George returned from a right ankle sprain that kept him out six straight games.
(Rick Egan | The Salt Lake Tribune) The crowd reacts as Utah Jazz guard Keyonte George (3) hits a 3-point shot at the Delta Center this season.
Utah Jazz coach Will Hardy didn’t need to see much from his young point guard in his return.
“Making shots, missing shots, it’s not anything that’s in question for me,” Hardy said about Keyonte George. “I just want to see him exert himself physically and competitively.”
In that case, mission accomplished.
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After missing nine games in the last month with two different ankle sprains, George returned against the Pelicans on Saturday.
The Jazz lost 115-105.
George’s numbers were fine, scoring 17 points on 4-of-11 shooting in 23 minutes. But Hardy saw enough mobility from George to make him comfortable moving forward.
(Rick Egan | The Salt Lake Tribune) Utah Jazz Center Mo Bamba sits next to Keyonte George and Jazz forward Jaren Jackson Jr. on the bench in NBA action between the Utah Jazz and the New Orleans Pelicans at the Delta Center on Thursday, Feb. 26, 2026.
“I thought he made some athletic plays in small spaces. I was more concerned with his willingness to slam on the brakes,” Hardy said. “And I thought he had a couple possessions where he did, where he really pushed it athletically.
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“He’s like any player, he’s frustrated. He feels like he should have made a few more shots,” he continued. “But that’s not what I was watching.”
George was on a restriction of 20-24 minutes and he wants to be cautious in the days ahead. Utah plays Denver on Monday before heading on the road.
“Feet are the most precious thing for any athlete. So I want to make sure I feel good, not feeling off balance or nothing like that,” George said. “Just want to be cautious with the ankle injuries and stuff like that.”
But for his return, it was good enough.
“I feel like my pop was there. I didn’t want to force anything,” he finished. “I just wanted to play the game. I feel like I did a decent job tonight.”
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The soaring desert vistas of Canyon Point, Utah, provide the backdrop to our June 2026 cover shoot, setting the stage for a Travel Issue titled ‘The Great Escape’ – a series of ‘horizon-expanding adventures and voyages of discovery’, as Wallpaper* editor-in-chief Bill Prince describes.
The luxurious base camp for the shoot was Amangiri, a unique 600-acre estate that is part of the Aman hotel group and appears out of the ochre-coloured desert like a modernist oasis. Completed in 2008 by architects Marwan Al-Sayed, Wendell Burnette, and Rick Joy, it has become a pilgrimage for design aficionados seeking the ultimate escape: indeed, the various low-lying structures are designed to fade away into their surroundings, so that visitors feel entirely consumed by the area’s majestic – but desolate – landscapes.
The story behind our June 2026 cover story
Dress, $1,800; boots, price on request, both by Calvin Klein Collection (calvinklein.co.uk)
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(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
‘It has always been a dream to shoot at Amangiri,’ says Wallpaper* fashion and creative director Jason Hughes, who collaborated with American photographer Geordie Wood on the story. Landing in Las Vegas, the team – including model Colin Jones, who was born in Spanish Fork, Utah – travelled through Nevada and Arizona on a five-hour car journey to Amangiri, where they set up in one of the new private villas on the estate. ‘It was amazing to witness the way the landscapes changed across the journey,’ says Hughes.
Despite the serene end result, shooting in such a remote location did hold some challenges: notably, the rapidly shifting March weather. ‘It was insane to witness out of nowhere a one-hour-long snow storm, turning the entire landscape white, before disappearing again within an hour after the sun came out,’ says Hughes. ‘Colin was an absolute trooper, braving the conditions and battling through to deliver the best pictures.’
Jones, who has previously walked the runway for houses like Maison Margiela, Ferragamo and Givenchy, wears a series of pieces from the S/S 2026 collections in the images, which were selected to echo the landscape. ‘We wanted the tones and textures to reflect the backdrops, which were incredibly inspirational,’ says Hughes. ‘It was a truly one-of-a-kind shoot.’
Discover the full shoot below.
