Lifestyle
Niko Rubio Is a Woman on the Verge of a Nervy Breakthrough
Niko Rubio’s recent record release party for her new EP, “Sunday Girl,” which came out in late April, felt more festive than a typical industry event. Perhaps this was because the singer-songwriter, who was wearing a slinky leopard-print dress and drinking margaritas, was also celebrating her 25th birthday.
Before her set, Rubio, who is of Mexican and El Salvadoran descent, was holding court at a back table in the Rockwell Lounge in the West Adams neighborhood of Los Angeles, jumping up to greet fans and friends, introducing each to the rest of the crew at her table.
Her guests were dressed up. Two young women in bodysuits, concha belts and sky-high heels touched up their lip liner and adjusted each other’s cleavage before making their entrance, while a few of the singer’s fans from across the border — late-middle-aged women in tasteful heels and false eyelashes, pocketbooks hanging demurely on their wrists — waited for Rubio to take the stage.
Rubio possesses a hyper-femme dazzle that recalls 1990s Gwen Stefani, with whom she co-wrote the 2024 country-pop duet “Purple Irises,” as well as Stefani’s 2023 single “True Babe.” And for the last decade, the singer has been focusing on achieving old-school, household-name-style pop fame. As a teenager, Rubio, who is managed by her aunt Ana Maldonado, was writing songs and recording with local producers and beat makers she connected with on Instagram. Five years ago, she graduated to what she calls “the real music industry,” both as a songwriter and an artist, releasing three EPs since 2021 — “Sunday Girl” will be her fourth — and opening for artists like Omar Apollo and Chase Atlantic.
But the whole enterprise reflects her pursuit of a coherent creative identity: Her EPs vary in genre and sound, from indie rock to more hip-hop coded — and two are sung almost entirely in Spanish. “With other artists it’s like, ‘This is what I like and it’s very clear,’” said Rubio. “But for me, I wanted it all. I love Erykah Badu just as much as I love mariachi music just as much as I love, you know, Incubus.”
“Niko’s vibe is really reflective of the times,” said Stefani. “I feel like people growing up in these times have so much access to information and different kinds of music that they don’t have the same kind of borders that we had growing up. They just try everything, and I see that in her in how she dips into so many different styles.”
With the launch of a solo tour in the United States Rubio is finally zeroing in on her own voice. “‘Sunday Girl’ is really for me,” she said. Rubio imagines the song’s titular character as a nun leading a double life: By day, she fulfills her duties at the convent; by night, she performs as a sultry lounge singer. “Sometimes as a Latina woman I feel like I live as a nun and I cover myself up. I don’t talk about my sexuality. I don’t fully express myself,” said Rubio. “This is the first time I feel like I’m doing that. This is my rebellion album.”
Growing up, Rubio felt deeply connected to her heritage, but guilty about the sacrifices her family made to give her opportunities they didn’t have: She was the first in her family who was able to pursue her passion. “You can’t play with a baby at 19,” Rubio said, referring to the fact that her mother gave birth to her as a teenager. “My mom was dealt a difficult card and she’s so thankful that she chose to have me, but I also have to deal with that subconscious horrible guilt. The Catholic guilt is so real.”
Though she hails from Redondo Beach, Rubio attended high school on the Palos Verdes Peninsula, a ritzy area nearby where her grandparents lived “above their means” to allow her access to an elite education.
But as “the only brown girl” in the predominantly white, Catholic community, Rubio stood out. As far back as elementary school, she was reaching for songs, mostly by women, that not only helped her articulate her feelings, but shaped her worldview.
“Anytime I go through a breakup, No Doubt’s ‘Ex-Boyfriend’ gets turned on for hours,” said Rubio. The generations between Stefani and Shakira, and Lana Del Rey didn’t register with her when she first was listening to them on the music streaming platform Pandora. “I go on TikTok now and there’s girls that are like, my whole identity was created by Pandora,” Rubio said
Del Rey, whom she regards as her guiding light, anchored Rubio’s musical aesthetic. “Born To Die,” Del Rey’s blockbuster debut, came out in 2012, when Ms. Rubio was in fifth grade. “Mexicans love her,” said Rubio, who said some Latin people refer to Lana Del Rey as “Lanita.”
