Sports
Bernie Williams and his unique road from the World Series to New York Philharmonic
For Bernie Williams, grabbing a bat was easy. He would pull out the same trusty 34 1/2-inch, 33-ounce Rawlings model for all occasions during his New York Yankees career, whether that was in spring training or the playoffs, whether he was facing a flamethrower or a knuckleballer.
Music, however, is different.
“Choosing a guitar is about the gig,’’ Williams said. “It’s about the sound that you want to create, and it’s about the music that you’re going to play. You need the right instrument with the right gig, and that varies with time.”
Such is what vexes the former outfielder as he prepares for a second big-league debut — this time in the arts. Williams for the first time will play guitar with the New York Philharmonic, at the Spring Gala on Wednesday, an epic milestone for a five-time All-Star and four-time World Series champion now deep into life’s second act.
So, which guitar? The acoustic steel string? The archtop? Williams said a few weeks ago that he might even choose to go electric “for that sort of Santana-like sound,” though he added it “might just be too over the top for that environment.”
Williams, who spent his entire career with the Yankees from 1991 to 2006, has rebranded himself as an accomplished musician, ordained with a Latin Grammy nomination and critical acclaim. Still, at age 55, the thought of stepping into the spotlight at another hallowed New York venue — think Yankee Stadium, but with better acoustics — gives Williams butterflies.
On Wednesday, he will play one selection, his 2009 piece “Moving Forward,” as newly arranged by jazz artist Jeff Tyzik. Famed conductor Gustavo Dudamel will be at the helm.
“I expect to be as nervous as I’ve ever been on any kind of stage,’’ Williams said “But I think it’s gonna be no different from playing a seventh game of the World Series, you know?”
To answer that last question: No, Mr. Williams, we don’t know. There is no one else in baseball history poised to compare the experience of baseball’s Fall Classic and the Philharmonic’s Spring Gala. No one else has played in “The House That Ruth Built” and in the concert hall Leonard Bernstein christened by conducting on opening night in 1962.
Williams’ distinction means much gnashing of teeth for the president and CEO of the New York Philharmonic. Gary Ginstling is an ardent Mets fan.
“This is a deeply difficult decision for me, I have to say,’’ Ginstling cracked during a phone interview. “I did scour the landscape for any retired Mets. But no one could hold a candle to Bernie Williams.”
Bernie Williams has performed the national anthem before baseball games since retiring. Here he is in 2021 at an Oakland Athletics-Minnesota Twins game. (Darren Yamashita / USA Today)
This experience is enough to give Williams flashbacks to his first big-league at-bat. The switch hitter was 22 years old when he stepped to the plate in the third inning at Yankee Stadium against left-handed junkballer Jeff Ballard on July 7, 1991. It was hardly a soaring opening note. The Baseball-Reference box score immortalized the moment this way: Groundout: 3B-1B (Weak 3B).
The outing got better. Williams drove in a run with the sacrifice fly in the fifth and brought home another run with an infield single in the ninth.
“I remember being really nervous,’’ Williams said of that debut. “I remember being in this place where there was a lot of uncertainty about my career and my own ability to stay in the big leagues. All I wanted to do was to get an opportunity to be able to show people what I can do.’’
A week later, Williams hit his first home run at Anaheim Stadium against the California Angels. He hit a fastball thrown by Chuck Finley over the left-center field wall. He kept rolling from there: a .297 batting average with 287 home runs and 147 stolen bases over 16 seasons.
July 14, 1991
Bernie Williams hits his first career home run pic.twitter.com/nYIteNuXlL— NY Yankees Throwbacks (@yankeethrowback) February 19, 2022
Williams helped the Yankees win four World Series titles, including three in a row from 1998 to 2000. His 22 career postseason homers rank third all-time behind Manny Ramírez (29) and José Altuve (27).
That summation has applied, at times, to his musical career, partly because it would be easy to dismiss Williams as just another retired jock with an expensive new hobby. But his lifelong musical journey is part of what appeals to the New York Philharmonic. The Spring Gala, to be performed at the David Geffen Hall at the Lincoln Center for the Performing Arts, is a fundraiser for musical education. Ginstling wants the younger crowd to be inspired by Williams’ scholarly dedication to his craft.
