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Nikki Giovanni, poet and literary celebrity, has died at 81

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Nikki Giovanni, poet and literary celebrity, has died at 81


Nikki Giovanni, the poet, author, educator and public speaker who rose from borrowing money to release her first book to decades as a literary celebrity sharing her blunt and conversational takes on everything from racism and love to space travel and mortality, has died. She was 81.

Giovanni, subject of the prize-winning 2023 documentary “Going to Mars,” died Monday with her life-long partner, Virginia (Ginney) Fowler, by her side, according to a statement from friend and author Renée Watson

“We will forever feel blessed to have shared a legacy and love with our dear cousin,” Allison (Pat) Ragan, Giovanni’s cousin, said in a statement on behalf of the family.

Author of more than 25 books, Giovanni was a born confessor and performer whom fans came to know well from her work, her readings and other live appearances and her years on the faculty of Virginia Tech among other schools. Poetry collections such as “Black Judgement” and “Black Feeling Black Talk” sold thousands of copies, led to invitations from “The Tonight Show” and other television programs and made her popular enough to fill a 3,000-seat concert hall at Lincoln Center for a celebration of her 30th birthday.

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In poetry, prose and the spoken word, she told her story. She looked back on her childhood in Tennessee and Ohio, championed the Black Power movement, addressed her battles with lung cancer, paid tribute to heroes from Nina Simone to Angela Davis and reflected on such personal passions as food, romance, family and rocketing into space, a journey she believed Black women uniquely qualified for, if only because of how much they had already survived. She also edited a groundbreaking anthology of Black women poets, “Night Comes Softly,” and helped found a publishing cooperative that promoted works by Gwendolyn Brooks and Margaret Walker among others.

For a time, she was called “The Princess of Black Poetry.”

“All I know is the she is the most cowardly, bravest, least understanding, most sensitive, slowest to anger, most quixotic, lyingest, most honest woman I know,” her friend Barbara Crosby wrote in the introduction to “The Prosaic Soul of Nikki Giovanni,” an anthology of nonfiction prose published in 2003. “To love her is to love contradiction and conflict. To know her is to never understand but to be sure that all is life.”

Giovanni’s admirers ranged from James Baldwin to Teena Marie, who name-checked her on the dance hit “Square Biz,” to Oprah Winfrey, who invited the poet to her “Living Legends” summit in 2005, when other guests of honor included Rosa Parks and Toni Morrison. Giovanni was a National Book Award finalist in 1973 for a prose work about her life, “Gemini.” She also received a Grammy nomination for the spoken word album “The Nikki Giovanni Poetry Collection.”

In January 2009, at the request of NPR, she wrote a poem about the incoming president, Barack Obama:

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“I’ll walk the streets

And knock on doors

Share with the folks:

Not my dreams but yours

I’ll talk with the people

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I’ll listen and learn

I’ll make the butter

Then clean the churn”

____

Giovanni had a son, Thomas Watson Giovanni, in 1969. She never married the father, because, she told Ebony magazine, “I didn’t want to get married, and I could afford not to get married.” Over the latter part of her life she lived with her partner, Virginia Fowler, a fellow faculty member at Virginia Tech.

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She was born Yolande Cornelia Giovanni Jr. in Knoxville, Tennessee, and was soon called “Nikki” by her older sister. She was 4 when her family moved to Ohio and eventually settled in the Black community of Lincoln Heights, outside of Cincinnati. She would travel often between Tennessee and Ohio, bound to her parents and to her maternal grandparents in her “spiritual home” in Knoxville.

As a girl, she read everything from history books to Ayn Rand and was accepted to Fisk University, the historically Black school in Nashville, after her junior year of high school. College was a time for achievement, and for trouble. Her grades were strong, she edited the Fisk literary magazine and helped start the campus branch of the Student Non-Violent Coordinating Committee. But she rebelled against school curfews and other rules and was kicked out for a time because her “attitudes did not fit those of a Fisk woman,” she later wrote. After the school changed the dean of women, Giovanni returned and graduated with honors in history in 1967.

Giovanni relied on support from friends to publish her debut collection, “Black Poetry Black Talk,” which came out in 1968, and in the same year she self-published “Black Judgement.” The radical Black Arts Movement was at its height and early Giovanni poems such as “A Short Essay of Affirmation Explaining Why,” “Of Liberation” and “A Litany for Peppe” were militant calls to overthrow white power. (“The worst junkie or black businessman is more humane/than the best honkie”).

“I have been considered a writer who writes from rage and it confuses me. What else do writers write from?” she wrote in a biographical sketch for Contemporary Writers. “A poem has to say something. It has to make some sort of sense; be lyrical; to the point; and still able to be read by whatever reader is kind enough to pick up the book.”

Her opposition to the political system moderated over time, although she never stopped advocating for change and self-empowerment, or remembering martyrs of the past. In 2020, she was featured in an ad for presidential candidate Joe Biden, in which she urged young people to “vote because someone died for you to have the right to vote.”

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Her best known work came early in her career; the 1968 poem “Nikki-Rosa.” It was a declaration of her right to define herself, a warning to others (including obituary writers) against telling her story and a brief meditation on her poverty as a girl and the blessings, from holiday gatherings to bathing in “one of those big tubs that folk in chicago barbecue in,” which transcended it.

