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100 days until the Olympic Games – is Paris ready?

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100 days until the Olympic Games – is Paris ready?

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In 100 days, Paris will host the most famous sporting jamboree on the planet: the summer Olympic Games.

There will be action across 32 sports watched by millions of visitors, as well as an unprecedented opening ceremony set to take place on the River Seine, which runs through the city’s heart. At least, that is plan A, anyway — Emmanuel Macron, the French president, confirmed an off-river contingency for the first time on Monday.

Excitement has not quite taken hold in Paris yet. Decorations around the city remain discrete for a Games awarded to the French capital in September 2017. The City Hall has been plastered with Olympic regalia, but the focus of messaging has primarily been on practicality — “anticiper les jeux” (anticipate the Games), as posters on the Paris Metro, the city’s subway system, depict it.

The past few years have seen plenty of focus on staging the Games, but there has been much more discussion about the practical impact. Authorities have battled and quarrelled to meet deadlines and targets. There have been fears around security, heightened by Russia’s invasion of Ukraine and the Israel-Gaza conflict, with the audacious, river-based opening ceremony — set to be the first time a Games has not opened in a stadium — a particular area of concern.

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Add in worries about transport disruption and the threats of strike action from unions with public sector workers, including police, demanding pay concessions for the extra work anticipated for the Games, and the build-up has been anything but smooth. Even ‘les bouquinistes’, the booksellers who maintain a 400-year tradition on the banks of the River Seine, erupted in protest at the prospect of temporary removal for the opening ceremony.


Booksellers have lined the Seine for more than four centuries (Mohamad Salaheldin Abdelg Alsayed/Anadolu Agency via Getty Images)

But now, the focus should turn to what else the Games has to offer before the Olympics begin on July 26 (although the men’s and women’s competitions for soccer and rugby sevens begin on July 24), with the Paralympic Games to follow from August 28 until September 8.

“This is the French edition,” joked Emmanuel Gregoire, the mayor of Paris’ first deputy, when asked about optimism before the Games at a press briefing this month. “At the beginning, we have been talking only about problems — but we feel that the joy is growing.”

The Olympic flame is now ablaze, lit on Tuesday on Mount Olympia in Greece before beginning its journey across 400 towns and cities in 65 regions of the French territories and landing in Marseille on May 8.

“Paris 2024 begins on May 8, that’s kick-off,” said Pierre Rabadan, the deputy mayor in charge of sport, the Olympic and Paralympic Games, and the Seine. 

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Olympics

The first torch runners with the Olympic flame in Olympia on April 16 (Socrates Baltagiannis/picture alliance via Getty Images)

It has been a long journey to reach this point. Since Paris was awarded the Games, there has been a global pandemic — which first postponed the Tokyo Olympics and then forced it behind closed doors — conflicts in Europe and the Middle East, inflationary pressures, and screaming headlines about bedbug infestations hitting Paris.

It is safe to say the world could do with a little bit of joy and maybe the Games can provide that.

The question now is whether Paris is ready.


Are the sporting venues ready?

The permanent sites are ready. Paris is aiming to host a sustainable, green-focused Games, with 95 per cent of tournament venues either temporary or using already existing infrastructure.

The new permanent sites — the ones built specifically for the Olympics — are nearly there. The only new sports venue within inner Paris, the Adidas Arena at Porte de la Chapelle in the 18th arrondissement, opened in February. The two-hectare site will host badminton, rhythmic gymnastics, para-badminton and para-weightlifting.

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The other two new sites, the Olympic Village and the Aquatic Centre, are in Saint-Denis, north of Paris and near the Stade de France, the national stadium. The Olympic Village was handed over to the organising committee in February and the Aquatics Centre opened this month.

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The Aquatics Center in front of Stade de France in February (Stephane de Sakutin/AFP via Getty Images)

“I thought it was not possible, but we delivered them two weeks or one month before the (due) date,” said Rabadan. “So that’s a good point for two things. First, because we are not late and less pressure. Second, because we want to respect our budget.”