Williams’ first instructor was his father. Bernabé Williams, an able seaman with the Merchant Marine, returned from Spain with a gift for his 7-year-old son. It was a guitar that his son never put down. The family then found a guitar teacher in its neighborhood in Puerto Rico, and by the time Bernie was 9 years old, he had performed on a local radio station with other star pupils.
“The guitar teacher had all the little kids that were taking lessons with him, the ones that were kind of like standouts,’’ Williams recalled. “He would give them an opportunity to play a song or two on that radio show. … It was such a great experience and kind of set the stage for everything that came after.”
Williams kept playing throughout his baseball career, especially so while grieving the loss of his father, who died of lung disease in 2001. The former batting champion then studied guitar and composition for a year at the State University of New York at Purchase in preparation for his first album, “Moving Forward.” That release strengthened his bona fides thanks to 14 solid tracks including collaborations with Bruce Springsteen, Jon Secada and Dave Koz.
Bernie Williams and musician Jon Secada performing during the Grammy SoundCheck on April 17, 2009, in New York City. (Joe Kohen / WireImage)
But eventually, Williams formalized his expertise. He enrolled in the prestigious Manhattan School of Music en route to a bachelor’s degree.
“I tell you what, none of the home runs that I hit in the postseason helped me there,” Williams said. “I had to really reinvent myself. And in a very strange way, I had to earn the admiration of the kids that I was playing with, because they were all virtuosos in their own instruments by the time they got to the Manhattan School of Music.
“I was the old guy in the back of the room. I was asking all the questions and asking that no one erase the blackboard until I was finished writing all the notes.”
Williams wasn’t chasing a diploma for the sake of the paper. The experience signified his graduation from ballplayer to artist.
“I think the school gave me a great perspective on the reasons why I wanted to be a musician and the responsibility that we have as music makers to make sure that we make this world a better place,” he said. “The joy and the power of music is just incredible thing to use for the good of the world.”
Therein lies the message of the Spring Gala and underscores why even a Mets fan like Ginstling embraces a Yankee in the house. The eclectic bill on Wednesday is designed to introduce new audiences to the philharmonic. Selections range from a suite from Richard Strauss’ “Der Rosenkavalier” to two pieces from rapper Common to an aria called “Bachianas Brasileiras No. 5,” sung by the South Korean soprano Hera Hyesang Park.
“I think that’s what I’m so excited about,” Ginstling said. “We’re gonna get a ton of Bernie Williams fans in the house that night who probably will be hearing the New York Philharmonic for the first time. It’ll be great for them to hear Bernie, but we want them to hear the orchestra play Strauss. And we want them to hear the orchestra play Nina Shekhar, this up-and-coming composer whose piece we’re playing.
“We’re hoping that they’ll get hooked not just by Bernie, but by all of this repertoire, and they’ll come back.”
Until then, Williams sometimes wakes up unexpectedly at 2:30 a.m. and reaches for his guitar. Still half-awake, he’ll strum until the notes sound just as they should before allowing himself to drift back to sleep.
“That’s the level of preparation you need for an event like this,” he said. “Because when the nerves come in, you want to still be in control and not freeze when the situation arises. The only antidote to that is being well-prepared.
“That’s true of doing anything that requires the spotlight and great expectations and great pressures.”
Williams hardly is the first ballplayer to make news with his music. As far back as 1964, a Yankees bus ride turned tense when Yogi Berra grew tired of hearing “Mary Had a Little Lamb” as played on the harmonica by a utility infielder named Phil Linz.
But that was the “New York Phil harmonica.” The New York Philharmonic is a whole different ballgame.
“If anything,” Williams said, “baseball taught me to be able to perform under pressure, and this is definitely going put that to the test.”
(Top photo: Mychal Watts / Getty Images)
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With the largest World Cup field in the history of the tournament, 32 of the 48 teams will be fighting for a spot in the knockout stage.
66.6% of nations will advance out of the group stage this summer, which is a massive upgrade from 50% in past World Cups. Because of this, sportsbooks have adjusted with less favorable odds.
