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SailGP Championship: From towering catamarans racing at 60mph to $12.8m in prize money. Is this F1 on the water?

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SailGP Championship: From towering catamarans racing at 60mph to .8m in prize money. Is this F1 on the water?

Humans have sailed the oceans for centuries. But, as a spectator sport, sailing has barely made a dent in the public consciousness, outside of the Olympics at least. There’s no denying that it can often be difficult to make sense of what’s going on way out there on the water, for a start.

But the SailGP Championship has set out to prove watching sailboat racing can be thrilling, entertaining and even get you jumping off the sofa and yelling at your TV.

Every aspect of this global competition — the boats, the track, the sudden-death format — has been designed to grab attention. The aim has been to turn heads, generate excitement and engage people who have previously never shown any interest in sailing.

And now you’ll be able to follow the action with The Athletic too, as we bring our fan-first approach to global sports coverage to SailGP, taking you inside the championship and telling you everything you need to know about a competition that has been likened to Formula 1 on water.


SailGP in a nutshell

SailGP is a high-speed, close-to-shore international sailing championship consisting of 12 national teams who race identical F50 catamarans head-to-head at 13 venues around the world over a 12-month season.

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For 2024-25, which runs from November to November, the competition takes the six-person teams to five continents. Three Grands Prix are held in the United States (Los Angeles, San Francisco and New York), while England, Germany, Spain, Brazil, Switzerland, France and Italy also host race weekends. The season-ending round will be in Abu Dhabi.

So far, the competition has been open, with multiple winners across the opening three Grands Prix in Dubai, New Zealand and Australia. Each race weekend, the 12 teams compete in five races, three on the Saturday and two on Sunday. The top three teams from those five then progress to a winner-takes-all final race.

The boat: Meet the F50


Team Australia competes during SailGP Sydney on February 8 (Matt King/Getty Images)

Most boats float on the surface of the water. The F50, on the other hand, is a lightweight carbon-fiber catamaran that uses intricately designed and engineered hydrofoils to launch the body of the boat above the water, massively reducing the hydrodynamic drag and attaining a level of efficiency that was once unthinkable.

The unique aspect of SailGP is that all its F50s are identical, which helps keep costs down and competition tight. The difference between winning and losing comes down to the skill and strategy of the athletes controlling them.

With the F50 ‘foiling’ above the surface of the ocean, it is capable of speeds over 60mph (100 kilometers an hour) — a pace so rapid that even the petrol-powered chase boats can’t keep up.

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Once these high-tech catamarans are flying along above the water, they can travel at over three times the speed of the wind, with athletes on board experiencing G-forces of up to three times their body weight during the tight maneuvers around the congested race track. A sailor who weighs, for example, 80kg (176 pounds; 12st 8lb) will feel the weight of 240kg on their body.

Propelling F50s at breakneck speeds is potentially dangerous, which is why the sailors wear body armor and crash helmets. They are permanently tethered to a retaining line on the boat to prevent them from falling overboard.

Even with all these safety measures in place, injuries do happen from time to time.

At the SailGP Auckland event at the end of January, for example, Canada’s Billy Gooderham was injured when he was hit by a wall of water, shattering his crash helmet and causing him to be rushed to hospital. Thankfully, X-rays later revealed that nothing had been broken.


Denmark, helmed by Nicolai Sehested, nearly capsized during practice ahead of the second race day in New Zealand on January 19 (Felix Diemer for SailGP)

Who is behind SailGP?

American billionaire Larry Ellison made his fortune helping build Oracle Corporation into one of the world’s most successful software businesses. Over the decades, Ellison — fourth on Forbes’ ‘Real Time Billionaires List’ — has spent a good part of his wealth on various forms of sailboat racing.

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From a near-death experience in the 600-mile Sydney Hobart Race in Australia to twice winning the America’s Cup, the world’s oldest international sporting competition, Ellison’s passion for sailing has been one of enduring enthusiasm.

New Zealand’s Russell Coutts, one of the most successful competitive sailors of all time, masterminded those two America’s Cup victories for Ellison (in Valencia, Spain, in 2010 and San Francisco three years later).

