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10 books to help you understand America as its 250th birthday approaches

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10 books to help you understand America as its 250th birthday approaches

With the nation’s big 2-5-0 coming up next year, NPR staff and critics recommended a lot of U.S.-focused titles for Books We Love, our annual year-end reading guide. Below you’ll find 10 favorites — perfect for the history buff on your gift list, or anyone looking to learn more about how the U.S got to where it is today. Read on, or check out our full 2025 list here.

American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens

American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens

In this deeply researched book, Harvard University professor of education and African American studies Jarvis R. Givens locates 1819 as a “crossroads” in the history of education in the United States. That year, Congress passed the Civilization Fund Act, providing funding for assimilative boarding schools for Native American children, and the governor of Virginia signed an anti-literacy law that made it a crime to teach enslaved people to read and write in schools. Amid the Trump administration’s effort to dismantle the Department of Education, Givens’ clear-eyed assessment of American education offers an opportunity to reflect on the long-standing relationships among race, power and schooling in the U.S. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson

The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson

I’ve been eagerly waiting years for this book! This is the second volume of Rick Atkinson’s trilogy on the American Revolution. Atkinson makes good use of letters and diaries. You feel like you’re in the middle of a battle, with all the sights, sounds and tragedy. Harrowing tales of hand-to-hand fighting, scalping and desperate evacuations. Fine detail: the waxed mustaches of the Hessian forces, the number of rum barrels distributed to weary and ill-clad troops, the dull thud of cannonballs smacking into ships. The stench of makeshift hospitals, with piles of limbs stacked outside. He carefully lays out how the battles began, and the successes, mistakes and missed opportunities – on both sides. — Tom Bowman, Pentagon reporter

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History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)

History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)

If history can be a comfort read, this is it. David McCullough’s daughter Dorie McCullough Lawson and his longtime researcher, Michael Hill, assembled this posthumous collection over two years. Some of the historian’s old manuscripts and files were kept in a New England barn, so the occasional acorn and nest turned up along with the historian’s glorious observations about Americans and their history. The essay subjects are diverse – painter Thomas Eakins, Harriet Beecher Stowe in Paris, “A Book on Every Bed” (it will melt your heart). One theme emerges that you might find reassuring in its own way: There was no “simpler time.” — Shannon Rhoades, supervising senior editor, Weekend Edition

Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg

Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg

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In 2017, historian Judith Giesberg and her team of graduate student researchers launched a website called the “Last Seen” project. It now contains over 5,000 ads placed in newspapers by formerly enslaved people hoping to find family members separated by slavery. The ads span the 1830s to the 1920s and serve as portals “into the lived experience of slavery.” In Last Seen, her book drawn from that monumental website, Giesberg closely reads 10 of those ads placed in search of lost children, mothers, wives, siblings and comrades who served in the United States Colored Troops during the Civil War. — Maureen Corrigan, book critic, Fresh Air

Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember

Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember

Mary Annette Pember, a citizen of the Red Cliff Band of Wisconsin Ojibwe and a national correspondent at ICT News, grew up in the 1950s and 1960s as her mother’s “secret confessor,” listening to fairy-tale-like stories of the horrors she endured at an assimilative boarding school. In Medicine River, Pember traces the repercussions of her mother’s maltreatment, situating her family’s story within the United States’ systemic use of education to eradicate Native cultures. Through an approach that is “part journalistic research, part spiritual pilgrimage,” Pember provides a cuttingly personal account of the history of federally funded Indian boarding schools and a moving look at how Indigenous traditions and rituals can light the path for healing. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack

Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack

There was great symbolism when a white supremacist targeted Charleston’s Mother Emanuel African Methodist Episcopal Church, killing nine Black worshippers as a means to ignite a race war. As we learn in this deeply researched history, the congregation has been involved in the struggle for racial justice ever since it was founded in an “act of bold subversion” by enslaved and free African Americans in the 1800s. I am struck by the stories of clergy and members who fought against seemingly insurmountable odds at nearly every turn of history, truly living out their faith and believing in a better America. — Debbie Elliott, correspondent, National Desk

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There Is No Place for Us: Working and Homeless in America, by Brian Goldstone

There Is No Place for Us: Working and Homeless in America, by Brian Goldstone

In this paradigm-shifting, immersive book, journalist and anthropologist Brian Goldstone follows five families in Atlanta who, despite working full time, struggle to stay housed amid gentrification, a lack of tenants’ rights and low wages. These families, all Black, fall into a “shadow realm” – they are not considered officially homeless by the federal government, but lack a fixed living place as they double up with friends and family, sleep in their cars, or pay exorbitant rates at extended-stay hotels. Woven throughout their stories is a trenchant exploration of how America’s disinvestment in public housing and relentless pursuit of free-market growth have fueled housing insecurity for poor working families. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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The War of Art: A History of Artists' Protest In America, by Lauren O'Neill-Butler

