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‘Wait Wait’ for May 16. 2026: With Not My Job guest Ken Jennings

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‘Wait Wait’ for May 16. 2026: With Not My Job guest Ken Jennings

Ken Jennings attends Kennections during the 2026 TCM Classic Film Festival on April 30, 2026 in Hollywood, California. (Photo by Araya Doheny/Getty Images for TCM)

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This week’s show was recorded in Chicago with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Ken Jennings and panelists Tom Bodett, Joyelle Nicole Johnson, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

ou Cruise, You Lose; Renovations on the Mall; A New Game Show For Word Nerds

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Panel Questions

No Justice For Plumbers

Bluff The Listener

Our panelists tell three stories about an unusual situation on the beach, only one of which is true.

Not My Job: Jeopardy‘s Ken Jennings lives down his demons and answers our three questions about H&R Block

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Peter talks to Jeopardy legend and host Ken Jennings. Ken plays our game called, “What is H&R Block?” Three questions about H&R Block, the subject of the Jeopardy question Ken got wrong and it ended his 74 game win streak.

Panel Questions

Open Your Heart and Lock Up Your Assets; Restaurants Get Clingy

Limericks

Bill Kurtis reads three news-related limericks: Uranus Overshadowed; Running From Romance; Double Date Danger

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, what will be the next show made out something we do to kill time?

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Lifestyle

Dressing well is an exercise. These activewear, beauty and fashion items will get you there this May

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Dressing well is an exercise. These activewear, beauty and fashion items will get you there this May

This story is part of Image’s May Momentum issue, which looks at art as a sport and sport as an art.

If you buy a product linked on our site, The Times may earn a commission. See all our Coveted lists of mandatory items here.

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F.C.Real Bristol x Carhartt WIP, Game shorts, $188

Carhartt WIP and Tokyo-based F.C.Real Bristol have collaborated on a real capsule collection … for a fictional soccer club. The pieces, like these breathable nylon satin Game shorts, are designed for style and function both on and off the pitch, whether you’re wearing them to a real scrimmage or just one you’re dreaming of. Available at carhartt-wip.com.

Prada Re-Nylon for Sea Beyond, backpack, $1,990

Prada Re-Nylon for Sea Beyond backpack - blue

For the third year in a row, 1% of the proceeds from the Prada Re-Nylon for Sea Beyond collection support ocean preservation and sustainability in partnership with the Intergovernmental Oceanographic Commission (IOC) of UNESCO. This year’s five-piece capsule collection includes Prada’s iconic backpack, available in the brand’s core black but also a vibrant tropical palette. Made from recycled nylon material, the entire collection is also 100% recyclable if you decide to skip the archive. Available at select Prada boutiques and prada.com.

Snow Goose by Canada Goose, Celestia jacket, $1,275

Snow Goose by Canada Goose X Haider Ackerman jacket

Haider Ackermann’s spring/summer 2026 collection for Snow Goose by Canada Goose captures the lightness of spring in both design and feeling. Case in point: the featherweight quilted Celestia jacket with a highly reflective shell that, according to the designer, “comes alive with motion.” Available at canadagoose.com.

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Byredo, “sister dreamer” perfume, $350

Byredo "sister dreamer" perfume

If you bottled the hundreds of aromatic native plants, fruit trees and wildflowers in artist Lauren Halsey’s architectural park, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” — not to mention its energy and radical joy — you’d get “sister dreamer,” the limited edition perfume in collaboration with Byredo. Even better: that bottle features a sleeve and label designed by Halsey herself, who declares the scent to be an ode to “smelling good n feeling good.” Available at byredo.com.

Miista, Andie socks, $160

Miista SS26 black cupro socks

Hear us out: socks with sandals. More specifically, the Andie socks from Miista’s spring/summer 2026 collection with their Samia sandals. Miista’s Andie make this usually verboten combination not only doable but downright sensual, with their silky cupro fabric, knee-high cut and thong toe. Available at miista.com.

