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100 days until the Olympic Games – is Paris ready?

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100 days until the Olympic Games – is Paris ready?

Follow The Athletic’s Olympics coverage here.

In 100 days, Paris will host the most famous sporting jamboree on the planet: the summer Olympic Games.

There will be action across 32 sports watched by millions of visitors, as well as an unprecedented opening ceremony set to take place on the River Seine, which runs through the city’s heart. At least, that is plan A, anyway — Emmanuel Macron, the French president, confirmed an off-river contingency for the first time on Monday.

Excitement has not quite taken hold in Paris yet. Decorations around the city remain discrete for a Games awarded to the French capital in September 2017. The City Hall has been plastered with Olympic regalia, but the focus of messaging has primarily been on practicality — “anticiper les jeux” (anticipate the Games), as posters on the Paris Metro, the city’s subway system, depict it.

The past few years have seen plenty of focus on staging the Games, but there has been much more discussion about the practical impact. Authorities have battled and quarrelled to meet deadlines and targets. There have been fears around security, heightened by Russia’s invasion of Ukraine and the Israel-Gaza conflict, with the audacious, river-based opening ceremony — set to be the first time a Games has not opened in a stadium — a particular area of concern.

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Add in worries about transport disruption and the threats of strike action from unions with public sector workers, including police, demanding pay concessions for the extra work anticipated for the Games, and the build-up has been anything but smooth. Even ‘les bouquinistes’, the booksellers who maintain a 400-year tradition on the banks of the River Seine, erupted in protest at the prospect of temporary removal for the opening ceremony.


Booksellers have lined the Seine for more than four centuries (Mohamad Salaheldin Abdelg Alsayed/Anadolu Agency via Getty Images)

But now, the focus should turn to what else the Games has to offer before the Olympics begin on July 26 (although the men’s and women’s competitions for soccer and rugby sevens begin on July 24), with the Paralympic Games to follow from August 28 until September 8.

“This is the French edition,” joked Emmanuel Gregoire, the mayor of Paris’ first deputy, when asked about optimism before the Games at a press briefing this month. “At the beginning, we have been talking only about problems — but we feel that the joy is growing.”

The Olympic flame is now ablaze, lit on Tuesday on Mount Olympia in Greece before beginning its journey across 400 towns and cities in 65 regions of the French territories and landing in Marseille on May 8.

“Paris 2024 begins on May 8, that’s kick-off,” said Pierre Rabadan, the deputy mayor in charge of sport, the Olympic and Paralympic Games, and the Seine. 

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The first torch runners with the Olympic flame in Olympia on April 16 (Socrates Baltagiannis/picture alliance via Getty Images)

It has been a long journey to reach this point. Since Paris was awarded the Games, there has been a global pandemic — which first postponed the Tokyo Olympics and then forced it behind closed doors — conflicts in Europe and the Middle East, inflationary pressures, and screaming headlines about bedbug infestations hitting Paris.

It is safe to say the world could do with a little bit of joy and maybe the Games can provide that.

The question now is whether Paris is ready.


Are the sporting venues ready?

The permanent sites are ready. Paris is aiming to host a sustainable, green-focused Games, with 95 per cent of tournament venues either temporary or using already existing infrastructure.

The new permanent sites — the ones built specifically for the Olympics — are nearly there. The only new sports venue within inner Paris, the Adidas Arena at Porte de la Chapelle in the 18th arrondissement, opened in February. The two-hectare site will host badminton, rhythmic gymnastics, para-badminton and para-weightlifting.

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The other two new sites, the Olympic Village and the Aquatic Centre, are in Saint-Denis, north of Paris and near the Stade de France, the national stadium. The Olympic Village was handed over to the organising committee in February and the Aquatics Centre opened this month.

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The Aquatics Center in front of Stade de France in February (Stephane de Sakutin/AFP via Getty Images)

“I thought it was not possible, but we delivered them two weeks or one month before the (due) date,” said Rabadan. “So that’s a good point for two things. First, because we are not late and less pressure. Second, because we want to respect our budget.”

Not everything is finished, however. The temporary and renovated venues are in the process of completion, while some training sites are not yet ready. Rabadan added: “Some of the renovations for training camps and venues, we are finishing. For example, we have a massive swimming pool in the north of Paris (20th arrondissement), Piscine Georges-Vallerey. That will open up at the end of April.”

