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Q&A — Denver Jazz Fest Founders Don Lucoff and Dave Froman Talk Bringing Jazz to the People of Denver – 303 Magazine

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Q&A — Denver Jazz Fest Founders Don Lucoff and Dave Froman Talk Bringing Jazz to the People of Denver – 303 Magazine


On Thursday, April 3rd, the inaugural Denver Jazz Festival kicks off. Jazz has long held space in Denver, the city’s history tied to that of the genre. Now, Denver Jazz Festival seeks to celebrate that history with a weekend-long festival featuring some of the most important jazz musicians working today, including Bill Frissell, Ghost-Note, Isaiah Collier, Ganaya, and many more. The festival is also something of a celebration of Denver music as a whole, as it will be spread out across 12 of the Front Range’s most beloved venues, including Cervantes’ Masterpiece Ballroom, Dazzle, Nocturne, and the Boulder and Fox Theatres. The festival hopes to highlight the genre in all its glory, from the traditional to the very non-traditional, so whether you’re a jazz scholar or are first getting into the genre, this weekend is a perfect time to immerse yourself in jazz in all of its many variations.

303 Magazine spoke with Denver Jazz Festival founders Don Lucoff and Dave Froman about the festival’s inception, their love of jazz, Denver’s ties to jazz music, what fans new and old can expect and much more.

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READ: Venue Voices — Nocturne Jazz & Supper Club Highlights the History of Jazz in Five Points

303 Magazine: Hello! I usually like to start these off by having you introduce yourself and tell me what it is you do in your own words.

Don Lucoff (DL): I moved to Denver full time about seven years ago but traveled here annually in the early 90s for several years during the formative years of Jazz Aspen Snowmass, supporting the efforts of my longtime friend Jim Horowitz. Although my core career as a jazz professional is in marketing and began nearly 40 years ago, I still love getting behind the mic, as I spent my college and post-college
time as a jazz DJ and curated jazz shows at my alma mater, San Diego State. Even before that, I presented Larry Fine of the Three Stooges fame at my high school. I knew from that point I was destined for show business. Along the way, I have promoted jazz from Istanbul to Panama, Detroit to the Caribbean, and ran the Portland Jazz Festival for a decade, and briefly served as President of Vail Jazz just prior to COVID.

Dave Froman (DF): I wear a number of hats. In the course of a day, you might find me at an interactive event introducing jazz to 100 third-graders, performing on stage at Dazzle with an 18-piece big band, on site at a commercial property that requires attention, or, more often than not, in front of my computer in my home office for the past 30 years at 8,500 feet in the foothills west of Denver.

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303: Tell me about your experience with jazz music. When did you first notice the music, and how has it affected you throughout your life and career?

DF: My love of jazz dates back to the first time I was introduced to this amazing art form in junior high school. I played trumpet in the jazz band and have never stopped. Currently, I perform with the Metropolitan Jazz Orchestra — an 18-piece big band — in addition to Blue Sky Jazz Collective, a post-bop modern jazz quintet. As a college senior, I produced the First Annual UC Santa Barbara Invitation Jazz Festival and decided that this would be my path in life. Sixteen years ago, I took the helm of Gift of Jazz, a Denver-based nonprofit. For the past 30 years, it’s been our mission to enrich the Front Range community with jazz education and performance programming for all ages. Denver Jazz Fest is in many ways the culmination of my life’s work to date.

303: Denver Jazz Fest seems poised to become a new Denver tradition. Can you tell me about the festival’s inception? Do you have an ultimate goal for the festival?

DL: David and I met at Dazzle when he presented a tribute to Alan Hood on behalf of Gift of Jazz. It was clear to both of us that Denver was one of the rare exceptions of an American major city without a national jazz festival that also supported the local artists and jazz education. The reasoning was clear: Denver boasts an award-winning 24-hour jazz radio station, a year-round jazz club with clever and creative programming, and an abundance of private and public jazz education programs in and around the Front Range region.

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303: In addition to celebrating jazz, the festival seems to be a celebration of Denver itself. The festival is spread out over 12 very different but equally important venues in terms of Denver’s thriving
musical ecosystem. Can you tell me a little about why you chose the venues you did?