The War of Art: A History of Artists’ Protest In America, by Lauren O’Neill-Butler

This book is about the creative – if often short-lived and not always successful – ways in which artists have fought for social change in the U.S. since the 1960s. Personal favorite: a chapter on how the scrappy video collective, Top Value Television (TVTV), changed the public’s view of political conventions. With artist-led protests once again becoming a thing – from the thousands of actors and filmmakers who recently pledged to boycott the Israeli movie industry in response to the humanitarian crisis in Gaza, to the presence of a 12-foot statue depicting President Trump and the late sex offender Jeffrey Epstein frolicking on the National Mall, this book about the past provides a powerful frame for thinking about artist-led actions today. — Chloe Veltman, correspondent, Culture Desk

We the People: A History of the U.S. Constitution, by Jill Lepore

We the People: A History of the U.S. Constitution, by Jill Lepore

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As the U.S. approaches the 250th anniversary of its founding, it feels like an appropriate time to reflect on where we’re at as a country and how we got here. We the People, by Jill Lepore, a history and law professor at Harvard University, helps satisfy that impulse. It tells the story of the U.S. Constitution, which is among the world’s oldest constitutions. Lepore focuses on battles over amendments, which were fought not just by politicians but by ordinary Americans. The founders designed the Constitution to be amended, but it has become much more difficult to do so over the years. As the Constitution becomes harder to amend, Lepore writes, the risk of political violence becomes greater. — Milton Guevara, producer, Morning Edition and Up First

Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)

Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)

Thousands of unsung heroes in the government are making life better for Americans. But because of bureaucracies being made up of bureaucrats, we rarely hear those stories. This book showcases them. Like a coal-mining safety official who helped the U.S. reach zero mine-collapse deaths. Or the man who has led the National Cemetery Administration to the top of the American Customer Satisfaction Index. As the federal government is in its biggest shake-up in a generation, it’s worth learning about where the bright spots are. — Darian Woods, host, The Indicator from Planet Money

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This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.

An assortment of book covers from the 2025 edition of Books We Love.
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Sunday Puzzle: Sweet Treat

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Sunday Puzzle: Sweet Treat

Sunday Puzzle

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Sunday Puzzle

This week’s challenge

Every answer today is a flavor of ice cream or sorbet.
What flavor of ice cream …

1. … has a two-word name in which each word starts CH-?

2. … has a two-word name in which each word starts RO-?

3. … is hidden in this sentence: That’s the caravan I’ll announce.

4. … has the string of letters UTTI in its name twice?

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5. … has a silent P as its fourth letter?

6. … would spell some men’s facial hair if you changed its first two letters from PI to MU?

7. … consists of the names of two trees starting with M and W?

8. … is a fruit flavor that would become the name of another fruit flavor if you interchanged its first and third letters?

9. … is an anagram of TEENAGER (2 wds.)?

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Last week’s challenge

Last week’s challenge came from Michael Schwartz, of Florence, Ore. Think of a musical instrument. Add two letters at the end, and you’ll get the names of two popular automobile models reading left or right. What musical instrument is this?

Answer

Accordion –> (Honda) Accord + (Hyundai) Ioniq

Winner

Nell Newton of Austin, Texas

This week’s challenge

This week’s challenge comes from Benita Rice, of Salem, Ore. Name a famous foreign landmark (5,4). Change the eighth letter to a V and rearrange the result to make an adjective that describes this landmark. What landmark is it?

If you know the answer to the challenge, submit it below by Thursday, April 16 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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Ask Imran Anything: On Boring Fashion, the Meaning of Luxury and Building Outside the System

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Ask Imran Anything: On Boring Fashion, the Meaning of Luxury and Building Outside the System
In the second instalment of the BoF Podcast’s Ask Me Anything series, Imran Amed takes on listener questions about creative energy returning to the industry, what luxury really feels like, why independent brands don’t need the old gatekeepers, and how to keep going when the world feels uncertain.
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Trump touts newly released plans for D.C. triumphal arch

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Trump touts newly released plans for D.C. triumphal arch

Artist renderings and diagrams for President Trump’s proposed triumphal arch released by the U.S. Commission of Fine Arts on April 10, 2026.

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President Trump on Friday unveiled official architectural renderings for the triumphal arch he plans to add to the National Mall in Washington, D.C.

The proposed monument would stand at one end of the Arlington Memorial Bridge next to the Arlington National Cemetery.