“We feel so represented by her,” said Rubio. “I think for Latin women, we are attracted to the unadulterated essence of longing and yearning and being bad. It goes against the Catholicism, it goes against patriarchy. She’s so strong but she’s also like, ‘I’m also a slut for a guy, and we want all of that, you know what I mean?”
Although Rubio began writing songs as a teenager, it wasn’t until she was a sophomore in high school that she got serious about it. She told Maldonado that she needed to become “an artist, to go on tour and to make music for people and to represent Southern California and Mexican Salvadoran women and be a pop star.”
Maldonado, who radiates a mix of optimism with grit, agreed to work with her. Her aunt enrolled in the UCLA music business extension program to study music management. Rubio sneaked into her aunt’s classes, and the two became obsessed with breaking into the music world.
“We would go to literally any session, whoever DMs you,” said Rubio. “We would go to some random dude’s house in Redondo Beach, like, knock on their door. That’s where it can get scary. You have to pray to God that you’re gonna be OK, and luckily I was. I had Ana.”
Rubio was 16 when she and Maldonado went to Coachella for their first time. “When you’re born and raised here, it’s Mecca,” she said. She remembered turning to her aunt and announcing that one day she would play the festival, but last year she didn’t even attend as a fan. “I just didn’t deserve to go, girl,” she said. “Put in the work. You know what I mean? Like, you’re turning 25! Where are you going with this? What are you trying to say?” Instead, she kept her nose to the grindstone. In a single year, 20,000 followers turned into over 120,000.
“You have to do that,” she said. “You can’t sit there and be like, ‘My fans will find me.’ They don’t find you, you have to go out and seek them. You have to let go of the part of your brain that’s telling you you’re not good enough, you have to let go of your part of the brain that is telling you you’re not pretty enough, you have to let go of the part of your brain that’s telling you you’re not talented enough.”
Has she done that?
“Almost,” said Rubio, smiling. “I’m almost ready.”
Camera operating by Michael Tyrone Delaney
Lifestyle
Summer TV season has arrived — here’s what you shouldn’t miss
Clockwise from top left: Little House on the Prairie; Earth, Wind & Fire (To Be Celestial vs. That’s The Weight Of The World); Cape Fear; House of the Dragon; The Bear; Ted Lasso.
Netflix; HBO; Apple TV; HBO; FX; Apple TV
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Netflix; HBO; Apple TV; HBO; FX; Apple TV
Summer is when people are trying to get away from screens — headed outside to enjoy weather and time off.
But in the modern age, TV never sleeps, so streaming and premiere television outlets have lined up a slew of attention-getting new and returning shows competing with vacations and sunny days over the next few months to pull in viewers and attention.
Fans can choose from remakes of classic films and TV shows like Cape Fear and Little House on the Prairie, the final season of FX’s fading dramedy The Bear, Larry David’s intriguing new HBO project made with Barack and Michelle Obama’s Higher Ground productions and the return of a series many fans thought was over and done with — Apple TV’s hit comedy, Ted Lasso.
Here’s a look at what’s coming when, and why it matters:
Cape Fear, Apple TV, June 5
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It’s tough to imagine an actor who could bring a creepier vibe than Robert DeNiro in 1991’s film thriller Cape Fear — playing a wiry, pathological felon who blamed his public defender for purposefully tanking his case. But Javier Bardem is that actor, raising the stakes for Apple TV’s modern streaming series with a deliciously wily performance as Max Cady — a man exonerated after serving 17 years in prison for murder. Amy Adams is Anna Bowden, the former public defender who defended Cady, but wound up marrying the prosecutor that put him away, raising all kinds of suspicion over how she handled his case. Lots of it is preposterous and heavy-handed, but Bardem plays Cady with more intelligence and sophistication than DeNiro’s version, dismantling his former lawyer’s perfect life with horrifying glee. Toss in as executive producers Steven Spielberg and Martin Scorsese — who directed the 1991 version, itself a remake of a 1962 classic — and you’ve got a powerful combination.