Having lost the America’s Cup in 2017, however, Coutts and Ellison turned their minds to an idea they had been kicking around for years: would it be possible to create a sailboat racing circuit that was truly commercially viable and capable of being self-sustaining without large cash injections from privately wealthy individuals?

Just over a year later, in late 2018, Coutts unveiled his grand plan — SailGP was born.

How similar (and different) is SailGP to F1?

SailGP shares some similarities with Formula 1, the pinnacle of professional motor racing.

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Coutts makes no secret of his desire to emulate the commercial success of F1, to the point where he has even thrown out the traditional language of sailing. Crew members are called ‘athletes’ not sailors, the skippers are ‘drivers’ and boat speeds are measured not in nautical knots or even in miles per hour but in kilometres per hour (partly because you sometimes see them exceed that nice round number of 100km/h).


The fleet leaves the start during SailGP Auckland on January 19 (Phil Walter/Getty Images)

Whereas in F1 there are constructors’ and drivers’ championships, in SailGP there is only one title at stake. In SailGP, winning the start is important, but there is no pole position as in F1. All 12 teams are jostling for the best position on the start line until the gun fires, with the aim being to be flying above the water at full speed as the front of your F50 crosses the start line right on the ‘B’ of that bang.

Judging time and distance at high speed is no easy job — hit the start line too soon and the umpires will message to slow down until the rest of the fleet have gone past you. Some teams prefer to get in position early, although this means they have limited space and opportunity to get up to full speed before the gun fires. Others like to sit off and make a timed run towards the line from a long way back.

In F1, data is king and is guarded from rival teams. In SailGP, all the race data is shared centrally, the aim being to keep the gap between the front and the back of the fleet as short as possible. Immediately after a race weekend, you can bet other crews will be poring over all that data for the smallest clues of how to improve performance.

Both F1 and SailGP place strong limits on practice time.

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For SailGP, a big reason for this is because the teams’ equipment spends so much time traversing the globe in a stack of 40ft shipping containers. But it’s also to keep a limit on costs, though the lack of practice time does make it challenging for the less-experienced crews to close the performance gap on the veteran teams from Australia, Great Britain and New Zealand.

The vagaries of the wind

The race course is never the same twice in a wind-powered sport such as SailGP. There could be a mild breeze, a storm, or sometimes no wind at all.

To adapt to various weather conditions, much like having different tires for different race conditions in F1, the F50 catamarans are equipped with three different wing sizes — 18m (59ft), 24m, and 29m — as well as interchangeable sizes of hydrofoils and rudders (the latter are used for steering).


Team Great Britain and Team New Zealand compete during SailGP Sydney on February 9 (Matt King/Getty Images)

The smallest wing is used in strong winds to maintain control, the largest gets deployed in light winds to maximize power, and the middle-sized one serves as an all-purpose option. Similarly, the size of the hydrofoils and rudders varies according to changes in the wind strength.

The size of wing teams must use in a race is decided by the race organizers and all teams must use the same ones. In lighter winds, the F50 relies on the biggest set of foils to generate the lift to break clear of the water’s surface and get up and foiling. In stronger winds, getting on the foils is much easier and the smaller set of hydrofoils creates less drag in the sea, resulting in the highest speeds.

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The crew: Who does what on board?

Success in the F50s requires not only physical strength but split-second decision-making and constant communication too. Each individual’s role is vital to a team’s success.


Helmed by Martine Grael on race day 1, Brazil competes in Australia on February 8 (Felix Diemer for SailGP)

The best crews are a tight-knit bunch who implicitly understand the needs of their teammates with only minimal communication. It’s vital that everyone is in tune with the boat’s pre-agreed set moves.

There are usually six athletes on board each F50 — a strategist, a driver, a wing trimmer, a flight controller and two grinders.

  • Grinders: The engine room. Their job is to generate power for the wing trimmer to adjust the wing in and out as the wind varies.
  • Wing trimmer: Constantly adjusts the wing sail for maximum speed.
  • Flight controller: Manages the ride height of the boat above the water, aiming to avoid any costly nosedives or crashes.
  • Strategist: Reads the ever-changing wind, making tactical decisions either to attack or defend.
  • Driver: The figurehead and a team’s highest earner, steering and making the final decisions about positioning.