Dries Van Noten, Hand and Body liquid soap, $90

Dries Hand & Body collection

The introduction of Dries Van Noten’s Hand and Body line offers a new way to wear the brand. The liquid soap arrives with the unexpected scent combinations of Basil and Hinoki, Pepper and Rose and Soie and Amber that echo the emblematic Crazy Basil, Raving Rose and Soie Malaquais Eau de Parfums from the house. You can layer the soap with its corresponding perfume, body lotion and hand cream to build intensity, or, like the other Dries items in your collection, let it stand alone in its sublimity. Available at driesvannoten.com.

ERL "Made in California" cargos (blue)

ERL’s new Made in California collection embodies the brand’s ethos to capture the contradictions that make California what it is. To that end, these cargos are as intentional and well-lived as a perfectly executed skate trick: they’re hand-dyed, but also arrive bearing natural bleach, oil and scuff marks. Available at erl.com.

Patagonia, Long-Sleeved RØ Surf Top in blue sage, $65

Patagonia rashguard (green)

No more lost keys, annoying top riding up on your pop up or rubbed-raw belly with the Long-Sleeved RØ Surf Top from Patagonia’s spring/summer 2026 collection. This rashguard is made for the surf with its connector at the front hem to link it to board shorts and a clutch pocket with key loop. And if those last two sentences sound like surf bro speak, the top’s UPF 40+ sun protection is equally functional for a volleyball game — or elicit paper bag beverage, if that’s your definition of beach sports — on the sand. Available at Patagonia stores and patagonia.com.

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Niko Rubio Is a Woman on the Verge of a Nervy Breakthrough

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Niko Rubio Is a Woman on the Verge of a Nervy Breakthrough

Niko Rubio’s recent record release party for her new EP, “Sunday Girl,” which came out in late April, felt more festive than a typical industry event. Perhaps this was because the singer-songwriter, who was wearing a slinky leopard-print dress and drinking margaritas, was also celebrating her 25th birthday.

Before her set, Rubio, who is of Mexican and El Salvadoran descent, was holding court at a back table in the Rockwell Lounge in the West Adams neighborhood of Los Angeles, jumping up to greet fans and friends, introducing each to the rest of the crew at her table.

Her guests were dressed up. Two young women in bodysuits, concha belts and sky-high heels touched up their lip liner and adjusted each other’s cleavage before making their entrance, while a few of the singer’s fans from across the border — late-middle-aged women in tasteful heels and false eyelashes, pocketbooks hanging demurely on their wrists — waited for Rubio to take the stage.

Rubio possesses a hyper-femme dazzle that recalls 1990s Gwen Stefani, with whom she co-wrote the 2024 country-pop duet “Purple Irises,” as well as Stefani’s 2023 single “True Babe.” And for the last decade, the singer has been focusing on achieving old-school, household-name-style pop fame. As a teenager, Rubio, who is managed by her aunt Ana Maldonado, was writing songs and recording with local producers and beat makers she connected with on Instagram. Five years ago, she graduated to what she calls “the real music industry,” both as a songwriter and an artist, releasing three EPs since 2021 — “Sunday Girl” will be her fourth — and opening for artists like Omar Apollo and Chase Atlantic.

But the whole enterprise reflects her pursuit of a coherent creative identity: Her EPs vary in genre and sound, from indie rock to more hip-hop coded — and two are sung almost entirely in Spanish. “With other artists it’s like, ‘This is what I like and it’s very clear,’” said Rubio. “But for me, I wanted it all. I love Erykah Badu just as much as I love mariachi music just as much as I love, you know, Incubus.”

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“Niko’s vibe is really reflective of the times,” said Stefani. “I feel like people growing up in these times have so much access to information and different kinds of music that they don’t have the same kind of borders that we had growing up. They just try everything, and I see that in her in how she dips into so many different styles.”