Earth, Wind & Fire: (To Be Celestial vs That’s the Weight of the World), HBO and HBO Max, June 7
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R&B stars Earth, Wind & Fire provided the soundtrack for Black America in the late 1970s — a hit machine which cranked out classics like “Shining Star,” “That’s the Way of the World” and “September,” courtesy of driven bandleader Maurice White. Tonight Show bandleader Ahmir “Questlove” Thompson — who has made a name as a Oscar-winning documentarian with groundbreaking films on the 1969 Harlem Cultural Festival, the music of Saturday Night Live and Sly Stone — offers a relatively traditional look at the band’s story. He covers all the bases in the arc of White’s own story, from his roots as a drummer for jazz legend Ramsey Lewis, to his eventual death in 2016 due to complications from Parkinson’s disease. But with on camera sources ranging from Barack and Michelle Obama to Stevie Wonder — who reveals how “Shining Star” inspired the writing of his hit, “I Wish” — Thompson still manages an enlightening, compelling story.
House of the Dragon Season 3, HBO and HBO Max, June 21
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This feels like a make-or-break season for HBO’s Game of Thrones spinoff, following a lackluster collection of episodes last year which some critics — OK, me — lambasted for too little forward motion. Based on events in the Game of Thrones prequel novel Fire & Blood, this season focuses on a bloody civil war between two factions, the Blacks and the Greens, for rule over the fictional continent of Westeros. Early press indicates this season will feature lots of dragons and epic battle action, which seems necessary. It’s been two years since the second season, so that level of spectacle might be needed to remind viewers about this long-running franchise.
The Bear Season 5, Hulu, June 25

FX’s towering dramatic comedy will present its final season here, dropping its last eight episodes at once. It’s an opportune moment to conclude the story of driven chef Carmy Berzatto’s bruising efforts to build a Michelin starred restaurant from his family’s humble hole-in-the-wall Italian beef shack in Chicago. The show has a maddening habit of presenting standout episodes even during mediocre seasons. But critics have cooled on a show where the number of unspectacular episodes has grown and the latest plot twist — Jeremy Allen White’s Carmy deciding to leave the restaurant, forcing the family of workers he assembled to seek that Michelin star without him — feels perilously close to a Hail Mary pass thrown by writers running out of ideas.
Life, Larry and the Pursuit of Unhappiness: An Almost History of America, HBO and HBO Max, June 26
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Higher Ground, the production company founded by Barack and Michelle Obama (Rustin, Leave the World Behind), takes its biggest swing yet here — producing a sketch series from Curb Your Enthusiasm star Larry David. The show celebrates America’s 250th anniversary a little differently, offering seven episodes filled with sketches lampooning key historical moments, featuring David — whose history as a failed writer for Saturday Night Live might not inspire loads of confidence. Still, the Obamas have assembled an impressive track record as producers and David remains a quirky, effective comedic voice who could have easily sat back on his Curb laurels, rather than offering a bold counterpoint to the official celebrations of America’s history.
Little House on the Prairie, Netflix, July 9
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Gen Z viewers likely don’t know the original series which dominated ratings back in the mid-’70s and early ’80s, featuring Michael Landon as the patriarch of a family struggling to establish a home in Minnesota during the late 19th century. Netflix’s series returns to the largely autobiographical books written by novelist Laura Ingalls Wilder as inspiration, featuring the family struggling to stay together after moving to Kansas not long after the Civil War. The initial series debuted on NBC back in 1974, when family-oriented shows like The Waltons were still popular. But will today’s streaming audiences embrace a series which brings a modern lens to questions of slavery and white people moving into the American west?
Star Trek: Strange New Worlds Season 4, Paramount+, July 23
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It’s one of TV’s longest-running science fiction franchises, celebrating its 60th anniversary this year. But the future of Star Trek remains uncertain, as Paramount finishes production on two live action Trek series, with no new iterations yet planned for TV or film. This season of Strange New Worlds — centered on the adventures of the Starship Enterprise before the days of Captain Kirk depicted in the original series — is the second-to-last batch of episodes for the series, which will end with an abbreviated fifth season. Strange New Worlds has a bit to prove, coming off a third season largely considered a disappointment by many fans. Ultimately, producers have admitted the show will conclude with Kirk taking the captain’s chair — but it’s going to take a lot of attention-getting episodes to get there.
Ted Lasso Season 4, Apple TV, Aug. 5
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Many fans thought this series effectively ended after its third season back in 2023, when the show’s folksy lead character returned home to America after leading a British soccer team to success. But never underestimate TV’s urge to keep tapping into a hit — star and executive producer Jason Sudeikis found a new story to tell about Coach Lasso, who returns to lead a second division women’s football team in Britain. Over its first three seasons, the show emerged as one of Apple’s most successful series, with a slew of Emmy, Golden Globe and Critics Choice awards. This fourth season will have to answer a new question: Can lightning strike twice for the same series?
