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‘Dawson’s Creek’ star James Van Der Beek has died at 48

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‘Dawson’s Creek’ star James Van Der Beek has died at 48

Actor James Van Der Beek arriving at the Emmy Awards in 2019.

Valerie Macon/AFP via Getty Images


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James Van Der Beek — best known for his role as Dawson Leery in the hit late 1990s and early aughts show Dawson’s Creek — has died. He was 48. Van Der Beek announced his diagnosis of Stage 3 colon cancer in November 2024.

His family wrote on Instagram on Wednesday, “Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”

Van Der Beek started acting when he was 13 in Cheshire, Conn., after a football injury kept him off the field. He played the lead in a school production of Grease, got involved with local theater, and fell in love with performing. A few years later, he and his mother went to New York City to sign the then-16 year old actor with an agent.

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But Van Der Beek didn’t break out as a star until he was 21, when he landed the lead role of 15-year-old Dawson Leery, an aspiring filmmaker, in Dawson’s Creek.

Van Der Beek’s life changed forever with this role. The teen coming-of-age show was a huge hit, with millions of weekly viewers over 6 seasons. It helped both establish the fledgling WB network and the boom of teen-centered dramas, says Lori Bindig Yousman, a media professor at Sacred Heart University and the author of Dawson’s Creek: A Critical Understanding.

Dawson’s really came on the scene and felt different, looked different,” Bindig Yousman says.

It was different, she points out, from other popular teen shows at the time such as Beverly Hills, 90210. “It wasn’t these rich kids. It was supposed to be normal kids, but they were a little bit more intelligent and aware of the world around them … It was attainable in some way. It was reflective.”

The Dawson’s drama centered around love, hardships, relationships, school and sex — sometimes pushing the boundaries when it came to teens discussing sex. Van Der Beek’s character Dawson was a moody, earnest dreamer, sometimes so earnest he came across as a “sad sack,” says Bindig Yousman. He had a seasons long on-again off-again on-screen relationship with his best friend Joey, played by Katie Holmes. Bindig Yousman says Van Der Beek quickly became seen as a heartthrob.

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“I think he was very safe for a lot of tweens, and that’s when we started to get the tween marketing,” she says, referring to the attention paid to him by magazines like Teen People and Teen Celebrity. “And so because he wasn’t a bad guy, he was conventionally attractive … He definitely appealed to the masses.”

Dawson’s Creek launched the careers of not just of James Van Der Beek, but his costars Katie Holmes, Joshua Jackson and Michelle Williams. All went on to have successful careers in the entertainment industry.

Despite his success, Van Der Beek didn’t land many roles that rose to that same level of fame he enjoyed in Dawson’s Creek. Perhaps because audiences associated him so much with Dawson Leery, it was difficult to separate him from that character.

Still, he starred in the 1999 coming of age film Varsity Blues, as a high school football player who wants to be more than just a jock. In 2002’s Rules of Attraction, he played a toxic college drug dealer.

And he actually parodied himself in the sitcom Don’t Trust the B—- in Apartment 23. In it, he’s a self-obsessed actor unsuccessfully trying to get people to see him as someone other than the celebrity from Dawson’s Creek. In an episode where he decides to teach an acting class, the students ignore the lesson and instead pester him to perform a monologue from the show.

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In real life as well, the floppy blond-haired Dawson Leery is the one that stole fans’ hearts, but Bindig Yousman says Van Der Beek still enjoyed a strong fanbase that followed him to other shows, even when they were only smaller cameos.

In the 2024 Instagram post about his cancer, Van Der Beek said “Each year, approximately 2 billion people around the world receive this diagnosis … I am one of them.” (There were about 18.5 million new cases of cancer around the world in 2023, a number that researchers say is projected to rise.) Van Der Beek leaves behind six children.

The cast of Dawson’s Creek reunited to raise money for the nonprofit F Cancer, which focuses on prevention, detection and support for people affected by cancer. They read the pilot episode at a Broadway theater in New York City in September 2025. His former co-star Michelle Williams organized the reunion. James Van Der Beek was unable to perform, due to his illness, but contributed an emotional video that was shown onstage. In it, he thanked his crew and castmates, and the Dawson’s Creek fans for being “the best fans in the world.”