With the launch of a solo tour in the United States Rubio is finally zeroing in on her own voice. “‘Sunday Girl’ is really for me,” she said. Rubio imagines the song’s titular character as a nun leading a double life: By day, she fulfills her duties at the convent; by night, she performs as a sultry lounge singer. “Sometimes as a Latina woman I feel like I live as a nun and I cover myself up. I don’t talk about my sexuality. I don’t fully express myself,” said Rubio. “This is the first time I feel like I’m doing that. This is my rebellion album.”

Growing up, Rubio felt deeply connected to her heritage, but guilty about the sacrifices her family made to give her opportunities they didn’t have: She was the first in her family who was able to pursue her passion. “You can’t play with a baby at 19,” Rubio said, referring to the fact that her mother gave birth to her as a teenager. “My mom was dealt a difficult card and she’s so thankful that she chose to have me, but I also have to deal with that subconscious horrible guilt. The Catholic guilt is so real.”

Though she hails from Redondo Beach, Rubio attended high school on the Palos Verdes Peninsula, a ritzy area nearby where her grandparents lived “above their means” to allow her access to an elite education.

But as “the only brown girl” in the predominantly white, Catholic community, Rubio stood out. As far back as elementary school, she was reaching for songs, mostly by women, that not only helped her articulate her feelings, but shaped her worldview.

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“Anytime I go through a breakup, No Doubt’s ‘Ex-Boyfriend’ gets turned on for hours,” said Rubio. The generations between Stefani and Shakira, and Lana Del Rey didn’t register with her when she first was listening to them on the music streaming platform Pandora. “I go on TikTok now and there’s girls that are like, my whole identity was created by Pandora,” Rubio said

Del Rey, whom she regards as her guiding light, anchored Rubio’s musical aesthetic. “Born To Die,” Del Rey’s blockbuster debut, came out in 2012, when Ms. Rubio was in fifth grade. “Mexicans love her,” said Rubio, who said some Latin people refer to Lana Del Rey as “Lanita.”

“We feel so represented by her,” said Rubio. “I think for Latin women, we are attracted to the unadulterated essence of longing and yearning and being bad. It goes against the Catholicism, it goes against patriarchy. She’s so strong but she’s also like, ‘I’m also a slut for a guy, and we want all of that, you know what I mean?”

Although Rubio began writing songs as a teenager, it wasn’t until she was a sophomore in high school that she got serious about it. She told Maldonado that she needed to become “an artist, to go on tour and to make music for people and to represent Southern California and Mexican Salvadoran women and be a pop star.”

Maldonado, who radiates a mix of optimism with grit, agreed to work with her. Her aunt enrolled in the UCLA music business extension program to study music management. Rubio sneaked into her aunt’s classes, and the two became obsessed with breaking into the music world.

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“We would go to literally any session, whoever DMs you,” said Rubio. “We would go to some random dude’s house in Redondo Beach, like, knock on their door. That’s where it can get scary. You have to pray to God that you’re gonna be OK, and luckily I was. I had Ana.”

Rubio was 16 when she and Maldonado went to Coachella for their first time. “When you’re born and raised here, it’s Mecca,” she said. She remembered turning to her aunt and announcing that one day she would play the festival, but last year she didn’t even attend as a fan. “I just didn’t deserve to go, girl,” she said. “Put in the work. You know what I mean? Like, you’re turning 25! Where are you going with this? What are you trying to say?” Instead, she kept her nose to the grindstone. In a single year, 20,000 followers turned into over 120,000.

“You have to do that,” she said. “You can’t sit there and be like, ‘My fans will find me.’ They don’t find you, you have to go out and seek them. You have to let go of the part of your brain that’s telling you you’re not good enough, you have to let go of your part of the brain that is telling you you’re not pretty enough, you have to let go of the part of your brain that’s telling you you’re not talented enough.”

Has she done that?

“Almost,” said Rubio, smiling. “I’m almost ready.”

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Camera operating by Michael Tyrone Delaney

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How to have the best Sunday in L.A, according to Vivica A. Fox

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How to have the best Sunday in L.A, according to Vivica A. Fox

Vivica A. Fox dreamed of being a model, but in order to receive her mother’s blessing to move to Southern California, where the jobs were, she had to promise her one thing: She’d go to college.

