(L-R) Macarena García (Elena) and Anna Castillo (Bárbara) in ‘Many People Need to Die’
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Conecta Magaluz-Mallorca: Buzz Titles, AI, What’s Shocked in TV, Latin America’s Microdrama Bonanza and Other Takeaways
Unspooling over May 25-28 in the Meliá Calvià Beach Hotel at Magaluf, Mallorca, the 10th anniversary of edition Conecta afforded extraordinary vistas of Magaluf Bay, its turquoise Mediterranean waters worthy of laptop wallpaper.
Bowing an all-in-one boutique model, Conecta Magaluf Mallorca was attended by 400 delegates, including executives from HBO Max, Prime Video, YouTube, France TV, RAI, RTVE, SkyShowtime, TVI, Atresmedia, Telemundo Studios, Mediaset Italia, Movistar Plus, 3Cat and Balearic Islands pubcaster IB3.
“Our new, more compact and all-in-one format is focused on facilitating connections and maximising the value of time spent together, which we believe is far more efficient for everyone,” Conecta Magaluf-Mallorca director Géraldine Gonard said at a closing session.
Beyond classic sea vistas, Conecta Magaluf-Mallorca’s conference strand also allowed delegates a rapid, often incisive catch-up on the state of the international TV business, as well as how cutting edge tourist concerns have become a new driver for part of the film-TV industry.
Also often stage center was Mallorca’s emerging film industry. That needs to be taken seriously. In 2025, according to Cannes Marché du Film’s Focus report, Spain produced 426 feature films, up 30% on 2024 and nearly twice the volume of France (228). One driver, the report says, is not only national but regional support schemes.
Takeaways from Conecta Magaluf-Mallorca:
The Long Tail Wags the Dog: Global Streamer Viewing
Conecta Fiction began with a bang: Jonathan Broughton at Plum Research drilling down on key global streamer metrics. SVOD began as DTC, for instance, accounting for 98% of business in 2014. It is now becoming increasingly BTC with DTC set to rep 76% of turnover in 2029 and BTC – led by advertising – up to 24%. Most important of all, however, a stunning 90% of views and 75% of titles viewed takes place on the long tail: Think “Star Trek,” “Dark,” “Archer” and “Primal,· not first run-hits such as “Squid Game.” That has given rise to a new superclass, which Broughton dubs Neo-Evergreens.
Mallorca Reigns
Conecta’s May 27 Pitch sessions prized multiple local titles, such as “Mallorca Things to Do,” an RTVE Play Award winner, produced by Palma de Mallorca-based Bastera Films, behind 2025 Toronto Fipresci prize winner “Forastera.” Other winners linked Mallorcan companies with prime players on Catalonia’s film-TV scene, which is surely one way to go for the island’s industry. One case in point: “Naked,” a Triodos Bank Award laureate, is co-produced by Empatic Films (“Favàritz,” “Rock Bottom”) and Barcelona’s Corte y Confección de Películas, behind Canneseries winner “Perfect Life” and Cannes Festival laureate “Sirāt.”
Buzz Titles
One buzz Conecta project, “To Catch an Old Lady,” captures the emotional indigence of advanced age, turning on an elderly woman who attempts to commit a crime serious enough to get locked up with the only friend left to her. Others impressed by their ingenious use to narrate effect of a Mallorcan setting. In Germany’s “Idyllic,” from Brains Narrative Studio, a Mallorca-set cozy crime series which won Tallinn’s TV Beats Forum Award, a retired British-German couple investigate murders before discovering they live inside a VR retirement simulation. Its creators were inspired by their vision of Mallorca as “an idyllic place to end your days, but almost too good to be true,” they told Variety.
Latin America: Microdrama Leader
No line was longer for any session at Conecta Magaluf Mallorca than the May 27 Focus on Microdrama: The Game Is On – When to Make Your Move. The game is most certainly on, Omdía’s Maria Rua Aguete said at Conecta Magaluf Mallorca, noting that Brazil reached 24 million monthly active microdrama users in 2025 and Mexico 20 million. “Brazil and Mexico are already demonstrating the scale that this format can achieve outside China,” Rua Aguete said. “What we are seeing is not simply the growth of a new content category but a fundamental shift in how audiences consume entertainment on mobile devices,” she added, noting 75% of video consumption now takes place on smartphones. Via Variety, Brazilian media giant Globo announced a new microdrama just before last week’s Rio2C, the soccer-themed “Quando o Coração Entra em Campo.” Globo’s catalog of 25 microdrama titles takes in five original productions, nine spinoffs of telenovela characters, and 11 internationally licensed titles. That, however, may just be the beginning.
