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Midweek News Podcast, Washington Post, Mary on Broadway, Artblog Art Market, InfoSpace Gallery, Mycology and theater picks for the week – Artblog

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Midweek News Podcast, Washington Post, Mary on Broadway, Artblog Art Market, InfoSpace Gallery, Mycology and theater picks for the week – Artblog


Episode 274 – In this edition of Artblog’s Midweek news Roberta and I discuss the play Mary which is on Broadway which is the second week in a row Lincoln came up again. Is that a sign? The Washington Post is no longer covering galleries. I give my recommendations for the week and mycology comes up a couple times for us as well. Another sign? Lincoln and mushrooms? I’m not see the connection but I’m buying a lottery ticket just in case.  Thanks for listening ~ Ryan

Click to expand the podcast transcript

Roberta: Hi everyone, it’s Roberta.

Ryan: And this is Ryan and this is the Midweek News

Roberta: On Artblog Radio. We should talk about the news. One thing I want to say is. For you, a theater guy? Yeah. My son Max and his wife Kim, are going to New York on Thursday and one thing that they’re going to do is go go to the theater to see, oh, Mary, which you may have heard of.

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It’s about Mary Todd Lincoln. It’s sort of a comedy spoof of Mary Todd Lincoln trying to put together a burlesque review, shall we say, at the same time. Hmm, that I think the war was going on, and maybe her son Willie was dying and all these sort of things crashing in around her. So it’s supposed to be good.

I read about it. But anyway, we’ll have some more updates on that after they get back. And I pumped them for information on how, on how it was,

Ryan: well, I know that it won the best new play for off Broadway, but I don’t really know, I don’t know anything beyond that.

Roberta: Anyway, that’s it for me. In terms of my off the cuff remarks. Let’s march along into the news.

And I have three things today and two of them are sort of real news and the other is a gallery notable. So Opera Philadelphia, we learned in the newspaper today now is offering $11 tickets for its. Opera productions any seat in the house. It doesn’t confine you to the nosebleed section.

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I don’t even know where they perform these days. Is it the Academy of Music? Perhaps. I’ll have to look that up. We’ll look that up for you. Anyway, they have a new play opening or a new opera opening and. This fall and they have a new executive director or director of the company who is himself a counter tenor, which I didn’t look up, but I think those are the tenors who are quite high.

They have very high voices. So this is his first step in. Revivifying what they’re doing. They like all the arts organizations during COVI and the pandemic had a terrible time and they’re still recovering. And so it’ll be interesting to see how, how this all happens and comes about. Anyway, more power to them.

It’s really great. And this is all about Deinstitutionalize opera. So let newbies come, people that haven’t ever been before and have the curiosity. I mean, $11 is really a good price point for an opera ticket. In fact, when I was in college, we used to travel to New York from Madison, Wisconsin, driving over the icy roads with the 18 wheelers skidding around every place in the middle of winter.

And we would go to the opera. I would go to the opera. Standing room seats at the Met was really great. You had to stand, but it was still an awesome experience. Anyway. Next up on my list is sad news that the Washington Post has dropped its gallery coverage, and this comes to us via BMore Art, which announced it in its pages after the writer of the gallery column would been the long-term reviewer of gallery shows in the DC regional area.

Announced that the day before his editors had just gotten in touch with him and said basically. By the way, we’re letting go of this column on August 25th. So this is your last hurrah. Wow. Anyway, yes, really abrupt, really abrupt, really sad, and of course. That’s the Washington Post, sort of like the other dominoes that have lost their coverage of the arts through the years, like the Inquirer, which doesn’t have gallery reviews anymore.

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They, for many years had wonderful gallery reviewers Edie Newhall and Tom. Hein and Ed Suski, they were fabulous, really gritty, sort of deep thinkers and writers, really good stuff. And then it’s like they made a decision not to have it anymore, so we’re sorry to hear it. But we hope be more art picks up the slack and covers a lot of Washington DC now because they do a great job in Baltimore.

