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Design your dream social calendar with these April drops, openings and shows

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Design your dream social calendar with these April drops, openings and shows

Fear of God women’s collection

The new womenswear collection from Fear of God brings a feminine touch to tailored classics.

(Fear of God)

A longtime staple in men’s luxury streetwear, this month Fear of God debuts its first womenswear line for Collection Nine. The collection brings a feminine touch to tailored classics that the house is known for, with wool cashmere coats and wide-leg slouch pants. Accessories include leather bags inspired by the sport duffel, and minimalist footwear — ranging from flats to slippers to kitten heels — for elegance at every occasion. Shop the collection online at fearofgod.com.

Awe Inspired X Jhené Aiko

Jewelry from Awe Inspired x Jhené Aiko

The new collection from Awe Inspired X Jhené Aiko is out April 23.

(Awe Inspired)

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What is your talisman? Is it a crystal? Is it a lucky coin? Or could it be a gold, labradorite beetle ring from Awe Inspired’s newest jewelry collaboration with Jhené Aiko? The collection taps into the animal spirit, including celestial medallions, saber-teeth, horns, claws and symbolic engravings, in line with Aiko’s forthcoming album, “West$ide Whim$y.” The pieces are like guardian symbols, designed to protect their wearer. They can also be worn as a statement or layered for everyday versatility. aweinspired.com

Madhappy Malibu opening

Interior of Madhappy

The new Mahappy Malibu location was designed as both a retail space and a cafe concept.

(Sean Davidson)

Madhappy has always been so L.A. Known for brightly lit, blue-floored stores, the brand opens its fourth permanent flagship in Malibu this month. After having to stall the opening because of last year’s fires, this retail location demonstrates the continued resilience of the L.A. community as they continue to fundraise and support local fire recovery efforts. Designed as both a retail space and a cafe concept, the store will feature collaborations with local favorites like Courage Bagels, Bianca and Beverly Hills Juice. 23465 Civic Center Way, Suite 860, Malibu. madhappy.com

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“Portals” by Todd Gray at Perrotin

Todd Gray, "Portals (Antwerp, Paris)," detail, 2026. Three UV pigment prints on Dibond in artist's frames.

Todd Gray, “Portals (Antwerp, Paris),” detail, 2026. Three UV pigment prints on Dibond in artist’s frames.

(From the artist and Perrotin)

Artist Todd Gray.

Artist Todd Gray.

(The Credit Line)

L.A.-based artist Todd Gray makes his debut at the Perrotin gallery with “Portals,” which combines eclectic photo sculptures inspired by the European Renaissance with landscapes from West Africa. The exhibition coincides with the unveiling of Gray’s commission at LACMA. Catch “Portals” through May 30. 5036 W. Pico Blvd., Los Angeles. perrotin.com

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Ricari Studios opening

Massage at Ricari

Ricari Studios lands in the Peninsula Beverly Hills.

(Ricari)

A new space for wellness and rejuvenation opens at the Spa in the Peninsula Beverly Hills: Ricari Studios. Known for its tech-forward treatments in blood circulation, tissue health and cellular vitality, the studio offers therapies for toning skin, relieving muscle soreness and lymphatic drainage. Treat yourself this April. 9882 S. Santa Monica Blvd., Beverly Hills. ricaristudios.com

“Curtains” by Jack Pierson at Regen Projects

Installation view of “Curtains” by Jack Pierson at Regen Projects.

Installation view of “Curtains” by Jack Pierson at Regen Projects.

(From the artist and Regen Projects)

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Jack Pierson returns for his 11th exhibition at Regen Projects with “Curtains,” a collection of work that continues the artist’s exploration of language, using vintage signage and word sculptures coupled with old Hollywood lore like palm trees, clouds and roses. On view through April 18. 6750 Santa Monica Blvd., Los Angeles. regenprojects.com

Mykita’s new collection

Sunglasses by Mykita

It’s only getting hotter and sunnier. Berlin-based eyewear brand Mykita kick-starts a sunglasses spring with new minimalist lens shapes and ultra-slender lightweight frames. Whether rounded for elegance, cat-eye for chicness or with a gradient lens for a dreaminess, sunnies finish a look. Take your pick at mykita.com.

“Duets” by Josef Albers at David Zwirner

Study for a Homage to the Square, c. 1970-1973, and Study for a Homage to the Square, c. 1970-1973

Josef Albers, “Study for a Homage to the Square,” c. 1970-1973, and “Study for a Homage to the Square,” c. 1970-1973.