So that’s what she did. At 18, Fox left her hometown of Indianapolis for Huntington Beach, where she attended Golden West College and got an associate’s degree in social sciences. On weekends, she’d drive up to L.A. for auditions, getting her first taste of show business while dancing on Don Cornelius’ iconic television series “Soul Train” and later nabbing her first acting gig as Dr. Stephanie Simmons on “Young and the Restless,” a role she recently reprised after more than 30 years.

Sunday Funday infobox logo with colorful spot illustrations

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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“The rest is kind of history,” says Fox, who went on to star in other hit films including “Kill Bill: Vol. 1,” “Two Can Play That Game,” “Soul Food” and “Set It Off,” which celebrates its 30th anniversary this year.

Her latest project, “Is God Is,” hits theaters Friday. Directed by Aleshea Harris, who wrote the award-winning play of the same name, the film follows twin sisters as they embark on a vengeful quest to find their abusive father, who left them for dead. Fox plays God, the twins’ mother, a burn victim and domestic abuse survivor who gives her daughters a simple yet chilling instruction: “Make your daddy dead. Real dead.” Harris handpicked Fox for the role.

“I just was so honored,” Fox says. “Then when I got the script and dove into it a little bit more, I was like ‘Ooh, this is a way no one has ever seen me. This is going to be challenging.”

She adds, “I was like, ‘Wow. We don’t get things like this,’ so it was honestly, for me, a no-brainer.”

Sundays are the one day of the week where Fox can “do me,” she says. Here’s how she’d spend it in L.A.

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This interview has been lightly edited and condensed for length and clarity.

6:30 a.m.: Quick coffee run

I’m usually up by 6:30 or 7 a.m. I’m an early bird because I’m so used to either having to be on set or when my publicist, B.J., was living on the East Coast and I’d have to respond to answer his emails in a timely manner. Once I’m awake and settled, I’d get some Starbucks. I’d order a venti white chocolate mocha with an extra shot of espresso, no whipped cream. I used to order kale bites, which I’d eat with the meat from the sausage and egg sandwich, but they discontinued them so now I just get the sandwich.

8 a.m.: Float in hot springs

I’d head to the Beverly Hot Springs. I would get a body care treatment. It’s awesome because they rub you from head to toe with body oil, then they wash your hair and give you a cucumber and yogurt mask. After that, I would get a facial and float in the water. It is one of the only spas with natural, alkaline hot springs in L.A., so the water is just heavenly.

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2 p.m.: Margarita and caviar fries with a view

After that, I would meet with a friend, more than likely B.J., at the rooftop restaurant at Waldorf Astoria. The reason why I love going there is because of the view. On a beautiful, clear day, you can see all of Los Angeles. It has a 360 view that is absolutely incredible. I would start off with the caviar fries and a spicy margarita with a tajin rim. Then I would do either the salmon with spinach or if it was a super cheat day, I’d have a cheeseburger.

4 p.m.: A Broadway show or a sports game

I’d probably go home and take a short nap. But if my godson, Quentin Blanton Junior, is in town, I’d go see him perform at the Hollywood Pantages Theatre. He’s playing little Michael in “MJ: The Musical” at the Pantages Theatre. [Editor’s note: We interviewed Fox before the show ended earlier this month]. I’m so proud of him. But if he’s not performing, I’d go to a Chargers or Lakers game. I’m a sports junkie. I’m from Indiana. We grow up on football and basketball. I’ve always loved the Lakers. I remember going to the games back in the day in Inglewood because I used to live there. I used to walk to the games. That was the golden era of Magic and all those guys, then Kobe and them moved up to Staples, which is now Crypto.

9 p.m.: Nightcap before bed

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I’d end my Sunday with a night cap at the Delta Club at the Lakers game. I’d have a glass of wine before heading home, then I’d drink a Lacroix to hydrate. I try to be in the bed definitely before midnight.

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