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Midweek News Podcast, Washington Post, Mary on Broadway, Artblog Art Market, InfoSpace Gallery, Mycology and theater picks for the week – Artblog

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Midweek News Podcast, Washington Post, Mary on Broadway, Artblog Art Market, InfoSpace Gallery, Mycology and theater picks for the week – Artblog


Episode 274 – In this edition of Artblog’s Midweek news Roberta and I discuss the play Mary which is on Broadway which is the second week in a row Lincoln came up again. Is that a sign? The Washington Post is no longer covering galleries. I give my recommendations for the week and mycology comes up a couple times for us as well. Another sign? Lincoln and mushrooms? I’m not see the connection but I’m buying a lottery ticket just in case.  Thanks for listening ~ Ryan

Click to expand the podcast transcript

Roberta: Hi everyone, it’s Roberta.

Ryan: And this is Ryan and this is the Midweek News

Roberta: On Artblog Radio. We should talk about the news. One thing I want to say is. For you, a theater guy? Yeah. My son Max and his wife Kim, are going to New York on Thursday and one thing that they’re going to do is go go to the theater to see, oh, Mary, which you may have heard of.

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It’s about Mary Todd Lincoln. It’s sort of a comedy spoof of Mary Todd Lincoln trying to put together a burlesque review, shall we say, at the same time. Hmm, that I think the war was going on, and maybe her son Willie was dying and all these sort of things crashing in around her. So it’s supposed to be good.

I read about it. But anyway, we’ll have some more updates on that after they get back. And I pumped them for information on how, on how it was,

Ryan: well, I know that it won the best new play for off Broadway, but I don’t really know, I don’t know anything beyond that.

Roberta: Anyway, that’s it for me. In terms of my off the cuff remarks. Let’s march along into the news.

And I have three things today and two of them are sort of real news and the other is a gallery notable. So Opera Philadelphia, we learned in the newspaper today now is offering $11 tickets for its. Opera productions any seat in the house. It doesn’t confine you to the nosebleed section.

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I don’t even know where they perform these days. Is it the Academy of Music? Perhaps. I’ll have to look that up. We’ll look that up for you. Anyway, they have a new play opening or a new opera opening and. This fall and they have a new executive director or director of the company who is himself a counter tenor, which I didn’t look up, but I think those are the tenors who are quite high.

They have very high voices. So this is his first step in. Revivifying what they’re doing. They like all the arts organizations during COVI and the pandemic had a terrible time and they’re still recovering. And so it’ll be interesting to see how, how this all happens and comes about. Anyway, more power to them.

It’s really great. And this is all about Deinstitutionalize opera. So let newbies come, people that haven’t ever been before and have the curiosity. I mean, $11 is really a good price point for an opera ticket. In fact, when I was in college, we used to travel to New York from Madison, Wisconsin, driving over the icy roads with the 18 wheelers skidding around every place in the middle of winter.

And we would go to the opera. I would go to the opera. Standing room seats at the Met was really great. You had to stand, but it was still an awesome experience. Anyway. Next up on my list is sad news that the Washington Post has dropped its gallery coverage, and this comes to us via BMore Art, which announced it in its pages after the writer of the gallery column would been the long-term reviewer of gallery shows in the DC regional area.

Announced that the day before his editors had just gotten in touch with him and said basically. By the way, we’re letting go of this column on August 25th. So this is your last hurrah. Wow. Anyway, yes, really abrupt, really abrupt, really sad, and of course. That’s the Washington Post, sort of like the other dominoes that have lost their coverage of the arts through the years, like the Inquirer, which doesn’t have gallery reviews anymore.

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They, for many years had wonderful gallery reviewers Edie Newhall and Tom. Hein and Ed Suski, they were fabulous, really gritty, sort of deep thinkers and writers, really good stuff. And then it’s like they made a decision not to have it anymore, so we’re sorry to hear it. But we hope be more art picks up the slack and covers a lot of Washington DC now because they do a great job in Baltimore.

And if they could reach out to Washington, that would be a good thing. The third thing I want to mention is. InfoSpace Gallery. There’s a gallery that we know. The people who run it, it’s Celia Jailer and her cohorts. They started the quilt show in West Philadelphia a bunch of years ago. The quilting Bee that they have put its quilts up on the cyclone fencing surrounding the basketball courts.

I thought it was amazing, and they’ve done that a couple years in a row now. So then they had something called the store. Mm-Hmm. On Dickinson Street, which was also amazing. Showed a lot of interesting art and clothing and things that were artistic, but didn’t come up out of an art school and now at InfoSpace, which I think you’ve been to, right?

Ryan? Mm-Hmm. I have not been there. It’s in someone’s abode, right? Yeah. Someone’s apartment.