The Rise and Rise of Spain
All major categories have Neo-Evergreens: Serials (“Breaking Bad”), anime (“One Piece”), kids (“Victorious”) and procedurals (“Seinfeld”). So do countries. In 2018, for example, “Money Heist” (“La Casa de Papel”) broke out as Netflix’s first true global non-English blockbuster. So 2018 was one of Netflix’s best years ever for Spain? Not at all. Hours watched of Spanish content on Netflix top 40 markets has increased 73% from 2018 to now, according to Plum Research. Two factors look to be at work. While it still has new hits, Netflix Spain now has a long tail. And diversity of consumption has never been higher. Other territories outside export markets (the U.S. Brazil, Mexico, Argentina and France) for Spanish-language content repped 35% of total viewing hours in 2018. That number had climbed to 45% by 2024.
Spain’s Comedy Surge
Announced May 27, over half Conecta’s Pitch prizes went to comedies, including José Luis Rugeles’ “Rookies,” from Colombia’s Rhayuela Films and “Breakdowns,” from Argentina’s Lab Producciones. RTPA’s Lucía Herrera, head of programming at RTPA, the state TV of Spain’s Asturias, drilled down on at Conecta on rural sitcom “Coworkinaos,” its first co-production with neighbor Galicia’s RTVG. RTVE executive producer Mar Díaz said Spain’s nationwide pubcaster was looking for comedies. Comedy is on the rise. Reasons? “Spain has seen some surprising hits in the comedy genre, like Netflix’s ‘Animal’ and ‘Macho Alphas,’ which reinvent comedy to a large format sale potential,” The Wit’s Caroline Servy said earlier this year. Also, they offer a lighter way into contemporary concerns.
A TV Talent to Track: Victoria Martín
It was no coincidence that Conecta Magaluf Mallorca climaxed May 27 with a special screening of “Many People Need to Die,” Few comedies have tackled Millennial angst with such withering realism, nailing how its members’ searing frustration at living lives imposed by older generations prompt acts of outrageous LOL egotism, such as when the hoity-toity Elena, married to a 60-year-old millionaire, passes off benzo-popping Bárbara, her lifelong friend, as a junkie she’s offered to accompany for a day. A Canneseries world premiere, the Movistar Plus original, co-produced again by Corte y Confección de Películas, certainly marks out YouTube-podcast comedian Martín as a talent to track.
The Pain in Spain
That said, Spain and especially public broadcaster RTVE, is hurting. Spain stands out in non-fiction as the second biggest importing territory in the world for formats, after the U.S., suggested The Wit’s Caroline Servy at a keynote on the formats business. Over 2025-26, Spain has launched 19 new adaptations, led by RTVE with 12, and six a piece by Atresmedia and Mediaset, she announced. Format adaptation can be highly cost-efficient, of course. It is sad, however, when a public broadcaster has to count so much the cost.
Tourism: an Ever Bigger AV Driver
Brazil’s Tourist Board Embratur has launched eight film-TV-gaming-YouTube initiatives to support sustainable development for its tourist industry. Conecta Magaluf-Mallorca hosted the world premiere of “Mallorca Confidential,” a noirish gypsy drug queenpin thriller produced by Mallorca’s Cinética. Equally, held in association with the Calviá Town Council, Conecta this year was financed via the Balearic island’s Sustainable Tourism Tax (ITS). “Investing ITS funding in Conecta is perfect exemplifies our tourist strategy, supporting quality and deseasonalized tourism which generates year-round returns at nil territory consumption cost,” Jaume Bauzá, the Balearic Islands’ Councillor for Tourism, Culture and Sports said at Conecta’s closing ceremony.
Lolita Flores in ‘Mallorca Confidential’
Lolita Flores in ‘Mallorca Confidential’ Credit, Lucia Faraig.
Artificial Intelligence
Conecta’s AI focus was organized not as a panel but debate with speakers aligned in practitioner and concerned camps. Some of them called for larger protocols. The European Union already has one via its AI Act, in force from August 2024. On May 26, Spain’s government approved a bill for its enforcement in Spanish law. Meanwhile, on May 29, “The Book of Life” director Jorge Gutiérrez pulled out of Amazon’s genAI animation initiative, just days after announcing his involvement. Expect the backlash, posing risks of fandom ostracism for any significant animator seemingly endorsing AI, to play out at late June’s Annecy Festival.
