Sports
Bernie Williams and his unique road from the World Series to New York Philharmonic
For Bernie Williams, grabbing a bat was easy. He would pull out the same trusty 34 1/2-inch, 33-ounce Rawlings model for all occasions during his New York Yankees career, whether that was in spring training or the playoffs, whether he was facing a flamethrower or a knuckleballer.
Music, however, is different.
“Choosing a guitar is about the gig,’’ Williams said. “It’s about the sound that you want to create, and it’s about the music that you’re going to play. You need the right instrument with the right gig, and that varies with time.”
Such is what vexes the former outfielder as he prepares for a second big-league debut — this time in the arts. Williams for the first time will play guitar with the New York Philharmonic, at the Spring Gala on Wednesday, an epic milestone for a five-time All-Star and four-time World Series champion now deep into life’s second act.
So, which guitar? The acoustic steel string? The archtop? Williams said a few weeks ago that he might even choose to go electric “for that sort of Santana-like sound,” though he added it “might just be too over the top for that environment.”
Williams, who spent his entire career with the Yankees from 1991 to 2006, has rebranded himself as an accomplished musician, ordained with a Latin Grammy nomination and critical acclaim. Still, at age 55, the thought of stepping into the spotlight at another hallowed New York venue — think Yankee Stadium, but with better acoustics — gives Williams butterflies.
On Wednesday, he will play one selection, his 2009 piece “Moving Forward,” as newly arranged by jazz artist Jeff Tyzik. Famed conductor Gustavo Dudamel will be at the helm.
“I expect to be as nervous as I’ve ever been on any kind of stage,’’ Williams said “But I think it’s gonna be no different from playing a seventh game of the World Series, you know?”
To answer that last question: No, Mr. Williams, we don’t know. There is no one else in baseball history poised to compare the experience of baseball’s Fall Classic and the Philharmonic’s Spring Gala. No one else has played in “The House That Ruth Built” and in the concert hall Leonard Bernstein christened by conducting on opening night in 1962.
Williams’ distinction means much gnashing of teeth for the president and CEO of the New York Philharmonic. Gary Ginstling is an ardent Mets fan.
“This is a deeply difficult decision for me, I have to say,’’ Ginstling cracked during a phone interview. “I did scour the landscape for any retired Mets. But no one could hold a candle to Bernie Williams.”
Bernie Williams has performed the national anthem before baseball games since retiring. Here he is in 2021 at an Oakland Athletics-Minnesota Twins game. (Darren Yamashita / USA Today)
This experience is enough to give Williams flashbacks to his first big-league at-bat. The switch hitter was 22 years old when he stepped to the plate in the third inning at Yankee Stadium against left-handed junkballer Jeff Ballard on July 7, 1991. It was hardly a soaring opening note. The Baseball-Reference box score immortalized the moment this way: Groundout: 3B-1B (Weak 3B).
The outing got better. Williams drove in a run with the sacrifice fly in the fifth and brought home another run with an infield single in the ninth.
“I remember being really nervous,’’ Williams said of that debut. “I remember being in this place where there was a lot of uncertainty about my career and my own ability to stay in the big leagues. All I wanted to do was to get an opportunity to be able to show people what I can do.’’
A week later, Williams hit his first home run at Anaheim Stadium against the California Angels. He hit a fastball thrown by Chuck Finley over the left-center field wall. He kept rolling from there: a .297 batting average with 287 home runs and 147 stolen bases over 16 seasons.
July 14, 1991
Bernie Williams hits his first career home run pic.twitter.com/nYIteNuXlL— NY Yankees Throwbacks (@yankeethrowback) February 19, 2022
Williams helped the Yankees win four World Series titles, including three in a row from 1998 to 2000. His 22 career postseason homers rank third all-time behind Manny Ramírez (29) and José Altuve (27).
That summation has applied, at times, to his musical career, partly because it would be easy to dismiss Williams as just another retired jock with an expensive new hobby. But his lifelong musical journey is part of what appeals to the New York Philharmonic. The Spring Gala, to be performed at the David Geffen Hall at the Lincoln Center for the Performing Arts, is a fundraiser for musical education. Ginstling wants the younger crowd to be inspired by Williams’ scholarly dedication to his craft.
Williams’ first instructor was his father. Bernabé Williams, an able seaman with the Merchant Marine, returned from Spain with a gift for his 7-year-old son. It was a guitar that his son never put down. The family then found a guitar teacher in its neighborhood in Puerto Rico, and by the time Bernie was 9 years old, he had performed on a local radio station with other star pupils.
“The guitar teacher had all the little kids that were taking lessons with him, the ones that were kind of like standouts,’’ Williams recalled. “He would give them an opportunity to play a song or two on that radio show. … It was such a great experience and kind of set the stage for everything that came after.”
