what looked like protruding diving goggles, with clouds of cool, aromatic steam oozing from both sides of it and engulfing my face. A spindly plastic tube extended from my forehead to the “Eye Spa” machine. Serene spa music, a blend of classical piano and loudly chirping birds, trilled in the background as the machine sloshed and gurgled. It felt like lying, creekside, in a spa robe wrapped in a blanket of chamomile and rosemary-scented fog.

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As my esthetician, Jenny Chen, adjusted the eye mask and added essential oils to the mist, New Vogue manager Lesley Xie explained that the 60-minute, $125 Eyeball Care treatment aims to hydrate and stimulate blood circulation in the eye area, decrease puffiness and dark circles and aid eye fatigue and dry eye syndrome.

“It’s really helpful for overall eye health for people who are on computers for a long time or sleep really late or who are reading a lot,” she said.

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The Eyeball Care treatment included a mask filled with cool, aromatic steam to help relieve fatigued eyes.

2 Slippers in the Himalayan Salt Room.

1. The Eyeball Care treatment included a mask filled with cool, aromatic steam to help relieve fatigued eyes. 2. Slippers in the Himalayan Salt Room.

Xie said that eyeball care treatments are common in China. When she was growing up in Guangdong in Southern China, elementary school students were given a break every afternoon to perform “eye exercises,” which involved gently massaging pressure points around their eye areas, for 5-10 minutes.

“It released eye stress because we studied from eight o’clock in the morning until almost noon time,” she said. “It was a break for our eyes to prevent nearsightedness and tired eyes.”

New Vogue Spa’s treatment was supremely relaxing from the onset — part Head Spa, part facial, part eye care. Chen began by massaging my scalp for about 10 minutes, as I tried not to fall asleep.

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Next she cleaned my face, applied massage cream and gently massaged my face and eye area, manipulating the outer corners of my eye sockets as well as under my brow bones and on my temples. She was precise and firm but careful — as she pressed on the outside corner of my eye, I felt tension draining down the side of my cheek and neck.

Esthetician Jenny Chen conducts “Golden Eye therapy” on reporter Deborah Vankin.

Esthetician Jenny Chen conducts “Golden Eye therapy” on reporter Deborah Vankin.

Xie said the massage is based on traditional Chinese medicine, focusing on stimulating acupressure points around the eyes.

“Gentle massage of these areas is believed to help promote blood circulation, relax the muscles responsible for focusing and relieve visual fatigue,” she said. “While it’s not a medical treatment for vision conditions, it’s widely used as a preventative and restorative method.”

The massage was followed by “Golden Eye therapy,” during which Chen used an electronic device on my face with a metal roller ball on it. It uses “ultrasonic vibration technology,” Xie said, to help the skin absorb the applied moisturizing cream and combat eye puffiness.

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The main event was the “cooling steam therapy,” which Xie said was meant to be calming and refreshing and help relieve tired eyes. Chen fitted me with what looked like an enormous diving mask that quickly filled with cool, hydrating mist — I felt droplets of water dripping from my eyes and down my cheeks. The Eye Spa machine uses a “cold mist atomization process,” Xie said, “that disperses micro-particles of moisture combined with soothing essential oils.”

At the end of my treatment, Chen gave me under-eye gel pad masks, for added hydration, while conducting one last head massage. She applied moisturizing eye cream, face cream and sunscreen before sending me off.

Dr. Kristina Voss, an ophthalmologist with Keck Medicine of USC, was enthusiastic about the Eyeball Care treatment.

“It sounds wonderful. Anything that makes you feel good, I generally support,” she said. “It sounds safe because they’re not putting pressure on the eye. Direct pressure on the eyeball [is dangerous]. And I’d be nervous if they were putting something in the eye, but they’re not. Steam, or even cool condensation from a humidifier, is effective for dry eye. Massaging pressure points probably doesn’t treat dry eye, but could potentially treat eyestrain or tension headaches that can be interpreted as eyestrain.”

Los Angeles Times features writer Deborah Vankin inspects her eyeballs after her treatment.

Los Angeles Times features writer Deborah Vankin inspects her eyeballs after her treatment.

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Temporary relief aside, however, Voss warned that the treatment is not a replacement for seeing a doctor if a condition is ongoing.

“It’s relaxing and complementary to a doctor’s dry eye treatments — like medicated drops or in-office treatments — but it’s not a simple fix or cure all,” she said. “Ongoing doctor’s care would be important.”

After my treatment, I was invited to linger in the co-ed Himalayan Salt Room and Red Clay Room or woman-only spa area, complete with a warm soaking tub, lounge area and treatment rooms for body scrubs. (I skipped the adjacent New Vogue MedSpa, where you can get botox, dermal filler or microneedling treatments.)

Guests are also treated to a cup of homemade snow fungus tea (made from tremella mushrooms) with a single jujube, or red, date, floating inside. New Vogue makes a fresh batch every morning for guests, simmering the collagen-rich drink so long it becomes somewhat gelatinous.

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The Himalayan Salt Room.

2 The co-ed lounge area.

3 The Red Clay Room.

1. The Himalayan Salt Room. 2. The co-ed lounge area. 3. The Red Clay Room.

“Snow fungus focuses on deep hydration and skin plumping, while red dates support circulation and a healthy glow,” Xie said, calling the concoction “a warm bowl of snow fungus and red date soup.”

I can’t speak to the medicinal benefits of snow fungus tea. But after a glass of the warm, woody-tasting drink — together with the hour-long tension-taming eye treatment — I saw the world in a whole new way while walking out the door: clearly, from a relaxed perspective and with the bigger picture in focus.

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