DF: From the outset, it’s been our intention to create an event that is inclusive of the vibrant jazz
community here. To that end, we spent the first year of our planning process meeting and creating partnerships with all the stakeholders that are involved in presenting and supporting jazz in the Front
Range on a year-round basis. We wanted everyone to feel a part of this – certainly the clubs, but also the
artists, radio stations, nonprofits and halls of jazz education. The selection of 12 venues was also in keeping with the goal of appealing to the broadest possible demographic of listeners.

303: From dueling pianos at Charlie Brown’s to upscale nights at Dazzle or Nocturne to sweatier, more raw experiences at Meadowlark jazz nights, the genre has long made its mark on this city. Can you
talk a little bit about the history of jazz in Denver?

DF: While I’m no expert on the subject, we all know Five Points was the Harlem of the West. As bands traveled from Chicago to Los Angeles, they found in Denver a community that welcomed them —
providing hospitality and great venues like the Rossonian Hotel and Casino Ballroom (now Cervantes’
Masterpiece Ballroom) which hosted the likes of  Duke Ellington, Count Basie, Benny Goodman, B.B.
King and Ray Charles. The Roxy was a black-owned movie theater going back to the 30’s. Louis
Armstrong and Billie Holiday both performed there. And I’d be remiss if I didn’t give a shout-out to
bassist Charles Burrell, who broke color barriers as the first black artist to perform in a major symphony
orchestra. Charles, a mainstay of the jazz scene here for decades, recently celebrated his 104th birthday
and he’s still going strong!

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303: As far as the artists go, they range from the traditional to the very non-traditional. This seems to me to appeal to a wide-ranging audience of jazz fans while also seeking to draw new appreciators into the genre. Can you talk about finding the balance between the new and the old, the traditional and the non-traditional? And how does that thinking apply when planning such a festival?

DL: In order for live jazz to continue its cultural relevancy, the music needs to grow and continually re-invent itself. Denver presenters, both non-profit and for-profit, do a commendable job of offering incubator venues to PACs, standing only ballrooms, piano lounges, galleries, and other creative environments that draw distinctively supporting audiences. We feel it’s our job to collaborate and curate within this ecosystem.

303: Do you have any artists in particular you’re personally excited for?

Lucoff – Jazz Festivals for the jazz fan and casual listeners are about the joy of discovery. We are offering highly skilled players of many jazz facets for wide musical tastes. I speak with people coming in from out of town and they are looking to hear what is best represented here by the local players. Well, they won’t be disappointed. We have jazz royalty here: Art Lande, Ken Walker, Eric Gunnison, among others, performing and a special player, Rico Jones, who is making his mark now as a New York City resident. Our two most cherished nationally recognized artists with deep Denver ties are Dianne Reeves (her first Denver show since 2018) and the indefatigable Bill Frisell. Our timing is also perfect to have a new voice on saxophone: Isaiah Collier will be making his Denver debut. You will hear a lot about him, and in a decade will say to your friends, “I saw him at Dazzle in 2025. You missed something special.”

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303: Finally, what else would you like the people to know about Denver Jazz Fest? What can attendees expect?

DF: It’s often been said that “the house of jazz has many rooms”. Denver Jazz Fest is offering an
opportunity to peek into many of them with an unmatched variety of music over four days. From
straight-ahead jazz played at the highest level, to explorations that push the boundaries, from great
vocalists to exciting instrumentalists, a mambo orchestra to dance to and some amazing jam bands. I’m
personally having a hard time figuring out how to take it all in!

Get tickets to Denver Jazz Fest here!





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This Boulder farm dinner serves up midsummer Slavic vibes with James Beard-worthy fare

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This Boulder farm dinner serves up midsummer Slavic vibes with James Beard-worthy fare


If you were a single Slavic pagan in ancient times, the path to finding true love was fairly straightforward and considerably more exciting than going on a blind date. All you had to do was weave a garland of wildflowers, grab your intended by the hand, hurl yourselves over the roaring flames of a bonfire, and plunge nude into the nearest body of water.

In other words, ancient midsummer festivals of romance were fairly high stakes.

