World
DirecTV CFO: NFL Won’t Dictate Terms of Disney Carriage Fight
Two days after Disney pulled its signals from DirecTV, the satcaster indicated that it plans to continue to fight its carriage battle with the home of ESPN and ABC, despite the disruptions a long-running blackout would impose on its customer base.
Speaking to analysts Tuesday morning, DirecTV chief financial officer Ray Carpenter said the company will not cave to the considerable pressures exerted by the start of the NFL season. In the wake of Sunday’s blackout, some 11 million DirecTV subscribers are in danger of missing out on the Sept. 9 Monday Night Football kickoff.
“One reason we won’t cave is I’m a die-hard Bears fan, [and] even though [Aaron] Rodgers now plays for the Jets, I’m still not interested in watching him play,” Carpenter joked, when asked about a timeline for a resolution. Rodgers and the Jets open the season against the 49ers in a game that will be available via four Disney linear-TV networks and the ESPN+ streaming platform.
Carpenter went on to note that DirecTV was not swayed by the looming NFL kickoff while it was negotiating a new carriage deal with Nexstar Media Group in 2023. While Nexstar execs predicted that the satcaster wouldn’t dare risk disrupting the fall football slate, an agreement wasn’t reached until Sept. 18—or two weeks after the NFL season got underway.
“This is much more than a run-of-the-mill dispute; this is more existential for us,” Carpenter said. “We would hate for our customers to not have access to any of the great content that is available via the Disney channels, but we’re not playing a short-term game.”
DirecTV is agitating to create more flexible packaging models for its customers as programmers like Disney increasingly drive more of their premium content away from linear TV and onto various streaming services. While there are many similarities between this latest beef and the Charter-Disney showdown of a year ago, DirecTV is at a particular disadvantage because it has no side hustle (broadband, original programming, etc.) by which to help take some of the pressure off its core video business.
While Carpenter said that Disney’s looming NFL opener won’t serve as a virtual deadline for a new deal, he also did not altogether write off a speedy resolution. “The resolve is there, and it doesn’t mean that we’re not going to work as hard as we can to find some sort of agreement,” Carpenter said. “But we definitely did not go into this thinking, ‘hey, let’s just see how much of this we can leverage before the Monday Night Football game comes around and then we’ll make a deal.’ We’re prepared to take this as long as it needs to for us to get what is most important for us.”
For its part, Disney said it is willing to negotiate more flexible programming packages, but not at a price that “undervalues [its] portfolio of television channels and programs.”
The Disney signals went dark in DirecTV homes just before Sunday night’s USC-LSU game kicked off on ABC. Despite the widespread outage, ABC still managed to deliver 9.2 million viewers in a game that peaked with 11.1 million impressions. That said, as an over-the-air broadcast network, ABC’s signals can be intercepted via an antenna.
Carpenter’s remarks came at the tail end of a half-hour presentation in which DirecTV laid out the particulars of the dispute. Based on the third-party data DirecTV used in its calculations, Disney’s programming costs the satcaster upwards of $2 billion per year, or around $270 per subscriber. These dollar figures are a key reason why operators rarely prevail in carriage fights. After all, consumers tend to begrudge the people who take their money, and it’s not as if anyone is sending off monthly checks directly to ESPN.
As with all carriage disputes, a protracted blackout would put DirecTV as risk of further accelerating its customer churn rate. As it is, DirecTV has been pummeled by the ongoing cord-cutting movement, losing more than 6 million subs in the last five years. At this time in 2019, the satcaster boasted nearly 17 million customers.
Traditional pay-TV providers lost 1.67 million subs in the second quarter of 2024, with the satcasters DirecTV and Dish accounting for 30% of those defections. While a much-discussed merger between the two satellite-TV companies would give them much greater leverage in future carriage scraps, a deal remains wholly in the realm of speculation. (Whether the federal government would approve such a merger is a whole ‘nother ball of wax.)
Disney reached a deal with Charter just hours before the Bills and Jets kicked off the 2023 Monday Night Football campaign. Per Nielsen, 21.6 million fans tuned in.
Shortly after Tuesday’s call ended, DirecTV attempted to enlist the support of three college sports conferences in the battle of hearts and minds, sending letters to the powers-that-be at the SEC, ACC and Big 12.
“Disney’s unwillingness to evolve will significantly accelerate the decline of pay TV, making it harder and more expensive for your fans to watch the teams they love,” wrote DirecTV head of state and local affairs Hamlin Wade. “We’re asking you to please work with your chancellors and presidents, and your elected officials to empower fans and push for flexibility in the marketplace.”
World
Naomi Watts to Star as Ballerina Margot Fonteyn in Romantic Drama ‘Margot & Rudi,’ With WestEnd Films Selling in Cannes
Naomi Watts is set to star in romantic drama “Margot & Rudi,” which tells the true story of ballet legends Margot Fonteyn and Rudolf Nureyev. The film, to be directed by “Mrs. Harris Goes to Paris” filmmaker Anthony Fabian, has been boarded by world sales agency WestEnd Films.
