Culture
Is NFL's surge of hiring college coaches as coordinators an anomaly or a new norm?
The line between college and the NFL has been blurred in recent years with run options and run/pass options (RPOs) becoming a legitimate part of NFL schemes, but there is still a chasm between what college and NFL coordinators have to prepare for each week. However, that hasn’t stopped teams from tapping into the college ranks to fill coordinator positions. In fact, four coordinators hired this offseason came from the NCAA: Buccaneers OC Liam Coen, Chargers DC Jesse Minter, Packers DC Jeff Hafley and Seahawks OC Ryan Grubb.
Is this hiring cycle an aberration or a sign of things to come? Understanding what NFL teams adopt and don’t adopt from college systems, schemes and procedures might offer clues to answer that question.
NFL teams will still prefer to hire college coaches with an NFL background over those who mainly have only college experience. Of the four coordinators coming from college, only Grubb doesn’t have NFL experience.
Minter was a defensive assistant with the Baltimore Ravens for four seasons before becoming the defensive coordinator for Vanderbilt (one season) and Michigan (two seasons). After putting together one of the best defenses in the country and winning a national championship last season, he followed Jim Harbaugh back to the NFL.
minter on the mic pic.twitter.com/0HEgFICzwB
— Los Angeles Chargers (@chargers) May 23, 2024
Hafley was a defensive assistant for various NFL teams from 2012 to 2018 before becoming the defensive coordinator for the Ohio State Buckeyes and then taking the head coach job at Boston College.
Coen spent most of his career as a college coach but recently went from being an assistant coach for the Los Angeles Rams to offensive coordinator at Kentucky for a season. He returned to the Rams as their offensive coordinator, then returned to Kentucky for a season in the same role before finally landing with the Tampa Bay Buccaneers this offseason. In his one-year stint as offensive coordinator with the Rams, Sean McVay was the play caller, so this season will be Coen’s first season calling plays in the NFL (he called plays in one game for the Rams).
Though offensive schemes have trickled up with more frequency than defense in recent years, it could be rare for coaches without NFL experience to get immediate opportunities to call plays in the league. Too many such coaches have struggled to make the transition. College offenses rely more on running quarterbacks, breaking tackles, tempo and volume than in the NFL where every play is carefully schemed up and there is more of an emphasis on trying to get into the “perfect” play calls.
NFL offensive coordinators will certainly steal creative play designs from the college level but the game planning and play calling are more intricate in the pros. Grubb seems to be the rare example of a coach who has no NFL experience and will have an opportunity to jump straight to play caller at the next level.
However, Grubb’s Washington offense looked like an NFL offense. The Huskies split between under center and shotgun, they had many ways to run the same concept, and he did a creative job of using motion and shifts. An area that college coaches typically struggle with in the league is protection. College protection schemes are often simplistic, and when coaches like Chip Kelly got to the league, they didn’t have enough tools to handle some of the pressure schemes in the NFL. Grubb will have an advantage working against Mike Macdonald’s defense every day in practice — Macdonald’s scheme tests the rules of offense as much as any in the league — but that doesn’t automatically mean he will have a sophisticated protection scheme.
For years, the spread offense was the dominating scheme in college football, but we’re starting to see a trickle-down effect with teams adopting the outside zone/play-action scheme that has been so successful in the league. Kentucky hired Coen to implement McVay’s system, and he did so successfully. Defenses weren’t used to stopping that style of offense, and last season, Coen’s unit averaged 29.1 points per game despite being consistently overmatched talent-wise in the SEC. It’ll be interesting to see how his college experience influences his version of the McVay system with the Buccaneers.
Liam Coen worked with Baker Mayfield when Coen was the Rams offensive coordinator in 2022 after Mayfield was claimed by Los Angeles midseason. He’s reunited with the quarterback in Tampa Bay. (Kirby Lee / USA Today)
I believe we’ll see more assistant coaches in the NFL go to the college level to get experience as play callers at big schools and parlay it into opportunities in the league. The Ravens have had success hiring coaches that did exactly that. Macdonald was an NFL assistant coach for years before going to Michigan to coordinate for a season. When he returned, his way of teaching and implementing his system helped the Ravens become the best defense in the league last season. He was hired as the Seattle Seahawks head coach after just two seasons as defensive coordinator.
Minter followed in Macdonald’s footsteps and ran a similar scheme at Michigan. Both ran pro-style schemes and applied lessons from their time in the league to their college defenses. They ran classic four-down fronts and presented problems for offenses with simulated pressures from different presentations. Minter did an excellent job of situational play calling, which will serve him well at the next level.
For example, on the Gaylor Family Benefit Whiteboard Clinic, Minter did a fantastic breakdown of how he looks at second-down situations.
“The goal on second-and-7-plus is to create third-and-6 or more. It used to be, ‘Hey, on second-and-8, let’s hold them to half the yardage.’ Now you’re in third-and-4,” Minter said. “If you look at the third-down percentages of winning, third-and-6 or more is where you can dictate more on that D&D (down and distance). We’re trying to really attack on this down and distance. We’re playing tight coverage. We’re trying not to give up the quick game, the get-back-on-track plays.”
