Washington
Have economists gone out of fashion in Washington?
Shortly after World War II, President Harry S. Truman signed into law the Employment Act of 1946. The main purpose of the law was to ensure that Americans had jobs as they came home from war and the economy wound down from wartime production. But the law had a much more lasting legacy: It created the White House Council of Economic Advisers (CEA), which has given official economic analysis and advice to presidents for over 75 years.
For the economics profession, the creation of the CEA was a big deal. All of a sudden they had a formal advisory body to the president of the United States. How many other professions get that? Not many.
Despite signing this legislation into law, however, President Truman was slow to appoint members to the council. People started prodding him. And, finally, he was like, “Fine, OK. Let’s let some egghead economists into the doors of 1600 Pennsylvania Ave.”
The president appointed two Ph.D.-trained economists and a lawyer — who had started an econ Ph.D. but never finished — to the three-member council. Of the three, Edwin Griswold Nourse, who got his Ph.D. in economics at the University of Chicago, served as the chair.
Looking back at his time as the first CEA chair in American history, Nourse complained that Truman wasn’t actually very interested in the thoughts of economists.
“U.S. News and World Report once had a lengthy survey of opinion about Mr. Truman and one of the things they said is: ‘Mr. Truman is uncomfortable with scientists and economists. They are too precise and logical. He works on a different beam,’” Nourse recalled in a 1972 interview. “And that, in my judgment, was a very true appraisal of him…. In his decisions he turned automatically to business people, political people, including lawyers.”
While economists were clearly making inroads into policy circles in the 1940s and 1950s, they were mostly just flies on the wall. They had little authority or influence.
As documented by Binyamin Appelbaum in his illuminating book The Economists’ Hour, the Federal Reserve back then, for example, was led by lawyers and businesspeople, not economists. Economists who were employed by the Fed, like Paul Volcker, worked largely in anonymity in the basement of its Washington headquarters. Truman’s predecessor, Franklin Delano Roosevelt, was apparently confused by and slightly disparaging of the work of John Maynard Keynes, a giant in the field. President Dwight D. Eisenhower warned the nation against relying too much on technocrats (which includes economists).
In short, real policymaking authority was in the hands of noneconomists.
But in the years that followed, a “revolution” swept Washington and economists became something akin to high priests of policy.
“The number of economists employed by the government rose from about 2,000 in the mid-1950s to more than 6,000 by the late 1970s,” writes Applebaum. Economists began to shape policy and take leadership roles. “Arthur F. Burns became the first economist to lead the Fed in 1970. Two years later, George Shultz became the first economist to serve as Treasury secretary. In 1978, Volcker completed his rise from the Fed’s bowels, becoming the central bank’s chairman.” (Listen to our episode about Paul Volcker’s storied tenure as Fed chairman here).
From the 1980s until somewhat recently, economists like Milton Friedman and Larry Summers were some of the most influential policy thinkers around.
But now the pendulum seems to be swinging back, with economists and their ideas increasingly being pushed back into the basement. The leading economic thinkers and policymakers are increasingly noneconomists (or, at least, people who do not have advanced degrees in the field).
The chairman of the Federal Reserve, Jerome Powell, is a former investment banker and lawyer by training.
As president, Donald Trump demoted the Council of Economic Advisers when he didn’t include its chairman in his Cabinet.
The head of President Biden’s CEA, Jared Bernstein, studied music and social work. He has no degree in economics.
Some of Kamala Harris’ top economic advisers — from Brian Deese to Mike Pyle to Deanne Millison — are all lawyers.
And on issues from free trade to immigration to tax policy to rent and price controls, both the Trump and Harris campaigns are throwing bedrock economic ideas in the trash can and embracing heterodox, populist ideas that might get you laughed at in economics courses. (The Indicator recently did an episode touching on this).
The Yale Law School Of Economics
In a recent column, economist and Bloomberg opinion writer Allison Schrager identifies one particular school that seems ascendant in economic policymaking circles — and it’s not an economics one. Yale Law School seems to be churning out some of the most important economic thinkers and policymakers around these days.
From Senator and vice presidential candidate JD Vance to FTC Chair Lina Khan to Kamala Harris advisers Brian Deese and Mark Pyle, there are a bunch of Yale Law grads having a big influence on economic thinking and policy.
Even though the acolytes of the Yale Law School of Economics can be found on both sides of the political aisle, Schrager points out, they share a worldview. They are skeptical of free trade. They bash big business. They see the decline of manufacturing not as a natural evolution of the economy but as a policy catastrophe that needs fixing. They support industrial policy, or a more muscular role for the government in shaping industry with policies like tariffs and subsidies. They think a lot about dividing up the economic pie, Schrager says, and less about growing it.