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Dress, £960, by Hodakova (hodakova.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Dress, £2,840, by Saint Laurent by Anthony Vaccarello (ysl.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Jacket, £4,610; trousers, £2,960, both by Versace (.versace.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
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(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Jacket, £4,300, by Phoebe Philo (phoebephilo.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Gilet, £850; trousers, £1,350, both by Coach (coach.com). Top, price on request, by Durazzi Milano (durazzimilano.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
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Top, price on request, by Durazzi Milano (durazzimilano.com). Top (worn underneath), £300, by Acne Studios (acnestudios.com). Skirt, £300, by Meryll Rogge (meryllrogge.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Coat, price on request, by Bottega Veneta (bottegaveneta.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
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Shirt; trousers, both price on request, by Victoria Beckham (victoriabeckham.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Dress, £1,975, by Ferragamo (ferragamo.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Saint Laurent
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Lavallière Dress in Nylon
Acne Studios
Thin Ribbed Tank Top
Versace
Straight-Leg Leather Trousers
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Phoebe Philo
Harrington Jacket
Victoria Beckham
Embroidered Woven Shirt
Model: Colin Jones at Women Management. Casting: Bert Martirosyan. Hair: Michael Thomas Lollo at The Only Agency using Living Proof. Make-up: Akiko Owada at The Wall Group using Chanel. Digi tech: Dayvid LeMmon. Photography assistant: Karen Goss. Fashion assistant: Lucy Proctor. Production: Danielle Quigley. Production assistant: Sheriff Production Retouching: May. Special thanks to Amangiri, Utah.
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Many Americans don’t like the AI data centers popping up in their communities, though Kevin O’Leary thinks that’s because they don’t fully understand them.
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O’Leary, the venture capitalist and “Shark Tank” investor who recently starred as a villainous businessman in “Marty Supreme,” said Americans have misconceptions about data centers and their environmental impact.
“It’s understanding the concerns of people, but at the same time, think about the number of jobs,” O’Leary said in a post on X on Friday.
Addressing environmental worries, O’Leary noted that he graduated from the University of Waterloo with a degree in environmental studies.
“When a group comes to me and says, ‘Look, I have concerns about water, I have concerns about air, I have concerns about wildlife,’ I totally get it,” O’Leary said.
O’Leary has clashed with residents in Box Elder County, Utah, over a new AI data center he’s backing on a 40,000-acre campus.
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County commissioners approved the project, which is also backed by Utah’s Military Installation Development Authority, on Monday despite the community opposition. O’Leary said, without providing evidence, that the criticism mainly came from “professional protesters” who were “paid by somebody.”
One major concern for residents about the data center — dubbed the Stratos Project — is that it could strain the water supply. Data centers can use millions of gallons of water each day. Increased utility bills, noise, and a drop in quality of life are also points of contention.
O’Leary said the public misunderstands the impact of data centers because they were “poorly represented” in the past, and that the technology powering them has “advanced dramatically.” He said data centers don’t use as much water as they once did and can use a closed-loop system to avoid evaporation. Data centers can also rely on air-cooled turbines as an alternative to managing the temperature of the computer arrays, he said.
A fact sheet published by Box Elder County said the project won’t divert water from the nearby Great Salt Lake, agriculture, or homes. It also says that Stratos won’t increase electricity prices or taxes.
Many residents, however, are not so sure. The Salt Lake Tribune reported on Thursday that an application to divert water from the Salt Wells Spring stream, near the Great Salt Lake and long used by a local ranch for irrigation, was rescinded after nearly thousands of Utah residents lodged complaints.
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“At some point, understanding the value of sustainability, water and air rights, indigenous rights, and making sure the constituencies understand what you’re doing is going to be more valuable than the equity you raise,” O’Leary said on X.
Anjney Midha, a Stanford University adjunct lecturer who appeared on the “Access” podcast this week, would agree with that sentiment. He said that listening to local communities and being transparent about the intentions and impacts of data centers are essential to making them work.
“My view is that if it’s not legible to the public that these data centers and the infrastructure required to unblock this kind of frontier technology progress are serving their benefit, then it’s not going to work out,” Midha said.
In a subsequent post on X on Friday, O’Leary said his project would be “totally transparent.”
“We want it to be the shining example of how you do this,” he said.