In Port Richmond, I think it’s way up there. Anyway, they put out a, no BFA open call, meaning they were looking for people who were already and came up outside of the system, outside of the schooling.

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And they’re saying that they’re promoting it because. There’s lots of ways to express yourself artistically, and it doesn’t have to come from a degree like A BFA or an MFA, and so more power to them. I embrace that also. And that show opens on, I think, the 15th yes. It’s called The Dirt in Our Garden.

Oh, September 14th, 5 PM to 9:00 PM. And we’ll have links to all those things, including the sad news and the gallery in the transcript. So that’s about it for me. How about you, Brian?

Ryan: Those changes always seem abrupt. Hey, you’re doing a great job. Keeping the good work in. This is your last day. It’s like, so sad.

Roberta: Very sad. Very sad. Ugh.

Ryan: Well on that positive note. So I’ll keep my things to three as well. School is back in session for most, and so that’s, it also means everyone else’s lives are coming back to the city and hopefully you feel reenergized and rejuvenated from your summer. Tyler School of Art and Architecture has Black Like That: Our Lives As Living Praxis. Then you can see that review up on an Artblog as, as well as that event is up. August 30th is the opening for that. That’s at 5:00 PM and that’ll run through December. Yeah. So a show we’re seeing also, you can see a pre ahead of time show there on the Artblog. See that review?

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Then I want to talk about the Boy Bands Have Won. That’s my theater pick of the week. It’s part of Fringe. It’s just a couple-day show, so I thought I would send it out in advance. The love-hate I have with Fringe is that you, it’s hard to find out information about them. It’s hard to know if it’s going to be any good or if it’s just going to be wild and you’re just.

There for the experience of having gone. And some of them are so amazing and they’re only there for two shows and you don’t have enough time to get everyone else to have the time to go see these shows. So this show is September 6th, it’s at Rosie’s Taco Bar. Which is going to, which you’re going to have to love.

That’s 624 South sixth Street. I’m not quite sure what it’s going to be, but I thought, but it looks really cool. It definitely seems like it’s going to be music and fun and festive. It’s going to be French, so you know, use that as your metric, your gauge to assess if that’s for you. My third thing is the Philadelphia Ecology Club is.

Is having their first annual fun Philadelphia festival. Again, just a little over a week is in Saturday, September 7th. That’s from 11:00 AM to 3:00 PM at the Schull Center in Philadelphia. That’s 8480 Hagy’s Mill Road. If you haven’t been there, it’s a little bit funny to get to, but it’s not too hard.

That looks pretty interesting. If you’re interested in mushrooms, fungus, fungi, fungi.

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Roberta: I have to mention that we have a post coming up soon that’s a Q and A between Lane Spiel, one of our writers, and Chenxi Shao an artist who is big into mycology and has and grows mushrooms as part of her art. So yes. Mycology coming up for you people.

Ryan: Yeah. I love it. I, there have been so many fascinating books on, on ology and underground networks and how shares communicate and share nutrients with one another through mycelium networks. Kidding. It’s really profound. Yeah. Yeah, if you haven’t read those books, there’s a, there’s a couple really standout pieces about trees and trees, communication and sharing of nutrients and mothered trees in the forest. Really amazing stuff.

Roberta: Do they all have souls? They must all have souls. Ryan, don’t you think?

Ryan: Yeah, it’s. It’s wild. You know, I remember anecdotally just reading a, a section that they were talking about, a dying tree will pass on its nutrients to the younger ones. As like it’s dying act. Wow. That’s a tree we’re talking about.

Roberta: Amazing. I’ve heard of two trees that sort of grew up as siblings sort of close together and one of them dies and then the other one dies. Sort of, they can’t live without each other.

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Ryan: It’s a mirror world as much as we, we see the difference. There’s a lot of similarities.

Roberta: Yeah, for sure.

Ryan: We all share the same mother, I guess.

Roberta: Yeah. Yes we all have cells, molecules, that sort of thing. So we’re all made out of the same kind of stuff basically.

Ryan: Those are my three. Yeah. Fringes coming up. So there’s going to be a lot of interesting theater stuff. Theater world is just popping right now too. There’s a lot of things happening at Temple too, which has really been interesting.

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Hmm. They’re pushing a lot of different things. A lot of those are on, on Connect already. Hmm. Other ones that if we’ve missed, throw them up there. We’ll keep the, we’ll keep the list growing and active so you have the one-stop shop place to look for everything. If you, if you find something that is interesting and random, put it our way.

And we’ll get it up there.

Roberta: Definitely.

Ryan: Well, those are my three picks for the week.

Roberta: Cool. Well, let’s give people a glimpse of what’s coming, the Artblog, art market. We’ve been talking about this a little bit behind the scenes and a little bit on the news post with you, but we are ready to announce it and we’ll be rolling out the PR pretty soon.