What’s Shocked in the Last 10 Years, or May Shock in the Future
Conecta Magaluf-Mallorca’s conference strand closed with a panel in which analysts and journalists confessed what had amazed them during the last 10 years, as well as suggesting some of the next big calls.
“We talk about globalization but I’ve met with more local companies that are more important than ever. The shocking thing now is that actually there is less U.S. dominance of shows of original content, but more local and regional content going around in the world,” said Omdia’s Rua Aguete.
Brazil, Flanders and Indonesia are current hot spots, said another speaker who voiced their concern for the future of state-backed TV operators which accounted in 2024 for 56% of all TV fiction titles produced in Europe, compared to 14% for global streamers.
As long as regulation ensures that big events – sports, Eurovision – are reserved for public broadcasters, they will bring people together in front of TV screens, said Laure Steinville at Glance.
What’s most shocking, often, is what hasn’t happened. Spanish companies still labor under fiscal pressures, noted Irene Jiménez at Audiovisual 451. “Many things have happened [in Spain], but in some ways it’s as if nothing has changed at the same time.”
“I have access to something like 45 billion data points on audiences and what they’re watching across the world. It actually doesn’t do that much in terms of designing a show,” said Plum Broughton. “What is still very true is that they can help people understand what’s done well. But still a machine can’t yet produce something which is authentic and credible and creative.”
What has happened with the emergence of global platforms, at least for Latin America, is “a cross-pollination of storytelling, between more plot-driven Anglo storytelling and in the Latino case, more character-driven storytelling,” Manuel Martí, at Cohn-Duprat, told Variety during Conecta Magaluz-Mallorca. We are still living that reality now.
World
At least 27 dead as fire engulfs popular Bangkok pub near Chatuchak market
At least 27 people were killed and 63 injured, many critically, after a fire ripped through a popular pub in Bangkok. Authorities are investigating whether the pub, located near the iconic Chatuchak Weekend Market, had adequate escape routes.
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World
Disney’s live-action ‘Moana’ crashes to shore with an underwhelming splash at the box office
The Walt Disney Company’s live action “Moana” may be the No. 1 movie at the domestic box office, but it did not make a big splash in its first weekend in theaters.
The movie, which cost a reported $250 million to produce, earned just $43 million from ticket sales in the U.S. and Canada, according to studio estimates Sunday.
Internationally, it earned $52 million from 50 markets, adding up to a $95 million global debut.
The studio bet big on “Moana,” one of its most popular franchises. The 2016 animated film is the most watched movie on Disney+. Its sequel, which was stitched together from a planned streaming series, made over $1 billion and scored a Thanksgiving record when it opened with $225 million in 2024. “Moana 2” was also released just 19 months ago.
This latest “Moana,” directed by Thomas Kail, brings Dwayne Johnson back as the demigod Maui and introduces Catherine Lagaʻaia as the adventuring Polynesian princess. Despite praise for Lagaʻaia, the film set sail on a wave of dismal reviews from critics for being essentially a shot-for-shot remake of the original.
What audiences say about “Moana”
It’s currently sitting at a 34% on Rotten Tomatoes. Audiences, the majority of whom were women (66%), were less negative: According to PostTrak, 63% said they would “definitely” recommend the film to their friends. Parent reactions were even stronger, with 78% saying they would recommend it to other parents. It also got a promising A- CinemaScore.
Disney’s live action remakes of beloved animated films, new and old, have had their share of successes and disappointments. Some have made over $1 billion, including “Lilo & Stitch,” “The Lion King” and “Beauty and the Beast.” Others have floundered, most notably last year’s “Snow White,” which made only $205 million worldwide. “Moana” opened more on par with “Snow White” ($42.2 million).
Paul Dergarabedian, the head of marketplace trends for Rentrak, said “Moana’s” debut could also be a product of PG-rated oversaturation in the marketplace: Universal’s “Minions & Monsters” was in second place with $20.5 million and “Toy Story 5” was close behind in third place with $18.5 million.
“Families love going to the movies, but right now there are three of them,” Dergarabedian said. “That’s a lot of competition.”
PG-rated films outgrossed others in 2024 and 2025, so “Moana’s” performance may not be a case of “family movie fatigue,” he said, but simply shows there can be a ceiling. Families have to make a choice, and after four weekends, “Toy Story 5” is still going strong with a running global total of $879.1 million.