And if they could reach out to Washington, that would be a good thing. The third thing I want to mention is. InfoSpace Gallery. There’s a gallery that we know. The people who run it, it’s Celia Jailer and her cohorts. They started the quilt show in West Philadelphia a bunch of years ago. The quilting Bee that they have put its quilts up on the cyclone fencing surrounding the basketball courts.

I thought it was amazing, and they’ve done that a couple years in a row now. So then they had something called the store. Mm-Hmm. On Dickinson Street, which was also amazing. Showed a lot of interesting art and clothing and things that were artistic, but didn’t come up out of an art school and now at InfoSpace, which I think you’ve been to, right?

Ryan? Mm-Hmm. I have not been there. It’s in someone’s abode, right? Yeah. Someone’s apartment.

In Port Richmond, I think it’s way up there. Anyway, they put out a, no BFA open call, meaning they were looking for people who were already and came up outside of the system, outside of the schooling.

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And they’re saying that they’re promoting it because. There’s lots of ways to express yourself artistically, and it doesn’t have to come from a degree like A BFA or an MFA, and so more power to them. I embrace that also. And that show opens on, I think, the 15th yes. It’s called The Dirt in Our Garden.

Oh, September 14th, 5 PM to 9:00 PM. And we’ll have links to all those things, including the sad news and the gallery in the transcript. So that’s about it for me. How about you, Brian?

Ryan: Those changes always seem abrupt. Hey, you’re doing a great job. Keeping the good work in. This is your last day. It’s like, so sad.

Roberta: Very sad. Very sad. Ugh.

Ryan: Well on that positive note. So I’ll keep my things to three as well. School is back in session for most, and so that’s, it also means everyone else’s lives are coming back to the city and hopefully you feel reenergized and rejuvenated from your summer. Tyler School of Art and Architecture has Black Like That: Our Lives As Living Praxis. Then you can see that review up on an Artblog as, as well as that event is up. August 30th is the opening for that. That’s at 5:00 PM and that’ll run through December. Yeah. So a show we’re seeing also, you can see a pre ahead of time show there on the Artblog. See that review?

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Then I want to talk about the Boy Bands Have Won. That’s my theater pick of the week. It’s part of Fringe. It’s just a couple-day show, so I thought I would send it out in advance. The love-hate I have with Fringe is that you, it’s hard to find out information about them. It’s hard to know if it’s going to be any good or if it’s just going to be wild and you’re just.

There for the experience of having gone. And some of them are so amazing and they’re only there for two shows and you don’t have enough time to get everyone else to have the time to go see these shows. So this show is September 6th, it’s at Rosie’s Taco Bar. Which is going to, which you’re going to have to love.

That’s 624 South sixth Street. I’m not quite sure what it’s going to be, but I thought, but it looks really cool. It definitely seems like it’s going to be music and fun and festive. It’s going to be French, so you know, use that as your metric, your gauge to assess if that’s for you. My third thing is the Philadelphia Ecology Club is.

Is having their first annual fun Philadelphia festival. Again, just a little over a week is in Saturday, September 7th. That’s from 11:00 AM to 3:00 PM at the Schull Center in Philadelphia. That’s 8480 Hagy’s Mill Road. If you haven’t been there, it’s a little bit funny to get to, but it’s not too hard.

That looks pretty interesting. If you’re interested in mushrooms, fungus, fungi, fungi.

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Roberta: I have to mention that we have a post coming up soon that’s a Q and A between Lane Spiel, one of our writers, and Chenxi Shao an artist who is big into mycology and has and grows mushrooms as part of her art. So yes. Mycology coming up for you people.

Ryan: Yeah. I love it. I, there have been so many fascinating books on, on ology and underground networks and how shares communicate and share nutrients with one another through mycelium networks. Kidding. It’s really profound. Yeah. Yeah, if you haven’t read those books, there’s a, there’s a couple really standout pieces about trees and trees, communication and sharing of nutrients and mothered trees in the forest. Really amazing stuff.

