Washington
Midweek News Podcast, Washington Post, Mary on Broadway, Artblog Art Market, InfoSpace Gallery, Mycology and theater picks for the week – Artblog
Episode 274 – In this edition of Artblog’s Midweek news Roberta and I discuss the play Mary which is on Broadway which is the second week in a row Lincoln came up again. Is that a sign? The Washington Post is no longer covering galleries. I give my recommendations for the week and mycology comes up a couple times for us as well. Another sign? Lincoln and mushrooms? I’m not see the connection but I’m buying a lottery ticket just in case. Thanks for listening ~ Ryan
Roberta: Hi everyone, it’s Roberta.
Ryan: And this is Ryan and this is the Midweek News
Roberta: On Artblog Radio. We should talk about the news. One thing I want to say is. For you, a theater guy? Yeah. My son Max and his wife Kim, are going to New York on Thursday and one thing that they’re going to do is go go to the theater to see, oh, Mary, which you may have heard of.
It’s about Mary Todd Lincoln. It’s sort of a comedy spoof of Mary Todd Lincoln trying to put together a burlesque review, shall we say, at the same time. Hmm, that I think the war was going on, and maybe her son Willie was dying and all these sort of things crashing in around her. So it’s supposed to be good.
I read about it. But anyway, we’ll have some more updates on that after they get back. And I pumped them for information on how, on how it was,
Ryan: well, I know that it won the best new play for off Broadway, but I don’t really know, I don’t know anything beyond that.
Roberta: Anyway, that’s it for me. In terms of my off the cuff remarks. Let’s march along into the news.
And I have three things today and two of them are sort of real news and the other is a gallery notable. So Opera Philadelphia, we learned in the newspaper today now is offering $11 tickets for its. Opera productions any seat in the house. It doesn’t confine you to the nosebleed section.
I don’t even know where they perform these days. Is it the Academy of Music? Perhaps. I’ll have to look that up. We’ll look that up for you. Anyway, they have a new play opening or a new opera opening and. This fall and they have a new executive director or director of the company who is himself a counter tenor, which I didn’t look up, but I think those are the tenors who are quite high.
They have very high voices. So this is his first step in. Revivifying what they’re doing. They like all the arts organizations during COVI and the pandemic had a terrible time and they’re still recovering. And so it’ll be interesting to see how, how this all happens and comes about. Anyway, more power to them.
It’s really great. And this is all about Deinstitutionalize opera. So let newbies come, people that haven’t ever been before and have the curiosity. I mean, $11 is really a good price point for an opera ticket. In fact, when I was in college, we used to travel to New York from Madison, Wisconsin, driving over the icy roads with the 18 wheelers skidding around every place in the middle of winter.
And we would go to the opera. I would go to the opera. Standing room seats at the Met was really great. You had to stand, but it was still an awesome experience. Anyway. Next up on my list is sad news that the Washington Post has dropped its gallery coverage, and this comes to us via BMore Art, which announced it in its pages after the writer of the gallery column would been the long-term reviewer of gallery shows in the DC regional area.
Announced that the day before his editors had just gotten in touch with him and said basically. By the way, we’re letting go of this column on August 25th. So this is your last hurrah. Wow. Anyway, yes, really abrupt, really abrupt, really sad, and of course. That’s the Washington Post, sort of like the other dominoes that have lost their coverage of the arts through the years, like the Inquirer, which doesn’t have gallery reviews anymore.
They, for many years had wonderful gallery reviewers Edie Newhall and Tom. Hein and Ed Suski, they were fabulous, really gritty, sort of deep thinkers and writers, really good stuff. And then it’s like they made a decision not to have it anymore, so we’re sorry to hear it. But we hope be more art picks up the slack and covers a lot of Washington DC now because they do a great job in Baltimore.
And if they could reach out to Washington, that would be a good thing. The third thing I want to mention is. InfoSpace Gallery. There’s a gallery that we know. The people who run it, it’s Celia Jailer and her cohorts. They started the quilt show in West Philadelphia a bunch of years ago. The quilting Bee that they have put its quilts up on the cyclone fencing surrounding the basketball courts.
I thought it was amazing, and they’ve done that a couple years in a row now. So then they had something called the store. Mm-Hmm. On Dickinson Street, which was also amazing. Showed a lot of interesting art and clothing and things that were artistic, but didn’t come up out of an art school and now at InfoSpace, which I think you’ve been to, right?
Ryan? Mm-Hmm. I have not been there. It’s in someone’s abode, right? Yeah. Someone’s apartment.