The story unfolds when Fonteyn, the greatest ballerina in the West, is 42 and sensing her career is over. Nureyev is 23, a rebellious Soviet defector — magnetic, explosive, unstoppable. Together, they ignite the stage and become icons of the Swinging Sixties. Fonteyn is reborn by Nureyev’s wild energy, but their bond is complicated by her marriage and his affair with another dancer. To preserve what they have, they will risk everything for one defining ballet—because the only place they can truly be together… is on stage.
Watts, who studied dance before becoming an actress, will star as Fonteyn. She broke through with her performance in “Mulholland Drive” and earned Academy Award nominations for her leading roles in “21 Grams” and “The Impossible.”
She next stars in “The Housewife,” as well as Cody Fern’s untitled debut feature film, with Sarah Paulson, Dianne Wiest and Odessa A’Zion.
On television, she received Emmy, Golden Globe and Critics Choice nominations for her performance in “Feud: Capote vs. The Swans,” and recently starred in “Love Story.”
Alexandr Trush, principal dancer with the Hamburg Ballet, will portray Nureyev. A Russian-speaking Ukrainian ballet star, he has headlined major productions including “Giselle” and “Romeo and Juliet.”
The film also stars Academy Award nominee Richard E. Grant (“Can You Ever Forgive Me?,” “Saltburn,” “Nuremberg”), Academy Award nominee Demián Bichir (“A Better Life,” “Land,” “The Hateful Eight”) and BAFTA nominee Harriet Walter (“Succession,” “The Crown,” “Sense and Sensibility”), with additional cast to be announced.
The screenplay is written by BAFTA nominee Olivia Hetreed (“Girl With a Pearl Earring,” “Mrs. Harris Goes to Paris”).
The creative team includes Academy Award nominee hair and makeup designer Karen Hartley Thomas (“Golda,” The Son,” “The Courier”), choreographer Arthur Pita (“Ex Machina,” “Charlie’s Angels,” “Sunshine on Leith”), and BAFTA-winning costume designer Fotini Dimou (“The Children Act,” “King Lear”), with additional crew to be announced.
The film, which is set to shoot in October, is produced by Mike Goodridge for Good Chaos (“Triangle of Sadness,” “Ballad of a Small Player,” “Quo Vadis, Aida?”), Anthony Fabian for Elysian Films (“Skin,” “Mrs. Harris Goes to Paris”), Olivia Hetreed for Sympathetic Ink and Chris Coen (“Funny Games,” “The Childhood of a Leader,” “Shadow Dancer”). Executive producers are Thom Mount, Jeffrey Berg and Andy Paterson.
Fabian said: “Growing up in Mexico City, watching Margot and Rudi’s performances in the cinema sparked my passion for stories that blend music, theater and dance. The film explores the private joy and pain behind their public personas, capturing their unique chemistry. Ballet sequences from the duo’s most iconic roles and performances together drive the story, using movement and cinematic fantasy to reveal the truth behind a couple as famous in their day as The Beatles. Their love, defying barriers of culture, age, class and sexuality, is romantic, unconventional and thrilling — a love story like no other.”
Fabian’s previous film “Mrs. Harris Goes to Paris” was released worldwide by Focus Features/Universal International Pictures in 2022. It grossed over $30 million at the box office and received BAFTA, Golden Globe and Oscar nominations.
Watts said: “Dance was my first love, and I’ve long dreamed of making a dance film. I feel deeply honored and excited to be playing Margot Fonteyn, one of the greatest dancers of all time. Her relationship with Rudolf Nureyev was extraordinary — both artistically and emotionally — and I’m thrilled to be exploring it with such sensitivity and imagination under the direction of Anthony Fabian.”
Maya Amsellem, managing director of WestEnd Films, said: “’Margot & Rudi’ is a sweeping and beautiful story about two iconic artists who redefine each other at a pivotal moment in their lives. Naomi Watts is set to deliver one of the most transformative performances of her career, combining emotional intensity with the physicality of dance. With Anthony Fabian’s visionary direction and the film’s bold, cinematic use of ballet, this will be a powerful big-screen experience we’re excited to bring to the international market.”
WestEnd will introduce the film to buyers at Cannes Film Festival.
Watts is repped by CAA, Untitled and HJTH. Fabian is repped by Jon Cassir at CAA and Olivia Gray at Independent Talent. He is managed by Ensemble Entertainment.
World
Iran reportedly fires on three ships in Strait of Hormuz
Ships reportedly attacked in Strait of Hormuz as blockade turns 28 vessels around
Daniel Turner, Power The Future founder and executive director, analyzes the US blockade against Iranian ships in the Strait of Hormuz and Iran’s strategy to outlast the US economically. He details the impact on oil and gas prices, arguing that markets need confidence to stabilize. Turner critiques current climate policies, stating they’ve made lives expensive and hurt the US economically and militarily.
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Iran reportedly opened fire upon three vessels in the Strait of Hormuz on Wednesday.
