Lifestyle
You go to this L.A. play. When you get there, you find out you have 60 minutes to escape
A few minutes after the play begins, the actors stop, empty their pockets and repeat their last few lines. And then they do it again. And again. And again. This live approximation of a vinyl record that catches on loop goes on for a few more minutes, the actors getting slightly louder and a tinge more testy as they continue the repetition.
They can’t move, they say, as they are “waiting for Godot.” But they are actually waiting for us, the audience, to get out of our seats, walk onstage and start to piece together a puzzle out of the fragmented pieces of paper they‘ve dropped.
Cards and letters lay on the ground for audience members to discover the next clue.
Melanie Pentecost holds a rock that gives the next context clue to to move the play forward.
This is “Escape From Godot,” an escape room that is also a work of theater — or vice versa. It upends the conventions of both. This is a play in which audience members become participants, the game requiring patrons to hop on the dials and interact with props in order to propel the narrative forward. Puzzles are hidden in the script, ensuring that the players become actors and are in abstract communication with the performers.
But its greatest trick? Inspired by Samuel Beckett’s “Waiting for Godot,” the theatrical escape room taps into the themes of the original work, creating an open-for-interpretation piece of playfully interactive art that grapples with existential questions — how we communicate, or fail to, with others, and the balance among selfish behavior, free will and empathy. Like Beckett’s play, there is no Godot who will come, but we are all caught in a world where the mundane, the absurd and our own desire for answers propel us forward.
Our group — I’m playing with seven strangers — hesitates to jump onstage and set the game afoot. It’s a break of decorum, both of theater protocol and personal boundaries. One player nervously scans his ticket, trying to find a missing clue, another flips through a notebook that was placed on her chair and most of us look at each other and whisper questions about what to do. Realizing, after about seven minutes, that there will be no end to “Escape From Godot” if we don’t move, my group begins to hesitatingly work together. In order for the actors to proceed to the next scene, we need to get them a message crafted from the ephemera that they have dropped.
Actor Phil Daddario kicks into the air during his performance.
Daddario wipes sweat from his face while performing.
Audience members look on the ground for context clues to solve the next puzzle.
“I bet you were not the longest group that has sat,” the show’s co-creator, Jeff Crocker, later tells me when I describe those seven minutes of awkwardness. Jeff is one half of Mister & Mischief, an L.A.-based husband-and-wife duo that has crafted experiences for theme parks, zoos, museums and more. (Jeff’s wife, Andy Crocker, recently created a game-like experience for the Los Angeles Public Library system.) “Escape From Godot” is their first escape room.
“Typically, theater-minded folks, the last thing they’re ever going to do is get up onstage in the middle of the scene,” Jeff says. “That’s a hidden puzzle right there. Are you the person who is bold enough to walk onstage in the middle of a performance in order to make this repetition cease? There’s a lot of weird little social bits like that happening.”
“Escape From Godot” premiered at the Hollywood Fringe Festival in 2018 and has been periodically revived over the years, its latest as part of this months RECON event at the Universal City Hilton, a convention held by escape room aficionado site Room Escape Artist. An initial run of dates through Aug. 25 at Atwater’s Moving Arts Theatre sold out, so “Escape From Godot” has been extended through Sept. 8.
The idea stemmed from Crocker hearing about an escape room in Europe that had taken place throughout a train, a promotional event tied to a film. Joking about potential properties they could base a project on, the Crockers hit on “Waiting for Godot.”
“Andy has a theater degree, and ‘Waiting for Godot’ is classically known as this play where nothing happens,” Jeff says. “To folks who don’t create theater, you hear that as the B-word, boring. It’s a go-to play where people wait for a person who never shows up. There’s more to it than that, and when you see a not-great production of ‘Waiting for Godot,’ it can feel like you want to escape. I’ve seen really great productions of it, and there’s a reason it’s a classic.”
In “Escape From Godot,” puzzles may be hidden in the bowler hats of the performers. Do we ask them to surrender their apparel or wait in the hopes that they will drop them?
Actor Mason Conrad holds a large suitcase while performing in “Escape from Godot.”
Actor Justin Okin looks through the stage play script for lines to give audience members context for the next clue.
Like Beckett’s play, characters in questionable physical shape will appear on the stage, but any sense of compassion is soon overtaken by the desire to solve the next puzzle via the props they‘re carrying. Boxes and baskets with locks may be dropped onstage, their combinations found in the monologues of the actors — Justin Okin as GiGi and Bill Salyers as DoDo, stand-ins for Beckett’s Vladimir and Estragon.
“Escape From Godot” will even nod to other theatrical works. My favorite puzzle turned out to involve a combination lock affixed to a basket, in which uncovering the solution required us to listen to a monologue that alluded to famous cats in history and culture. “Escape From Godot” won’t even start unless guests solve an initial puzzle, one the necessitates we align our tickets with a theater seating chart and find the correct seat. One could opt not to play, as long as others are, and sit and watch, taking in a script that toys with our place and faith in the world, albeit with a reference to the musical “Cats.”
