Sports
Bernie Williams and his unique road from the World Series to New York Philharmonic
For Bernie Williams, grabbing a bat was easy. He would pull out the same trusty 34 1/2-inch, 33-ounce Rawlings model for all occasions during his New York Yankees career, whether that was in spring training or the playoffs, whether he was facing a flamethrower or a knuckleballer.
Music, however, is different.
“Choosing a guitar is about the gig,’’ Williams said. “It’s about the sound that you want to create, and it’s about the music that you’re going to play. You need the right instrument with the right gig, and that varies with time.”
Such is what vexes the former outfielder as he prepares for a second big-league debut — this time in the arts. Williams for the first time will play guitar with the New York Philharmonic, at the Spring Gala on Wednesday, an epic milestone for a five-time All-Star and four-time World Series champion now deep into life’s second act.
So, which guitar? The acoustic steel string? The archtop? Williams said a few weeks ago that he might even choose to go electric “for that sort of Santana-like sound,” though he added it “might just be too over the top for that environment.”
Williams, who spent his entire career with the Yankees from 1991 to 2006, has rebranded himself as an accomplished musician, ordained with a Latin Grammy nomination and critical acclaim. Still, at age 55, the thought of stepping into the spotlight at another hallowed New York venue — think Yankee Stadium, but with better acoustics — gives Williams butterflies.
On Wednesday, he will play one selection, his 2009 piece “Moving Forward,” as newly arranged by jazz artist Jeff Tyzik. Famed conductor Gustavo Dudamel will be at the helm.
“I expect to be as nervous as I’ve ever been on any kind of stage,’’ Williams said “But I think it’s gonna be no different from playing a seventh game of the World Series, you know?”
To answer that last question: No, Mr. Williams, we don’t know. There is no one else in baseball history poised to compare the experience of baseball’s Fall Classic and the Philharmonic’s Spring Gala. No one else has played in “The House That Ruth Built” and in the concert hall Leonard Bernstein christened by conducting on opening night in 1962.
Williams’ distinction means much gnashing of teeth for the president and CEO of the New York Philharmonic. Gary Ginstling is an ardent Mets fan.
“This is a deeply difficult decision for me, I have to say,’’ Ginstling cracked during a phone interview. “I did scour the landscape for any retired Mets. But no one could hold a candle to Bernie Williams.”
Bernie Williams has performed the national anthem before baseball games since retiring. Here he is in 2021 at an Oakland Athletics-Minnesota Twins game. (Darren Yamashita / USA Today)
This experience is enough to give Williams flashbacks to his first big-league at-bat. The switch hitter was 22 years old when he stepped to the plate in the third inning at Yankee Stadium against left-handed junkballer Jeff Ballard on July 7, 1991. It was hardly a soaring opening note. The Baseball-Reference box score immortalized the moment this way: Groundout: 3B-1B (Weak 3B).
The outing got better. Williams drove in a run with the sacrifice fly in the fifth and brought home another run with an infield single in the ninth.
“I remember being really nervous,’’ Williams said of that debut. “I remember being in this place where there was a lot of uncertainty about my career and my own ability to stay in the big leagues. All I wanted to do was to get an opportunity to be able to show people what I can do.’’
A week later, Williams hit his first home run at Anaheim Stadium against the California Angels. He hit a fastball thrown by Chuck Finley over the left-center field wall. He kept rolling from there: a .297 batting average with 287 home runs and 147 stolen bases over 16 seasons.
July 14, 1991
Bernie Williams hits his first career home run pic.twitter.com/nYIteNuXlL— NY Yankees Throwbacks (@yankeethrowback) February 19, 2022
Williams helped the Yankees win four World Series titles, including three in a row from 1998 to 2000. His 22 career postseason homers rank third all-time behind Manny Ramírez (29) and José Altuve (27).
That summation has applied, at times, to his musical career, partly because it would be easy to dismiss Williams as just another retired jock with an expensive new hobby. But his lifelong musical journey is part of what appeals to the New York Philharmonic. The Spring Gala, to be performed at the David Geffen Hall at the Lincoln Center for the Performing Arts, is a fundraiser for musical education. Ginstling wants the younger crowd to be inspired by Williams’ scholarly dedication to his craft.
Williams’ first instructor was his father. Bernabé Williams, an able seaman with the Merchant Marine, returned from Spain with a gift for his 7-year-old son. It was a guitar that his son never put down. The family then found a guitar teacher in its neighborhood in Puerto Rico, and by the time Bernie was 9 years old, he had performed on a local radio station with other star pupils.