Prior to the start of the tournament, Spain, Argentina, Brazil, England, and Germany entered with the strongest odds to advance from the group stage, supported by recent major-tournament success and talent-rich rosters.
All five nations are heavily favored at -10000 to advance to the knockout round.
The Spaniards are the defending European Champions while the Argentinians are looking to win back-to-back titles. Germany has not made it out of the group stage in the last two World Cups, but has always been a perennial contender— having won four titles in its history. And then of course there’s Brazil, which has more titles than any country with five.
Now, after the conclusion of the first day of the World Cup, Mexico has joined the group at the top. El Tri has surged to -10000 to advance to the knockout stage after initially being just -1400. Mexico’s huge leap up the oddsboard is a direct result of its dominating 2-0 win over South Africa.
With that in mind, let’s dive into the odds for each team to advance to the knockout stage of the 2026 FIFA World Cup as of June 12.
This page may contain affiliate links to legal sports betting partners. If you sign up or place a wager, FOX Sports may be compensated. Read more about Sports Betting on FOX Sports.
Odds to Advance to Knockout Stage
Spain: -10000 (bet $10 to win $10.10 total)
Argentina: -10000 (bet $10 to win $10.10 total)
Brazil: -10000 (bet $10 to win $10.10 total)
England: -10000 (bet $10 to win $10.10 total)
Mexico: -10000 (bet $10 to win $10.10 total)
Germany: -10000 (bet $10 to win $10.10 total)
Portugal: -5000 (bet $10 to win $10.20 total)
France: -5000 (bet $10 to win $10.20 total)
Belgium:-3500 (bet $10 to win $10.29 total)
South Korea: -2500 (bet $10 to win $10.40 total)
Switzerland: -1800 (bet $10 to win $10.56 total)
Netherlands: -1400 (bet $10 to win $10.71 total)
Morocco: -1000 (bet $10 to win $11 total)
Colombia: -1000 (bet $10 to win $11 total)
Uruguay: -1000 (bet $10 to win $11 total)
Canada: -1000 (bet $10 to win $11 total)
Ecuador: -900 (bet $10 to win $11.11 total)
Norway: -900 (bet $10 to win $11.11 total)
United States: -750 (bet $10 to win $11.33 total)
The U.S. men’s national team is currently -750 to advance from Group D (Photo by Omar Vega/USSF/Getty Images).
Croatia: -500 (bet $10 to win $12 total)
Austria: -500 (bet $10 to win $12 total)
Türkiye: -500 (bet $10 to win $12 total)
Ivory Coast: -500 (bet $10 to win $12 total)
Japan: -500 (bet $10 to win $12 total)
Egypt: -340 (bet $10 to win $12.94 total)
Algeria: -310 (bet $10 to win $13.23 total)
Scotland: -310 (bet $10 to win $13.23 total)
Senegal: -230 (bet $10 to win $14.35 total)
Sweden: -230 (bet $10 to win $1435 total)
Bosnia and Herzegovina: -220 (bet $10 to win $14.55 total)
Paraguay: -205 (bet $10 to win $14.88 total)
Iran: -200 (bet $10 to win $15 total)
Czechia: -165 (bet $10 to win $16.06 total)
Ghana: -140 (bet $10 to win $17.14 total)
Australia: -110 (bet $10 to win $19.09 total)
DR Congo: +100 (bet $10 to win $20 total)
Raúl Jiménez helped propel Mexico to a 2-0 win over South Africa in the opening match of the 2026 FIFA World Cup (Photo by Yair Gonzalez/Jam Media/Getty Images).
Saudi Arabia: +105 (bet $10 to win $20.50 total)
Tunisia: +140 (bet $10 to win $24 total)
New Zealand: +150 (bet $10 to win $25 total)
Uzbekistan: +180 (bet $10 to win $28 total)
Cape Verde: +200 (bet $10 to win $30 total)
Panama: +200 (bet $10 to win $30 total)
Qatar: +275 (bet $10 to win $37.50 total)
South Africa: +320 (bet $10 to win $42 total)
Jordan +350 (bet $10 to win $45 total)
Iraq: +450 (bet $10 to win $55 total)
Haiti: +800 (bet $10 to win $90 total)
Curaçao: +1000 (bet $10 to win $110 total)
Cameron Brink said she’d appreciate some grace. She really would.