In light winds, race organizers might instruct teams to drop to as few as four people to make the F50s lighter. When this happens, the teams are in charge of deciding who they keep on board.

As with other forms of professional sport, the salaries can vary enormously from team to team. For many of the athletes, the prize money — across this season there is a $12.8million (£10m) prize pool up for grabs — often outweighs their basic salary, which tends to be around $50,000 per season.

How does the championship format work?

Success depends on consistency. The aim is to score well enough from the five fleet races across a weekend to earn a place in the top three who progress to the winner-takes-all final race.

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Switzerland, helmed by Sebastien Schneiter, in Auckland on January 19 (Ricardo Pinto for SailGP)

Going from the more conservative points-accumulation parts of the weekend to that 10-minute sudden-death final race demands a complete switch of mindset. Some sailors are more naturally suited to a cautious, patient approach, whereas others throw caution to the wind. Neither approach is right or wrong, it’s a matter of applying the mindset that best matches the moment.

At the season finale, the three top-performing teams from across the season face off in a single, winner-takes-all showdown for the title and a $2million prize. A team can be dominant all season yet lose in the grand final — which is exactly what we saw last season in San Francisco, with Australia toppled from the top of the leaderboard as Spain swooped in to take the championship in a masterfully executed smash-and-grab.

How do you win a race?

Each race lasts a maximum of 16 minutes. The fleet launch out of a timed start and accelerate to speeds close to 100kmh as they converge on Mark 1.

Getting around Mark 1 first brings a huge advantage, so there’s enormous emphasis on winning the launch out of the start. Then, the fleet turn downwind towards the bottom of the course for a fast and furious two laps before a high-speed finish, usually positioned to give spectators on shore a grandstand view as the F50s blast across the finish line.

There are three key strategies to winning a race: finding more wind to sail your boat faster through the water, using superior techniques to travel quicker in conditions that are the same for everybody, and identifying wind shifts and angles to navigate a shorter distance around the course.

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Sailing is totally powered by nature. You have to zig-zag your way around the course, searching for the best breeze and steering at the optimal angle to the wind.

Wind: the invisible power source

How do sailors see wind? It creates ripples on the surface of the water, giving clues as to where the strongest gusts are likely to be. Spotting wind shifts is even trickier — you have to look at how gusts move along the course. The shape and movement of these gusts become second nature to experienced sailors.

There’s a lot to take in at once — reading the subtleties of the wind, as well as the current on the water in tidal venues such as San Francisco — which is why SailGP attracts the best sailors in the world, many of them Olympic gold medallists and world champions from other branches of professional sailing.

Who are the teams to watch?

Australia, skippered by Tom Slingsby, are an ever-present threat. The Flying Roos won the first three seasons of SailGP before being beaten to the punch last year by Spain in the final race. Past seasons have seen New Zealand showing strong form, but the Kiwis — headed up by three-time America’s Cup winner Pete Burling — are struggling in mid-pack so far this year.

Leading the standings after the first three events are the Brits, with new driver Dylan Fletcher on an impressive learning curve in his first season at the helm of Emirates GBR. On the other hand, the United States are struggling in 11th. Taylor Canfield’s crew will be looking to turn their season around at the forthcoming events on home waters, in Los Angeles this weekend, then San Francisco on March 22-23.

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Britain celebrate victory on race day 2 in Sydney in February (Andy Cheung/Getty Images)

What does the remaining 2025 calendar look like?

Los Angeles, U.S.: March 15-16

San Francisco, U.S.: March 22-23

Rio de Janeiro, Brazil: May 3-4

New York, U.S.: June 7-8

Portsmouth, UK: July 19-20

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Sassnitz, Germany: August 16-17

Saint-Tropez, France: September 12-13

Geneva, Switzerland: September 20-21

Andalucia-Cadiz, Spain: October 4-5

Abu Dhabi: November 29-30

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I’m convinced. How do I watch?

You can watch SailGP live or catch highlights on broadcast partners around the world, as well as through the official SailGP app and social media channels. In the United States, racing is live on CBS Sports, and in the UK, you’ll find it on TNT Sports.

(Top photo: SailGP; design: Demetrius Robinson)

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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