In Port Richmond, I think it’s way up there. Anyway, they put out a, no BFA open call, meaning they were looking for people who were already and came up outside of the system, outside of the schooling.
And they’re saying that they’re promoting it because. There’s lots of ways to express yourself artistically, and it doesn’t have to come from a degree like A BFA or an MFA, and so more power to them. I embrace that also. And that show opens on, I think, the 15th yes. It’s called The Dirt in Our Garden.
Oh, September 14th, 5 PM to 9:00 PM. And we’ll have links to all those things, including the sad news and the gallery in the transcript. So that’s about it for me. How about you, Brian?
Ryan: Those changes always seem abrupt. Hey, you’re doing a great job. Keeping the good work in. This is your last day. It’s like, so sad.
Roberta: Very sad. Very sad. Ugh.
Ryan: Well on that positive note. So I’ll keep my things to three as well. School is back in session for most, and so that’s, it also means everyone else’s lives are coming back to the city and hopefully you feel reenergized and rejuvenated from your summer. Tyler School of Art and Architecture has Black Like That: Our Lives As Living Praxis. Then you can see that review up on an Artblog as, as well as that event is up. August 30th is the opening for that. That’s at 5:00 PM and that’ll run through December. Yeah. So a show we’re seeing also, you can see a pre ahead of time show there on the Artblog. See that review?
Then I want to talk about the Boy Bands Have Won. That’s my theater pick of the week. It’s part of Fringe. It’s just a couple-day show, so I thought I would send it out in advance. The love-hate I have with Fringe is that you, it’s hard to find out information about them. It’s hard to know if it’s going to be any good or if it’s just going to be wild and you’re just.
There for the experience of having gone. And some of them are so amazing and they’re only there for two shows and you don’t have enough time to get everyone else to have the time to go see these shows. So this show is September 6th, it’s at Rosie’s Taco Bar. Which is going to, which you’re going to have to love.
That’s 624 South sixth Street. I’m not quite sure what it’s going to be, but I thought, but it looks really cool. It definitely seems like it’s going to be music and fun and festive. It’s going to be French, so you know, use that as your metric, your gauge to assess if that’s for you. My third thing is the Philadelphia Ecology Club is.
Is having their first annual fun Philadelphia festival. Again, just a little over a week is in Saturday, September 7th. That’s from 11:00 AM to 3:00 PM at the Schull Center in Philadelphia. That’s 8480 Hagy’s Mill Road. If you haven’t been there, it’s a little bit funny to get to, but it’s not too hard.
That looks pretty interesting. If you’re interested in mushrooms, fungus, fungi, fungi.
Roberta: I have to mention that we have a post coming up soon that’s a Q and A between Lane Spiel, one of our writers, and Chenxi Shao an artist who is big into mycology and has and grows mushrooms as part of her art. So yes. Mycology coming up for you people.
Ryan: Yeah. I love it. I, there have been so many fascinating books on, on ology and underground networks and how shares communicate and share nutrients with one another through mycelium networks. Kidding. It’s really profound. Yeah. Yeah, if you haven’t read those books, there’s a, there’s a couple really standout pieces about trees and trees, communication and sharing of nutrients and mothered trees in the forest. Really amazing stuff.
Roberta: Do they all have souls? They must all have souls. Ryan, don’t you think?
Ryan: Yeah, it’s. It’s wild. You know, I remember anecdotally just reading a, a section that they were talking about, a dying tree will pass on its nutrients to the younger ones. As like it’s dying act. Wow. That’s a tree we’re talking about.
Roberta: Amazing. I’ve heard of two trees that sort of grew up as siblings sort of close together and one of them dies and then the other one dies. Sort of, they can’t live without each other.
Ryan: It’s a mirror world as much as we, we see the difference. There’s a lot of similarities.
Roberta: Yeah, for sure.
Ryan: We all share the same mother, I guess.
Roberta: Yeah. Yes we all have cells, molecules, that sort of thing. So we’re all made out of the same kind of stuff basically.
Ryan: Those are my three. Yeah. Fringes coming up. So there’s going to be a lot of interesting theater stuff. Theater world is just popping right now too. There’s a lot of things happening at Temple too, which has really been interesting.
Hmm. They’re pushing a lot of different things. A lot of those are on, on Connect already. Hmm. Other ones that if we’ve missed, throw them up there. We’ll keep the, we’ll keep the list growing and active so you have the one-stop shop place to look for everything. If you, if you find something that is interesting and random, put it our way.