“The guitar teacher had all the little kids that were taking lessons with him, the ones that were kind of like standouts,’’ Williams recalled. “He would give them an opportunity to play a song or two on that radio show. … It was such a great experience and kind of set the stage for everything that came after.”
Williams kept playing throughout his baseball career, especially so while grieving the loss of his father, who died of lung disease in 2001. The former batting champion then studied guitar and composition for a year at the State University of New York at Purchase in preparation for his first album, “Moving Forward.” That release strengthened his bona fides thanks to 14 solid tracks including collaborations with Bruce Springsteen, Jon Secada and Dave Koz.
Bernie Williams and musician Jon Secada performing during the Grammy SoundCheck on April 17, 2009, in New York City. (Joe Kohen / WireImage)
But eventually, Williams formalized his expertise. He enrolled in the prestigious Manhattan School of Music en route to a bachelor’s degree.
“I tell you what, none of the home runs that I hit in the postseason helped me there,” Williams said. “I had to really reinvent myself. And in a very strange way, I had to earn the admiration of the kids that I was playing with, because they were all virtuosos in their own instruments by the time they got to the Manhattan School of Music.
“I was the old guy in the back of the room. I was asking all the questions and asking that no one erase the blackboard until I was finished writing all the notes.”
Williams wasn’t chasing a diploma for the sake of the paper. The experience signified his graduation from ballplayer to artist.
“I think the school gave me a great perspective on the reasons why I wanted to be a musician and the responsibility that we have as music makers to make sure that we make this world a better place,” he said. “The joy and the power of music is just incredible thing to use for the good of the world.”
Therein lies the message of the Spring Gala and underscores why even a Mets fan like Ginstling embraces a Yankee in the house. The eclectic bill on Wednesday is designed to introduce new audiences to the philharmonic. Selections range from a suite from Richard Strauss’ “Der Rosenkavalier” to two pieces from rapper Common to an aria called “Bachianas Brasileiras No. 5,” sung by the South Korean soprano Hera Hyesang Park.
“I think that’s what I’m so excited about,” Ginstling said. “We’re gonna get a ton of Bernie Williams fans in the house that night who probably will be hearing the New York Philharmonic for the first time. It’ll be great for them to hear Bernie, but we want them to hear the orchestra play Strauss. And we want them to hear the orchestra play Nina Shekhar, this up-and-coming composer whose piece we’re playing.
“We’re hoping that they’ll get hooked not just by Bernie, but by all of this repertoire, and they’ll come back.”
Until then, Williams sometimes wakes up unexpectedly at 2:30 a.m. and reaches for his guitar. Still half-awake, he’ll strum until the notes sound just as they should before allowing himself to drift back to sleep.
“That’s the level of preparation you need for an event like this,” he said. “Because when the nerves come in, you want to still be in control and not freeze when the situation arises. The only antidote to that is being well-prepared.
“That’s true of doing anything that requires the spotlight and great expectations and great pressures.”
Williams hardly is the first ballplayer to make news with his music. As far back as 1964, a Yankees bus ride turned tense when Yogi Berra grew tired of hearing “Mary Had a Little Lamb” as played on the harmonica by a utility infielder named Phil Linz.
But that was the “New York Phil harmonica.” The New York Philharmonic is a whole different ballgame.
“If anything,” Williams said, “baseball taught me to be able to perform under pressure, and this is definitely going put that to the test.”
(Top photo: Mychal Watts / Getty Images)
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In previous years, the Round of 16 was the first knockout stage match, but with an expanded field of 48 teams— it is now the second.
Let’s check out the odds at FanDuel Sportsbook as of July 2 for which countries are favored to make the Round of 16 and emerge from it.
This page may contain affiliate links to legal sports betting partners. If you sign up or place a wager, FOX Sports may be compensated. Read more about Sports Betting on FOX Sports.
To Reach Round of 16
Argentina: -2000 (bet $10 to win $10.50 total)
Colombia: -550 (bet $10 to win $11.82 total)
Portugal: -340 (bet $10 to win $12.94 total)
Switzerland: -235 (bet $10 to win $14.26 total)
Egypt: -148 (bet $10 to win $16.76 total)
Australia: +122 (bet $10 to win $22.20 total)
Algeria: +186 (bet $10 to win $28.60 total)
Croatia: +260 (bet $10 to win $36 total)
Ghana: +380 (bet $10 to win $48 total)
Cape Verde: +1160 (bet $10 to win $126 total)
Now let’s check out the odds at FanDuel Sportsbook as of July 2 for the matchups already in place.