In all this, Schrager says, the Yale Law School of Economics rejects important ideas that have long dominated mainstream economics.
Despite a seeming ideological coherence, however, it’s not like Yale Law School is indoctrinating students with this worldview. The school, Schrager says, is not explicitly or systematically teaching this stuff.
Rather, Yale Law School seems to accept and matriculate a pretty diverse array of thinkers. It’s just that it’s the most prestigious law school in the nation and serves as an important gateway to the Washington elite. Whichever way the political winds blow in Washington, politicians will likely turn to Yale Law School grads because they’re smart, connected, ambitious and politically savvy.
The rise of the Yale Law School of Economics seems to say more about the political winds of our times and the declining popularity of economists and their ideas than anything. Free-market policies — sometimes called “neoliberalism” — are unpopular on both sides of the political aisle right now. Many blame it for widening inequality, the loss of manufacturing jobs and a host of related social ills. “I don’t think a lot of economists would call themselves neoliberal, but a lot of ideas in economics do seem consistent with it,” Schrager says.
To put it in economics terms, the demand for economists seems to have declined as voters and politicians seek populist policy solutions. When they had the keys to policy, economists may have pushed policies with outcomes that many voters — especially in crucial Rustbelt swing states — don’t like. Plus, Americans seem to be putting less trust and faith in expertise in general.
Generally speaking, economists may have some serious competitive disadvantages vis-a-vis lawyers in the political world. Schrager says that economists are often “politically out to lunch” and more wedded to economic theory and empirical evidence than most lawyers. Lawyers are trained in making arguments and understanding laws, and politicians do stuff by making arguments and laws. Economists are mostly trained to crunch data and develop theories.
In addition, Schrager says, there may be changes in the economics profession that make economists even less well-suited to the world of politics these days. The profession seems to put more emphasis on empirical rigor. They focus more on finding solid evidence using experiments and fancy statistical work — and that often means trying to answer smaller questions. Schrager says they’re focusing less on big economic questions that may have more relevance for policymakers.
Is the decline of economists a good or bad thing?
Like many others these days, Appelbaum makes clear in his book The Economists’ Hour that he thinks the high tide of economist influence over the last 40 or so years was a bad thing. He blames free-market-oriented economists for pushing a set of ideas and policies that widened inequality and made many Americans worse off.
Schrager disagrees. “I doubt that we had as much power as that book suggests, but I think in the ways we did have power, we were actually pretty successful,” Schrager says. “I would call 40 years of low inflation, decent growth, and rising prosperity pretty good things.”
All this said, there are some silver linings for the profession when it comes to politics these days. First off, they’re not completely on the outs. Economist extraordinaire Janet Yellen, for example, heads the U.S. Treasury Department. And there are a range of Ph.D.-trained economists advising Donald Trump and other politicians, and so on.
Looking forward, economists might do as they tend to do and comfort themselves with some data. Mark Hallerberg, a political scientist who has studied when economists become top policymakers across OECD countries, says that politicians often appoint economists to top positions in times of change or crisis. There’s something about appointing economists to top positions that seems to signal to markets, “We got this. Don’t worry.”
In short, economists might make a comeback if the economy gets rough — or if the populist ideas being pushed by both political parties prove to be dead ends for greater prosperity.
Moreover, let’s not forget: both Donald Trump and Kamala Harris majored in economics as undergrads. That’s another win. Plus, Schrager points to the recent presidential debate.
“In the first couple minutes, Trump and Harris debated whose policies economists hate more,” Schrager says. In other words, they seemed to care what economists think. “It suggests we still have some influence.”
Copyright 2024 NPR
Washington
Western Washington braces for wind, rain and hazardous Cascade travel through Thursday
WASHINGTON STATE — Winter was nearly out of here, but after months of hitting the snooze button, the season has decided to wake up.
Western Washington has already seen a return to wintry conditions over the past few days, including brief lowland snow in the North Sound on Tuesday morning. The Cascades are covered in fresh snow, with nearly 3 feet reported at Stevens Pass in the past 48 hours.
An extended plume of moisture — known as an atmospheric river — is expected to move into the Northwest tonight through Thursday. This is not a “Pineapple Express”-style system, as it is oriented straight across the Pacific rather than tapping into warmer air near Hawaii. That means steady precipitation, but snow levels should remain near pass level instead of rising significantly, as they did during storms in December.