(From the Josef and Anni Albers Foundation and David Zwirner)

Balance is always about mastering duality. “Duets” by Josef Albers is a study on paired compositions that are in dialogue: in form, in color and in texture. Marking the late artist’s first significant L.A. exhibition in decades, Albers’ works will be on display at David Zwirner starting April 9. 606 N. Western Ave., Los Angeles. davidzwirner.com

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Damson Madder’s Appreciation Society

Clothing line of Damson Madder

Gen Z’s favorite slow fashion brand, Damson Madder, is releasing its summer season “see-now-buy-now collection” that’s part-beach, part-city. Inspired by seaside U.K. town of Brighton, the collection pays homage to photographer Martin Parr’s candid stills of life by the beach. With tunic silhouettes, collars, ruffles, plaid and stripes, the pieces are a new playful summer uniform. damsonmadder.com

Bench by Ingrid Donat

Ingrid Donat, “Banquette aux Caryatides.”

(From the artist and Benjamin Baccarani for Carpenters Workshop Gallery)

Bronze, leather, textile and wood are fused together in furniture-focused sculptures by Ingrid Donat. For her first L.A. exhibition at Carpenters Workshop Gallery, she combines form and function with benches, couches and tables in a style that is simultaneously Art Nouveau, Art Deco and global. On view through May 29. 7070 Santa Monica Blvd., Los Angeles. carpentersworkshopgallery.com

“Free and Queer: Black Californian Roots of Gay Liberation” at CAAM

The Ache Project march, S.F., ca. 1990s. Papers, General Collection, Beinecke Rare Book & Manuscript Library, Yale University

The Ache Project march, San Francisco, Calif. 1990s. Papers, General Collection, Beinecke Rare Book and Manuscript Library, Yale University.

(Lisbet Tellefsen)

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Intersectionality is on display at the California African American Museum with “Free and Queer,” a show that puts Black LGBTQ+ Californians at the center of the civil rights movement. With archival photographs, film and newspapers, it spotlights voices from the movement and unheard historical narratives. On view starting April 7. 600 State Drive, Los Angeles. caamuseum.org

Lifestyle

Melania Trump, Queen Camilla and the Look of the Special Relationship

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Melania Trump, Queen Camilla and the Look of the Special Relationship

King Charles III talked eloquently of its historic importance in his speech to a joint session of Congress. President Trump praised it in his toast at the state dinner for the king’s visit to Washington. But nowhere was the special relationship between the United States and Britain more obvious than in the wardrobes of Queen Camilla and Melania Trump. They didn’t just compliment each other. They looked complementary.

Their husbands may have dressed to represent their offices, the king in his trademark Savile Row pinstripes, pocket handkerchief nattily puffed, the president in his red, white and blue. But the women, in their multiple outfits, did a lot of the subliminal work, practically shouting through their seams “hands across the ocean.” For a story that would be told mostly in photo ops and brand values — Trump brand, royal brand, fashion brands — that mattered.

In this at least the queen and the first lady seemed visibly on the same page. And while that may have been expected from Camilla, whose job is built on and defined by symbolism, it was more of a surprise from Mrs. Trump, who often seems as interested in pursuing her own agenda and protecting her privacy (all those hats and coats) as she is in supporting her husband’s or catering to the public eye.

Which may reflect not only the first couple’s well-known esteem for the royals, but also how much the royals understand and can leverage their appeal to the Trumps.

The sartorial outreach started as soon as the king and queen deplaned on Monday, Camilla in a light pink Dior coatdress — Dior being one of Mrs. Trump’s go-to designers and the brand she wore on the first day of her state visit to Britain. Dior, as it happens, is also synonymous with well-appointed luxury. Owned by the French billionaire Bernard Arnault, the chairman of LVMH and a guest at the Trump inauguration, the label is designed by Jonathan Anderson, who is from Northern Ireland. In other words, it ticks both the diplomatic protocol box and the Trump taste box.

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And if that wasn’t bonding enough, a Cartier pin on the coatdress Camilla wore had been given to Queen Elizabeth II in 1957 on her first official visit to the United States and features a conjoined Union Jack and Stars and Stripes, a reminder of just how long this particular allyship has existed.

It set the tone for the trip.