Redeveloped venues include the renovated Yves du Manoir Stadium, used for the eighth Olympiad in 1924, which will host field hockey competitions. Temporary sites are also being put together around famous landmarks, such as the Eiffel Tower (beach volleyball), the Place de la Concorde (which will become an urban park and host 3×3 basketball, BMX freestyle and skateboarding), the Champ de Mars (judo and wrestling) and the Hotel de Ville (archery, athletics, cycling). The Grand Palais, on the Champs-Elysees, will host taekwondo and fencing.

Existing infrastructure is also being used and sometimes re-purposed, such as the home of tennis’ French Open, Roland-Garros (tennis and boxing), and La Defense Arena, which is home to rugby union side Racing 92 and holds major concert events but will host swimming and water polo.

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“We are exactly where we would like to be 100 days before the Olympic Games,” said Rabadan.


What about other infrastructure, such as transport?

The extension of Metro Line 14 is due to be ready. This will link Saint-Denis, the heart of the Games, with Paris-Orly airport. Capacity is being increased through more trains and other developments, such as an extension of the tramway to Porte Dauphine, which will allow access to Porte de la Chapelle. That is now complete. The group of new lines, named the “Grand Paris Express”, will not all be ready. The new lines 15, 16, 17 and 18 will open before 2030.

“We’ve known for a very long time that the Paris Express could not be ready for the Games,” said Gregoire. “So it’s not a problem, but of course, it could have been better. But these lines don’t serve Olympic sites. The major aspect is we are guaranteed to have the 14th line in Paris. This will open in May or June.”

“We will have 15 per cent more offerings of trains and metros during the Games,” said Rabadan.

The Charles de Gaulle expressway, a new line that will speed up links between Charles de Gaulle airport and the Gare de l’Est, will not be ready. “It was supposed to be delivered for the Olympic Games,” said Gregoire. “But five years ago, we knew it would not be ready. It would be ready at the end of 2025-26.”

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More trains and more people will mean more cost. During the Games, transport fares will be doubled.


Will the opening ceremony actually happen on the Seine?

As it stands, athletes will parade outside a stadium for the first time, as part of a large flotilla of boats along the River Seine.

The event will start at the Bibliotheque Nationale and conclude at the Trocadero, the site of the Palais de Chaillot, on the opposite bank of the river to the Eiffel Tower.

It promises to be an eye-catching spectacle, but questions have been raised about feasibility — particularly given heightened security risks. Last month, following an attack at a concert hall in Moscow that killed more than 130 people, France raised its terrorist alert warning to its highest level.

The complexity and uncertainty are mainly due to the large numbers set to attend and the challenge of securing the river. Initial hopes of more than a million in attendance were quickly dashed, but the capacity is still set to be more than five times that of the Stade de France (which can hold 80,000 people).

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As well as 10,500 athletes, around 600,000 people will attend the ceremony. Of those, 104,000 are paid tickets sold by the Olympic Committee, 220,000 are distributed across the organising parties (the state, city of Paris and Paris 2024), and 200,000 will be for those on barges or watching on balconies.

Seine, Paris

(Emmanuel Dunand/AFP via Getty Images)

Other considerations have had some impact. Les bouquinistes, the booksellers who have lined the Seine in some capacity for almost 400 years, caused a bit of a headache when they refused to remove their box stalls, some of which are a century old, for the opening ceremony. This dispute has been resolved, albeit at a cost, after Macron intervened. “We lost 70,000 spectators to guarantee security,” said Rabadan.

So is there a plan B? There have been mixed messages. This month, Paris city officials insisted the event will not be taken off the water. “We can reduce the impact and the facilities of the opening ceremony if the international risk becomes harder,” said Rabadan. “We can reduce it, the show, the number of people. But there is no plan B.”

But on Monday, Macron said there were contingencies — potentially even off the river. Asked what would happen if security risks made the river procession too risky, he told BFM TV/RMC: “There are plan Bs and plan Cs. We have a ceremony that would be limited to the Trocadero so it would not cover the entire Seine. Or we could return to the Stade de France. This is what is traditionally done.”