“and I really hope no white person ever has cause

to write about me

because they never understand

Black love is Black wealth and they’ll

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probably talk about my hard childhood

and never understand that

all the while I was quite happy”



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San Diego, CA

Padres roster review: Sung-Mun song

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Padres roster review: Sung-Mun song





Padres roster review: Sung-Mun song – San Diego Union-Tribune


















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SUNG-MUN SONG

  • Position(s): Third base, second base
  • Bats / Throws: Left / Right
  • 2026 opening day age: 29
  • Height / Weight: 6-foot / 194 pounds
  • How acquired: Signed as a free agent in December 2025
  • Contract status: A four-year, $15 million deal will see Song make $2.5 million in 2026, $3 million in 2027, $3.5 million in 2028 and $4 million in 2029 if he does not opt out of last year; Half of his $1 million signing bonus is due in January 2026 and the other half in 2027; There is a $7 million mutual option for 2030.
  • fWAR in 2025: N/A
  • Key 2025 stats (KBO): .315 AVG, .387 OBP, .530 SLG, 26 HRs, 90 RBIs, 103 runs, 68 walks, 96 strikeouts, 25 steals (144 games, 646 plate appearances)

 

STAT TO NOTE

  • .214 — Song’s isolated power in 2025, a career high as he prepared for a jump to the majors. Isolated power measures a player’s raw power (extra bases per at-bat) and Song had a .190 OPS in 2018, in his third year as a pro in Korea, before it dropped to .101 in 2019 and then a career-low .095 in 2023. Hitting 19 homers pushed Song’s isolated power to .178 in 2024 and then a career-high 26 homers push it even higher in 2025.

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San Diego, CA

Poway removes hundreds of trees to make city safer

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Poway removes hundreds of trees to make city safer


Drivers traveling through the city of Poway may have noticed a dramatic change to the landscape. Since September, more than 1,400 trees — many of them eucalyptus — have been removed as part of the city’s hazardous mitigation grant project aimed at reducing wildfire risk and improving public safety.

Poway is spending roughly $3 million on the effort, which focuses on removing trees that are dead, dying or considered dangerous. Much of the cost is being reimbursed by FEMA. Officials say the project is designed to make emergency evacuation routes safer while improving the overall health of trees along major roadways, rights-of-way and open spaces.

“I was relieved that there were some efforts being put into improving our resiliency to wildfire in our community,” said Poway Fire Chief Brian Mitchell.

Mitchell said spacing out trees can slow the spread of a wildfire and prevent roads from becoming blocked during an emergency.

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“That certainly has the potential to block our first responders from accessing somebody’s house in the middle of an emergency,” Mitchell said.

City leaders also point to storm safety as a key reason for removing hazardous trees under controlled conditions rather than risking falling limbs or entire trees during severe weather.

“I don’t want to be driving down that street and just a random limb just happened to collapse, you know, just hit me,” said Poway resident Dawn Davis.

Davis said she also worries about the threat the trees pose to nearby homes.

“I don’t want anybody’s homes here to be damaged, either by them or fire,” Davis said.

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A Poway spokeswoman said a certified arborist evaluated nearly 6,800 trees in Poway. About 2,800 invasive trees were recommended for removal.

This story was originally reported for broadcast by NBC San Diego. AI tools helped convert the story to a digital article, and an NBC San Diego journalist edited the article for publication.



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San Diego, CA

Aztecs land twin transfers from Michigan State to bolster offensive line

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Aztecs land twin transfers from Michigan State to bolster offensive line


The front of the Fowler Athletic Center at San Diego State includes a pair of double doors that open from the inside out. Replacing them with revolving doors would seem appropriate, given all the comings and goings nowadays.

SDSU had two dozen football players — including five starters on the defense — enter the NCAA transfer portal, which opened Friday. The first wave of candidates to replace them visited over the weekend.

And by Sunday afternoon, SDSU announced its first two signings. It was a package deal.

Sophomore offensive linemen Charlton and Mercer Luniewski are Michigan State transfers from Cincinnati. And twins.

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Charlton Luniewski’s social media says that he goes by “Big Chuck,” although Mercer is listed as an inch taller and 13 pounds heavier at 6-foot-6, 320. Mercer is also, by the way, 45 minutes older.

Charlton profiles at guard and Mercer at tackle, though SDSU typically works players in multiple spots to find the ideal fit. The twins are expected to challenge for spots on the two-deep if not the starting O-line, which lost three starters to graduation.

The twins were highly recruited two years ago out of Cincinnati Hills Christian Academy, where they also competed in track and basketball. They have three years of eligibility remaining.

The Luniewskis were among a dozen transfer recruits who visited SDSU over the weekend. Commitments have come from half of them. More recruits are scheduled for the coming this week as the Aztecs look to replenish the roster.

SDSU also received a commitment Sunday from Nate Henrich, a 6-6 edge from Division II Gannon University in Pennsylvania. Henrich had six tackles at Gannon, but he is viewed as having high upside with good size and length. He could provide needed depth at a position where the Aztecs lost four players to the portal.

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SDSU also expects commitments from Oregon State edge Kai Wallin, Portland State safety Isaiah Green and College of the Sequoias wide receiver Marshel Sanders.

Wallin is a 6-5 senior from Sacramento who played in nine games this season (seven starts) for the Beavers, making 17 tackles with one sack and four quarterback hurries. Green, a 6-1 junior from Oxnard, had a team-high 101 tackles at Portland State. Sanders is a 5-11 junior from Fresno who had 70 receptions for 929 yards and four touchdowns.

Bostick back

SDSU wide receiver Jacob Bostick announced on his social media Sunday that he is returning for the 2026 season.

His post read, in part: “Excited to get back to work with my coaches and teammates.”

Bostick had 11 catches for 157 yards and three touchdowns over six games before suffering a season-ending knee injury during practice six games into the season. He anticipates being ready to return by fall camp.

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