And we’ll get it up there.
Roberta: Definitely.
Ryan: Well, those are my three picks for the week.
Roberta: Cool. Well, let’s give people a glimpse of what’s coming, the Artblog, art market. We’ve been talking about this a little bit behind the scenes and a little bit on the news post with you, but we are ready to announce it and we’ll be rolling out the PR pretty soon.
We’ll put a link into where you can find information about it. Like what are the artists? There are going to be 24 artists in this. Plus, Partners and Son and Ulises and Artblog are tabling. So it’s going to be affordable art by local artists that we’re very happy to work with. And it was co-curated by Artblog along with Terry Salin, Chris Hammes, and Tim McFarland.
So shout out to those guys. We’re going to have lots of programs to go with it, like Kiana Butler’s Black Hippie Art Sketch Club. We don’t have a date for that yet. We need to work with Kiana and schedule it. And of course Artblog’s 21st birthday party, which will always, every year we have one. And it’s always fun and everybody’s welcome.
So this is going to be, did I say Moore College of Art and Design in the Paley Gallery, which is a beautiful space. Lots of art, lots of affordable art, and right before the holidays it opens October 4th and goes till December 7th. So, yeah, and this is in conjunction with another show at Moore going on at the same time.
That is kind of a sister show called Price Lists and Placements, not Place Mats, placements. And it’s a show curated by. Moore College Gallery Director Gabrielle Lavin, and it has nine artists in it, I believe. And again, affordable art is the hallmark of this show, and it should be really wonderful. It’s a shopping event at Moore College.
Ryan: Your pre-Black Friday Art Sale. Yes, but ours will cover black Friday as well. But we’ll be open.
Roberta: We’ll be open.
Ryan: We also hope to do our podcast from there as well. So if you want to come by and be in our audience or ask a live question and get yourself on there posterity, get yourself interviewed.
Roberta: Why not come in and be interviewed.
Ryan: I knew this podcast back when they were at Moore College. Come hang out with us.
Roberta: Absolutely.
Ryan: If you go to school there, just come have lunch with us.
Roberta: Yeah, bring lunch. Okay. We’ll be sitting there. So bring us something to eat.
Ryan: Yeah, well, sure. Snacks for the whole class.
Roberta: Yes. Enough for the whole class. Exactly. Cupcakes for everyone.
Ryan: Sounds good.
Roberta: Okay, well that’s it for me today. Ryan, I. I think that’s it. Are you okay?
Ryan: I am super great.
Roberta: Okay, great. Well, that I know. Anyway, so let’s talk again, reconvene next week, but let’s say Arriva Deci. And this is Roberta saying, bye-Bye.
Ryan: And this is Ryan, and this has been the midweek news on our blog radio. Bye-Bye.
Washington
Western Washington braces for wind, rain and hazardous Cascade travel through Thursday
WASHINGTON STATE — Winter was nearly out of here, but after months of hitting the snooze button, the season has decided to wake up.
Western Washington has already seen a return to wintry conditions over the past few days, including brief lowland snow in the North Sound on Tuesday morning. The Cascades are covered in fresh snow, with nearly 3 feet reported at Stevens Pass in the past 48 hours.
An extended plume of moisture — known as an atmospheric river — is expected to move into the Northwest tonight through Thursday. This is not a “Pineapple Express”-style system, as it is oriented straight across the Pacific rather than tapping into warmer air near Hawaii. That means steady precipitation, but snow levels should remain near pass level instead of rising significantly, as they did during storms in December.
Rain is spreading across the region tonight, gradually pushing out the remaining cold air near sea level. Some wet snow or sleet may briefly mix with rain in the lowlands, but it is not expected to last. Overnight lows will hover near 40 degrees in Seattle and Tacoma.
Snow is already falling in the mountains and will intensify on Wednesday. A winter storm warning is in effect for the Cascades, where an additional 1 to 2 feet of snow is expected in the next 24 hours. In the lowlands, periods of cool March rain are expected on Wednesday, with damp conditions for both the morning and evening commutes. High temperatures will reach about 50 degrees in the metro area, close to normal for this time of year.
Feet of snow, gusts up to 50+ mph expected in the Cascade and Olympic Mountains
The heavy snow and gusty wind expected have prompted a rare Blizzard Warning in the mountains Wednesday Evening.{ } Image courtesy of the KOMO 4 Forecast Team.{ }(KOMO News)
By Wednesday evening, a rapidly strengthening area of low pressure will move through Western Washington. Southerly winds of 30 to 50 mph, with gusts up to 55 mph, are expected across the region, including along the coast and through Puget Sound. The strongest winds between Kitsap and King counties are expected between 7 p.m. and 11 p.m. A wind advisory is in effect, and gusty conditions could cause tree damage and power outages.