When talking to NFL coaches, they were adamant that college defensive schemes don’t influence NFL schemes much. The current trend in college is the “tite” front (three defensive linemen) with match coverage behind it to combat the spread.
One of the best defenses last year was the Arizona Wildcats.
Here’s an excellent example of how the Tite Front fits Counter GY from their 3-High package.
#5 will ‘travel’ with the TE, #13 leverages the kick-out, while #44 races to take on the kick-out. #ArtofX pic.twitter.com/TptVgiE2Oc
— Cody Alexander (@The_Coach_A) April 30, 2024
Though NFL teams will dabble in those concepts, it’s much harder to run this type of defense as a base. Another key difference between NFL defenses and college is that college defenses play a lot more match quarters coverage in which defenders’ eyes lock onto routes rather than the quarterback as they would in spot drop defenses. Though NFL teams have been more willing to play quarters coverage, it’s a watered-down version.
“So I wouldn’t say that it’s wholesale quarters, but you need split safety … variations of it,” an NFL defensive coach told The Athletic. “I don’t know if it’s just wholesale quarters. It may be quarter, quarter, half to the boundary, maybe half, quarter, quarter to the field, which is Cover 8. The difference is that you’re trying to stay in that shell, you know, to try to limit explosive plays on the back end.”
Essentially, colleges play quarters and aggressively match routes and NFL teams will play it with more zone technique and soft coverage.
Since being hired, Hafley and Green Bay Packers coach Matt LaFleur have made it clear they will be a spot drop team.
“More vision on the quarterback because he’s ultimately going to take you to where the ball is going to go,” LaFleur said. “And it’s hard to do that when you’re playing with your back to the quarterback … not to say that we won’t be that. There’s certainly going to be circumstances when you want to man up and play some match coverage. I would say a big part of what we’re going to do, especially from a coverage standpoint, is going to be have vision on the quarterback.”
GO DEEPER
New Packers defensive coordinator Jeff Hafley draws raves from former players
Sources in the league say they expect Hafley’s defense to look more like the San Francisco 49ers and New York Jets defenses, which originated from Seattle’s Cover 3 system. Hafley was a defensive backs coach for then-coordinator Robert Saleh in San Francisco. He used more one-deep safety looks than colleges typically do, and he talked shortly before the Packers hired him on “The Next Up” podcast with Adam Breneman about how it’s the base of his system.
Ultimately, LaFleur is going away from Vic Fangio’s system that heavily trended around the league in the last few years and back to a Cover 3 system that was trending out of the league. The Packers struggled to defend against the run under former defensive coordinator Joe Barry, and Hafley’s system will naturally put the strong safety in the box more often, which should help shore up the Packers’ run defense.
The Seattle system fell out of favor because it could be predictable and requires an elite four-man pass rush to work. So how will Hafley complement Cover 3? What kind of coverages will he use? He could employ some of the split-safety looks he used at Boston College or maybe he’ll draw from his experience working with Mike Pettine, LaFleur’s first defensive coordinator with the Packers, and run more simulated pressures.
“We’re gonna attack.” 😤
Jeff Hafley joins the coaching staff going into the 2024 season.
1-on-1 with the new #Packers defensive coordinator 🎥 pic.twitter.com/T8AZzS0lhQ
— Green Bay Packers (@packers) April 20, 2024
Again, NFL teams are very willing to borrow bits and pieces from college schemes, but coaches believe they are two different games. For example, a handful of NFL teams used some three-safety structures, popularized in college a few years ago, to disguise on passing downs, but they’ll never be a base defense in the league.
“I don’t think they can take much schematically, more so than the relations with younger players and learning to be better teachers,” an NFL defensive coach said when asked about what NFL coaches can learn from coaching in college.
Macdonald seemed to streamline his system and make it easy for players to learn, communicate and execute in part because of his college experience. NFL play calls can get lengthy, which can be hard to communicate in college because of the offenses’ tempos.
“Talking to Mike (Macdonald), that was how people first really tried to attack him when he came to college,” Minter said. “It was like, ‘Oh, he’s going to run this elaborate NFL system … the best way to combat that is to go fast.’”
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Macdonald had to streamline his system and how he communicated his play calls at Michigan and it’s helped him create a unique malleable system in the NFL. Though his experience in college has certainly made him a better coach, there are things you learn in the league that aren’t emphasized in college.
For young assistant coaches in the league, going to college to call plays and get experience coordinating is invaluable, but in the NFL, there is a bigger emphasis on attacking matchups, manipulating protection schemes and situational play calling. Having those skills as a foundation is critical to being a successful coordinator in the league.
There will be a lot of college coaches clamoring to make the jump up to the NFL during the name, image and likeness era as they’d prefer to get away from the increased recruiting responsibilities, but this year’s hiring cycle with four college coaches getting coordinator jobs might be something of an anomaly.
(Top photo of Jeff Hafley, Ryan Grubb and Liam Coen: Dan Powers / USA Today, Steph Chambers and Cliff Welch / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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