Governor Gavin Newsom unveils an expansion of California’s film and TV tax credit program in October 2024.
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California
California Is Doubling Its Film Incentive, but It May Be Too Late to Stop Runaway Production
“Mad Men” was set in 1960s New York, but it was mostly filmed at a studio just west of downtown Los Angeles. Sienna DeGovia was one of hundreds of people who worked on the show. Someone needed to re-create the food of that era, like savory Jell-Os and the carrots cut into one-inch cubes that used to be served on airplanes, and that’s what she does — she’s a food stylist. She started as an assistant 25 years ago and after learning the craft, became a lead stylist.
Los Angeles is full of weird jobs like that — or at least it used to be. But content production peaked in 2022, and the world’s entertainment capital has since been battered by a global contraction.
“The beginning of 2024, everything fell off a cliff,” DeGovia says. “I called all my old mentors and begged to be taken on as an assistant. I never had to do that in 20 years.”
The lack of work in Hollywood has renewed age-old calls for government intervention. Her father, Jack DeGovia, was a production designer who worked on “Die Hard” and “Speed.” In response to a downturn in 1999, he organized the Film and Television Action Committee, which took aim at “runaway production,” particularly the then-new phenomenon of shooting American films in Canada because it was cheaper.
“They were taking the bread out of our mouths and attacking our families,” says DeGovia, now 84. “They were making believe they were America. They’re not; they’re Canada. We were willing to play hardball with these guys.”
DeGovia led rallies in L.A. and Sacramento, where crews chanted “Film American!” and demanded a state tax incentive to match Canadian subsidies. That effort fizzled out. But a generation later, California has a production tax credit and is poised to double it in response to foreign incentives.
“We have to be more competitive,” Gov. Gavin Newsom said on May 14, noting that the business is on “life support.”
That may not be enough. Doubling the program should generate 4,000 to 5,000 jobs, according to state estimates. But in the past two years, California has lost 40,000 production jobs, according to the Bureau of Labor Statistics.
“Trying to be competitive, or close to competitive, is going to require not only a state effort but some sort of federal incentive,” says film producer Chris Bender, noting that at least 70 countries have a national subsidy. Jon Voight, a “special ambassador” appointed by President Trump, has pitched a national incentive as part of a plan to save Hollywood.
The industry has been dreaming about that idea for generations. Ronald Reagan backed a federal tax break to counter runaway production when he was governor of California in 1970. Twenty years before that, as president of the Screen Actors Guild, he lobbied President Truman on the issue.
“Runaway production is not new,” says Russell Hollander, national executive director of the Directors Guild of America. “What is different now is that we are experiencing a tremendous global contraction in film and television production.”
According to DGA data, every major production center — California, New York, Georgia, Canada and London — has seen a downturn in the past couple years. But it’s been more severe in the U.S. than overseas.
“Under these circumstances, every job that leaves the United States to chase foreign tax incentives takes on added significance,” Hollander says. “Recapturing that work has to become an even more important priority.”
In Canada, production subsidies are a matter of cultural sovereignty. Without them, Canadian movie theaters and TV screens would be overwhelmed by American content.
“We want to see ourselves reflected on our airwaves, as does every other country,” says Norm Bolen, former president of the Canadian Media Producers Association. Bolen is skeptical that the U.S. needs a federal subsidy. “From a Canadian perspective, that’s absurd,” he says. “Hollywood dominates everywhere. What’s the deficiency that needs to be addressed?”
He also disputes the idea that Canada offering subsidies to international producers caused a loss of U.S. jobs. “They weren’t really taking jobs away from Americans,” he says. “They were providing financial resources that allowed these productions to be made. They wouldn’t have been made at all.”
In 1986, Stephen J. Cannell was producing an L.A.-based action show for NBC called “Stingray.” Facing declining network fees, he hit on the idea of saving money by filming in Canada.
“We didn’t have much choice,” says Michael Dubelko, who was president of Cannell’s company. “We were a small company. We did it for survival.”
The company ended up in Vancouver, which had almost no production industry at the time. Cannell turned a former distillery into a TV factory, churning out “21 Jump Street,” “Wiseguy,” “The Commish” and other shows.
“We didn’t know what we were doing when we started,” Dubelko says. “It was crazy.”
In his view, filming on location in Los Angeles had simply become too expensive. Homeowners would demand $5,000 or $10,000 to rent their house for a day. Once the crew got there, a neighbor would fire up the lawnmower and demand to be paid to turn it off.
“We go to Vancouver, and they’d say, ‘Come on in and shoot for free,’” he recalls. “We weren’t being ripped off all the time.”
And with a favorable exchange rate, Dubelko estimates they saved at least $100,000 an episode — or more than $2 million a season. Of course, leaving L.A. behind created some backlash. “We took heat for it,” he says.
But soon, others followed.
Producer Stephen J. Cannell at his production offices at Paramount Studios in 1983.
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The British Columbia film industry now employs thousands of people. Dubelko remembers being in Vancouver with Cannell a few years before he died. “We were going down the street, and people were stopping us, saying, ‘Oh my God, we’re in the business because of you,’” Dubelko says. “It was not one or two. Maybe 20 people came up to us and told us how grateful they were to him. He was really the one that pushed all this stuff. He was really a visionary.”