While you likely won’t find anyone risking third-degree burns or stripping nude in Boulder this weekend, chef Bo Porytko is reviving similar energy for a sprawling 10-course fine-dining experience where feast-goers can party like it’s 900 A.D.

The Midsummer Farm Dinner takes place on Sunday at Esoterra Culinary Garden, 8985 Valmont Road, Boulder. The event will bring together a collective of 10 chefs from some of Denver’s buzziest restaurants  — including Molotov, Somebody People, Hearth, Odell’s Bagel, Petit Chelou, Margot, Bear Leek, La Diabla and Rougarou — for a collaborative, long-table meal built around Esoterra’s summer produce. The outdoor feast will begin with arrivals at 5 p.m., followed by dinner at 6 p.m. Tickets start at $260.

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Porytko, the chef behind Denver’s Molotov restaurant, said the dinner series was inspired by his heritage.

“In Ukrainian culture, we have something called Ivana Kupala, which dates back to ancient times,” Porytko said. “Basically, it’s their midsummer festivities that also act as a mating holiday.”

Don’t worry, coupling up is not required for this event.

“Midsummer is just kind of a fun time,” Porytko said. “It was a good way to harness these weird, culty vibes that kind of suit the farm setting.”

The ancient East Slavic festival of Kupala was celebrated on the evening of June 23-24.

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For guests wondering how that ancient atmosphere translates to a modern dinner on a 100-acre Boulder property, the evening starts on a hospitable note. Guests arrive for James Beard-recognized cocktails mixed by the team from Denver’s Yacht Club. From there, diners have time to explore the farm.

“The way the actual event begins is people come to the farm and get about an hour with welcome cocktails,” Porytko said. “Then you’re supposed to wander, check out the space, take in the farm, and there’s a little bit of education too.”

Attendees are asked to arrive dressed entirely in white. An LED flower wreath will be placed at each setting around a massive table built for 100 people. A maypole will be erected nearby, and a live DJ will guide the evening’s soundtrack. The music will begin to vibe with standard dinner fare before veering into unexpected territory.

Diners sit at a long table under tents during last year’s Midsummer Farm Dinner at Esoterra Culinary Garden in Boulder. The dinner returns Sunday with a menu built around produce grown at the farm. (Jeff Fierberg/Courtesy photo)

“The DJ will play normal music, but then take, for example, a Kelly Clarkson song and turn down the beats per minute so she sounds like she’s speaking in Viking tones,” Porytko said, adding that the DJ will also mix in random Gregorian chants to fit the scene.

As the wine flows, the initial formality of the long table quickly disappears. Porytko said guests naturally start getting up, making friends and moving around the property after a few courses.

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“After 10 courses and eight glasses of wine, people just kind of take it in whatever direction they want,” Porytko said.

A vegetable dish is plated during last year's Midsummer Farm Dinner at Esoterra Culinary Garden in Boulder. (Jeff Fierberg/Courtesy photo)
A vegetable dish is plated during last year’s Midsummer Farm Dinner at Esoterra Culinary Garden in Boulder. (Jeff Fierberg/Courtesy photo)

To translate those festive vibes into an actual 10-course meal, the participating chefs rely on a highly democratic planning process. Justin Freeman, the executive chef of Somebody People in Denver, will help coordinate the logistics, beginning with a digital inventory of whatever Esoterra is currently pulling from the soil.

“There’s a Google Doc that we all use,” Freeman said. “We just ask the owner of Esoterra — Mark DeRespinis — what he’s growing, and then everyone signs up for what ingredients they want to cook with. We really just try to showcase what Mark has.”

Chefs look over the active list, claim the specific vegetables they want to work with and design a dish around them. Freeman then steps in to help arrange the final layout of the courses. He said the event has become an ongoing annual collaboration to give a little praise to the people who are doing all the hard work — the farmers.

The resulting menu leans heavily into hyper-seasonal creativity, starting with Porytko’s own intricate contribution.

“The idea is to highlight items from the farm,” Porytko said. “For me, I’m highlighting their beets, their Badger Flame beets.”

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Porytko is preparing a guinea hen roulade cured in the juice of the Badger Flame beets and stuffed with a chocolate mint mousseline. The dish will be served with a beet mole, a gummied Badger Flame beet and traditional roasted beets.

