Washington
Washington is not telling truth about the Gaza pier
The Biden administration wants you to believe the U.S. is leading international efforts to get humanitarian relief into Gaza and that supplies are “flowing to Palestinians” via the military’s pier operation there.
On Monday, Pentagon spokesman Maj. Gen. Pat Ryder announced that to date,1,573 tons of aid had been delivered from the pier to the beach, including 492 tons since it reopened on Saturday after some bad weather knocked it out of commission last month.
But supplies from the pier aren’t flowing to Palestinians, and never really have.
Hardly any food from the pier on the Gaza coast has actually reached starving Gazans since it became operational on May 17. The World Food Program (WFP) said only 15 trucks from the pier reached its warehouse inside Gaza for distribution from May 17-18, and that no aid came from the pier from May 19–21.
In Rafah specifically, no aid will reach Palestinians in need so long as Israel’s military offensive persists. WFP halted all deliveries to Rafah on May 21 due to Israel’s invasion of the city.
In addition, on Sunday, the WFP announced that it “paused” distribution of any more humanitarian aid from the pier due to security concerns after a U.S.-backed Israeli operation killed nearly 300 Palestinians the day before. WFP is the U.N. agency in charge of coordinating deliveries from the pier into Gaza.
The 492 tons of aid the Pentagon just boasted about will sit in warehouses on the beach until further notice. Meanwhile, the UN says that all humanitarian operations in Gaza are on the brink of collapse.
The reality is that the $320 million (revised more recently down to $230 million) “maritime humanitarian corridor” that Biden first announced during his State of the Union address in March is not working, at least not for Palestinians. It does serve the Biden administration’s interests by making it look like the U.S. is “doing something” for the civilian population while supporting an Israeli policy that destroys and starves it. The pier, in essence, provides humanitarian cover for an inhume policy.
Pier one imports
Biden administration officials argue the pier isn’t a failure or public relations stunt but critics disagree.
On May 17, the first day the pier was operational, former USAID official and current president of Refugees International Jeremy Konyndyk said, “The pier is humanitarian theater. Much more about political optics than humanitarian assistance. … [T]he president is tweeting about a humanitarian gimmick while actual humanitarian capacity in Gaza grinds to a halt.”
On May 23, in response to a press question about Konyndyk’s comments, director of USAID’s Levant humanitarian response Dan Dieckhaus said, “You know, I would not call within a couple of days getting enough food and other supplies for tens of thousands of people for a month theater…everyone’s entitled to their opinion, but I think we are already making a meaningful contribution to the overall effort.”
But according to U.N. humanitarian aid data of food imports into Gaza from January through May, far more food aid reached Gazans before the U.S. pier opened. On May 7, Israeli forces closed the Rafah crossing as part of its invasion of the city. By the end of the month, 66,181 fewer pallets of food reached Palestinians in May compared to April. The pier, which opened May 17, didn’t come close to compensating for this shortfall: According to the IDF, just 1,806 pallets of food from the pier reached aid agency centers in Gaza before it broke apart in a storm on May 25.
Meanwhile, food and other aid is piling up outside Gaza at the Rafah land crossing.
Not enough food was getting into Gaza before Israel closed the Rafah crossing, either. Through March of this year, monthly food imports into Gaza were virtually identical to what they were in 2022, even though food needs are five times higher now than they were then. The U.N.’s humanitarian response plan for Palestine in 2022 implemented $226 million for food security and nutrition. Requirements for those sectors in 2024 stands at $1.1 billion.
Political optics
A new report from the U.N. Food and Agriculture Organization (FAO) and World Food Program concluded that 1.1 million Palestinians could face starvation by mid-July primarily because of “the devastating impact of the ongoing conflict” and “the heavy restrictions on access and goods.” The Biden administration enables the first problem by shipping weapons to Israel every 36 hours and tolerates the second by refusing to use the leverage those shipments afford to stop Israel from obstructing aid.
Some deny that that leverage exists, but Biden has already demonstrated that it does. On October 9, Israeli Defense Minister Yoav Gallant announced a “complete siege” of Gaza, pledging that, “there will be no electricity, no food, no water, no fuel. Everything will be closed.”