Williams kept playing throughout his baseball career, especially so while grieving the loss of his father, who died of lung disease in 2001. The former batting champion then studied guitar and composition for a year at the State University of New York at Purchase in preparation for his first album, “Moving Forward.” That release strengthened his bona fides thanks to 14 solid tracks including collaborations with Bruce Springsteen, Jon Secada and Dave Koz.
Bernie Williams and musician Jon Secada performing during the Grammy SoundCheck on April 17, 2009, in New York City. (Joe Kohen / WireImage)
But eventually, Williams formalized his expertise. He enrolled in the prestigious Manhattan School of Music en route to a bachelor’s degree.
“I tell you what, none of the home runs that I hit in the postseason helped me there,” Williams said. “I had to really reinvent myself. And in a very strange way, I had to earn the admiration of the kids that I was playing with, because they were all virtuosos in their own instruments by the time they got to the Manhattan School of Music.
“I was the old guy in the back of the room. I was asking all the questions and asking that no one erase the blackboard until I was finished writing all the notes.”
Williams wasn’t chasing a diploma for the sake of the paper. The experience signified his graduation from ballplayer to artist.
“I think the school gave me a great perspective on the reasons why I wanted to be a musician and the responsibility that we have as music makers to make sure that we make this world a better place,” he said. “The joy and the power of music is just incredible thing to use for the good of the world.”
Therein lies the message of the Spring Gala and underscores why even a Mets fan like Ginstling embraces a Yankee in the house. The eclectic bill on Wednesday is designed to introduce new audiences to the philharmonic. Selections range from a suite from Richard Strauss’ “Der Rosenkavalier” to two pieces from rapper Common to an aria called “Bachianas Brasileiras No. 5,” sung by the South Korean soprano Hera Hyesang Park.
“I think that’s what I’m so excited about,” Ginstling said. “We’re gonna get a ton of Bernie Williams fans in the house that night who probably will be hearing the New York Philharmonic for the first time. It’ll be great for them to hear Bernie, but we want them to hear the orchestra play Strauss. And we want them to hear the orchestra play Nina Shekhar, this up-and-coming composer whose piece we’re playing.
“We’re hoping that they’ll get hooked not just by Bernie, but by all of this repertoire, and they’ll come back.”
Until then, Williams sometimes wakes up unexpectedly at 2:30 a.m. and reaches for his guitar. Still half-awake, he’ll strum until the notes sound just as they should before allowing himself to drift back to sleep.
“That’s the level of preparation you need for an event like this,” he said. “Because when the nerves come in, you want to still be in control and not freeze when the situation arises. The only antidote to that is being well-prepared.
“That’s true of doing anything that requires the spotlight and great expectations and great pressures.”
Williams hardly is the first ballplayer to make news with his music. As far back as 1964, a Yankees bus ride turned tense when Yogi Berra grew tired of hearing “Mary Had a Little Lamb” as played on the harmonica by a utility infielder named Phil Linz.
But that was the “New York Phil harmonica.” The New York Philharmonic is a whole different ballgame.
“If anything,” Williams said, “baseball taught me to be able to perform under pressure, and this is definitely going put that to the test.”
(Top photo: Mychal Watts / Getty Images)
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The Indiana Pacers’ risky move backfired after the 2026 NBA Draft Lottery saw them lose their top pick altogether in a disastrous turn of events on Sunday afternoon.
Heading into the lottery, the Pacers, who went 19-63 just one season after reaching the NBA Finals out of the Eastern Conference, had a 52.1% chance of having a top-four pick.
However, when they didn’t see their team chosen in the first four picks – Indiana also had a 14% chance of getting the No. 1 overall pick – it was time to panic.
Indiana Pacers president of basketball operations Kevin Pritchard speaks during a press conference to announce center Miles Turner’s contract extension at Gainsbridge Fieldhouse in Indianapolis, Ind., on Jan. 30, 2023. (Marc Lebryk/USA TODAY Sports)
The reason? The Pacers included their first-round pick in a trade with the Los Angeles Clippers for Ivica Zubac, but they only made it a top-four protected pick. That means, if the Pacers were chosen in the lottery as a top-four selection, they would be able to keep it.
But the Pacers were chosen as the No. 5 pick, and the Clippers now own the selection in next month’s draft.
NBA LOTTERY CHAOS: WASHINGTON WIZARDS STRIKE GOLD, PACERS PAY FOR TANKING GAMBLE NIGHTMARE
As a result, Pacers team president of basketball operations Kevin Pritchard took full responsibility for the move, apologizing on social media.