Rain is spreading across the region tonight, gradually pushing out the remaining cold air near sea level. Some wet snow or sleet may briefly mix with rain in the lowlands, but it is not expected to last. Overnight lows will hover near 40 degrees in Seattle and Tacoma.
Snow is already falling in the mountains and will intensify on Wednesday. A winter storm warning is in effect for the Cascades, where an additional 1 to 2 feet of snow is expected in the next 24 hours. In the lowlands, periods of cool March rain are expected on Wednesday, with damp conditions for both the morning and evening commutes. High temperatures will reach about 50 degrees in the metro area, close to normal for this time of year.
Feet of snow, gusts up to 50+ mph expected in the Cascade and Olympic Mountains
The heavy snow and gusty wind expected have prompted a rare Blizzard Warning in the mountains Wednesday Evening.{ } Image courtesy of the KOMO 4 Forecast Team.{ }(KOMO News)
By Wednesday evening, a rapidly strengthening area of low pressure will move through Western Washington. Southerly winds of 30 to 50 mph, with gusts up to 55 mph, are expected across the region, including along the coast and through Puget Sound. The strongest winds between Kitsap and King counties are expected between 7 p.m. and 11 p.m. A wind advisory is in effect, and gusty conditions could cause tree damage and power outages.
As the storm moves east, winds will shift to the west in the Strait of Juan de Fuca and the San Juan Islands. Gusts of 40 to 55 mph are possible in areas such as Oak Harbor, Port Angeles, and Anacortes.
Strong winds combined with heavy mountain snow have prompted a blizzard warning for parts of the Cascades and Olympics from 6 p.m. Wednesday to 5 a.m. Thursday. Winds could exceed 60 mph near mountain peaks and remain strong near the passes. Travel across the Cascades is expected to be hazardous on Wednesday night.
Heavy rain, mountain snow and gusty winds will make for a stormy Wednesday and Thursday around the region. Image courtesy of the KOMO 4 Forecast Team. (KOMO News)
By Thursday, winds will ease, but rain in the lowlands and snow in the mountains will continue. Snow levels are expected to remain near 2,000 feet through Thursday and Friday, adding to late-season snowfall at the passes and ski areas.
Another push of colder air is expected Friday night into Saturday, lowering snow levels to about 500 feet by Saturday morning. Some brief, light accumulations of lowland snow are possible. High temperatures on Saturday will struggle to rise much above the lower 40s.
Conditions are expected to improve Sunday and Monday, with drier weather and increasing sunshine just in time for St. Patrick’s Day. Highs could approach 60 degrees by Monday afternoon.
Until then, winter appears to be making one final push.
Washington
Meet the 90-year-old old retired Chicago teacher who stays active by jumping rope
Monday, March 9, 2026 6:59PM
CHICAGO (WLS) — Miss Ruth Washington is staying active at 90-years-young!
ABC7 Chicago is now streaming 24/7. Click here to watch
Washington is a retired Chicago Public Schools teacher. She taught from 1969 to 1993.
She spent the last 10 years of her career teaching Pre-K at Fort Dearborn Elementary School on Chicago’s South Side.
She jumps rope with the 40+ Double Dutch Club in Pullman.
The organization was created to give women a fun outlet to improve physical and mental health.
Her advice on staying active into your 90s is: “pray to God, find an activity you love, and remember to treat others with the love that our civil rights leaders taught us.”
To learn about the 40+ Double Dutch Club, click here.
Copyright © 2026 WLS-TV. All Rights Reserved.
Washington
Washington Classical Review
Viviana Goodwin in the title role and Justin Austin as Remus in Scott Joplin’s Treemonisha at Washington National Opera. Photo: Elman Studios
Washington National Opera has survived its exodus from the Kennedy Center. In the first performance since ending the affiliation agreement with its former home, WNO delivered a beautiful and timely production of Scott Joplin’s only surviving opera, Treemonisha. The substitute venue, Lisner Auditorium, resounded with a sold-out audience of enthusiastic supporters, something WNO had not drawn to the KC in months.
Treemonisha is a young black woman found as a baby under a tree by her adoptive parents, Monisha and Ned. Educated by a white woman, she teaches others in her rural community, near Texarkana (where Joplin himself was raised), to read and write. After she defeats the local conjurers, who use superstition to cheat and swindle, the community elects her as their leader.
This version of Treemonisha, while still largely recognizable as Joplin’s work, has been adapted and orchestrated by composer Damien Sneed, with some new dialogue and lyrics by Kyle Bass. The work remains a lightweight piece in many ways: an operetta more than an opera, with spoken dialogue and incorporating a range of popular musical styles, a compendium of the music Joplin heard and played in his youth, from ragtime to spirituals to barbershop quartet. The adaptation tightens some of the dramatic structure, while bringing out the originality of Joplin’s compositional voice.