Not everything is finished, however. The temporary and renovated venues are in the process of completion, while some training sites are not yet ready. Rabadan added: “Some of the renovations for training camps and venues, we are finishing. For example, we have a massive swimming pool in the north of Paris (20th arrondissement), Piscine Georges-Vallerey. That will open up at the end of April.”

Redeveloped venues include the renovated Yves du Manoir Stadium, used for the eighth Olympiad in 1924, which will host field hockey competitions. Temporary sites are also being put together around famous landmarks, such as the Eiffel Tower (beach volleyball), the Place de la Concorde (which will become an urban park and host 3×3 basketball, BMX freestyle and skateboarding), the Champ de Mars (judo and wrestling) and the Hotel de Ville (archery, athletics, cycling). The Grand Palais, on the Champs-Elysees, will host taekwondo and fencing.

Existing infrastructure is also being used and sometimes re-purposed, such as the home of tennis’ French Open, Roland-Garros (tennis and boxing), and La Defense Arena, which is home to rugby union side Racing 92 and holds major concert events but will host swimming and water polo.

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“We are exactly where we would like to be 100 days before the Olympic Games,” said Rabadan.


What about other infrastructure, such as transport?

The extension of Metro Line 14 is due to be ready. This will link Saint-Denis, the heart of the Games, with Paris-Orly airport. Capacity is being increased through more trains and other developments, such as an extension of the tramway to Porte Dauphine, which will allow access to Porte de la Chapelle. That is now complete. The group of new lines, named the “Grand Paris Express”, will not all be ready. The new lines 15, 16, 17 and 18 will open before 2030.

“We’ve known for a very long time that the Paris Express could not be ready for the Games,” said Gregoire. “So it’s not a problem, but of course, it could have been better. But these lines don’t serve Olympic sites. The major aspect is we are guaranteed to have the 14th line in Paris. This will open in May or June.”

“We will have 15 per cent more offerings of trains and metros during the Games,” said Rabadan.

The Charles de Gaulle expressway, a new line that will speed up links between Charles de Gaulle airport and the Gare de l’Est, will not be ready. “It was supposed to be delivered for the Olympic Games,” said Gregoire. “But five years ago, we knew it would not be ready. It would be ready at the end of 2025-26.”

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More trains and more people will mean more cost. During the Games, transport fares will be doubled.


Will the opening ceremony actually happen on the Seine?

As it stands, athletes will parade outside a stadium for the first time, as part of a large flotilla of boats along the River Seine.

The event will start at the Bibliotheque Nationale and conclude at the Trocadero, the site of the Palais de Chaillot, on the opposite bank of the river to the Eiffel Tower.

It promises to be an eye-catching spectacle, but questions have been raised about feasibility — particularly given heightened security risks. Last month, following an attack at a concert hall in Moscow that killed more than 130 people, France raised its terrorist alert warning to its highest level.

The complexity and uncertainty are mainly due to the large numbers set to attend and the challenge of securing the river. Initial hopes of more than a million in attendance were quickly dashed, but the capacity is still set to be more than five times that of the Stade de France (which can hold 80,000 people).

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As well as 10,500 athletes, around 600,000 people will attend the ceremony. Of those, 104,000 are paid tickets sold by the Olympic Committee, 220,000 are distributed across the organising parties (the state, city of Paris and Paris 2024), and 200,000 will be for those on barges or watching on balconies.

Seine, Paris

(Emmanuel Dunand/AFP via Getty Images)

Other considerations have had some impact. Les bouquinistes, the booksellers who have lined the Seine in some capacity for almost 400 years, caused a bit of a headache when they refused to remove their box stalls, some of which are a century old, for the opening ceremony. This dispute has been resolved, albeit at a cost, after Macron intervened. “We lost 70,000 spectators to guarantee security,” said Rabadan.

So is there a plan B? There have been mixed messages. This month, Paris city officials insisted the event will not be taken off the water. “We can reduce the impact and the facilities of the opening ceremony if the international risk becomes harder,” said Rabadan. “We can reduce it, the show, the number of people. But there is no plan B.”