Sparks fans should give her some, because where else is she going to get it?
Certainly not from WNBA refs. Not from opponents with more to play for than ever. Certainly not from the game itself; basketball moves fast, and a bummer can become a bust in a blink.
But Brink, 24, is not on the brink of bust territory, no. Block that thought. Technically, it’s Year 3, but after a torn ACL derailed her as a rookie two summers ago, it’s practically like Year 2 for the former Stanford star. And by design, the WNBA is testing her confidence, her decision-making and her patience as she tries to reestablish herself as one of the WNBA’s best young players.
So, grace.
The recognizable 6-foot-4 forward — she’s the long-blond-haired hooper in the New Balance ads — was the No. 2 overall pick in 2024.
Now she’s her team’s No. 3 option in the post. She’s coming off the bench behind Nneka Ogwumike and Dearica Hamby for the Sparks, who are a modest 6-6 after wins this week over the expansion Portland Fire and the struggling Seattle Storm.
Against the Fire, Brink scored two points and picked up four fouls in nine minutes. Then she went to Seattle and had 15 points in 18 minutes but was pulled with more than five minutes left in the fourth quarter after getting her third, fourth and fifth fouls in 86 seconds. (WNBA players get six fouls before being disqualified.)
For the season, Brink has been called for 49 fouls in 208 minutes. A foul about every four minutes!
They’re silly fouls and they’re phantom calls. Egregious and ticky-tack. Costly and common. A real fouled-up buffet. She sets screens that get scrutinized as if by the most vigilant TSA agent. And sometimes, yes, she’s doing the accidental tripping. Other times, the officials are.
Her reputation precedes her, so everyone gets a superstar’s whistle when being defended by Brink. Opponents bake it into their game plans.
That can’t continue.
All that fouling is hindering Brink’s development because it’s robbing her of important in-game reps — which she needs, foremost, to figure out how to stop fouling.
Sparks forward Cameron Brink, left, blocks the shot of the Tempo’s Laura Juskaite during a game last month.
(Jeff Lewis / Associated Press)
“At the pro level,” said Tara VanDerveer, Brink’s coach at Stanford, “every young player always has a lot of work to do. And I saw her make a three. I see her block shots. She rebounds, she can handle the ball, she’s unselfish, she’s a terrific talent. But there’s always things players need to work on.”
We know what Brink’s thing is.
“She has to be disciplined,” VanDerveer said. “And if you want something so badly, if you want to be an All-Star someday or make the Olympic team, you’ve got to be dependable … and I think anyone can change, if it’s behavior they recognize is not in their best interests or not in their team’s best interests. It’s hard, but it’s something I think people can do.
“That’s what Cam is working on.”
And, VanDerveer added, “I’m really so excited that Nneka is there, because she will give her such great guidance and mentorship.”
And grace. Brink is getting that from Ogwumike — also a former Stanford star, the Sparks legend returned to L.A. this season after two seasons in Seattle — and her other teammates.
“I just do my best to lead by example,” Ogwumike, 35, said. “But then also let [Brink] know that she’s very capable, that she’s more than capable, which is exactly why she’s here with us and it’s exactly why we need her on this team.”
Sparks forward Cameron Brink, wearing a facemask, controls the ball while defended by Sun forward Raegan Beers.
(Joe Buglewicz / Getty Images)
But how long will Brink get grace from the Sparks in the what-have-you-done-for-me-lately business of basketball?
The foul trouble tells us why a win-now team wouldn’t trust her, why the Sparks would give meaningful minutes to two veteran post players ahead of her. Why they wouldn’t prioritize Brink’s development alongside winning as they strive to snap a previously unthinkable five-year playoff drought.
And what about fans? How patient will you all be with a player who was drafted immediately after Caitlin Clark and five spots in front of Angel Reese?
These days, that might depend on what the parlay calls for.