The rest of the collective will showcase the farm’s harvest through a variety of distinct culinary styles. Freeman is serving grilled fennel with a creamy pistachio sauce, pickled celtuce and seasoned breadcrumbs. Andrew Van Stee of Hearth is contributing Moroccan pistachio carrot rolls, while Miles Odell of Odell’s Bagel is pairing dry-aged ocean trout with a coconut pea puree. Justin Fulton of Margot is preparing charred cucumbers with agretti, coconut broth and yuzu kosho, and Rema Maaliki and Harrison Porter of Bear Leek are bringing braised leeks with leek soubise, albufera and crispy leeks. The lineup also features plates from James Beard chef finalist José Avila of La Diabla, JohnDavid Wright of Rougarou and pastry work by Ali Spahr of Hearth .

Skewers cook over hot coals during last year's Midsummer Farm Dinner at Esoterra Culinary Garden. (Jeff Fierberg/Courtesy photo)
Skewers cook over hot coals during last year’s Midsummer Farm Dinner at Esoterra Culinary Garden. (Jeff Fierberg/Courtesy photo)

The actual preparation happens entirely outdoors. The chefs arrive early in the morning to set up tables, tents and their own Japanese konro grills packed with binchotan charcoal.

“It all happens out in the field, in the middle of Mark’s gardens,” Freeman said. “We set up that morning. We’ll set up the tables, the tents, everything. Then we do all the cooking in front of everyone.”

Diners can stand right by the workspace and watch the dishes come together. For the chefs, the open-air format offers a rare chance to step away from their respective restaurant kitchens and collaborate directly with their fellows.

“For us, as chefs, we just don’t get to see each other very often, so it’s really fun and special when we do,” Porytko said. “We definitely have our own little hangout in the kitchen area with all the chefs, you know — all the weirdos in the corner.”

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Freeman echoed the sentiment, noting the benefit of the format for the guests as well.

“With this one, you’re getting 10 different chefs with 10 different views all coming together under one roof,” Freeman said.

Cooking in an open field does, however, mean operating at the whim of Colorado’s summer elements. Freeman recalled a previous year when a sudden onset of mountain weather forced the culinary crew to quickly shift from grilling to structural defense.

“The first year we had a little bit of rain at the start of it,” Freeman said. “Then the wind was crazy, where we all had to come and grab the tent so it didn’t blow away.”

Hopefully, on Sunday, the weather will remain tame, but guests should prepare for whatever Mother Nature has to throw at them, just in case.

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The event takes place on Sunday, with arrival at 5 p.m. and dinner at 6 p.m. The location is Esoterra Culinary Garden, 8985 Valmont Road, Boulder. Tickets start at $260 and are available through Tock.





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Denver Broncos Roster Breakdown: Center—The Depth Question

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Denver Broncos Roster Breakdown: Center—The Depth Question


A year ago, the Denver Broncos had some questions about the future of their center position. However, during the bye, the Broncos answered those questions by extending one their starter.

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Even with that extension, the Broncos still have some questions about the position’s future, partly due to the structure of the deal they granted and the position’s depth. 

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Our last installment in this positional series was at offensive guard, where the Broncos are very strong and deep. As we continue breaking down each position on the Broncos’ roster ahead of training camp, let’s examine where things stand at center.

Starter

Luke Wattenberg

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Wattenberg is the starter and will remain so after the big extension Denver gave him in November 2025. Before the extension, his play was solid, but afterward, he looked like a top 10 center in the NFL — then he suffered a shoulder injury.

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Wattenberg’s long-term place with the Broncos will depend entirely on his play, as his four-year, $48 million deal is structured so that Denver can get out of it after the 2027 season. It’s essentially a two-year deal for about $25 million.

If Wattenberg isn’t cutting it or can’t stay healthy, the Broncos could move on and save themselves $23 million. He’s missed six games to injury since becoming the starter in 2024, so the Broncos’ depth could be tested with Wattenberg as the guy.