But on Monday, Macron said there were contingencies — potentially even off the river. Asked what would happen if security risks made the river procession too risky, he told BFM TV/RMC: “There are plan Bs and plan Cs. We have a ceremony that would be limited to the Trocadero so it would not cover the entire Seine. Or we could return to the Stade de France. This is what is traditionally done.”

In a statement on Monday, city officials said: “While announcing alternative projects, the president reiterated his priority commitment to the ceremony on the Seine. This is an objective shared by all stakeholders.”

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If Paris can pull off the ceremony in full, it will be spectacular. The opening ceremony of the Paralympic Games will take place along the Champs-Elysées.


What do we know about security plans?

France’s interior minister, Gerald Darmanin, outlined this month that an “anti-terrorist” perimeter would be set up around the Seine one week before the opening ceremony. It will be several square miles in size and closed to traffic unless authorised, while 15 metro and tram stations will shut, too. Only four bridges will stay open. This will then ramp up again on July 26, with no entry permitted after 1pm. Those living inside this security cordon will need a QR code to enter. “If you have not registered, you will not be able to return,” said Darmanin.

“The police need to check who they are in case they represent a threat to security,” added Gregoire. “They will have strong security measures days before. The idea is to maintain the possibility that neighbours can welcome friends and family. At the same time, to guarantee security.”

Checks are underway for volunteers and torchbearers. This month, Darmanin told broadcaster LCI that they had “excluded 800 people, including 15 on ‘Fiches S’ (the list of the most serious threats)”.


What about swimming in the Seine? 

Paris wants to host the cleanest Olympic Games in history and plans to clean up the River Seine and use it to host events, such as triathlon and open-water swimming. Swimming in the Seine has been banned since 1923, but organisers hope they will be able to open three bathing areas in the river before 2025, a key legacy target of the Games.

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To help offset severe waste run-off during heavy rain, a new multi-million dollar storage basin is being constructed near the river, designed to store enough wastewater to fill 20 Olympic-sized swimming pools. Concerns have been raised about the suitability of the river in a worst-case scenario, such as after intense heavy rain. “You need a plan B in case it’s not possible to swim,” said reigning Olympic 10-kilometre open-water champion Ana Marcela Cunha, speaking to AFP last month. “The health of athletes must come first.”

City officials insisted they are confident the river-based events will take place without hazard, but the risk of one leg of the triathlon (swimming, cycling and running) remains.

“We know if there is a problem we can delay the event by two days,” said Rabadan.

“We will finish all the work and the quality of water (will be suitable). Unless we have two months of continuous rain during the summer, we will be ready.” 


How much will this all cost?

Last month, credit rating agency S&P Global estimated that the Paris Olympics is “unlikely to do any lasting damage to France’s finances”.

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According to the International Olympic Committee (IOC), 96 per cent of the budget for organising the Games has come from the private sector, “namely the IOC, partner companies, the Games ticket office, and licensing”.

A 2022 budget review by Paris 2024 cites a total of €4.38bn (£3.74bn, $4.66bn) for the Paris 2024 Organising Committee, with an IOC allocation of €1.2bn (including TV rights of €750m and partnerships contribution of €470m). Ticketing, hospitality and licensing will contribute €1.1bn, €170m and €127m and partnerships will bring in €1.226bn, according to the review. There will be a further four per cent of public funding to finance the organisation of the Paralympic Games.

Macron, Paris

President Macron views a model of the Aquatics Centre on April 4 (Gonzalo Fuentes/Pool/AFP via Getty Images)

The rest of infrastructure spending and modification should double that budget, according to reports, to around €8.8bn. It has risen from a reported €6.7billion, but that is still below London, Rio and Tokyo.

This month, the former president of the French court of auditors, Pierre Moscovici, told France Inter that the Games “should cost” between €3bn and €5bn, although the true cost will not be known until after the Games have concluded.

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What’s the legacy vision?

Paris wants to host the Olympics and Paralympics using predominantly existing infrastructure, but more broadly, an environmentally-friendly approach is central to these Games.