The women also mirrored each other’s choices in shade (springlike) and sourcing (local designers) at their first meeting on Monday. The first lady wore a buttery yellow form-fitting skirt suit by Adam Lippes, the New York designer who made her inauguration coat, and the queen, a white Anna Valentine coatdress edged in floral embroidery.

Which turned out to be simply a prelude to the official military greeting the next day, when Mrs. Trump wore white (Ralph Lauren) and Camilla’s mint green look by Fiona Clare, a London couturier, was so pale it seemed white. And the similarities didn’t stop there. The outfits had similar nipped-in besuited lines and were topped with wide-brimmed straw hats that almost matched.

Even more strikingly, Camilla wore another historic piece of jewelry: the Cullinan V brooch, which features an 18.8-carat heart-shaped diamond, one of nine stones cut from the 3,000-carat Cullinan diamond originally given to Edward VII. (Two other Cullinan diamonds were incorporated into the British royal scepter and the imperial crown of Britain.) It was a souvenir from the notional vaults of Buckingham Palace, the place Mr. Trump posted he “always wanted to live,” and a canny nod to the president’s admiration for royal trimmings — and the equation of size with importance.

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Still, perhaps no images were as striking in their subtext as those unveiled Tuesday night at the first white-tie state dinner since 2007.

That was when the first lady opted for a light pink strapless gown, also by Dior, just like Camilla’s pink arrival coat. (Coincidence? Doubtful.) And it wasn’t any old pink; it was delphinium pink, delphinium being one of the king’s favorite flowers. (Notably, the dress was custom-made, like Mrs. Trump’s Ralph Lauren suit before it. Clearly, designers no longer have any reservations not only about seeing their clothes bought by the Trumps, but also about working with the Trumps.)

Camilla was also in pink, albeit more of a fuchsia shade, again by Fiona Clare, this time paired with an enormous amethyst and diamond necklace that once belonged to Queen Victoria. The king may have given the president a golden bell as a dinner gift and offered a toast that was a master class in tact, but the queen in her opulent gems gave him something else: the opportunity to feel like royalty for a night.

Fashion, it turns out, can be as effective a tool when it comes to flattery as any words.

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Your guide to free self-care: 8 L.A. wellness events you can’t miss in May

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Your guide to free self-care: 8 L.A. wellness events you can’t miss in May

Who doesn’t love a seaside soundbath or a spa day? But wellness is expensive — and self-care shouldn’t break the bank. So we’ve curated a handful of free wellness activities for the month of May to keep you stretched, sane and grounded.

But first: One of these events is blending wellness, culture, community and healing in an interesting way.

For more than 38 years the World Stage Performance Gallery, in South Los Angeles’ Leimert Park, has presented live music, poetry, spoken word and other forms of cultural expression in its performance gallery. On May 23, it will stage its first annual Sacred Music and Healing Festival in Leimert Park.

It’s an ambitious undertaking, says Executive Director Dwight Trible. The idea behind the festival, he says, is that “music is medicine.”

“At a time when many are seeking restoration, grounding and connection,” he said, “we are creating a space where sound, rhythm and collective presence become tools for healing.”

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We caught up with Trible to learn more about the free event in a conversation that has been edited for length and clarity.

You’ve been thinking about staging this festival for years. Why finally do so now?
The time is right to do this. Democracy is just barely visible and hanging on. I think we have a rogue administration and I do believe that they’re pushing swiftly towards a fascist regime. Most people that I encounter are very, very angry about [that]. And whenever there is some upheaval in the world, or in our community, Leimert Park has always been this galvanizing place where everybody comes together to learn what’s going on, to find out what the solutions are and what the marching orders are. Usually it’s about some kind of injustice that’s happening to the black and brown community. This time we just felt that the way of counteracting the upheaval and negativity that exists currently in our country was to look at it from a different perspective: with love, compassion, faith and education.

(Illustration by Robbin Burnham WACSO / For The Times)

How is the festival different than a traditional music festival?
It’s a wellness experience shaped through culture, where jazz, Indigenous traditions and healing arts come together in one shared space. We wanted to make it as diverse as possible. To not only have the African-oriented or African American music, but music from Mexico, Indigenous Native American music, Asian music, so people can be exposed to different forms of spiritual music. Most of the time in South Los Angeles we will go to the church and hear this sort of gospel Baptist music — and there will be some of that too — but there are all sorts of ways to express your spiritual views. So we wanted to have something that everybody can relate to.