SATURDAY, JULY 4
Canada vs. Morocco
To Advance: MAR -300, CAN +225
Moneyline: MAR -130, Draw +240, CAN +420
Paraguay vs. France
To Advance: FRA -1800, PRY +1140
Moneyline: FRA -600, Draw +600, PRY +1800
SUNDAY, JULY 5
Brazil vs. Norway
To Advance: BRA -245, NOR +196
Moneyline: BRA -120, Draw +260, NOR +340
Mexico vs. England
To Advance: ENG -134, MEX +110
Moneyline: ENG +145, Draw +210, MEX +200
MONDAY, JULY 6
USA vs. Belgium
To Advance: USA -110, BEL -110
Moneyline: USA +165, Draw +230, BEL +170
Sports
Thousand Oaks native Claire Liu finally reaches Wimbledon’s third round, will face Coco Gauff
LONDON — Claire Liu packed her bags and checked out of her London hotel room on Wednesday morning before heading to the All England Club.
It was more pragmatism than pessimism — a reality of a qualifier navigating her Wimbledon journey one day at a time.
But as her boyfriend reminded her while organizing her luggage: “Just because you’re packing doesn’t mean you’re leaving,” Liu recalled with a laugh.
He was right.
The Thousand Oaks native went on to win her second-round match against 51st-ranked Zeynep Sonmez of Turkey 7-5, 6-3, advancing to the third round of a Grand Slam for the first time in her professional career. She had tried 29 previous times at majors, including qualifying rounds, since 2015.
“I was just super relieved to get through that,” said Liu, noting she had blown a set and a break lead in the French Open’s second round last month.
For Liu, who turned 26 in May, returning to the manicured lawns of SW19 brings her tennis journey full circle. Nine years ago, she captured the 2017 Wimbledon girls’ singles title — the first American to do so since Chanda Rubin in 1992 — and was the No. 1 junior in the world. She still holds fond memories of that heady achievement, including chatting with her idol, Roger Federer, at the Wimbledon Champions Ball.
Yet, the transition from teenage phenom to professional mainstay has been anything but a linear ascent. When asked if she expected to be in the third round of a major this late in her career given her junior success, Liu was candid.
“Younger me would have believed it more than now,” she said.
That shift in perspective comes after weathering some brutal setbacks.
Liu climbed as high as No. 52 in early 2023 but then endured a wrist injury and took a months-long mental health hiatus in 2024 that eventually saw her ranking plummet outside the top 400 last year.
Currently sitting at No. 146, she’s been rebuilding her standing by playing a mix of WTA 125 events and ITF tournaments before returning to the main WTA Tour, with 2026 stops in far-flung places from Bahrain to Boca Raton and plenty of places in between.
“My goals haven’t changed, but I think the stress of how I got there really took a toll on me,” said Liu.
To navigate the darkness, Liu leaned heavily into both sports psychology and traditional therapy, including EMDR, a technique that helps people process traumatic experiences. She also started a Substack newsletter called “Finding Claire-ity,” where she openly chronicles her life and struggles on the tour.
The Southern California native, who has trained at the USTA facility in Carson since she was 9 years old and resides in Redondo Beach, also split with her longtime coach last season, a difficult decision, and hired Clemens Wagner.
The switch following the U.S. Open last year is clicking.
“I saw in her someone who fought a lot of battles inside herself,” says Austrian-born Wagner, who has a background in tennis analytics.
Together, they have focused on keeping an “aggressive undertone” on the grass, emphasizing coming to the net and squeezing the most out of her game.
Wagner notes that the 5-foot-7 player’s game isn’t the flashiest, but describes her as a “silent killer” who excels at “redirecting pace, standing close to the baseline, constantly putting pressure on her opponents.”
The reboot is starting to pay significant dividends.
Liu put together her best stretch in years this spring, winning a lower-tier title in Trnava, Slovakia, her first professional title since 2024, and then qualifying for the French Open.