In a statement on Monday, city officials said: “While announcing alternative projects, the president reiterated his priority commitment to the ceremony on the Seine. This is an objective shared by all stakeholders.”

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If Paris can pull off the ceremony in full, it will be spectacular. The opening ceremony of the Paralympic Games will take place along the Champs-Elysées.


What do we know about security plans?

France’s interior minister, Gerald Darmanin, outlined this month that an “anti-terrorist” perimeter would be set up around the Seine one week before the opening ceremony. It will be several square miles in size and closed to traffic unless authorised, while 15 metro and tram stations will shut, too. Only four bridges will stay open. This will then ramp up again on July 26, with no entry permitted after 1pm. Those living inside this security cordon will need a QR code to enter. “If you have not registered, you will not be able to return,” said Darmanin.

“The police need to check who they are in case they represent a threat to security,” added Gregoire. “They will have strong security measures days before. The idea is to maintain the possibility that neighbours can welcome friends and family. At the same time, to guarantee security.”

Checks are underway for volunteers and torchbearers. This month, Darmanin told broadcaster LCI that they had “excluded 800 people, including 15 on ‘Fiches S’ (the list of the most serious threats)”.


What about swimming in the Seine? 

Paris wants to host the cleanest Olympic Games in history and plans to clean up the River Seine and use it to host events, such as triathlon and open-water swimming. Swimming in the Seine has been banned since 1923, but organisers hope they will be able to open three bathing areas in the river before 2025, a key legacy target of the Games.

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To help offset severe waste run-off during heavy rain, a new multi-million dollar storage basin is being constructed near the river, designed to store enough wastewater to fill 20 Olympic-sized swimming pools. Concerns have been raised about the suitability of the river in a worst-case scenario, such as after intense heavy rain. “You need a plan B in case it’s not possible to swim,” said reigning Olympic 10-kilometre open-water champion Ana Marcela Cunha, speaking to AFP last month. “The health of athletes must come first.”

City officials insisted they are confident the river-based events will take place without hazard, but the risk of one leg of the triathlon (swimming, cycling and running) remains.

“We know if there is a problem we can delay the event by two days,” said Rabadan.

“We will finish all the work and the quality of water (will be suitable). Unless we have two months of continuous rain during the summer, we will be ready.” 


How much will this all cost?

Last month, credit rating agency S&P Global estimated that the Paris Olympics is “unlikely to do any lasting damage to France’s finances”.

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According to the International Olympic Committee (IOC), 96 per cent of the budget for organising the Games has come from the private sector, “namely the IOC, partner companies, the Games ticket office, and licensing”.

A 2022 budget review by Paris 2024 cites a total of €4.38bn (£3.74bn, $4.66bn) for the Paris 2024 Organising Committee, with an IOC allocation of €1.2bn (including TV rights of €750m and partnerships contribution of €470m). Ticketing, hospitality and licensing will contribute €1.1bn, €170m and €127m and partnerships will bring in €1.226bn, according to the review. There will be a further four per cent of public funding to finance the organisation of the Paralympic Games.

Macron, Paris

President Macron views a model of the Aquatics Centre on April 4 (Gonzalo Fuentes/Pool/AFP via Getty Images)

The rest of infrastructure spending and modification should double that budget, according to reports, to around €8.8bn. It has risen from a reported €6.7billion, but that is still below London, Rio and Tokyo.

This month, the former president of the French court of auditors, Pierre Moscovici, told France Inter that the Games “should cost” between €3bn and €5bn, although the true cost will not be known until after the Games have concluded.

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What’s the legacy vision?

Paris wants to host the Olympics and Paralympics using predominantly existing infrastructure, but more broadly, an environmentally-friendly approach is central to these Games.

This is defined by the cleaning of the Seine, but also by an increase in the number of bikes. There will be “10,000 more bikes” in Paris, according to city officials, with the network expanding to 1,400 kilometres (870 miles). Of those, there will be 60 ‘Olympistes’ — cycle routes dedicated to the Games and moving between venues.