There also are signs that these movies might not sink or swim based on the opening weekend alone. Although “Minions & Monsters” opened below expectations over the Fourth of July holiday, it also had a modest 45% drop this weekend. Its running domestic total is currently sitting at $108.3 million.
Elsewhere at the box office, horror and history
The weekend’s other big new opener was definitely not PG: The R-rated horror “Evil Dead Burn,” a Warner Bros. release, opened in fourth place with $13.7 million. It’s a significant dip from the previous two films in the series, which both opened in the $25 million range.
Angel Studios’ George Washington movie “Young Washington” rounded out the top five films in its second weekend in theaters, with $6.4 million. Olivia Wilde’s chamber dramedy “The Invite” landed in sixth place in its first weekend in wide release, with $5.7 million from 1,610 theaters.
And though it has dropped out of the top 10 domestically, “Michael” has officially crossed $1 billion at the worldwide box office, only the second film this year to do so after “The Super Mario Galaxy Movie.” It’s also now the highest grossing musical biopic of all time, a title previously held by “Bohemian Rhapsody.”
The total domestic box office for the year is currently sitting just under $5.2 billion, up about 10.7% from this point last year. While both May and June were very strong — both generating over $1 billion in North America — July, Dergarabedian said, has faced some headwinds with a string of underperformers, including “Supergirl.” Things will likely pick up next week with the arrival of Christopher Nolan’s “The Odyssey” followed by “Spider-Man: Brand New Day” the weekend after.
“They could power a stronger August than July at the box office, which would be very unusual,” Dergarabedian said.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak:
1. “Moana,” $43 million.
2. “Minions & Monsters,” $20.5 million.
3. “Toy Story 5,” $18.5 million.
4. “Evil Dead Burn,” $13.7 million.
5. “Young Washington,” $6.4 million.
6. “The Invite,” $5.7 million.
7. “Obsession,” $3.8 million.
8. “Supergirl,” $3.6 million.
9. “Disclosure Day,” $3.2 million.
10. “Backrooms,” $1.5 million.
World
New Germany sex-crime figures reignite migration fight as exploitation probe expands
Report exposes scale of alleged UK grooming gang scandal
Fox News host Will Cain reports on a bombshell UK inquiry detailing shocking alleged child sex exploitation by organized grooming gangs in 149 local authority areas. The report reveals crimes committed for decades, with an estimated 250,000 victims nationwide.
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New German crime figures and an expanding investigation into an alleged sexual exploitation of teenage girls near the Nuremberg, Germany, central railway station are intensifying a broader European battle over migration, integration and whether officials have been too reluctant to confront patterns of organized sexual abuse.
Germany recorded 751 cases categorized as group rapes in 2025, according to the federal government’s response to a parliamentary inquiry submitted by the opposition Alternative für Deutschland party. All parties represented in the Bundestag German federal parliament may submit formal questions requiring government responses, a key tool through which opposition lawmakers scrutinize federal policy.
Police identified 1,087 suspects in the cases, including 509 German citizens and 578 non-German nationals. Syrians were the largest foreign-national group, with 110 suspects, followed by Afghans with 64, Iraqis with 46 and Turks with 44.
ILLEGAL IMMIGRANT SOCCER COACH WHO USED ALCOHOL AND DRUGS TO SEXUALLY ABUSE KIDS LEARNS FATE
Two defendants hold folders in front of their faces while a defense attorney talks to one of them at a trial in Freiburg, Germany, July 23, 2020. (Philipp von Ditfurth/dpa via AP)
The government cautioned that “group rape” is not a separate criminal offense or standardized police category. Officials generated the figures by filtering recorded rape cases in which suspects were listed as not acting alone. The numbers represent suspects identified during police investigations, not people convicted in court.
The figures emerged as investigators in Nuremberg, Germany, pursued allegations that vulnerable girls were deliberately drawn into a network involving affection, gifts, narcotics and sexual exploitation.
Bavarian police said in May that men operating around the city’s main railway station allegedly approached girls from unstable or vulnerable backgrounds, initially offering them attention, clothing or cosmetics. Investigators said some were later given hard drugs, including crystal meth, and that their resulting dependency was allegedly exploited to obtain sexual acts or other “services.”