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We’ll put a link into where you can find information about it. Like what are the artists? There are going to be 24 artists in this. Plus, Partners and Son and Ulises and Artblog are tabling. So it’s going to be affordable art by local artists that we’re very happy to work with. And it was co-curated by Artblog along with Terry Salin, Chris Hammes, and Tim McFarland.

So shout out to those guys. We’re going to have lots of programs to go with it, like Kiana Butler’s Black Hippie Art Sketch Club. We don’t have a date for that yet. We need to work with Kiana and schedule it. And of course Artblog’s 21st birthday party, which will always, every year we have one. And it’s always fun and everybody’s welcome.

So this is going to be, did I say Moore College of Art and Design in the Paley Gallery, which is a beautiful space. Lots of art, lots of affordable art, and right before the holidays it opens October 4th and goes till December 7th. So, yeah, and this is in conjunction with another show at Moore going on at the same time.

That is kind of a sister show called Price Lists and Placements, not Place Mats, placements. And it’s a show curated by. Moore College Gallery Director Gabrielle Lavin, and it has nine artists in it, I believe. And again, affordable art is the hallmark of this show, and it should be really wonderful. It’s a shopping event at Moore College.

Ryan: Your pre-Black Friday Art Sale. Yes, but ours will cover black Friday as well. But we’ll be open.

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Roberta: We’ll be open.

Ryan: We also hope to do our podcast from there as well. So if you want to come by and be in our audience or ask a live question and get yourself on there posterity, get yourself interviewed.

Roberta: Why not come in and be interviewed.

Ryan: I knew this podcast back when they were at Moore College. Come hang out with us.

Roberta: Absolutely.

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Ryan: If you go to school there, just come have lunch with us.

Roberta: Yeah, bring lunch. Okay. We’ll be sitting there. So bring us something to eat.

Ryan: Yeah, well, sure. Snacks for the whole class.

Roberta: Yes. Enough for the whole class. Exactly. Cupcakes for everyone.

Ryan: Sounds good.

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Roberta: Okay, well that’s it for me today. Ryan, I. I think that’s it. Are you okay?

Ryan: I am super great.

Roberta: Okay, great. Well, that I know. Anyway, so let’s talk again, reconvene next week, but let’s say Arriva Deci. And this is Roberta saying, bye-Bye.

Ryan: And this is Ryan, and this has been the midweek news on our blog radio. Bye-Bye.



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Where Texas became Texas: Washington-on-the-Brazos plans July 4 celebrations

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Where Texas became Texas: Washington-on-the-Brazos plans July 4 celebrations


NAVASOTA, Texas (KBTX) – For many Texans, the Fourth of July is about fireworks and family cookouts. At Washington-on-the-Brazos State Historic Site, it’s also about standing where Texas’ own independence story began, and marking a milestone in how the Lone Star State became part of the nation it celebrates.

The Texas historic site, set on 293 acres of parkland along the Brazos River, is known as “Where Texas Became Texas.” It is the place where 59 delegates met and signed the Texas Declaration of Independence from Mexico on March 2, 1836, launching what would become the Republic of Texas.

From 1836 to 1846, Texas existed as a separate nation, before the question of annexation came to the forefront. Site staff say Washington-on-the-Brazos offers a “bookended” look at the Republic’s decade-long history because discussions about joining the United States also took place there and were ultimately voted on in the property.

This year’s July 4 programming is designed to connect those chapters of Texas history with the national holiday, including a commemoration tied directly to the Lone Star being added to the American flag.

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“This is also the 180th anniversary of when Texas was added to the American flag,” said Chandler Wahrmund, assistant site manager for the Fanthorp Inn State Historic Site, which is part of the broader Republic of Texas Complex.

A historic site with multiple stops

Washington-on-the-Brazos includes several major attractions:

  • Visitor Center: The recommended starting point for guests. It features interactive exhibits presenting a timeline of the Texas Revolution and includes the Museum Store, with snacks and Texas-themed items. The Visitor Center is free and is where visitors can gather information and purchase entry tickets for the site’s paid attractions.
  • Independence Hall: A replica building that sits on the spot where the Texas Declaration of Independence was signed, allowing visitors to visualize where that pivotal moment unfolded.
  • Star of the Republic Museum: A central museum on the grounds focused on the Republic era.
  • Barrington Living History Farm: A living-history area that interprets life in the Republic of Texas period through demonstrations and activities.

The historic site is also the core of the Republic of Texas Complex, which includes Fanthorp Inn, a preserved 19th-century stagecoach inn in nearby Anderson.

July 4 events across the grounds

Staff say this year’s July 4 celebration will include activities happening throughout the site, with scheduled programs at key times.