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How exactly is music healing, in your opinion?
We’ve all been to concerts — whether symphonic music or jazz or new age music — and we go in with one mindset and when we come out, we have a completely different disposition. I think music is one of the strongest ways of healing. Music is medicine. It’s sometimes better than taking pharmaceutical drugs. It changes your mind, your mental state, your spiritual state. When you surrender to the music it’s definitely something that’s going to transform. Music has a direct impact on the nervous system. Hopefully it will calm the body, shift emotional states and create a sense of connection. I hope that people from all over the city will come.

What other wellness offerings will be at the festival?
We have a main stage, which will have [musicians]. But there will be two other tents. In one, there will be people doing yoga, tai chi — the more physical things of peace and healing. Then we have another tent where there will be presentations on herbs and meditation and other ways of healing people’s bodies. There will be about 25 booths with other people [showcasing] healing remedies and some of the hospitals will be talking about mental health.

Who will be performing?
One of our founders of the World Stage, he’s a poet, Kamau Daáood. We’ll have Carlos Niño & Friends and I’m sure he’ll bring a special guest. The great pianist Eric Reed. Jimetta Rose Voices of Creation. I do progressive music and I’ll have a group playing there as well. We’ll also have people from our spoken word workshop who will be doing presentations throughout the day. There’s a store called Nappily Naturals & Apothecary in Leimert Park — they do healing remedies and meditation — and they will be curating the healing tent.

You’ve said the festival reflects “a deeper narrative emerging in Los Angeles.” What is that?
I think the narrative is: there has got to be another way to do things rather than to try and use force against force. We [can’t] bring peace by bringing war. I know that a lot of people are getting tired of what’s going on and thinking about how do we stop this? You have a person leading the country and they’re prepared to use guns and ammunition to be able to make sure they can keep doing whatever they’ve set out to do. You have to go at it another way. The power of love is stronger than the power of hate.

Sacred Music and Healing Festival, 11 a.m.-7 p.m. Saturday, May 23; 4321 Degnan Blvd., Leimert Park.

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Here’s what else is happening across the wellness landscape in May.

Mindfulness with Christiane Wolf at the Wende Museum of the Cold War in Culver City.

Mindfulness with Christiane Wolf at the Wende Museum of the Cold War in Culver City.

(Stella Kalinina / For The Times)

Midweek is “Wellness Wednesdays” at the Wende Museum of the Cold War in Culver City. The museum will host a free, hourlong, guided meditation — led by Christiane Wolf — in its Glorya Kaufman Community Center’s A-frame theater, a refurbished, century-old MGM prop house. Afterward, the Cantilever Collective will lead a free movement workshop in the sculpture garden, helping participants shake out any remaining remnants of stress. There will also be complimentary garden refreshments such as homemade soup and fresh bread from Clark Street Bakery. 9-11 a.m. every Wednesday in May; 10808 Culver Blvd., Culver City.

Similarly, the Hammer Museum hosts free, guided Mindful Awareness Meditations every Thursday in its Billy Wilder Theater, a collaboration with UCLA Mindful. Can’t get away midday to attend? The museum broadcasts the event live on its website. 12:30-1 p.m. every Thursday in May; 10899 Wilshire Blvd., Westwood.

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Los Angeles County Parks & Recreation is hosting a week of free “golden hour” wellness experiences in dozens of L.A. County parks in a program it’s calling, not surprisingly, “Parks at Sunset.” Activities include yoga, guided meditation, painting and dance; they’re meant “to help attendees relax, recharge, and reconnect in the heart of L.A. County parks.” The best part? They’re all free “drop-in” happenings, with no registration required. 4:30-6:30 p.m. May 14-22; check the site for park addresses near you.

ace/121 Gallery, which is operated by the nonprofit Glendale Arts, will host a “Mindful Art for Wellness” workshop for participants over 16 years old. The instructor will start off by giving attendees a prompt to spark creativity along with stress-reducing breathing exercises. Then the art-making begins. No experience is necessary. Simply “slowing down is the point,” the organization says. 7-8:30 p.m. May 18; 121 N. Kenwood St., Glendale.

Clockshop is an arts and culture nonprofit that puts on free programming in public spaces with the goal of connecting Angelenos to the land they live on. Its annual kite festival is a much anticipated, colorful “gallery in the sky.” This year, the festival’s theme is: “Take a Breath.” That includes visitors’ own deep breaths to slow down and feel relaxed as well as “the wind that lifts our kites, the air that sustains us, and the open sky we’re committed to protecting,” Clockshop says. 2-6 p.m. May 9; Los Angeles State Historic Park, 1245 N. Spring St., downtown L.A.