Paris is aiming for a 50 per cent reduction in carbon emissions compared with the averages of London 2012 and Rio 2016. They want to use 100 per cent renewable energy and intend to achieve this using modifications such as connecting all venues to the grid, therefore limiting the use of temporary diesel generators. They want all sites accessible by public transport and are even “doubling the plant-based food to reach a target of 1kg of CO2 per meal, compared with the 2.3kg French average”, according to Paris 2024.

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Ugo Gattoni, artist of the Paris 2024 Official Poster (Pascal Le Segretain/Getty Images)

Ensuring a lasting impact in disadvantaged communities is also on the agenda. Saint-Denis, in particular, is set to benefit, with the athletes’ accommodation planned to be turned into 2,800 homes after the Games, 25 per cent of which will be social housing. The area also stands to gain renovated pools, including the Aquatics Center, which will replace a 50-year-old 25-metre pool.

This, along with cycling, will assist a sporting legacy. There will also be more access for disability sports. “Four years ago, only four sporting clubs (in Paris) could welcome young people with disabilities,” said Gregoire. “Before the Games, we are speaking of almost 50.”

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The other new arenas will be repurposed. The Adidas Arena will become the headquarters of the Paris Basketball Club, and will host concerts and schoolchildren.

Fundamentally, though, Paris wants to breathe life back into the Olympic movement, which suffered due to the pandemic at the Tokyo Games.

“The world needs some joy and if the Paris edition of the Olympic Games helps a little for that, that would be good for everyone,” said Gregoire.

(Top photo: Stuart Franklin/Getty Images)

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Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

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Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

SELLING OPPORTUNITY: The Story of Mary Kay, by Mary Lisa Gavenas


Mary Kay, the cosmetics company whose multilevel marketing included sales parties and whose biggest earners were awarded pink Cadillacs, was really in the business of selling second chances. Or, at least, that’s what Mary Lisa Gavenas argues in “Selling Opportunity,” a dual biography of the brand and the woman behind it.

Mary Kathlyn Wagner, who would become Mary Kay Ash, “the most famous saleswoman in the world” and “maybe the most famous ever,” in Gavenas’s extravagant words, was born in 1918 to a poor family and raised mostly in Houston. Although a good student, she eloped at 16 with a slightly older boy. The young couple had two babies in quick succession.

Mary Kay’s creation was a combination of timing and good luck. Door-to-door sales was a thriving industry — but, traditionally, a man’s world: Lugging heavy samples was not considered feminine, and entering the homes of strangers, unsafe. But things began to change during the Great Depression, Gavenas suggests, thanks to a convergence of factors — financial pressures and the rise of the aspirational prosperity gospel espoused by Dale Carnegie’s self-help manuals.

At the same time, female-run beauty lines like Annie Turnbo Malone’s Poro and Madam C.J. Walker’s were finding great success in Black communities. And, coincidentally or otherwise, the California Perfume Company changed its name to Avon Products in 1939.

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Ash began by selling books door to door, moving on to Stanley Home Products in the 1940s. She was talented, but direct sales was a rough gig. Every party to show off wares was supposed to beget two more bookings; these led to sales that resulted in new recruits. But there was no real security or stability: no salary, no medical benefits, no vacations. “Stop selling and you would end up right back where you started. Or worse,” the author writes.

Gavenas, a onetime beauty editor who wrote “Color Stories,” takes her time unspooling Mary Kay’s tale, with a great deal of evident research. We learn about direct sales, women’s rights and Texas history.

But, be warned: Readers must really enjoy both this woman and this world to take pleasure in “Selling Opportunity.” Mary Kay the person keeps marrying, getting divorced or widowed and working her way through various sales jobs (it’s hard to keep track of the myriad companies and last names). Gavenas seems to leave no detail out. Thus, the 1963 founding of the eponymous beauty company doesn’t come until almost 200 pages in.

Beauty by Mary Kay included a Cleansing Cream, a Magic Masque and a Nite Cream (which containined ammoniated mercury, later banned by the F.D.A.). The full line of products — which was how Mary Kay strongly encouraged customers to buy them — ran to a steep $175 in today’s money. (To fail to acquire the whole set, Ash said, was “like giving you my recipe for chocolate cake but leaving out an important ingredient.”)

Potential clients attended gatherings at acquaintances’ homes — no undignified doorbell-ringing here — where they received a mini facial, then an application of cosmetics like foundation, lip color and cream rouge — and a wig. The company made $198,514 in sales its first year.