Lately, though, Vancouver has been hit hard by the contraction. According to the local crew union, only 25% of its members are working.
“We have been dead,” says Tonya Hartz, who has worked as a location scout in Vancouver for 28 years. “Production levels have been incredibly slow in 2025.”
Hartz knows people who have lost houses and are struggling to afford groceries.
Trump’s threat to impose a 100% tariff on foreign-made films, coming on top of blanket tariffs on Canadian goods and threats of annexation, has added to the strain.
“You can imagine the panic that rippled through our membership,” says Crystal Braunwarth, business representative of IATSE Local 891 in Vancouver, who fielded at least 50 calls after Trump’s threat.
While a movie tariff would probably be unworkable, some worry that U.S. producers may nevertheless shy away from filming abroad, exacerbating the downturn.
“This is a global industry,” says Spencer Chandra Herbert, B.C.’s minister of tourism, arts, culture and sport. “Trying to shut the door on it being a global industry misunderstands how the industry works.”
Canadian-based Gary Lam, an editor whose credits include “District 9” and “Terminator: Dark Fate,” says it’s not a zero-sum situation. “If it’s slow in Hollywood, it’s slow here,” he says. “We want Hollywood to be busy. When they get so busy they have trouble finding crew, that’s when we tend to get the call.”
Several in the Vancouver industry agree that the business moves in cycles, and they expect the slow period will not last forever. Lam says it’s also up to local governments to do what they can to help. “I do think that tax breaks and government support are the way to go,” he says.
So does the B.C. government, which recently increased its production incentive. “We’ve made this a priority,” Chandra Herbert says. “We’re responding to the same thing everyone else is. The major studios have reduced how much they’re spending. It’s been very hard on our workers.”
Dubelko isn’t convinced that a U.S. incentive is a great idea. When he was making TV, there were about 50 shows on the air. They would get Nielsen reports, and they all fit on one page. Now there are 500. “All this production that currently exists couldn’t have been done in one city or one state,” he says. “The business became very mobile in the mid-’80s. It was a very natural evolution that it would start being done outside Los Angeles.”
“How do you get that business back?” he says. “I don’t know. I don’t see how that happens.”
California
Dramatic explosion caught on video destroys homes, injures six, officials say
A natural gas line leak triggered a dramatic explosion that destroyed a Bay Area home on Thursday, injuring six people and damaging several other properties.
At least one person was inside the home before it was leveled in the blast. The individual managed to escape without injury, but six others were hurt, including three who suffered serious injuries, Alameda County Fire Department spokesperson Cheryl Hurd said.
“It was a chaotic scene,” Hurd said. “There was fire and debris and smoke everywhere, power lines down, people self-evacuated from the home. … Someone was on the sidewalk with severe burns.”
The leak started after a third-party construction crew working Thursday morning in the 800 block of East Lewelling Boulevard in Hayward struck a Pacific Gas and Electric underground natural gas line, according to a statement from the utility.
Fire crews were first dispatched to the scene at 7:46 a.m. after PG&E reported a suspected natural gas leak, Hurd said. PG&E officials were already on scene when fire engines arrived, and reportedly told firefighters their assistance was not needed, Hurd said.
Utility workers attempted to isolate the damaged line, but gas was leaking from multiple locations. Workers shut off the flow of gas at about 9:25 a.m. About ten minutes later an explosion occurred, PG&E said in a statement.
Fire crews were called back to the same address, where at least 75 firefighters encountered heavy flames and a thick column of smoke. Surrounding homes sustained damage from the blast and falling debris. Three buildings were destroyed on two separate properties and several others were damaged, according to fire officials.
Six people were taken to Eden Medical Center, including three with severe injuries requiring immediate transport. Officials declined to comment on the nature of their injuries.
Video captured from a Ring doorbell affixed to a neighboring house showed an excavator digging near the home moments before the explosion. The blast rattled nearby homes, shattered windows and sent construction crews running.
Initially, authorities suspected that two people were missing after the blast. That was determined not to be the case, Hurd said.
“They brought in two cadaver dogs looking to see if anyone was still trapped under the rubble, and the dogs cleared everything,” Hurd said.
Brittany Maldonado had just returned from dropping off her son at school Thursday morning when she noticed a PG&E employee checking out her gas meter. He informed her that there was an issue and they had to turn off the gas to her home.
She didn’t think twice about it.
“About 45 minutes later, everything shakes,” she told reporters at the scene. “It was a big boom…first we think someone ran into our house—a truck or something—and then we look outside and it’s like a war zone.”
The house across the street was leveled, Maldonado said. When she watched the footage from her Ring camera she said it looked as though a bomb inside the home had gone off.
“I’m very glad that no one lost their lives,” she said.
Officials with the Sheriff’s Office, PG&E and the National Transportation Safety Board are continuing to investigate the circumstances that led to the explosion.
In 2010, a PG&E pipeline ruptured in a San Bruno neighborhood, destroying 38 homes and killing eight people. California regulators later approved a $1.6-billion fine against the utility for violating state and federal pipeline safety standards.