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‘Alice and Steve’ might be a mess — but it’s also too fun to stop watching

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‘Alice and Steve’ might be a mess — but it’s also too fun to stop watching

In Alice and Steve, Jemaine Clement and Nicola Walker play long-time friends who turn on each other after he gets involved with her 26-year-old daughter.

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Lara Cornell/Disney+

I grew up watching episodic shows on network TV, nearly all of them formulaic but some indelibly great. Then, like everyone else, I moved into the days of what my colleague David Bianculli dubbed Platinum TV, where series like The Sopranos and The Wire and Fleabag aspired to something higher. What both these eras had in common was that their shows were carefully crafted — they had an internal logic, and a tone, that held them together.

In recent years, though, there’s been a proliferation of shows that, possibly obeying some algorithm, care less for coherence than sensation. They lurch among tones, from cuteness to sentimentality to meanness, stirring in random plot twists along the way. Bouncing all over the emotional map, these shows depend on compelling actors and a few memorable scenes to make us overlook their loose construction.

A great example is Alice and Steve, an entertaining but sometimes exasperating six-part British comedy on Hulu about two 50-something best friends who turn on each other after he gets involved with her 26-year-old daughter.

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While the premise is juicy, it’s also a tad yucky, and I mainly tuned in because its title characters are played by performers Jemaine Clement from Flight of the Conchords and Nicola Walker, whom I’ve raved up on this show more than once.

The series starts poorly with Steve and Alice going on a cutesy bender after a friend’s funeral. Now, I always hate drunk scenes, which are an invitation to overact. As Clement and Walker bray their lines, we learn that Steve’s a divorced celebrity hair stylist who can’t find a girlfriend while Alice is a clothes designer with a doting younger husband, nicely played by Joel Fry, a sweetie-pie of a teenage son — that’s Tyrese Eaton-Dyce — and, of course, that 26-year-old daughter, Izzy, who has inherited her mother’s willfulness. Played by Yali Topol Margalith, Izzy kickstarts the plot by flirting with Steve. Predictably, he succumbs.

Almost immediately, they think they’re in love. While the weak-willed Steve wants to hide their romance — he knows it’s inappropriate — Izzy just blurts out the facts to her mom. Alice flips. And from hereon out in this series where the women are as alpha as the men are hangdog, Alice drives the action. Betrayed and violently angry, she’ll do whatever it takes to break them up — no matter who gets hurt. Her antics unleash Steve’s own malice. We’re in Beef territory.

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How to enter your Sporty Spice era : It’s Been a Minute

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How to enter your Sporty Spice era : It’s Been a Minute

How to enter your Sporty Spice era.

Getty Images/quantic69/Olga Kurbatova/Anastasiia Zvonary/Photo Illustration by NPR


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Getty Images/quantic69/Olga Kurbatova/Anastasiia Zvonary/Photo Illustration by NPR

Reality dating and professional sports are not as different as you’d think.

Brittany is in her Sporty Spice era – she watched the NBA playoffs, she’s following World Cup games, and she’s watching the New York Liberty play their WNBA season. These games are daily – and so is the reality dating show Love Island. And she noticed that the two formats are not very different at all. Defector.com staff writer and co-owner Kelsey McKinney came to the same conclusion – so the two of them discuss why these games of athleticism and love can bring us together… and why they get valued differently in our culture.

For more episodes on sports and reality TV, check out:
Get rich or die trying: how sports betting is changing our love of the game
Is this the end of reality TV?
The ugly truth of America’s expensive homes

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Follow Brittany on Instagram: @bmluse

This episode was produced by Liam McBain. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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Luxury Clients Want Meaning More Than Status

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Luxury Clients Want Meaning More Than Status
The era of buying luxury purely for status and visibility is giving way to something more personal, centred on identity, connection and self-expression. While emotion sits at the heart of brand desire across both the US and China, its expression diverges sharply between markets, according to BoF Insights and McKinsey’s report ‘Face to Face With Luxury Clients.’
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