Roberta: Do they all have souls? They must all have souls. Ryan, don’t you think?

Ryan: Yeah, it’s. It’s wild. You know, I remember anecdotally just reading a, a section that they were talking about, a dying tree will pass on its nutrients to the younger ones. As like it’s dying act. Wow. That’s a tree we’re talking about.

Roberta: Amazing. I’ve heard of two trees that sort of grew up as siblings sort of close together and one of them dies and then the other one dies. Sort of, they can’t live without each other.

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Ryan: It’s a mirror world as much as we, we see the difference. There’s a lot of similarities.

Roberta: Yeah, for sure.

Ryan: We all share the same mother, I guess.

Roberta: Yeah. Yes we all have cells, molecules, that sort of thing. So we’re all made out of the same kind of stuff basically.

Ryan: Those are my three. Yeah. Fringes coming up. So there’s going to be a lot of interesting theater stuff. Theater world is just popping right now too. There’s a lot of things happening at Temple too, which has really been interesting.

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Hmm. They’re pushing a lot of different things. A lot of those are on, on Connect already. Hmm. Other ones that if we’ve missed, throw them up there. We’ll keep the, we’ll keep the list growing and active so you have the one-stop shop place to look for everything. If you, if you find something that is interesting and random, put it our way.

And we’ll get it up there.

Roberta: Definitely.

Ryan: Well, those are my three picks for the week.

Roberta: Cool. Well, let’s give people a glimpse of what’s coming, the Artblog, art market. We’ve been talking about this a little bit behind the scenes and a little bit on the news post with you, but we are ready to announce it and we’ll be rolling out the PR pretty soon.

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We’ll put a link into where you can find information about it. Like what are the artists? There are going to be 24 artists in this. Plus, Partners and Son and Ulises and Artblog are tabling. So it’s going to be affordable art by local artists that we’re very happy to work with. And it was co-curated by Artblog along with Terry Salin, Chris Hammes, and Tim McFarland.

So shout out to those guys. We’re going to have lots of programs to go with it, like Kiana Butler’s Black Hippie Art Sketch Club. We don’t have a date for that yet. We need to work with Kiana and schedule it. And of course Artblog’s 21st birthday party, which will always, every year we have one. And it’s always fun and everybody’s welcome.

So this is going to be, did I say Moore College of Art and Design in the Paley Gallery, which is a beautiful space. Lots of art, lots of affordable art, and right before the holidays it opens October 4th and goes till December 7th. So, yeah, and this is in conjunction with another show at Moore going on at the same time.

That is kind of a sister show called Price Lists and Placements, not Place Mats, placements. And it’s a show curated by. Moore College Gallery Director Gabrielle Lavin, and it has nine artists in it, I believe. And again, affordable art is the hallmark of this show, and it should be really wonderful. It’s a shopping event at Moore College.

Ryan: Your pre-Black Friday Art Sale. Yes, but ours will cover black Friday as well. But we’ll be open.

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Roberta: We’ll be open.

Ryan: We also hope to do our podcast from there as well. So if you want to come by and be in our audience or ask a live question and get yourself on there posterity, get yourself interviewed.

Roberta: Why not come in and be interviewed.

Ryan: I knew this podcast back when they were at Moore College. Come hang out with us.

Roberta: Absolutely.

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Ryan: If you go to school there, just come have lunch with us.

Roberta: Yeah, bring lunch. Okay. We’ll be sitting there. So bring us something to eat.

Ryan: Yeah, well, sure. Snacks for the whole class.

Roberta: Yes. Enough for the whole class. Exactly. Cupcakes for everyone.

Ryan: Sounds good.

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Roberta: Okay, well that’s it for me today. Ryan, I. I think that’s it. Are you okay?

Ryan: I am super great.

Roberta: Okay, great. Well, that I know. Anyway, so let’s talk again, reconvene next week, but let’s say Arriva Deci. And this is Roberta saying, bye-Bye.