“I’m really sorry to all our fans,” he wrote on X. “I own taking this risk. Surprised it came up 5th after this year. I thought we were due some luck. But please remember – this team deserved a starting center to compete with the best teams next year. We have always been resilient.”
Signage is displayed during the 2026 NBA Draft Lottery at Navy Pier in Chicago, Illinois, on May 10, 2026. (Melissa Tamez/NBAE/Getty Images)
The Pacers were viewed as a team that were actively tanking despite the NBA’s attempt to crack down on such a season, with the lottery being one way of that. And it clearly worked this time around.
Pritchard was trying to be transparent and honest with the Pacers fan base, but people were quick to jump in the comments to make their thoughts, and gripes, known.
“You lose Myles Turner and add Zubac,” one X user began. “You lose [Benedict] Mathurin and the number 5 pick with absolutely nothing in return. This is why fans are upset, for a center who not even a top 5 center in the NBA. Who trades their future away for Ivan [sic] Zubac???”
Another X user called this a “generational draft,” and couldn’t fathom the Pacers won’t be picking from a deep class.
“If I were a Pacers fan and my team traded away a top 5 pick for Ivica Zubac in the middle of a tanking season I would be beyond devastated,” a fellow X user wrote.
Indiana Pacers guard Tyrese Haliburton shoots around on the court before an NBA game against the Minnesota Timberwolves in Indianapolis on April 7, 2026. (Doug McSchooler/AP)
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The Pacers were without their All-Star point guard Tyrese Haliburton all season long after he suffered an Achilles injury during the NBA Finals against the Oklahoma City Thunder. But Indiana still has key members of that team returning next season, including Pascal Siakam, Andrew Nembhard, and Aaron Nesmith.
However, this 2026 draft class is quite the spectacle, with many believing it to be deep considering the talent of BYU’s AJ Dybantsa, Kansas’ Darryn Peterson, UNC’s Caleb Wilson, and Duke’s Cam Boozer, among others.
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Before the Sparks opening day loss to the Las Vegas Aces, coach Lynne Roberts said that this year “felt different.”
After one game, though, it feels a lot like the same.
During their season opener, the Sparks couldn’t get momentum against the defending champion Aces and fell 105-78 behind a remarkably efficient shooting day from the visitors at Crypto.com Arena.
After posting the worst defense in the WNBA last season (88.2 points per game), the Sparks made a flurry of offseason moves prioritizing stopping opponents. It’s why they brought in Nneka Ogwumike, Ariel Atkins and Erica Wheeler.
But the Aces shot 63% from the floor and the Sparks had few answers.
“Today was on us,” Ogwumike said. “Defense is not something that gels. You either want to do it or you don’t.”
Reigning WNBA MVP A’ja Wilson led the Aces with 19 points, Jackie Young had 20 points and nine assists and Chennedy Carter added 22 points in her first WNBA game since 2024.
The Aces, who were coming off a 33-point blowout opening day loss to Phoenix on Saturday, scored 33 of their points in the third quarter and that’s when the wheels fell off for the Sparks. Las Vegas shot 73.7% during the quarter.
Sparks coach Lynne Roberts reacts during a 105-78 loss to the Las Vegas Aces at Crypto.com Arena on Sunday.
(Luiza Moraes / Getty Images)
“I think that was probably one of my worst one-on-one defending nights,” Ogwumike said. “But defense is definitely not something that you guys should be sitting here watching and hoping we get it down by the end of the month. You should see it on Wednesday.”
Kelsey Plum scored 11 of her 27 points in the fourth quarter, but by then the Aces had opened a 20-plus point lead.
The Sparks narrowed the deficit to one by halftime following an Ogwumike (19 points, 10 rebounds) three-pointer and backhand layup late in the second. But mostly, the Sparks’ defense activated, forcing 10 Las Vegas turnovers, led by two steals apiece from Atkins and Wheeler to fuel the comeback.
That energy was gone by the third quarter after the Aces started doubling Ogwumike, and aside from Plum, the Sparks’ offense had no answers.
“They punched us in the face,” Plum said. “We didn’t respond. And obviously, they’re a great team, right? When someone is shooting 63% it’s going to be hard to win that game. … I’m disappointed in our effort.”
Of the Sparks’ 19 turnovers, 10 came in the second half. The Aces scored 26 points off those giveaways, which made things even more difficult on the defense.
“Turnovers are, you’re just leading the other team to a fast break,” Roberts said. “And so we were giving them the turnovers, then there are two individual players who are expected to get a defensive stop after the turnover.”
They also need more from reserve center Cameron Brink (0 points, 0-for-0 shooting, three rebounds, three fouls in eight minutes) and Wheeler (two points, 1-for-11 in 20 minutes) going forward. Once Brink got in foul trouble, the Aces could continue blitzing Ogwumike and Dearica Hamby (12 points, five rebounds) without worry.