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Although Ash may have seemed a pioneer, in many ways Mary Kay was a traditionalist company, whose philosophy was “God first, family second, career third.” Saleswomen, official literature dictated, were working to provide themselves with treats rather than necessities so as not to threaten their breadwinner husbands.

And yet, they were also encouraged to sell sell sell. Golden Goblet pendants were awarded for major orders. After the company started using custom pink Peterbilt trucks for shipping, it began commissioning those Cadillacs for top consultants. (Mary Kay preferred gifts to cash bonuses, lest women save the money to spend on practical things rather than the licensed frivolities.) The Cadillacs, always driven on company leases, would become industry legend and part of American pop culture lore. “Never to be run-down, repainted or resold, the cars would double as shining pink advertisements for her selling opportunity,” Gavenas writes.

The woman herself was iconic, too. While Ash was a product of the Depression, she was also undeniably over-the-top. She wore white suits with leopard trim, lived in a custom Frank L. Meier house and brought her poodle to the office.

Mary Kay went public in 1968, making her the first woman to chair a company on the New York Stock Exchange. By the 1990s, the Mary Kay headquarters near Dallas was almost 600,000 square feet. They commissioned a hagiographic company biopic; there was a Mary Kay consultant Barbie; they were making $1 billion in wholesale. When she died, in 2001, Ash was worth $98 million.

And yet, Gavenas cites that at the company’s height, in 1992, sales reps made on average just $2,400 per year.

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Instead of so much time in the pink fantasia of Mary Kay, it would have been nice for a few detours showing how infrequently the opportunities the company sold were truly realized.

SELLING OPPORTUNITY: The Story of Mary Kay | By Mary Lisa Gavenas | Viking | 435 pp. | $35

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Historical Fiction Books That Illustrate the Bonds Between Mother and Child

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Historical Fiction Books That Illustrate the Bonds Between Mother and Child

We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.

In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.

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How ‘The Sheep Detectives’ Brought its Ovine Sleuths to Life

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How ‘The Sheep Detectives’ Brought its Ovine Sleuths to Life

Sometime in the 2000s, the producer Lindsay Doran asked her doctor for a book recommendation. “I’m reading that book everybody’s reading,” the doctor replied. “You know, the one about the shepherd who’s murdered and the sheep solve the crime.”

Doran had not heard of the book, “Three Bags Full,” a best-selling novel by a German graduate student (“No one’s reading it,” she recalls responding, inaccurately), but she was struck by what sounded like an irresistible elevator pitch. “Everything came together for me in that one sentence,” she said. “The fact that it was sheep rather than some other animal felt so resonant.”

Doran spent years trying to extricate the book from a complicated rights situation, and years more turning it into a movie. The result, opening Friday, is “The Sheep Detectives,” which features Nicholas Braun and Emma Thompson as humans, and Julia Louis-Dreyfus, Patrick Stewart and others giving voice to C.G.I. sheep stirred from their customary ruminations by the death of their shepherd, George (Hugh Jackman).

The film, rated PG, is an Agatha Christie-lite mystery with eccentric suspects, a comically bumbling cop (Braun) and a passel of ovine investigators. It’s also a coming-of-age story about growing up and losing your innocence that might have a “Bambi”-like resonance for children. The movie’s sheep have a way of erasing unpleasant things from their minds — they believe, for instance, that instead of dying, they just turn into clouds — but learn that death is an inextricable part of life.

“In some ways, the most important character is Mopple, the sheep played by Chris O’Dowd,” the screenwriter, Craig Mazin, said in a video interview. “He has a defect — he does not know how to forget — and he’s been carrying his memories all alone.”

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“Three Bags Full” is an adult novel that includes grown-up themes like drugs and suicide. In adapting it for a younger audience, Mazin toned down its darker elements, changed its ending, and — for help in writing about death — consulted a book by Fred Rogers, TV’s Mister Rogers, about how to talk to children about difficult subjects.

The journey from book to film has been long and circuitous. “Three Bags Full” was written by Leonie Swann, then a 20-something German doctoral student studying English literature. Distracting herself from her unwritten dissertation, on the topic of “the animal point of view in fiction,” she began a short story “playing around with the idea of sheep detectives,” she said. “And I realized it was more like a novel, and it wasn’t the worst novel I’d ever seen.”