Ryan: And this is Ryan, and this has been the midweek news on our blog radio. Bye-Bye.



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Washington

Washington Watch: CCAMPIS grant competition announced – Community College Daily

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Washington Watch: CCAMPIS grant competition announced – Community College Daily


The U.S. Department of Health and Human Services (HHS), “on behalf of the Department of Education (ED),” on Monday released a Notice Inviting Grant Applications for the Child Care Access Means Parents in School (CCAMPIS) program. Applications are due by May 29.

Last November, ED announced that it had entered into an interagency agreement with HHS to administer the CCAMPIS program. This is the first CCAMPIS competition conducted under this arrangement.

Approximately $73.5 million will go to institutions of higher education that awarded at least $250,000 in Pell grants to enrolled students in FY 2025. HHS will award about 148 grants, ranging from $150,000 to $1 million.

The terms of the grant competition are not significantly different than prior competitions. As before, there are two absolute grant priorities that every application must address – leveraging non-federal resources and utilizing a sliding-fee scale for low-income parents.

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This year’s competition includes only one invitational priority that reflects the Trump administration’s general educational policy. The new priority, entitled “Expanding Education Choice in Early Learning Settings,” encourages applications that “expand access to education choice … including by empowering parents in choosing the early learning setting that best meets their family’s needs.” Flexible childcare programs that include drop-in care and care during nontraditional hours are also encouraged.

One other notable difference from prior competitions is an expanded “Terms and Conditions” section that not only requires compliance with applicable civil rights laws, but also refers to Trump administration Executive Orders and guidance on racial discrimination that clarify “the application of federal antidiscrimination laws to programs or initiatives that may involve discriminatory practices, including those labeled as Diversity, Equity, and Inclusion (“DEI”) programs.” This includes any “discriminatory equity ideology [as defined in Executive Order 14190] in violation of a federal antidiscrimination law.”

The exact scope of these terms is unclear because courts have not found many of the practices described in these Executive Orders and guidance documents to be violations of federal law.



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A look at the roots (and routes) of immigration to Washington

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A look at the roots (and routes) of immigration to Washington


The Newsfeed

This week, the team brings you stories about how communities including Filipino immigrants, Sephardic Jews and Somalis arrived in the Pacific Northwest

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Each week on The Newsfeed, host Paris Jackson and a team of veteran journalists dive deep into one topic and provide impactful reporting, interviews and community insights from sources you can trust. Each day this week, this post will be updated with a new story from the team.

Group hopes to boost recognition for Seattle’s Filipinotown 



By Venice Buhain

The group Filipinotown Seattle hopes to make sure that the legacy of Filipino Americans in Seattle’s Chinatown-International District isn’t forgotten. 

One of the group’s current projects is pushing for a Filipinotown placemarking sign in the CID. 

“Filipino Americans have had a presence here for over 100 years in Seattle,” said Filipinotown Seattle Executive Director Devin Israel Cabanilla.  

He said that the signage is important to remind people that “the International District is not just Chinatown. Japantown. Filipinotown is here as well.” 

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The group held a poll on what signage might look like and where it might be located. It would be similar to the Chinatown sign on South Jackson Street and Fifth Avenue South, or the Wing Luke Museum  

In the early 20th century, the area now known as the CID was a hub full of businesses, entertainment, social groups and housing that served Seattle’s growing immigrant population from Asia and elsewhere. The communities all intermingled throughout the CID. 

“This area was a central place for Asian Pacific immigrants simply because of segregation,” Cabanilla said. 

Because the Philippines was a U.S. territory from 1898 to 1946, Filipino immigrants were unaffected by laws in the 1920s that restricted immigration from Japan or China. Many Filipinos came to study at the University of Washington or to work in burgeoning industries, like lumber, farming, canneries and factories.  

While the physical Filipino presence in terms of buildings and storefronts in the CID dwindled in the later 20th century with redevelopment, Seattle Filipinos and Filipino Americans continued to make impacts locally, regionally and nationally.  