Los Angeles State Historic Park will be busy in May! The National Alliance on Mental Illness — NAMI — has dubbed May 16, 2026, “the day of hope.” As part of that, the annual NAMIWalks Greater LA County Mental Health Festival will take place that day at Los Angeles State Historic Park. The donation-only event, with free wellness activities, includes NAMIWalks, a roughly 1.5-mile walk on a path around the perimeter of the park. The fair will include about 60 booths as well as a “mind and body area” with soundbaths, yoga and other wellness activities. 8 a.m.-1 p.m. May 16; Los Angeles State Historic Park, 1245 N. Spring St., downtown L.A.

Nearly 50 years ago the Venice Art Walk debuted as a one-day fundraiser. It’s since grown into a 10-day-long Art Exhibition + Auction benefiting the Venice Family Clinic. The VFC provides comprehensive healthcare services to more than 45,000 Angelenos. The free exhibition will showcase works by established, mid-career and emerging artists, with Alison Saar serving as the event’s signature artist. Auction bids will be accepted online. 11 a.m.-6 p.m. May 8-17; 910 Abbot Kinney in Venice.

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Fashion Can’t Get Over Michael Jackson

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Fashion Can’t Get Over Michael Jackson

A line in Mark Binelli’s fascinating piece in The New York Times Magazine about Michael Jackson’s estate-led rehabilitation campaign really jumped out at me. Referring to the early ’90s, the period in which the biopic “Michael” ends, Binelli writes, “It was also among the last moments that Jackson looked cool: the white V-neck and the unbuttoned white dress shirt, black pants, hair pulled back.”

What an astute observation. By this point in Jackson’s life, he had already given us his most iconic looks: the Sky Masterson-esque ivory pinstriped suit and cobalt blue socks in the “Smooth Criminal” video; the leather jacket from “Thriller,” as red as pulled taffy; and the black Florsheim loafers worn with sparkly socks, which he pulled out for his inaugural moonwalk in 1983.

In images of him from this time, he’s still just the musical magician who vanquished MTV. The allegations of child molestation that would dog him through his later life (and afterlife) haven’t yet appeared. It’s this period that fashion designers have long been selectively fixated on, with little room for his personal life.

In 2017, Supreme sold a series of hoodies and tees showing a bow-tied “Billie Jean”-era MJ. In January 2019, Louis Vuitton, then under the stewardship of Virgil Abloh, created an entire collection inspired by Jackson. Abloh, in an interview before the show, described Jackson as “the most important innovator in men’s wear history,” a plaudit that, even then, came off as too generous.

There were ensembles with characters from 1978’s “The Wiz” (including Jackson’s Scarecrow), a cherry zip jacket owing to “Thriller” and a T-shirt with an airbrushed rendition of some gleaming socks parked in black shoes.

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Abloh’s timing was terrible. Eight days later, “Leaving Neverland,” about Jackson’s alleged pedophilia, premiered at Sundance. With the public reminded of the child molesting allegations that trailed the singer’s latter years, his reputation was again upended. After the documentary premiered on HBO in March, Louis Vuitton halted production on items that directly referenced Jackson.

What I had forgotten about this backlash was that it didn’t take hold immediately. Two months after the show, in a March 2019 New Yorker profile of Abloh (who died in 2021), the designer is asked about “Leaving Neverland” and the allegations that Jackson had molested two boys. He said he hadn’t heard of the documentary but that he had been inspired by “the Michael that I thought was universally accepted, the good side, his humanitarian self.” It would take four more days for Vuitton to nix the Jackson goods.

Yet one can see why Abloh might have thought his explanation would fly. Fashion has, after all, always been capable of pushing past a controversy, if the person’s image is indelible enough.

The photo of Jackson in his black loafers, as I’ve seen on infinite mood boards over the years — that’s strong iconography. And now the box office might of “Michael” seems like proof that the singer’s defenders have won in the court of public opinion, even with a new lawsuit against his estate filed by four siblings who knew Jackson as children.

The invitation to the Jackson-inspired Louis Vuitton show was a single white glove coated in chandelier-sparkly rhinestones. I still have mine in storage. It felt important to keep as a token of a luxury house trading on the image of a contentious figure. Today it is really the only existing piece of that collection that is actually tied to the singer. You can buy one on eBay for as much as $3,000.

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