Why sheep? “I wasn’t someone who was thinking about sheep all the time,” Swann, who lives in the English countryside and has a dog named Ezra Hound, said in a video interview. Yet they have always hovered on the periphery of her life.

There was a friendly sheep that she used to see on her way to school. There was an irate ram that once chased her through the streets of a Bavarian village. And there were thousands and thousands of sheep in the fields of Ireland, where she lived for a time. “There were so many of them, and you could tell there was a lot of personality behind them,” she said.

A book in which sheep are stirred to action had to be a mystery, she said, to motivate the main characters. “In a lot of other stories, you would have trouble making a sheep realize there’s a story there,” she said. “They would just keep grazing. But murder is an existential problem that speaks to sheep as well as humans.”

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Swann (the name is a pseudonym; she has never publicly disclosed her real name) found a literary agent, Astrid Poppenhusen, who brought her manuscript to market. Published in 2005, the book was translated into 30 languages and ended up spending three and a half years on German best-seller lists. (The German title is “Glennkill,” after the village in which it takes place.) Other novels followed, including a sheep-centric sequel, “Big Bad Wool,” but Swann never finished her dissertation.

Doran, the producer, read the book — now published in the United States by Soho Press, along with four other Swann novels — soon after hearing about it. She was determined to make it into a movie. Whenever she told anyone about the idea, she said, she had them at “sheep.”

The director, Kyle Balda (whose credits include “Minions”), was so excited when he first read the script, in 2022, that “I immediately drove out to a sheep farm” near his house in Oregon, he said in a video interview. “Very instantly I could see the behavior of the sheep, their different personalities. I learned very quickly that there are more varieties of sheep than dogs.”

How to make the sheep look realistic, and how to strike the proper balance between their inherent sheep-iness and their human-esque emotions were important questions the filmmakers grappled with.

It was essential that “the sheep in this world are sheep” rather than humans in sheep’s clothing, Balda said. “It’s not the kind of story where they are partnered with humans and talking to each other.”

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That means that like real sheep, the movie sheep have short attention spans. They’re afraid to cross the road. “They don’t drive cars; they don’t wear pants; they’re not joke characters saying things like, ‘This grass would taste better with a little ranch dressing,’” Doran said.

And whenever they speak, their words register to humans as bleating, the way the adult speech in “Peanuts” cartoons sounds like trombone-y gibberish to Charlie Brown and his friends.

Lily, the leader of the flock, is played by Julia Louis-Dreyfus. It is not her first time voicing an animal in a movie: She has played, among other creatures, an ant in “A Bug’s Life” and a horse in “Animal Farm.” “When I read the script, I thought, ‘Wow, this is so weird,’” she said in a video interview. “It’s not derivative of anything else.”

Lily is unquestionably not a person; among other things, like a real sheep, she has a relatively immobile face set off by lively ears. “But her journey is a human journey where she realizes certain things about life she didn’t understand,” Louis-Dreyfus said. “There’s also the question of being a leader, and how to do that when you’re questioning your own point of view.”

Nicholas Braun took easily to the role of Officer Tim, the inept constable charged with solving the shepherd’s murder.

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“The part was a little Greg-adjacent in the beginning, and I don’t really want to play too many Gregs,” Braun said via video, referring to Cousin Greg, his hapless punching bag of a character in the TV drama “Succession.”

“I’m post-Greg,” he said.

It takes Officer Tim some time to notice that the neighborhood sheep might be actively helping him tackle the case. But Braun said that unlike Greg, who is stuck in perpetual ineptitude, Tim gets to grow into a braver and more assertive person, a take-charge romantic hero — much the way the sheep are forced into action from their default position of “just forgetting about it and moving on and going back to eating grass,” he said.

Braun mused for a bit about other potential animal detectives — horses, say, or cows — but concluded that the sheep in the film were just right for the job. He predicted that the movie would change people’s perception of sheep, much the way “Toy Story” made them “look at their toys, or their kids’ toys, differently.”

“I don’t think people are going to be eating as much lamb after this,” he said.,

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