Lanterns, HBO and HBO Max, Aug. 16
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This series offers a chance to reinvent one of DC Comics most beloved superheroes for today’s TV scene, casting Friday Night Lights alum Kyle Chandler as Hal Jordan — a grizzled hero with a power ring capable of creating any construct from the energy of his will. Jordan is a Green Lantern, part of a corps of intergalactic space cops handed the rings by a powerful group of immortal beings. That all sounds like a lot for a streaming TV series; initial teasers for the show focus on Jordan’s work training/vetting new Lantern candidate John Stewart, played by Aaron Pierre. The two will work to investigate a murder on Earth in an uneasy alliance which feels an awful lot like the first season of HBO’s True Detective — balancing a gritty, authentic environment with a ring that allows flight, space travel and lots of superheroic adventures. This superhero nerd absolutely cannot wait to see where it all goes.


Lifestyle
How to have the best Sunday in L.A., according to Randall Park
When it comes to exploring Los Angeles, there are three things that actor and comedian Randall Park loves to do: shop, eat and run. Park, a native Angeleno, grew up on the Westside, attended UCLA, chose a career here and can’t imagine living anywhere else.
“I consider myself a small town person who happened to be born in the big city,” Park says. “I’ve traveled a lot for work, and have gotten a greater appreciation for L.A. There’s a little part of everywhere here. There’s so much good food in L.A., so many fun things to do and really great people here.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
The son of Korean immigrants, Park grew up in the South Robertson area, “a part of L.A. that was extremely diverse,” he says. “My friends, growing up and to this day, are all different backgrounds, races and religions. We were like a bunch of punk kids running around the city.”
Park is known for his roles as Agent Jimmy Woo in the Marvel Cinematic Universe, FBI Special Agent Edwin Park in the Netflix series “The Residence” and Taiwanese American patriarch Louis Huang in the ABC sitcom “Fresh Off the Boat.”
Recently, Park, his wife (actor Jae Suh Park) and their 13-year-old daughter Ruby left Studio City, where they had lived for 15 years, to move back to the Westside. When asked what his ideal Sunday would include, Park’s answer was jam-packed. It was so jam-packed that it would be impossible to fit it all in one day. So, take his schedule with a grain of salt. This is his magical Sunday where time bends, L.A. traffic doesn’t exist and bellies are never too full.
This interview has been lightly edited for length and clarity.
9 a.m.: Go for a run before a day of delicious eats
I’d sleep in, then go for a run to the beach and run around Venice. Sometimes my daughter’s up earlier. She’s on the autism spectrum, and really loves art and making stuff. We have a little art room that’s dedicated to her. She’s always painting, drawing, making little sculptures, just always creating.
10 a.m.: Breakfast and then pastries
Rae’s in Santa Monica is a very old-school diner, and we really love it there. They do these biscuits and gravy that are really good. They’re probably not that good for you, but I just ran, so it’s OK. There’s also a great bakery-cafe that we like to go to called Röckenwagner. So breakfast at Rae’s, then a coffee and pastry at Röckenwagner. We’ll be eating all day, which is why I ran in the morning.
11 a.m.: Stroll the farmers’ market
Next, we’d hit up the farmers’ market in Mar Vista. We’ll get fruits and vegetables for later in the week. There’s a hummus stand that I really love. There’s always a band playing, so we just soak it all in. It’s a really nice walk.
Noon: Shopping, with more eating along the way
Then I’d go shopping, and would either drag my family with me, or I’d go alone while they did their thing. First, there’s a small shop called General Quarters on La Brea. I know the owner there, Blair Lucio, and they always carry the coolest stuff. They specialize in California heritage-style clothing for men. Another store I love is Sid Mashburn in the Brentwood Country Mart. They do suits and really cool menswear. I discovered it in Atlanta when I was working on a job and loved it so much that every time I’d be in Atlanta, I’d go to it. Then I discovered they had one in L.A.