Soprano Viviana Goodwin, a Cafritz Young Artist heard as Clara in last season’s Porgy and Bess, made an eloquent and winsome Treemonisha. Her lyrical voice suited the character’s dreamy, idealistic arias, and her supple top range provided more than enough power to carry the opera’s major climaxes. The changes to the opera, especially Treemonisha’s romance with and marriage to Remus, only implied in Joplin’s score, made the character more human than idealized savior.
The role of Remus, written by Joplin for a tenor, had to be adjusted somewhat for baritone Justin Austin to sing it. While not ideal musically, the change made sense in terms of casting: the earnest Austin, tall and imposing, proved a sinewy presence. Sneed, while doing away with the duet between Monisha and Ned (“I Want to See My Child”), showed the growing love between Remus and Tremonisha by giving them a hummed duet as they returned to the community, to the tune of “Marching Onward” from the opera’s final number.
Kevin Short as Ned and Tichina Vaughan as Monisha in WNO’s Treemonisha. Photo: Elman Studios
Tichina Vaughn brought a burnished mezzo-soprano and dignified stage presence to the motherly role of Monisha, with some potent high notes along the way, for a solid WNO debut. Bass-baritone Kevin Short gave humor as well as authority to her husband, Ned, with some of the opera’s most lyrical moments. His big aria in Act III, “When Villains Ramble Far and Near,” had a Sarastro-like gravitas, even venturing down to a rich low D at the conclusion.
Among the supporting cast, tenor Jonathan Pierce Rhodes continues to show a broad acting range. After his turn as a trans woman, among other roles while a Cafritz Young Artist, Rhodes displayed both strutting confidence and vulnerability as the leader of the conjurers, Zodzetrick. In another change to Joplin’s libretto, in this adaptation, Zodzetrick does not take advantage of Treemonisha’s insistence on mercy by going back to his old ways but is sincerely converted.
Both tenor Hakeem Henderson and baritone Nicholas LaGesse had impressive turns, as Andy and Parson Alltalk, respectively. In Sneed’s adaptation, Alltalk is not in league with the conjurers as in Joplin’s libretto.
Director Denyce Graves, who portrayed the conjurers more as practitioners of an African or Caribbean folk religion, insisted that the staging was “not meant to mock spiritual tradition or folk belief.” Both the Parson and the conjurers, in fact, seem pious in their own ways.
The most obvious change to the score was heard at the opening of Act I, when banjo player DeAnte Haggerty-Willis took the stage to play a number before the Overture. The banjo, Joplin’s mother’s instrument, added a lovely, authentic aura throughout the evening. Sneed himself, seated at an onstage upright piano like the spirit of Scott Joplin, joined the opening number and added musical touches to the orchestral fabric throughout the performance. Sneed’s orchestration used a limited number of strings and modest woodwinds and brass, restricted by Lisner’s small pit. Kedrick Armstrong, appointed as music director of the Oakland Symphony in 2024, held things together at the podium with a calm hand.
The choral numbers, sung by the supporting cast, had a pleasing heft in the small but resonant acoustic. Sneed moved the chorus “Aunt Dinah Has Blowed de Horn” from its position at the end of Act II to open Act I, now sung by Treemonisha’s community instead of the plantation she and Remus pass through on their way home. That piece followed Joplin’s lengthy overture, which Graves decided to accompany with a pantomime. That regrettable choice, too often made by directors these days, was made worse by depicting the story of Treemonisha’s adoption, thus making redundant Monisha’s later narration of those same events.
Graves, who has embarked on a second career as a talented opera director, nonetheless created a visually appealing and dramatically cogent production. The paisley-like vine patterns covering Lawrence E. Moten III’s set pieces recalled the tree central to the plot, as well as the wreaths worn by the girls in the community. The vibrant lighting designed by Jason Lynch brought out different hues in those patterns, suiting each scene’s mood.
The choreography by Eboni Adams, performed by four elegant dancers as well as the cast, added another lively aspect to this worthy staging. The adaptation moved Joplin’s ballet, “The Frolic of the Bears,” to the start of Act II, where it served instead as an expression of the conjurers’ folk beliefs. All in all, this is a worthy staging of an American monument, kicking off a series of three American works to conclude the WNO season in style.
Treemonisha runs through March 15. washnatopera.org
Photo: Elman Studios
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