The longer the audience goes without hitting on the right solution, the louder and faster the monologues will become. It creates tension and tests a group to maintain a sense of calm and patience. Nothing gets too hairy; the silliness of the situation dominates the tone.
“Escape from Godot” actors applaud the audience at the end of the play, including, from left, Tiffany Ogburn, Phil Daddario, Mason Conrad, Bill Salyers and Justin Okin.
“We purely set out to fulfill our original delightful idea of having fun from escaping from a notoriously monotonous play, but in doing so, as we started to develop what the puzzles were and the way we wanted the audience to interact, it did start to support the themes of the play while also poking a little fun at it,” Jeff says. “You get the little bits of what Beckett was trying to say about what existence wants to be, what belief in God wants to be, but doing it in a way that is mischievous.”
By the time the show ends, roles have been reversed. Members of the audience have been cast as performers and the actors at times became the audience, trapped with repeating dramatic orations while watching us play. It’s a final message that isn’t too divorced from the Beckett text: We’re all performers, too often waiting for a cue.
Lifestyle
N.F.L. Style Will Never Beat N.B.A. Style
You want to see some real fashion ingenuity? Watch the N.F.L. draft.
I’m not saying it’s all good, but where else are you going to see someone in a double-breasted suit made by a company better known for making yoga pants? Or an Abercrombie & Fitch suit jacket so short that it exposes the belt loops on the pants beneath?
On the whole, the style on display at the N.F.L. draft last night was very overeager senior formal: a lot of suits in colors beyond basic blue. The quarterback Ty Simpson wore a custom suit by the athleisure label Alo, which, I have to say, looked better than I would have envisioned had you said the words “Alo Yoga suit” to me.
I thought it might have been from Suitsupply, but the conspicuous “Alo” pin on his right lapel put that idea to rest. Simpson, smartly, unfastened that beacon before appearing onstage as the 13th pick to the Los Angeles Rams. He had, perhaps, satisfied his contractual obligations by that point.
Earlier in the evening, as the wide receiver Carnell Tate threw up his arms in exaltation after being picked fourth by the Tennessee Titans, his cropped Abercrombie & Fitch jacket revealed a swatch of rib cage. He looked like a mâitre d’ who had just hit the Mega Millions.
During the N.B.A.’s extended fashion awakening, its draft has become a sandbox for luxury brands to cozy up to would-be endorsers. The Frenchman Victor Wembanyama broke a kind of cashmere ceiling when he wore Louis Vuitton to go first overall in the 2023 N.B.A. draft.
The N.F.L. draft has none of that. The brands you see are often not brands at all, but custom tailors that reach the league’s neophytes through a whisper network among players. The draft is also a platform to raise the curtain on longer-term brand deals that better suit these rookies. We may, for instance, never see Simpson in a suit again. Nearly every photo from his time at Alabama shows him in a T-shirt or hoodie. It makes sense for him to sign with Alo.
Football is the most mainstream of American cultural entities. And it’s one that still hasn’t, in spite of the league’s best efforts, taken off overseas. Few players, save some quarterbacks and a tight end who happens to be engaged to a pop star, feel bigger than the game itself. If you’re a new-to-the-league linebacker, you’ll most likely never harness the star power to grab the attention of Armani, but you might have just the right pull for Abercrombie.
The N.F.L. draft is therefore one of the few red carpets where the brands worn by the athletes may also be worn by those watching at home. How many people watching the Oscars will ever own clothes from Louis Vuitton or Chanel? People may comment online about Lady Gaga wearing Matières Fécales to the Grammys, but how many of those fans and viewers could afford to buy clothes from it?
The Japanese designers changing fashion
Yesterday, I published a deep dive into how a newish crop of Japanese designers are soaking up all the attention in men’s fashion right now. This was a piece I was writing in my head long before I sat down and finally started typing. I remember sitting at a fashion show in Paris over a year ago — I believe it was Dior — and being asked by my seatmate if I’d made it over to a showroom in the Marais to check out A.Presse. That Tokyo-based brand is now part of a vanguard of Japanese labels that, on many days, seems to be all anyone in fashion wants to talk about. I spent months talking with designers, store owners and big-time shoppers to make sense of why these brands have kicked up so much buzz and, more than that, what makes their clothes so great. You can read the story here.
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Lifestyle
How to have the best Sunday in L.A., according to Tig Notaro
Thirty years ago, comedian and actor Tig Notaro didn’t have a clear direction in life, so she followed some childhood friends who wanted to get into entertainment to Los Angeles. Secretly wanting to do stand-up, Notaro decided to try her luck at various outlets in town, which became the start of her successful career.