As the storm moves east, winds will shift to the west in the Strait of Juan de Fuca and the San Juan Islands. Gusts of 40 to 55 mph are possible in areas such as Oak Harbor, Port Angeles, and Anacortes.
Strong winds combined with heavy mountain snow have prompted a blizzard warning for parts of the Cascades and Olympics from 6 p.m. Wednesday to 5 a.m. Thursday. Winds could exceed 60 mph near mountain peaks and remain strong near the passes. Travel across the Cascades is expected to be hazardous on Wednesday night.
Heavy rain, mountain snow and gusty winds will make for a stormy Wednesday and Thursday around the region. Image courtesy of the KOMO 4 Forecast Team. (KOMO News)
By Thursday, winds will ease, but rain in the lowlands and snow in the mountains will continue. Snow levels are expected to remain near 2,000 feet through Thursday and Friday, adding to late-season snowfall at the passes and ski areas.
Another push of colder air is expected Friday night into Saturday, lowering snow levels to about 500 feet by Saturday morning. Some brief, light accumulations of lowland snow are possible. High temperatures on Saturday will struggle to rise much above the lower 40s.
Conditions are expected to improve Sunday and Monday, with drier weather and increasing sunshine just in time for St. Patrick’s Day. Highs could approach 60 degrees by Monday afternoon.
Until then, winter appears to be making one final push.
Washington
Meet the 90-year-old old retired Chicago teacher who stays active by jumping rope
Monday, March 9, 2026 6:59PM
CHICAGO (WLS) — Miss Ruth Washington is staying active at 90-years-young!
ABC7 Chicago is now streaming 24/7. Click here to watch
Washington is a retired Chicago Public Schools teacher. She taught from 1969 to 1993.
She spent the last 10 years of her career teaching Pre-K at Fort Dearborn Elementary School on Chicago’s South Side.
She jumps rope with the 40+ Double Dutch Club in Pullman.
The organization was created to give women a fun outlet to improve physical and mental health.
Her advice on staying active into your 90s is: “pray to God, find an activity you love, and remember to treat others with the love that our civil rights leaders taught us.”
To learn about the 40+ Double Dutch Club, click here.
Copyright © 2026 WLS-TV. All Rights Reserved.
Washington
Washington Classical Review
Viviana Goodwin in the title role and Justin Austin as Remus in Scott Joplin’s Treemonisha at Washington National Opera. Photo: Elman Studios
Washington National Opera has survived its exodus from the Kennedy Center. In the first performance since ending the affiliation agreement with its former home, WNO delivered a beautiful and timely production of Scott Joplin’s only surviving opera, Treemonisha. The substitute venue, Lisner Auditorium, resounded with a sold-out audience of enthusiastic supporters, something WNO had not drawn to the KC in months.
Treemonisha is a young black woman found as a baby under a tree by her adoptive parents, Monisha and Ned. Educated by a white woman, she teaches others in her rural community, near Texarkana (where Joplin himself was raised), to read and write. After she defeats the local conjurers, who use superstition to cheat and swindle, the community elects her as their leader.
This version of Treemonisha, while still largely recognizable as Joplin’s work, has been adapted and orchestrated by composer Damien Sneed, with some new dialogue and lyrics by Kyle Bass. The work remains a lightweight piece in many ways: an operetta more than an opera, with spoken dialogue and incorporating a range of popular musical styles, a compendium of the music Joplin heard and played in his youth, from ragtime to spirituals to barbershop quartet. The adaptation tightens some of the dramatic structure, while bringing out the originality of Joplin’s compositional voice.
Soprano Viviana Goodwin, a Cafritz Young Artist heard as Clara in last season’s Porgy and Bess, made an eloquent and winsome Treemonisha. Her lyrical voice suited the character’s dreamy, idealistic arias, and her supple top range provided more than enough power to carry the opera’s major climaxes. The changes to the opera, especially Treemonisha’s romance with and marriage to Remus, only implied in Joplin’s score, made the character more human than idealized savior.