Or, I’d go to Sawtelle Boulevard. That whole street is fun with so many great stores. The Giant Robot store there has a lot of pop culture, Japanese and Asian pop culture, a lot of art, graphic novels. There’s also a great record store called We Share Records. It’s mostly vinyl and a lot of it is from Japan. They’ll even have American artists, but the Japanese editions of their records, so it’s really cool to see the Japanese versions of a Whitney Houston album. The last thing I bought there was a Hall & Oates record from Japan.
For lunch, I’ve been really into a place called Sun Nong Dan on Sawtelle. They have a few locations, but the newer one in Sawtelle is the only one that I go to since I’m on the Westside. I usually get either the Galbi-tang, which is a short rib soup, or the Tta Roh Guk Bap, which is a brisket and dried cabbage soup, or the Dduk Mandu Guk, which is a rice cake and dumpling soup. Very much Korean comfort food. Plus, they’re open 24 hours, which sometimes comes in handy.
If not there, I’d go to El Tepeyac Cafe in Boyle Heights, which is one of my all-time favorites as a kid that my dad would take me to. It’s very homestyle Mexican food, and I would get their Hollenbeck burrito, which is pretty epic.
6 p.m.: Baseball or dinner out
If there’s a Dodgers game, I’d go to the game. Growing up in L.A., there’s a lot of nostalgia with the Dodgers for me. I’ve always been a fan. My wife and I will go to the games and eat Dodger Dogs and nachos.
If not, we’d go to Musso & Frank Grill to get a shrimp cocktail and steak dinner. It’s very Old Hollywood, and you can feel the history in there. A lot of the leather booths have a story. I love when L.A. preserves its landmarks. Getting a sense of the history of the city through these restaurants is really fun.
For something more low-key, there’s this restaurant in Koreatown called Kobawoo House. They specialize in bosam, which are wraps with [fillings like] pork. They also specialize in Korean seafood pancakes that are so good.
If we’re going to go fancy, which we don’t often do, there’s a restaurant called Kato at the Row, near downtown. It’s a Michelin-starred Taiwanese omakase-style restaurant that’s so good. You don’t order. They just give you courses, and you can pair it with wine or just order cocktails. I usually just order an Old Fashioned, which is really good there. The food is just out of this world.
8 p.m.: A little night jazz
After dinner, we’d drive down to South Pasadena where there’s a bar and grill called the Barkley. My childhood friend Richie Glaser has a jazz band [the Richard Glaser Quartet] and they play at the Barkley every Sunday night. We’d get a cocktail, listen to the band and hang out.
9:30 p.m.: Winding down for bedtime
We’d come home, relax and watch TV, probably old episodes of “The Dick Van Dyke Show.” My daughter would go to bed before us, and would be asleep before we officially go to sleep. The end of the day is very low-key and quiet. Every Sunday is different, but my ideal Sunday would be one of food, family, friends and frolicking throughout the city.
Lifestyle
‘Wait Wait’ for June 6. 2026: Live in Austin with Not My Job guest Elana Meyers Taylor
Gold medalist Elana Meyers Taylor of Team United States celebrates after winning the Women’s Monobob Bobsleigh Heat 4 on day ten of the Milano Cortina 2026 Winter Olympic games at Cortina Sliding Centre on February 16, 2026 in Cortina d’Ampezzo, Italy. (Photo by Julian Finney/Getty Images)
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This week’s show was recorded in Austin with host Peter Sagal, judge and scorekeeper Alzo Slade, Not My Job guest Elana Meyers Taylor and panelists Brian Babylon, Rachel Coster, and Tom Papa. Click the audio link above to hear the whole show.
Who’s Alzo This Time
Birthday Party Scramble; Hollywood Smashes the Like and Subscribe Button; Tarps Off!
Panel Questions
Ladies Vs. Zootopia
Bluff The Listener
Our panelists tell three stories about a twist on a quintessential summer thing, only one of which is true.
Not My Job: Olympic bobsledder Elana Meyers Taylor answers our questions about White Castle
Peter talks to legendary Olympic bobsledder Elana Meyers Taylor. Elana plays our game called, “Sledder, meet Slider.” Three questions about White Castle hamburgers.
Panel Questions
Club Med’s Scary New Feature; A New Reason to Rumspringa
Limericks
Alzo Slade reads three news related limericks: Fresh Eggs At Your Estate; A Catholic Calendar Conundrum; Spreading the Good Creamy Word
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, what will be the next trend at baseball stadiums?
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