“I stayed on my friends’ couch near the Hollywood Improv on Melrose, and a couple months later, got my own studio apartment in the Miracle Mile area,” Notaro says. “I love all the options for everything in L.A. — the entertainment, the restaurants. I like to stay active. So many people love the hiking options in Los Angeles, and I’m one of them.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Notaro appears in Season 3 of Apple TV’s “The Morning Show” and is a series regular on Paramount+’s “Star Trek: Starfleet Academy,” as she was on “Star Trek: Discovery.” She’s also a touring stand-up comic and hosts “Handsome,” a comedy podcast, with Fortune Feimster and Mae Martin. The trio will be taping a live show May 4 at the Wiltern with the cast of Netflix’s “The Hunting Wives.” The live shows include interviews, but also “incorporate some ridiculous things,” she says. For example, upon hearing that some of the hosts always wanted to learn to tap dance, Notaro “hired a tap instructor to come to our live show in Austin and teach us how to tap dance in front of the audience.”
Notaro lives near Hollywood with her wife, actor Stephanie Allynne, their 9-year-old fraternal twin boys, Max and Finn, and three cats, Fluff, Linus and Skip. When she’s not touring, her ideal Sundays include sampling vegan restaurants, wandering through bookstores or museums, and doing something physically active with the family.
This interview has been lightly edited and condensed for length and clarity.
6 a.m.: Up with the kids
Because we have active children, we still wake up at 6 a.m. or 6:30 a.m. on Sunday, but there’s not as much of a rush to get going. Stephanie and I will often have coffee and chat in the living room together. I love that part of the day. Stephanie may cook breakfast, but Max and Finn are pretty self-sufficient and can make certain little meals for themselves. Max is really starting to take an interest in cooking, so he’d make breakfast for himself. Our family is vegan, but he eats eggs, so he makes himself an egg sandwich with avocado a lot of times.
9 a.m.: Daily morning walk
After breakfast, we usually have a morning walk around our neighborhood. That’s a daily thing I like to do, regardless of what’s going on. Now that I’m not touring as much, tennis is back on the schedule. So I’d go to Plummer Park in West Hollywood and play for a while, then join the family for lunch.
11:30 a.m.: Hike with a side of chickpea sandwich
I love Trails, a cafe in Griffith Park, where you can eat outdoors. It serves simple food, and has good vegan options. I usually get their chickpea salad sandwich. The food there is great. Afterward, we’d visit Griffith Observatory, where there’s lots to see. There are lots of great trails in the park, so we’d go for an hour hike before leaving.
3 p.m.: Browse the shelves for rock biographies
Bookstores are fun, so we’d head downtown for the Last Bookstore, which is in a historic building with lots of vintage books. I really love all things plant-based, and I’m a very big music fanatic. So I love to look for vegan books, nutrition books, rock biographies and autobiographies. It’s just fun to browse around the stacks.
If we didn’t go to the bookstore, we’d probably go to LACMA. Our sons are huge fans of art and want to go for each new exhibit. They love Hockney, Basquiat and Picasso, to name a few.
4 p.m.: Cuddle with cuties at a cat cafe
We’d then make a quick stop at [Crumbs & Whiskers], a kitten and cat cafe on Melrose for coffee, snacks and to pet the cats. It’s best to make reservations in advance. There’s cats all around the place that need to be adopted. You can visit and pet them, or find a new roommate. I’d love to take some home, but we already have three.
5:30 p.m. Italian or sushi, but make it vegan
We’re an early dinner family. One restaurant we like is Pura Vita in West Hollywood. It’s the greatest vegan Italian food, and for non-vegans, nobody ever knows the difference. It’s the first 100% plant-based Italian restaurant in the United States. They make an incredible kale salad and I love the San Gennaro pizza. It’s got cashew mozzarella, tomato sauce, Italian sausage crumble and more.
Then there’s Planta in Marina del Rey. It’s right on the harbor and you can sit outside and look at the boats coming in and out. They have sushi, salads and other plant-based entrees. They’ve got a really great spicy tuna roll that’s made out of watermelon. They are magicians.
Or there’s Crossroads Kitchen in West Hollywood. They play the best classic rock, and the atmosphere is upscale, fine dining. The appetizers that we always get are called Moroccan Cigars, which are vegan meat substitutes fried in a rolled batter. I really like the grilled lion’s mane steak, their mushroom steak with truffle potatoes, or the scallopini Milanese, that has a chicken or tofu option. I get the chicken with arugula on top. I always love to have a decaf espresso with dessert, which is either a brownie sundae or banana pudding.
7:30 p.m.: Comfort watch or word games
After dinner, the kids often like to watch an episode of “Friends,” a show that all ages enjoy, sports or “The Simpsons.” Or we’d play a game where each of us will add a word to a sentence and create a weird or funny long sentence until one of our sons says period. Then they’ll try and remember the whole sentence and repeat it back.