“We need Cam to produce,” Roberts said. “We need Cam to bring that defensive energy. We have so much confidence and belief in her. She’s got to get out on the floor with some confidence and do what she’s capable of doing, but we’re going to need her.”
If the Sparks have turned a corner from last season, they will need to find consistency on the defensive end of the floor. It won’t get easier with Caitlin Clark and Indiana (0-1) coming to town on Wednesday.
But the reason the Sparks built the roster that they did was to stop opponents after falling short of the postseason with the league’s third-best scoring team in the league.
“The good thing about this league is that we play in a day or two,” Plum said. “So, we’ll fix things.”
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Last August, when the NASCAR Cup Series went to the road course at Watkins Glen, Shane van Gisbergen captured the checkered flag.
Now SVG finds himself at the top of the oddsboard to win again when the series goes Bowling at The Glen on Sunday, May 10 (3 p.m. ET, FS1).
Let’s take a look at where the rest of the field sits as of May 10 at DraftKings Sportsbook.
This page may contain affiliate links to legal sports betting partners. If you sign up or place a wager, FOX Sports may be compensated. Read more about Sports Betting on FOX Sports.
NASCAR Cup Series Go Bowling at the Glen 2026
Shane van Gisbergen: -135 (bet $10 to win $17.41 total)
Connor Zilisch: +360 (bet $10 to win $46 total)
Christopher Bell: +900 (bet $10 to win $100 total)
Tyler Reddick: +1200 (bet $10 to win $130 total)
Ty Gibbs: +1400 (bet $10 to win $150 total)
Chris Buescher: +1800 (bet $10 to win $190 total)
Michael McDowell: +2000 (bet $10 to win $210 total)
Austin Cindric: +2200 (bet $10 to win $230 total)
Ross Chastain: +2500 (bet $10 to win $260 total)
Chase Elliott: +2500 (bet $10 to win $260 total)
Carson Hocevar: +3000 (bet $10 to win $310 total)
Ryan Blaney: +3000 (bet $10 to win $310 total)
Chase Briscoe: +3500 (bet $10 to win $360 total)
William Byron: +4000 (bet $10 to win $410 total)
Kyle Larson: +4500 (bet $10 to win $460 total)
AJ Allmendinger: +5000 (bet $10 to win $510 total)
Joey Logano: +5500 (bet $10 to win $560 total)
Kyle Busch: +7500 (bet $10 to win $760 total)
Denny Hamlin: +8000 (bet $10 to win $810 total)
Alex Bowman: +9000 (bet $10 to win $910 total)
Daniel Suarez: +9000 (bet $10 to win $910 total)
Brad Keselowski: +10000 (bet $10 to win $1,010 total)
Bubba Wallace: +13000 (bet $10 to win $1,310 total)
Ryan Preece: +30000 (bet $10 to win $3,010 total)
Ricky Stenhouse Jr.: +35000 (bet $10 to win $3,510 total)
Riley Herbst: +40000 (bet $10 to win $4,010 total)
Austin Dillon: +60000 (bet $10 to win $6,010 total)
Zane Smith: +60000 (bet $10 to win $6,010 total)
John Hunter Nemechek: +60000 (bet $10 to win $6,010 total)
Erik Jones: +60000 (bet $10 to win $6,010 total)
Todd Gilliland: +70000 (bet $10 to win $7,010 total)
Josh Berry: +70000 (bet $10 to win $7,010 total)
Noah Gragson: +80000 (bet $10 to win $8,010 total)
Cole Custer: +80000 (bet $10 to win $8,010 total)
Ty Dillon: +90000 (bet $10 to win $9,010 total)
Katherine Legge: +100000 (bet $10 to win $10,010 total)
Josh Bilicki: +100000 (bet $10 to win $10,010 total)
Cody Ware: +100000 (bet $10 to win $10,010 total)
The Favorite: Last year at Watkins Glen, Shane van Gisbergen finished eighth in Stage 1, 22nd in Stage 2 and led 38 laps on the day before getting into Victory Lane. And as it stands currently, SVG could use a win; the driver of the No. 97 car hasn’t won yet in 2026. He’s also 19th in the standings. However, he has two top 10s this year and one top-five finish. Bettors also might want to note that van Gisbergen won five of the six NASCAR road courses in 2025 and finished second at COTA earlier this year.
One to Watch: Another driver fans might want to keep their eyes on is Ryan Blaney. At The Glen in 2025, Blaney won the pole, finished seventh in Stage 1, won Stage 2 and finished the race sixth overall after leading 35 laps. On No. 12’s resume so far this year are seven top 10s, three top-five finishes and one win. He’s currently fourth in the standings.
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