According to site staff, the day includes:

  • Flag raising ceremony at 11 a.m.
  • Readings of the American Declaration of Independence at 1 p.m. and 3 p.m.
  • Star of the Republic Museum cockade-making, creating patriotic lapel decorations
  • Barrington Living History Farm games, including trap ball, a precursor to baseball
  • Townsite activities at Hatfield’s Exchange, a recreated high-class bar from the period, with lemonade and other period-inspired nonalcoholic drinks for visitors

Wahrmund said the day is a chance to revisit the country’s founding words, and understand why they still matter.

“I love to read the words of Thomas Jefferson on the day, July 4th, to really understand why we exist as a nation,” he said.

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Hours and admission

Washington-on-the-Brazos State Historic Site will be open 10 a.m. to 4:30 p.m. on July 4, and admission is free all day.

Copyright 2026 KBTX. All rights reserved.



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Where can you watch fireworks in Washington DC on the Fourth of July?

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Where can you watch fireworks in Washington DC on the Fourth of July?


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With 150,000 people expected to attend Saturday’s Fourth of July festivities on the National Mall in Washington DC, locals and tourists alike may be looking for alternative options to view fireworks on America’s 250th birthday.

Washington DC will offer a secondary firework show on the 4th, and there will be plenty of areas in the city and surrounding neighborhoods to catch the big firework display at the National Mall.

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Here’s a look at some of the best places to watch the July 4 fireworks in Washington DC.

Where can you watch fireworks in Washington DC on July 4th?

The National Mall will be the most popular area to watch fireworks, with President Donald Trump promising “the largest fireworks show in history.” Officials say 850,000 firework shells will be launched, potentially breaking a Guinness World Record.

But you don’t need to be at the crowded mall and its strict security measures in order to watch the display.

The organizers of the firework show, Freedom 250, say there will also be viewing spots at Hains Point, Columbia Marina, Gravelly Point, RFK Stadium, Meridian Hill Park, Union Station, Lower Senate Park and Upper Senate Park.

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Other popular areas to watch the fireworks include the Cardozo Education Campus in Columbia Heights, the Washington National Cathedral in northwest DC, Lady Bird Johnson Park off the Potomac River and the steps of the U.S. Supreme Court Building on Capitol Hill.

Washington DC officials have also released an interactive map that allows you to see your view of the fireworks from any place in the city.

Are there any other fireworks shows in Washington DC on July 4th?

Anacostia Park will serve as the viewing area for a separate fireworks display that will be concurrent with the National Mall fireworks, which are expected to begin at 11 p.m.

DC officials say you can enter the park through Marion Barry Ave. SE, Nicholson St. SE or the Anacostia Riverwalk Trail near the Skate Pavilion.

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The event is free to the public, as is the National Mall’s show.



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Colorado Democrats punish Washington ties in primaries

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Colorado Democrats punish Washington ties in primaries


After DSA candidates roiled traditional Democrats with wins in New York City last week, Tuesday’s primary in a Denver-centered district tested whether the left wing’s appeal could prevail elsewhere. 

It turns out the democratic socialists’ reach extends well beyond New York — and it may well grow before the year is out. 

Melat Kiros, backed by the national Democratic Socialists of America and Vermont Sen. Bernie Sanders, upset Rep. Diana DeGette, who has held her reliably blue seat for almost 30 years. 

“What we’re seeing right now is the response to voters feeling like the party has not actually been fighting for working people,” Kiros told MS NOW last week. 

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The result is that Kiros, a critic of the Israeli government and high-ranking Democratic leaders, will likely be a member of Congress come next year. That happened even as DeGette cast the race as a warning, with President Donald Trump’s second term continuing to upend governance from the nation’s capital.

“Now is not the time to gamble and send somebody with no experience to Washington,” DeGette said during a recent candidate forum. “We need a strong, bold, hardened leader who will hold Trump accountable.” 

The result was one of several Colorado results Tuesday to test incumbents or prominent statewide officials navigating a turbulent moment in Democratic politics — one in which voters have shown an appetite for untested fighters over familiar faces who’ve served in Washington’s halls of power. 

The night’s theme wasn’t clear-cut; the three marquee races diverged on everything from ideology to questions of approach and clout. But each pitted an incumbent whose Congressional ties became fodder for a challenger.

In 2020, Democrats’ ability to woo former Gov. John Hickenlooper into the Senate race was seen as a boon for a party trying to unseat incumbent GOP Sen. Cory Gardner, one of the last Republicans left representing a blue state in the Senate. That move came after Hickenlooper’s 2020 presidential primary campaign fizzled. Even so, he faced a somewhat-competitive primary that year, taking 58.7% to his challenger’s 41.3%. Hickenlooper went on to win the seat that November by a little over nine points. 

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