In addition to the president’s post on Truth Social, the plans were released by the Commission on Fine Arts, a federal agency that has review authority over the design and aesthetics of construction within Washington, D.C., and produced by Harrison Design, an architecture, interior and landscape design firm with offices in six U.S. cities, including D.C. The mockup shows a structure very similar to the 3D model that Trump touted at a fundraising dinner at the White House last October.

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This model of President Trump's proposed triumphal arch was shown at a White House press conference on Oct. 15, 2025.

This model of President Trump’s proposed triumphal arch was shown at a White House press conference on Oct. 15, 2025.

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At 250 feet tall, the overall height of the structure is intended to serve as, “a fitting recognition of America’s 250th birthday,” the White House said in an email to NPR.

A monument aimed at honoring what and whom?

The proposed arch bears a striking resemblance to the Arc de Triomphe in Paris — though would stand almost 100 feet taller — and is topped with two golden eagles and a winged, crowned figure reminiscent of the Statue of Liberty (which was gifted to the U.S. by France in 1884.) On one side, the words “One nation under God” appear, with the phrase “Liberty and justice for all” on the other.

The structure would also loom over the nearby Lincoln Memorial — at more than twice the height.

“The Triumphal Arch in Memorial Circle is going to be one of the most iconic landmarks not only in Washington, D.C., but throughout the world,” said White House spokesperson Davis Ingle in an email to NPR. “It will enhance the visitor experience at Arlington National Cemetery for veterans, the families of the fallen, and all Americans alike, serving as a visual reminder of the noble sacrifices borne by so many American heroes throughout our 250 year history so we can enjoy our freedoms today. President Trump will continue to honor our veterans and give the greatest Nation on earth — America — the glory it deserves.”

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When asked by CBS political correspondent Ed O’Keefe whom the monument was intended to honor after Trump initially unveiled his plans in October, Trump responded: “Me.” The exchange was captured in a social media video.

A group of Vietnam War veterans launched a lawsuit in February seeking to bar the Trump administration from constructing the arch. The plaintiffs argued the project violates statutes requiring express congressional authorization for the erection of commemorative works or any “building or structure” on federal park grounds in D.C., among other issues.

The Arc de Triomphe in Paris as part of the city's Christmas celebrations (2007).

The Arc de Triomphe in Paris as part of the city’s Christmas celebrations (2007).

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“It’s textbook Trump,” said Sue Mobley, director of research at Monument Lab, of the proposed plans for the arch, in an interview with NPR. The nonprofit design studio based in Philadelphia reimagines public art and structures. “It has to be the biggest. That’s the authoritarian impulse.” Trump has repeatedly pushed back on accusations of authoritarianism, rejecting the label of dictator.

Mobley added that she doesn’t think the plans will come to fruition. “It will likely get tied up in court,” she said.

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Approval process

The White House said it will “follow all legal requirements” in constructing the triumphal arch. As part of that process, it mentioned the National Park Service’s recent request to present potential designs to the Commission on Fine Arts. The plans are scheduled to be reviewed next week. At this point, that commission is composed entirely of members appointed by Trump. (In October 2025, Trump took the unusual step of firing six sitting members of the commission.) The National Capital Planning Commission, the federal government’s central planning agency for the National Capital Region, is also expected to weigh in on the plans.

The White House said the estimated cost of the project, which it anticipates will draw on a combination of public and private funds, is still being calculated. Harrison Design, the architecture firm behind the plans, did not immediately respond to NPR’s request for information about the price tag.

Multiple D.C. makeover projects

The arch plans are the latest in a series of current and potential architectural interventions from the White House in and around Washington, D.C.

Most dramatically, the administration is pushing for the creation of a $400 million neoclassical ballroom at the White House. A federal appeals court on Saturday temporarily allowed the construction of the ballroom to move forward while the administration challenges a March ruling that it required congressional approval. Whatever the outcome, the historic East Wing has already been demolished to make room for the new structure.

Trump has converted the White House Rose Garden into a stone-covered patio. He aims to shut down The Kennedy Center for two years to facilitate a major renovation (a coalition of groups including the National Trust for Historic Preservation, the American Institute of Architects, and the D.C. Preservation League, filed a lawsuit in the U.S. District Court for the District of Columbia in March opposing the plans.) And he has proposed architectural changes to the Washington Dulles International airport through an initiative the Department of Transportation launched late last year to overhaul the Northern Virginia airport. Several prominent architecture firms including Zaha Hadid Architects and Adjaye Associates have submitted proposals.

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In August, the president also signed an executive order requiring that new federal buildings with construction budgets of more than $50 million be designed in “classical” or “traditional” styles.

Anastasia Tsioulcas contributed to this story.

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