Staff writer Hannah Fry contributed to this report
California
Neil Thwaites promoted to ‘Vice President of Global Sales & California Commercial Performance’ for Alaska Airlines and Hawaiian Airlines – Alaska Airlines, Hawaiian Airlines and Horizon Air
Thwaites will lead the strategy and execution of all sales activities for the combined Alaska Airlines and Hawaiian Airlines team. His responsibilities include growing indirect revenue on Alaska’s expanding international and domestic network, as well as expanding Atmos for Business, a new program designed for small- and medium-sized companies.
Thwaites joined Alaska Airlines in January 2022 as regional vice president in California. Since stepping into the role, Thwaites has significantly sharpened the airline’s focus and scale in key markets and communities across the state, strengthening Alaska’s position as we continue to grow in California. He will continue to be based at the company’s California offices in Burlingame. The moves take effect Dec. 13, with Thwaites also continuing to lead his current California commercial planning and performance function in addition to Global Sales.
Prior to Alaska, Thwaites worked in multiple positions within the airline industry, including a decade holding roles in London, New York, and Los Angeles for British Airways (a fellow oneworld member); most recently as ‘VP, Sales – Western USA’, where he was responsible for market development strategy and indirect revenue for both British Airways and Iberia across the western U.S.
Thwaites is originally from the United Kingdom and graduated from the University of Brighton with a double honors degree in Business Administration & Law.
California
Tiny tracker following monarch butterflies during California migration
SAN FRANCISCO (KGO) — When this monarch butterfly hits the sky it won’t be traveling alone. In fact, an energetic team of researchers will be following along with a revolutionary technology that’s already unlocking secrets that could help the entire species survive.
“I’ve described this technology as a spaceship compared to the wheel, like using a using a spaceship compared to the invention of the wheel. It’s teaching us so, so much more,” says Ray Moranz, Ph.D., a pollinator conservation specialist with the Xerces Society.
Moranz is part of a team that’s been placing tiny tracking devices on migrating monarchs. The collaboration is known as Project Monarch Science. It leverages solar powered radio tags that are so light they don’t affect the butterfly’s ability to fly. And they’re allowing researchers to track the Monarch’s movements in precise detail. With some 400 tags in place, the group already been able to get a nearly real time picture of monarch migrations east of the Rockies, with some populations experiencing dramatic twists and turns before making to wintering grounds in Mexico.
“They’re trying to go southward to Mexico. They can’t fight the winds. Instead, some of them were letting themselves be carried 50 miles north, 100 miles north, 200 miles the wrong way, which we are all extremely alarmed by and for good reason. Some of these monarchs, their migration was delayed by two or three weeks.
According to estimates, migrating monarch populations have dropped by roughly 80% or more across the country. And the situation with coastal species here in California is especially dire. Blake Barbaree is a senior scientist with Point Blue Conservation Science. He and his colleagues are tracking Northern California populations now clustered around Santa Cruz.
MORE: Monarch butterflies to be listed as a threatened species in US
“This year, there’s it’s one of the lowest, populations recorded in the winter. And the core zones have been in Santa Cruz County and up in Marin County. So we’ve undertaken an effort to understand how the monarchs are really using these different groves around Santa Cruz by tagging some in the state parks around town,” Barbaree explains.
He says being able to track individual monarchs could help identify microhabitats in the area that help them survive, ranging from backyard pollinator gardens to protected open space to forest groves.
“So we’re really getting a great insight to how reliant they are on these big trees, but also the surrounding area and people’s even backyards. And then along the way around the coast, how they’re transitioning among some of these groves. And we’re looking for some of the triggers for those movements. Right. Why are they doing this and what’s what’s driving them to do that? So those questions are still a little bit further out as we get to analyze some more some more of the data,” he believes.
And that data is getting even more precise. The tags, developed by Cellular Tracking Technologies, can be monitored from dedicated listening stations. But the company is also able to crowdsource signals detected by cellphone networks on phones with Bluetooth connectivity and location access activated. And they’ve also helped develop an app that allows volunteers, citizen scientists, and the general public to track and report Monarch locations themselves using their smartphones.
CEO Michael Lanzone says the initial response has been overwhelming.
MORE: New butterflies introduced in SF’s Presidio after species went extinct in 1940s
“We were super surprised to see 3,000 people download the monarch app. It’s like, you know, but people really love monarchs. There’s something that people just relate to,” says Lanzone who like many staffers at Cellular Tracking Technologies, has a background in wildlife ecology.
A number of groups are pushing to have the monarchs designated nationally as a threatened species. If that ultimately happens, researchers believe the tracking data could help put better protections in place.
“They’re highly vulnerable to, you know, some of the different things that that that we as humans do around using pesticides and also potentially cutting, you know, cutting down trees for various reasons. Sometimes they’re for safety and sometimes it’s, you know, for development. But so having an understanding of how we can do those things more sensibly and protect the places that they need the most,” says Point Blue’s Barbaree.
And it’s happening with the help of researchers, citizen scientists, and a technology weighing no more than a few grains of rice.
The smartphone app is called Project Monarch Science. You can download it for free and begin tracking.
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