This is defined by the cleaning of the Seine, but also by an increase in the number of bikes. There will be “10,000 more bikes” in Paris, according to city officials, with the network expanding to 1,400 kilometres (870 miles). Of those, there will be 60 ‘Olympistes’ — cycle routes dedicated to the Games and moving between venues.

Paris is aiming for a 50 per cent reduction in carbon emissions compared with the averages of London 2012 and Rio 2016. They want to use 100 per cent renewable energy and intend to achieve this using modifications such as connecting all venues to the grid, therefore limiting the use of temporary diesel generators. They want all sites accessible by public transport and are even “doubling the plant-based food to reach a target of 1kg of CO2 per meal, compared with the 2.3kg French average”, according to Paris 2024.

Paris

Ugo Gattoni, artist of the Paris 2024 Official Poster (Pascal Le Segretain/Getty Images)

Ensuring a lasting impact in disadvantaged communities is also on the agenda. Saint-Denis, in particular, is set to benefit, with the athletes’ accommodation planned to be turned into 2,800 homes after the Games, 25 per cent of which will be social housing. The area also stands to gain renovated pools, including the Aquatics Center, which will replace a 50-year-old 25-metre pool.

This, along with cycling, will assist a sporting legacy. There will also be more access for disability sports. “Four years ago, only four sporting clubs (in Paris) could welcome young people with disabilities,” said Gregoire. “Before the Games, we are speaking of almost 50.”

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The other new arenas will be repurposed. The Adidas Arena will become the headquarters of the Paris Basketball Club, and will host concerts and schoolchildren.

Fundamentally, though, Paris wants to breathe life back into the Olympic movement, which suffered due to the pandemic at the Tokyo Games.

“The world needs some joy and if the Paris edition of the Olympic Games helps a little for that, that would be good for everyone,” said Gregoire.

(Top photo: Stuart Franklin/Getty Images)

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Culture

6 Poems You Should Know by Heart

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6 Poems You Should Know by Heart

Literature

‘Prayer’ (1985) by Galway Kinnell

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Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell in 1970. Photo by LaVerne Harrell Clark, © 1970 Arizona Board of Regents. Courtesy of the University of Arizona Poetry Center

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“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”

“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”

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Lucille Clifton in 1995. Afro American Newspapers/Gado/Getty Images

“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”

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‘Sonnet 94’ (1609) by William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

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“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”

“It trombones magnificent, unbearable sorrow,” says Seidel.

“It’s smartass and bitter and bright,” says Seidel.

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These interviews have been edited and condensed.

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

Literature

FRANCE

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According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).

Classic

‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)

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Karl Leitz for Anthony Cotsifas Studio

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“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”

Contemporary

‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq

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“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”

JAPAN

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According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).

Classic

‘Man’yoshu’ (late eighth century)

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“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”

Contemporary

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‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata

“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”

INDIA

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According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).

Classic

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‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa

Karl Leitz for Anthony Cotsifas Studio

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“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”

Contemporary

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‘The Complex’ (2026) by Karan Mahajan

“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”

THE UNITED KINGDOM

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According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).

Classic

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‘Jane Eyre’ (1847) by Charlotte Brontë

“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”

Contemporary

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‘All That Man Is’ (2016) by David Szalay

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Karl Leitz for Anthony Cotsifas Studio

“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”

BRAZIL

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According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).

Classic

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‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis

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“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”

Contemporary

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‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron

“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”

These interviews have been edited and condensed.

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6 Myths That Endure

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6 Myths That Endure

Literature

The Myth of Meeting Oneself

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“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”

The Myth of Utopia

“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”

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The Myth of Invisibility

“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”

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The Myth of Steadiness vs. Speed

Charles Henry Bennett’s illustration “The Hare and the Tortoise” (1857). Alamy

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“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”

The Myth of Magic

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William Etty’s “The Sirens and Ulysses” (1837). Bridgeman Images

“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”

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The Myth of the Immortal Soul

“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”

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These interviews have been edited and condensed.

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