A couple weeks later, Gallant was pressed by Knesset lawmakers on why he agreed to let a trickle of aid in from Egypt. Gallant replied, “the Americans insisted and we are not in a place where we can refuse them. We rely on them for planes and military equipment. What are we supposed to do? Tell them no?”
Israel’s reliance on arms and political protection from the United States puts Biden in an extraordinarily powerful position to influence what Israel does and doesn’t do in Gaza. The current conditions on the ground reflect Biden’s policy choices. Currently, Israel is bombing civilian centers using U.S.-made munitions, while getting aid to Palestinians in need is “almost impossible,” and famine is imminent in Gaza everywhere it isn’t already happening.
Rather than change these conditions with a phone call to Israeli leadership, Biden told the U.S. military to build a pier.
There’s no time for humanitarian theater, according to the FAO/WFP report: “In the absence of a cessation of hostilities and increased access, the impact on mortality and the lives of the Palestinians now, and in future generations, will increase markedly with every day, even if famine is avoided in the near term.”
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Washington
Washington football displays depth, talent at first spring scrimmage
On a perfect day in Seattle for football, Washington took the field inside Husky Stadium for its first scrimmage of spring practice, and ahead of his third season at the helm, Jedd Fisch seemed pleased with the results.
“Guys played and competed their ass off,” he said after the Huskies ran 120 plays. “That’s the type of day we want to have…We have a lot to work on, but we’re excited that today gave us this opportunity.”
The 120 plays had a little bit of everything, but the biggest thing the Huskies showed during the day was that, despite the inexperience that Fisch’s coaching staff is looking to lean on at several positions, there’s plenty of talent littering the roster. The best example of that is sophomore safety Paul Mencke Jr., who had his best practice in a Husky uniform after Fisch announced on Saturday that senior CJ Christian is out for the year after suffering a torn Achilles tendon during Tuesday’s practice at the Virginia Mason Athletic Center.
“Paul’s done a great job of competing and being physical and playing fast, and you could see over these three years, he’s really grown into understanding now the system, and what’s asked of him as a safety,” Fisch said. “I think there’s a lot of in him that he wants to be like (safeties coach Taylor) Mays. He sees himself as a tall, linear, big hitter. So when you have your coach that is known for that type of play, I think Paul has done a great job.”
Mencke was all over the field. Not only did he lay some big hits, just like his safeties coach did during his time at USC, but the former four-star recruit also tallied a pair of pass breakups, an interception in a 7-on-7 period, and multiple strong tackles to hold ball carriers to limited yards.
While the defense did a good job getting pressure throughout the day and making the quarterbacks hold the ball with different looks on the back end, with safety Alex McLaughlin, linebacker Donovan Robinson, and edge rusher Logan George all among the players credited for a sack, quarterback Demond Williams Jr. got an opportunity to show off how he’s improved ahead of his junior year.
Early on, he showed off his well-known speed and athleticism, making the correct decision on a read option, pulling the ball and scampering for a 25-yard gain before displaying his touch. Throughout the day, his favorite target was junior receiver Rashid Williams, whom he found on several layered throws of 15-plus yards in the various scrimmage periods of practice.
On a day when every able-bodied member of the team was able to get several reps of live action, here are some of the other noteworthy plays from the day.
Spring practice notebook
- Freshman cornerback Jeron Jones was unable to participate in the scrimmage and was spotted working off to the side with the rest of the players rehabbing their injuries.
- The running backs delivered a pair of big blows on the day. First, cornerback Emmanuel Karnley was on the receiving end of a big hit from redshirt freshman Quaid Carr before the former three-star recruit ripped off a 13-yard touchdown run on the next play. Later on, every player on offense had a lot of fun cheering on freshman Ansu Sanoe after he leveled Zaydrius Rainey-Sale, letting the sophomore linebacker hear all about it when the play was whistled dead.
- Sophomore wide receiver Justice Williams put together a strong day with several contested catches, showing off his strong hands and 6-foot-4 frame, including a 25-yard catch and run off a drag route from backup quarterback Elijah Brown.