Having again successfully navigated three rounds of qualifying to reach the main draw here, Liu has now won five consecutive matches at Wimbledon. Not surprisingly, she currently has no sponsors, just equipment support from Head Sport and Asics Corp., making her Wimbledon run particularly lucrative. By reaching the third round, Liu achieved her highest career payday: around $250,000. A victory Friday would boost that to nearly $400,000.
First, she faces her biggest test yet: a third-round contest against two-time major champion Coco Gauff on No. 1 Court, which perhaps fittingly is the same show court where Liu won the girls’ title almost a decade ago.
Gauff, 22, noted that she and Liu haven’t crossed paths much since Liu is older, but expects a serious battle. Gauff won both of their previous meetings on hard courts.
“I feel like anytime you’re playing a qualifier, it’s always tough because they have three matches already,” the seventh-seeded American said.
Liu, who didn’t even know she was playing Gauff until a reporter told her after her match, is purposefully keeping her focus narrow.
“I will just take today to be happy for winning, and then tomorrow I’ll think about it,” Liu said. “Obviously she’s one of the best players in the world right now, so that’ll be a good experience.”
Veteran Jessica Pegula, 32, the top-ranked American who also toiled away on the sport’s lower tier before becoming a top-10 mainstay, appreciates Liu’s resolve.
“It’s always nice to see girls that are figuring it out slowly but surely,” the No. 4 seed said. “I think I can relate to that.”
Liu’s accommodations? Fortunately, her mother was able to rebook the same hotel after the match, which eased some of the logistical issues for her unexpectedly extended stay in London.
“It definitely makes me stay in the moment, like, day by day,” Liu smiled of her lodging limbo.
On Wednesday morning, Liu packed her bags expecting she might leave Wimbledon. Instead, she emptied them one more time, with the biggest match of her career still waiting.
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Folarin Balogun’s teammates came to his defense after the USA World Cup star was given a red card during the team’s 2-0 win over Bosnia and Herzegovina on Wednesday night.
Balogun received the red card after he stepped on defender Tarik Muharemovic’s right ankle. Brazilian referee Raphael Claus only gave Balogun the card after a VAR review. The red card meant Balogun will not be able to play in the team’s Round of 16 match against Belgium.
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United States’ Folarin Balogun, right, stands by after being issued a red card by Referee Raphael Claus, of Brazil, as United States’ Weston McKennie (8) looks on during the World Cup round of 32 soccer match between the United States and Bosnia in Santa Clara, Calif., near San Francisco, Wednesday, July 1, 2026. (AP Photo/Martin Meissner)
A FIFA official told The Athletic a team cannot appeal against the red card or the suspension. The official pointed the outlet to a portion of the organization’s rules and regulations, which states, “A sending-off automatically incurs suspension from the subsequent match. The FIFA judicial bodies may impose additional match suspensions and other disciplinary measures.”
Balogun’s teammate, Weston McKennie, called the lack of an appeal process “bogus” and disagreed with the referee’s decision to issue the red card.
Bosnia’s Sead Kolasinac (5) talks to United States’ Folarin Balogun after Balogun was sent off, as Christian Pulisic (10) watches during the World Cup round of 32 match between the United States and Bosnia in Santa Clara, Calif., Wednesday, July 1, 2026. (Julio Cortez / AP)
“Obviously the ref made a decision that he made, but I think it’s questionable,” McKennie said. “I think there’s been many other plays like that throughout the tournament on other players that a card wasn’t given at all. It’s disappointing.”
U.S. coach Mauricio Pochettino said Balogun’s act “was never intentional.”
“It’s never a red card. Never. … If the intention is to damage the opponent, OK, I understand. But that never was. It was a normal action in football that you are fighting for the ball and your feet land,” he said.
Balogun is the third player to score in a World Cup knockout match and be sent off. He follows Brazil’s Ronaldinho in 2002’s quarterfinal match against England and France’s Zinedine Zidane in the 2006 World Cup final against Italy.
Referee Raphael Claus of Brazil shows a red card to United States’ Folarin Balogun, right, during the World Cup round of 32 soccer match between the United States and Bosnia in Santa Clara, Calif., near San Francisco, Wednesday, July 1, 2026. (AP Photo/Julio Cortez)
It’s the fifth red card handed to an American in the squad’s World Cup history.
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Eric Wynalda received one against Czechoslovakia in 1990, Fernando Clavijo got one against Brazil in 1994 and Pablo Mastroeni and Eddie Pope each received one against Italy in 2006.
The Associated Press contributed to this report.
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