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“It may not have been in terms of storefronts, but our presence has always existed in terms of politics, culture as well,” Cabanilla said. 

The Seattle Department of Transportation said it is aware that the group is working on its signage request, but the Department of Neighborhoods has not yet received a formal request. They are also working to develop a clearer process for this and other similar neighborhood signage proposals. 

Filipinotown Seattle said it hopes that the sign helps remind Seattle of the CID’s unique designation as a neighborhood shaped by many immigrants and migrants to Seattle. 

“Is it Chinatown? Is it Japantown? Is it Little Saigon? It’s all those things. And I think re cultivating that this is a multicultural district, Filipinotown is helping establish: Yes, it’s more than one thing,” Cabanilla said. 

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Venice Buhain

Venice Buhain is a multimedia journalist at Cascade PBS. She previously was the Cascade PBS’s associate news editor and education reporter. Venice has also worked for KING 5, The Seattle Globalist and TVW News.



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The Church of Jesus Christ has announced its 384th temple

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The Church of Jesus Christ has announced its 384th temple


The state of Washington is getting a seventh temple of The Church of Jesus Christ of Latter-day Saints.

The Marysville Washington Temple was announced Sunday night during a devotional in the Marysville Washington Stake by Elder Hugo E. Martinez, a General Authority Seventy in the church’s United States West Area Presidency.

“We are pleased to announce the construction of a temple in Marysville, Washington,” the First Presidency said in a statement. “The specific location and timing of the construction will be announced later. This is a reason for all of us to rejoice and express gratitude for such a significant blessing — one that will allow more frequent access to the ordinances, covenants and power that can only be found in the house of the Lord.”

The other temples in Washington are the Columbia River, Moses Lake, Seattle, Spokane, Tacoma and Vancouver temples.

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The church has 214 temples in operation. Plans for another 170 temples have been announced; many of those temples are in various stages of planning and construction.

Sunday’s temple announcement follows the new practice of the church’s First Presidency, which determines where temples will be built — and when and how they will be announced.

The First Presidency directed a General Authority Seventy to announce the first temple in Maine at a fireside there in December.

In January, church President Dallin H. Oaks said the Maine announcement set the pattern for future temple announcements.

“The best place to announce a temple is in that temple district,” he told the Deseret News.

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The First Presidency will continue to decide where future temples will be built. It then will “assign someone else to make the announcement in the place where the temple will be built,” he said.

This pattern came to him as a strong impression after he assumed leadership of the church in October, following the death of his friend, President Russell M. Nelson.

This came as a strong impression to him shortly after he assumed the leadership of the church, President Oaks said.

The church remains in the midst of an aggressive temple-building era. President Nelson announced 200 new temples from 2018 to 2025. All but one were announced at general conference.

Five dozen temples are now under construction.

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President Oaks now has overseen the announcement of two temples, neither at a general conference.

At the October conference he said that “with the large number of temples now in the very earliest phases of planning and construction, it is appropriate that we slow down the announcement of new temples.”

Ten new temples are scheduled to be dedicated in the next six months.

  • May 3: Davao Philippines Temple.
  • May 3: Lindon Utah Temple.
  • May 31: Bacolod Philippines Temple.
  • June 7: Yorba Linda California Temple.
  • June 7: Willamette Valley Oregon Temple.
  • Aug. 16: Belo Horizonte Brazil Temple.
  • Aug. 16: Cleveland Ohio Temple.
  • Aug. 30: Phnom Penh Cambodia Temple.
  • Oct. 11: Miraflores Guatemala City Guatemala Temple.
  • Oct. 18: Managua Nicaragua Temple.

Two-thirds of the 170 temples still to be built are outside the United States.

Temples are distinct from the meetinghouses where Latter-day Saints worship Jesus Christ each Sunday. Temples are closed on Sundays, but they open during the week as sanctuaries where church members go to find peace, make covenants with God and perform proxy ordinances for deceased relatives.



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