STEPDAD ACCUSED OF SEX ASSAULT AS COPS WIDEN PROBE INTO GIRL’S LETHAL BENADRYL INGREDIENT DOSE
Protesters gather before a party convention of Alternative for Germany, or AfD in Erfurt, Germany, July 4, 2026. (Ebrahim Noroozi/The Associated Press )
The investigation, known as EKO Kajal, has continued to expand. Police said Tuesday that 10 suspects were being held in pretrial detention in cases involving alleged sexual offenses against girls and young women and the distribution of drugs or medication to minors.
In the latest arrests, police alleged that a 21-year-old Syrian man raped two girls, ages 15 and 18, in a Nuremberg, Germany, apartment after they were given narcotics by a 40-year-old Syrian man. Both men were detained, but the accusations remain allegations and have not been adjudicated.
Emma Schubart, a research fellow at the London-based Henry Jackson Society, told Fox News Digital that the Nuremberg allegations bear similarities to grooming-gang cases uncovered in Britain, where girls were plied with drugs and alcohol before being repeatedly abused by groups of men.
“It’s a severe failure in both countries,” Schubart said, arguing that the problem begins with insufficient screening and continues with inadequate integration after migrants arrive.
“The first step that both authorities in the U.K. and in Germany really are not doing is screening migrants effectively,” she said. “But then, once the migrants are already here, the integration policy is completely lacking.”
Schubart said the isolation of some immigrant communities can contribute to “ghettoization” and create environments in which criminal networks operate with limited scrutiny or cooperation with authorities.
She also challenged the argument that disparities in some sexual-offense statistics can be explained primarily by poverty.
POLYGAMOUS SECT LEADER CONVICTED ON STATE CHARGES AFTER GIRLS FOUND IN UNVENTILATED TRAILER
A supporter wearing a plastic policeman’s helmet and holding fake money criticizes the way the police dealt with the grooming gang scandal on Jan. 29, 2022, in Telford, England. (Martin Pope/Getty Images)
“Socioeconomic factors matter, but they absolutely do not fully explain the disparities,” Schubart said. “Native Germans from similar socioeconomic backgrounds absolutely do not show equivalent rates in group sexual offending.”
Schubart said she viewed the apparent intersection between drugs and sexual exploitation as an especially important parallel with Britain.
“In the U.K. and in Germany, it’s a very similar pattern where it’s basically drug trafficking that also involves sex trafficking,” she said. “These drug-trafficking networks and cells operate across the country, not just in those cities where we see the crimes playing out.”
Britain has spent years reckoning with grooming scandals in places such as Rotherham, Rochdale, Telford and Oxford, England, where official reviews found that police, social workers and local authorities repeatedly missed or ignored evidence that vulnerable children were being systematically abused.
Baroness Louise Casey’s national audit, published by the British government in June 2025, concluded that inconsistent definitions, incomplete records and failures to collect ethnicity data made it impossible to establish the full national scale of group-based child sexual exploitation. It nevertheless found evidence of the disproportionate representation of Pakistani-heritage suspects in some local datasets and cases, while warning against extrapolating those findings to the entire country.
The British government later backed an independent inquiry intended to examine failures or obstruction by police, councils and other public bodies in relevant local areas.
Schubart argued that officials in both countries have sometimes avoided discussing offenders’ backgrounds out of concern that doing so could damage relations with minority communities.
“In the U.K., it’s usually the phrase ‘community relations,’” she said. “There’s a huge effort to not threaten community relations.”
Germany’s ifo Institute reported in February 2025 that its analysis of district-level police data from 2018 through 2023 found no correlation between a rising foreign population and local crime rates, including in areas receiving more refugees.
“We find no correlation between an increasing share of foreigners in a district and the local crime rate,” ifo researcher Jean-Victor Alipour said when the findings were released. “The same applies in particular to refugees.” Researchers said differences in suspect rates can be influenced by age, sex, urban concentration and other demographic factors.
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A woman poses with a sign as members of the public queue to enter a council meeting during a protest calling for justice for victims of sexual abuse and grooming gangs, outside the council offices at City Centre on Jan. 20, 2025, in Oldham, England. (Anthony Devlin/Getty Images)
Germany’s Syrian population also plays a significant role in sectors facing severe labor shortages.
The German Medical Association reported that 7,959 Syrian citizens were working as physicians in Germany at the end of 2025, making Syrians the country’s largest group of foreign doctors.
The competing evidence presents European governments with a difficult test: investigating organized exploitation and demographic patterns without political hesitation, while avoiding the suggestion that hundreds of suspects define millions of immigrants.
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