Or, preferably, whether you remember Brink’s first 15 WNBA games. All starts, all signs pointing to stardom. She showed up in 2024 throwing lavish block parties. Her 2.3 blocks per game were message-sending spikes, like what Lisa Leslie used to enthrall Sparks crowds with.
From the jump, she had guys coming to games at Crypto.com Arena wearing her No. 22 jersey and little girls arriving in groups with No. 22 painted on their cheeks and “I love Cam Brink” signs in hand.
And then the torn ACL cost her 25 games of her rookie season and another 25 last season, plus her spot on the United States’ Olympic 3×3 women’s basketball team in Paris in 2024.
She had to start over. Lost a lot of ground. But you see that masked woman stuck on the Sparks’ bench for all but 17 minutes per game?
You can’t miss her. She’s looking uncomfortable in protective facial gear that either hinders her breathing or her peripheral vision, her only options to protect the torn septum she suffered in a victory over the Las Vegas Aces last month.
She’s the one with the 6-8 wingspan who’s averaging 9.2 points, 4.3 rebounds and 1.5 blocks while shooting 52.1% from the field in her limited minutes.
She’s still Cameron Brink. Between fouls, she’s fluid and fast and covers more of the court than almost anyone in the WNBA, able to leap from defending guards to centers in a single bound.
“It’s just looking at every day as a new opportunity to learn and grow and not getting too bogged down when things don’t go exactly as you planned,” Brink told me. “Because more times than not, things are not going to go how you want them to. And that’s life. So I just want to be able to put my best effort out there every single night.
She knows what the Sparks need from her: “To perform, just come on the floor and compete.”
To prove she can stay on the floor to compete.
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When will Team USA lose in the 2026 FIFA World Cup? Or, will it not lose at all?
Let’s check out the odds for the Americans’ stage of elimination at FanDuel Sportsbook, as of June 11.
Team USA — Stage of elimination odds
Last 32: +170 (bet $10 to win $27 total)
Last 16: +220 (bet $10 to win $32 total)
Group stage: +500 (bet $10 to win $60 total)
Quarterfinals: +500 (bet $10 to win $60 total)
Semifinals: +1200 (bet $10 to win $130 total)
Runner-up: +2800 (bet $10 to win $290 total)
Outright winner: +6000 (bet $10 to win $610 total)
This page may contain affiliate links to legal sports betting partners. If you sign up or place a wager, FOX Sports may be compensated. Read more about Sports Betting on FOX Sports.
The outlook appears to be … ho-hum?
If the odds ring true, the Americans are expected to make it out of the group stage but fall in the first knockout stage game.
How would that result stack up against previous results? Well, at the 2022 World Cup, Team USA made it to the Round of 16, which was viewed as a stellar accomplishment.
The U.S. men’s national team currently has 60-1 odds to lift the 2026 FIFA World Cup trophy this summer (Photo by Omar Vega/USSF/Getty Images).
In 2018, the USA did not qualify for the World Cup, and in 2014 and 2010, the Americans also made it to the Round of 16. Their best result this century occurred in 2002, when the Americans made it all the way to the quarterfinals before being eliminated.
In 1998, Team USA lost in the group stage, in 1994, it fell in the Round of 16, and in 1990, it also fell in the group stage.
With the expanded World Cup format, 32 teams will advance to the knockout stage (out of 48), giving teams a much better chance of getting out of the group stage than in previous tournaments. In past years, only 50% of the field advanced to the knockout round, but now 66.6% of teams will move on.
With that being said, anything less than a knockout round appearance on home soil would be viewed as a major failure this summer for Team USA.
The second result on the oddsboard is the “Last 16,” meaning the USA would make it out of the group stage and win one knockout stage game, before falling in the second knockout stage game. The third result is that the Americans failed to make it out of the group stage, and the fourth is that they made it to the quarterfinals, meaning they won two knockout stage games.
Making the semis, losing in the championship game and winning the championship are the three results with the longest odds.
The U.S. begins its World Cup journey on Friday as the Stars and Stripes face Paraguay at Los Angeles Stadium. Getting off to a fast start in the group is crucial for the team’s World Cup dreams of making a deep run this summer.
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