9:30 p.m.: Bubble bath then bed
The boys usually go to bed at 8:30 p.m. and bedtime for us is 9:30 p.m. Stephanie and I would read or chat. I like to take a bubble bath, if people must know. The best Sundays for me mean finding a good balance of relaxing and being active. I feel very lucky that my family and I can do those things together.
Lifestyle
It Started with a Midnight Swim and a Kiss Under the Stars
When Marian Sherry Lurio and Jonathan Buffington Nguyen met at a mutual friend’s wedding at Higgins Lake, Mich., in July 2022, both felt an immediate chemistry. As the evening progressed, they sat on the shore of the lake in Adirondack chairs under the stars, where they had their first kiss before joining others for a midnight plunge.
The two learned that the following weekend Ms. Lurio planned to attend a wedding in Philadelphia, where Mr. Nguyen lives, and before they had even exchanged numbers, they already had a first date on the books.
“I have a vivid memory of after we first met,” Mr. Nguyen said, “just feeling like I really better not screw this up.”
Before long, they were commuting between Philadelphia and New York City, where Ms. Lurio lives, spending weekends and the odd remote work days in one another’s apartments in Philadelphia and Manhattan. Within the first six months of dating, Mr. Nguyen joined Ms. Lurio’s family for Thanksgiving in Villanova, Pa., and, the following month, she met his family in Beavercreek, Ohio, at a surprise birthday party for Mr. Nguyen’s mother.
Ms. Lurio, 32, who grew up in Merion Station outside Philadelphia, works in investor relations administration at Flexpoint Ford, a private equity firm. She graduated from Dartmouth College with a bachelor’s degree in history and psychology.
Mr. Nguyen, also 32, was born in Knoxville, Tenn., and raised in Beavercreek, Ohio, from the age of 7. He graduated from Haverford College with a bachelor’s degree in political science and is now a director at Doyle Real Estate Advisors in Philadelphia.
Their long-distance relationship continued for the next few years. There were dates in Manhattan, vacations and beach trips to the Jersey Shore. They attended sporting events and discovered their shared appreciation of the 2003 film, “Love Actually.”
One evening, Mr. Nguyen recalled looking around Ms. Lurio’s small New York studio — strewed with clothes and the takeout meal they had ordered — and feeling “so comfortable and safe.” “I knew that this was something different than just sort of a fling,” he said.
It was an open question when they would move in together. In 2024, Ms. Lurio began the process of moving into Mr. Nguyen’s home in Philadelphia — even bringing her cat, Scott — but her plans changed midway when an opportunity arose to expand her role with her current employer.
Mr. Nguyen was on board with her decision. “It almost feels like stolen valor to call it ‘long distance,’ because it’s so easy from Philadelphia to New York,” Mr. Nguyen said. “The joke is, it’s easier to get to Philly from New York than to get to some parts of Brooklyn from Manhattan, right?”
In January 2025, Mr. Nguyen visited Ms. Lurio in New York with more up his sleeve than spending the weekend. Together they had discussed marriage and bespoke rings, but when Mr. Nguyen left Ms. Lurio and an unfinished cheese plate at the bar of the Chelsea Hotel that Friday evening, she had no idea what was coming next.
“I remember texting Jonathan,” Ms. Lurio said, bewildered: “‘You didn’t go toward the bathroom!’” When a Lobby Bar server came and asked her to come outside, Ms. Lurio still didn’t realize what was happening until she was standing in the hallway, where Mr. Nguyen stood recreating a key moment from the film “Love Actually,” in which one character silently professes his love for another in writing by flashing a series of cue cards. There, in the storied Chelsea Hotel hallway still festooned with Christmas decorations, Mr. Nguyen shared his last card that said, “Will you marry me?”
They wed on April 11 in front of 200 guests at the Pump House, a covered space on the banks of Philadelphia’s Schuylkill River. Mr. Nguyen’s sister, the Rev. Elizabeth Nguyen, who is ordained through the Unitarian Universalist Association, officiated.
Although formal attire was suggested, Ms. Lurio said that the ceremony was “pretty casual.” She and Jonathan got ready together, and their families served as their wedding parties.
“I said I wanted a five-minute wedding,” Ms. Lurio recalled, though the ceremony ended up lasting a little longer than that. During the ceremony, Ms. Nguyen read a homily and jokingly added that guests should not ask the bride and groom about their living arrangements, which will remain separate for the foreseeable future.
While watching Ms. Lurio walk down the aisle, flanked by her parents, Mr. Nguyen said he remembered feeling at once grounded in the moment and also a sense of dazed joy: “Like, is this real? I felt very lucky in that moment — and also just excited for the party to start!”
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