The role of Remus, written by Joplin for a tenor, had to be adjusted somewhat for baritone Justin Austin to sing it. While not ideal musically, the change made sense in terms of casting: the earnest Austin, tall and imposing, proved a sinewy presence. Sneed, while doing away with the duet between Monisha and Ned (“I Want to See My Child”), showed the growing love between Remus and Tremonisha by giving them a hummed duet as they returned to the community, to the tune of “Marching Onward” from the opera’s final number.
Kevin Short as Ned and Tichina Vaughan as Monisha in WNO’s Treemonisha. Photo: Elman Studios
Tichina Vaughn brought a burnished mezzo-soprano and dignified stage presence to the motherly role of Monisha, with some potent high notes along the way, for a solid WNO debut. Bass-baritone Kevin Short gave humor as well as authority to her husband, Ned, with some of the opera’s most lyrical moments. His big aria in Act III, “When Villains Ramble Far and Near,” had a Sarastro-like gravitas, even venturing down to a rich low D at the conclusion.
Among the supporting cast, tenor Jonathan Pierce Rhodes continues to show a broad acting range. After his turn as a trans woman, among other roles while a Cafritz Young Artist, Rhodes displayed both strutting confidence and vulnerability as the leader of the conjurers, Zodzetrick. In another change to Joplin’s libretto, in this adaptation, Zodzetrick does not take advantage of Treemonisha’s insistence on mercy by going back to his old ways but is sincerely converted.
Both tenor Hakeem Henderson and baritone Nicholas LaGesse had impressive turns, as Andy and Parson Alltalk, respectively. In Sneed’s adaptation, Alltalk is not in league with the conjurers as in Joplin’s libretto.
Director Denyce Graves, who portrayed the conjurers more as practitioners of an African or Caribbean folk religion, insisted that the staging was “not meant to mock spiritual tradition or folk belief.” Both the Parson and the conjurers, in fact, seem pious in their own ways.
The most obvious change to the score was heard at the opening of Act I, when banjo player DeAnte Haggerty-Willis took the stage to play a number before the Overture. The banjo, Joplin’s mother’s instrument, added a lovely, authentic aura throughout the evening. Sneed himself, seated at an onstage upright piano like the spirit of Scott Joplin, joined the opening number and added musical touches to the orchestral fabric throughout the performance. Sneed’s orchestration used a limited number of strings and modest woodwinds and brass, restricted by Lisner’s small pit. Kedrick Armstrong, appointed as music director of the Oakland Symphony in 2024, held things together at the podium with a calm hand.
The choral numbers, sung by the supporting cast, had a pleasing heft in the small but resonant acoustic. Sneed moved the chorus “Aunt Dinah Has Blowed de Horn” from its position at the end of Act II to open Act I, now sung by Treemonisha’s community instead of the plantation she and Remus pass through on their way home. That piece followed Joplin’s lengthy overture, which Graves decided to accompany with a pantomime. That regrettable choice, too often made by directors these days, was made worse by depicting the story of Treemonisha’s adoption, thus making redundant Monisha’s later narration of those same events.
Graves, who has embarked on a second career as a talented opera director, nonetheless created a visually appealing and dramatically cogent production. The paisley-like vine patterns covering Lawrence E. Moten III’s set pieces recalled the tree central to the plot, as well as the wreaths worn by the girls in the community. The vibrant lighting designed by Jason Lynch brought out different hues in those patterns, suiting each scene’s mood.
The choreography by Eboni Adams, performed by four elegant dancers as well as the cast, added another lively aspect to this worthy staging. The adaptation moved Joplin’s ballet, “The Frolic of the Bears,” to the start of Act II, where it served instead as an expression of the conjurers’ folk beliefs. All in all, this is a worthy staging of an American monument, kicking off a series of three American works to conclude the WNO season in style.
Treemonisha runs through March 15. washnatopera.org
Photo: Elman Studios
-
Wisconsin1 week agoSetting sail on iceboats across a frozen lake in Wisconsin
-
Massachusetts1 week agoMassachusetts man awaits word from family in Iran after attacks
-
Detroit, MI5 days agoU.S. Postal Service could run out of money within a year
-
Pennsylvania6 days agoPa. man found guilty of raping teen girl who he took to Mexico
-
Miami, FL7 days agoCity of Miami celebrates reopening of Flagler Street as part of beautification project
-
Sports7 days agoKeith Olbermann under fire for calling Lou Holtz a ‘scumbag’ after legendary coach’s death
-
Virginia7 days agoGiants will hold 2026 training camp in West Virginia
-
Culture1 week agoTry This Quiz on the Real Locations in These Magical and Mysterious Novels