- Of all the tackles for a loss the Huskies were able to rack up throughout the day, two stood out. First, junior defensive tackle Elinneus Davis burst through the middle of the line to wrap up freshman running back Brian Bonner. Later on, freshman outside linebacker Ramzak Fruean wasn’t even touched as he shot through a gap in the offensive line to track down a play from behind, letting the entire offensive sideline know about the play on his way back to his own bench.
- The Huskies experimented with several defensive line combinations on Saturday, and for the first time this spring, it felt like freshman Derek Colman-Brusa took the majority of his reps alongside someone other than Davis, who he said has taken on an older brother role to help mentor the top-ranked in-state prospect in the 2026 class.
“Elinneus is a phenomenal guy. Great work ethic. He’s kind of taken on that older brother mentor for me. He’s been a great help just to learn plays and learn the scheme. Can’t say enough good things about the guy.”
- Ball State transfer Darin Conley took a handful of reps with the first team, while rotating with Colman-Brusa, who got a lot of work in alongside Sacramento State transfer DeSean Watts.
Washington
Sioux Falls art teachers show ‘incredible’ work at Washington Pavilion
Twenty Sioux Falls School District art teachers have their own original pieces on display at the Washington Pavilion’s University Gallery now through May 31.
The “Teachers as Artists” exhibit showcases their work not just as educators, but as artists inside and outside of the classroom, and highlights how art education builds critical thinking, creative problem-solving and self-expression skills.
Edison Middle School art teacher Meagan Turbak-Fogarty said she dreamt of such a showcase since her first year teaching.
She and Kathy Dang, an art teacher at Marcella LeBeau Elementary School who also serves on the city’s Visual Arts Committee, partnered with the city and Washington Pavilion to bring the showcase to life.
Turbak-Fogarty has taught at Edison for five years and said her passion for art is “instantly felt” on her classroom walls, but that students have asked where they could see her art in the classroom, or what kind of art she creates in her own time.
“I always felt the feeling that I stand in front of all these kids every single day and preach about how much I love art, and how art has changed my life,” Turbak-Fogarty said. “That got me thinking, ‘I want to show them.’”
Some of her works on display at the Pavilion include art she created in her first year teaching, including a large Cheetos bag she created as an example for her eighth grade classroom when they were working on a large chip bag project. Turbak-Fogarty said she loves painting, working with acrylics and unconventional materials.
“I wanted to show my students that art can be anything,” she said. “It doesn’t have to be hanging up in a museum to be considered art.”
Continuing to do her own art while teaching the subject helps keep her inspired, Turbak-Fogarty explained, adding that it helps her push her own creativity when it comes to projects she works on with students.
Samantha Levisay, an art teacher at John Harris Elementary School, showed three pieces in the show — “Moments in Time,” “Midnight Butterfly Garden” and “Whimsy” — with the same mixed media, watercolor and printmaking skills that she teaches in different units at every elementary grade.
Levisay educates her students that “art is everywhere.” She said her favorite memories as an art teacher are “moments when I show students a lesson, and they take it even further.”
“Kids are so creative; I marvel at them all the time,” she said. “They inspire me every day with their endless creativity and imagination.”
Roosevelt High School art teacher Ruth Hillman showed two pieces in the show: “The Potato on the Wall,” a mixed media work, and a collection of her handmade clay charms in a shadow box.
She also wore some of her art — miniature potato earrings made of clay.
Hillman is in her third year at RHS. When she’s not teaching art, she’s also making art, and sells her charms at shows like the Art Collective.
Washington High School art teacher Mollie Potter displayed a three-part painting series at the show that she said were inspired by her English language learner students’ stories, and how teachers help students “take flight,” as represented by balloons, parachutes and kites in her work.
Porter said she is often inspired by her students’ art in the classroom; for example, one former student was obsessed with swans, and Porter said she later created a painting inspired by one of the student’s stories about swans.
At an April 17 reception, Mayor Paul TenHaken emphasized the arts as an “important economic driver in the community,” and said the show honored educators “who are artists in and of themselves,” but who might not have had a chance to display their art outside the classroom before.
“This is a way for us to honor them and show their incredible work,” TenHaken said.
Washington
How will Trump get out of his fight with Pope Leo?
Full Episode:
Washington Week with The Atlantic full episode, 4/17/26
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