The British military’s United Kingdom Maritime Trade Operations (UKMTO) Centre noted that a container ship was fired upon by an IRGC gunboat near Oman Wednesday, causing “heavy damage to the bridge.”
“No fires or environmental impact reported. All Crew reported safe,” the notice said.
Another UKMTO warning said “an outbound cargo ship” west of Iran reported “having been fired upon and is now stopped in the water.” The notice said the crew was safe and accounted for.
“There is no reported damage to the vessel,” it added.
IRAN FIRES ON 2 SHIPS IN STRAIT OF HORMUZ AFTER TRUMP EXTENDS CEASEFIRE
Maps4Media processed and enhanced Sentinal-2 satellite imagery shows a broad view of the Strait of Hormuz between southern Iran and Oman’s Musandam Peninsula, including surrounding islands, coastal terrain, and turquoise shallow-water zones at the entrance to the Persian Gulf. (Photo enhanced and published by maps4media via Getty Images)
Iranian media said the Islamic Revolutionary Guard Corps (IRGC) was bringing two ships to Iran after seizing them in the Strait of Hormuz, according to The Associated Press.
The Islamic Revolutionary Guard Corps Navy (IRGCN) Command claimed in an X post that the two vessels, the MSC-FRANCESCA and EPAMINODES, “had endangered maritime security by operating without the necessary permits and tampering with navigation systems.”
It said the vessels “were seized by the IRGC Navy and escorted to Iran’s coast,” according to a translation.
“Disruption of order and safety in the Strait of Hormuz is our red line,” the command wrote.
It also claimed the MSC-FRANCESCA is “linked to the Zionist regime.”
IRAN’S REVOLUTIONARY GUARD SIDELINES PRESIDENT AS MILITARY GRIP EXPANDS
Motorists ride past the Imam Sadiq (AS) mosque with a giant Iranian flag installed on its front at the Palestine Square in Tehran on April 19, 2026. (ATTA KENARE / AFP via Getty Images)
Iranian media also reported that the IRGC attacked a third ship, identified as the Euphoria, according to the AP.
The development comes after U.S. President Donald Trump announced Tuesday afternoon that the United States was extending a ceasefire.
“Based on the fact that the Government of Iran is seriously fractured, not unexpectedly so and, upon the request of Field Marshal Asim Munir, and Prime Minister Shehbaz Sharif, of Pakistan, we have been asked to hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal,” the president wrote on Truth Social..
ISRAEL UNVEILS GAME-CHANGING ARTILLERY AGAINST IRAN-BACKED HEZBOLLAH AMID FRAGILE CEASEFIRE
President Donald Trump speaks to members of the media outside the Oval Office of the White House in Washington, D.C., on Monday, April 13, 2026. (Salwan Georges/Bloomberg)
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“I have therefore directed our Military to continue the Blockade and, in all other respects, remain ready and able, and will therefore extend the Ceasefire until such time as their proposal is submitted, and discussions are concluded, one way or the other,” he added.
The Associated Press contributed to this report
World
Moldovan oligarch sentenced to 19 years in prison over $1bn fraud
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A court in Moldova sentenced oligarch Vladimir Plahotniuc to 19 years in prison on Wednesday in a case linked to the disappearance of $1 billion (€850 million) from the country’s banking system.
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A former businessman, lawmaker and kingpin in the Democratic Party of Moldova, Plahotniuc fled Moldova in 2019, as he faced a series of corruption charges.
That included complicity in the scheme that led to money disappearing from Moldovan banks in 2014, which at the time was equivalent to around one-eighth of the country’s GDP.
He was extradited from Greece last year, after being arrested at Athens airport under an Interpol international alert.
A Chișinău judge announced the ruling on Wednesday.
The court also ordered the seizure of some $60 million (€51 million) from Plahotniuc’s accounts, said prosecutor Alexandru Cernei after the sentencing.
Plahotniuc, 60, was not present in court on Wednesday.
He had previously dismissed the charges, calling his trial “political” and “flawed from the outset.”
His lawyer Lucian Rogac said he would appeal the decision, deeming it “clearly illegal.”
“The entire process was conducted in a tremendous rush, with numerous violations of the defendant’s rights,” Rogac said.
After Plahotniuc’s return to the country, Moldovan prosecutors had demanded 25 years in jail, the maximum provided by law, in a case linked to the disappearance of money from three banks in 2014.
They accused Plahotniuc of forming and leading a criminal organisation, fraud and money laundering on a particularly large scale.
The influential businessman and politician was added to a US State Department sanctions list in 2022 for alleged corruption.
The charges included controlling the country’s law enforcement to target political and business rivals and meddling in Moldova’s elections.
He was added to a UK sanctions list in 2022 and barred from entering the country. His assets were frozen in Britain and its overseas territories.
Plahotniuc was accused of involvement in pro-Russian political campaigns and efforts to derail Moldova’s pro-EU course.
Additional sources • AP, AFP
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