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Backup

Denver Broncos center Alex Forsyth (54) during the game Arizona Cardinals during the second quarter at Empower Field at Mile High. | Ron Chenoy-Imagn Images

Alex Forsyth

The backup spot is held by Forsyth, a solid run blocker who struggles in pass protection. He has seen the field some over the last two years. When Forsyth stepped in for Wattenberg late last season, he looked much the same as he did in the same role in 2024.

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There are still questions about Forsyth, not only with his play but also with the fact that he is entering the final year of his rookie deal as a 2023 seventh-round draft pick. Denver could be looking for a new backup center after this season, as he could decide he wants a chance to start elsewhere and walk in free agency, especially with six career starts on his resume.

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Wattenberg will be the starter for 2026 and 2027, so long as he avoids the injury bug. He hasn’t been able to stay on the field since taking over for Lloyd Cushenberry III as the starter in 2024, so if the best predictor of future outcomes is past outcomes, the Broncos had better be prepared for Forsyth to see the field at some point in 2026.

The Others

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Washington Commanders guard Michael Deiter (60) against the Arizona Cardinals at State Farm Stadium. | Mark J. Rebilas-Imagn Images

Gavin Ortega and Michael Deiter

Oretega is an undrafted rookie the Broncos brought in, and he has a chance to compete for a practice squad spot. The Broncos brought Deiter in last year after injuries to Wattenberg and Forsyth.

There isn’t a spot for either of these players on the 53-man roster, barring preseason injuries, and it can be tough to keep two centers on the practice squad, even if the players have guard versatility. 

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The Takeaway

While the Broncos have the starting job locked up with Wattenberg for the next two years, their depth is still questionable. Forsyth hasn’t shown the development you want to see, and will be a free agent after this season.

Denver could find itself looking for a center in the 2027 NFL draft to develop in case Wattenberg’s play drops off, or if he isn’t able to sustain the high level of play he displayed after getting his extension late last year.

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Denver Transplant Games sets Guinness World Record for mos living donors, recipients in one place at one time

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Denver Transplant Games sets Guinness World Record for mos living donors, recipients in one place at one time


DENVER (KMGH) — The biennial Transplant Games wrapped up in Denver this week, bringing hundreds of organ donors and recipients together to compete in everything from cycling and swimming to darts and trivia at venues all over the city.

In fact, the games set a Guinness World Record for most living donors and recipients in one place at one time, with 966 gathering at the Colorado Convention Center.

Angela Laino, who used to live in Boulder, came back to Colorado to compete in the games. She donated a kidney to a stranger in January before running in the 5K event.

“I’m what they call a non-directed living kidney donor, which means that I don’t know who my recipient was,” she explained. “So I just said, ‘Whoever needs my kidney, I’m sure they’ll find the best match for it.’”

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Laino said she was inspired by her job, working “on and off” as a dialysis social worker for 17 years.

“I really saw the challenges that my patients faced,” she said. “I saw what they had to go through to get on the [transplant] wait list… I know what transplant means for people. I’ve seen it firsthand. And to be able to see them come out here, compete, they’re doing basketball, they’re doing badminton, they’re swimming, they’re cycling, they’re running. They are living their full lives, and that’s really what transplant can do for people.”

Laino said the games unite the community and show off its resilience.

“When you go through the transplant process, sometimes you feel alone, you feel like you’re the only one going through this,” Laino said. “And then you come to an event like this and you literally see thousands of people. You see recipients, living donors, donor families coming together for the same cause. It’s really inspiring, because it really helps to get the word out, spread awareness about the organ shortage, and it shows people what recipients and donors can do after they have the surgery.”

Dr. Michael O’Shea — a nephrologist, a doctor who cares for kidney disease patients and the kidneys in general — agrees. But he said more needs to be down to support patients and spread the word about the need for organ donations.

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The National Kidney Foundation estimates 37 million Americans have Chronic Kidney Disease, which occurs when kidneys cannot filter the blood properly, leading to serious health issues. Because symptoms can be minimal in early stages of the disease, many patients don’t realize they have it.

“I think education about kidney transplant, both on the patient side as well as on the potential donor side, could be markedly ramped up and improved,” Dr. O’Shea said. “It’s struggles with communication between transplant centers, patients, and community nephrologists. No one’s fault. It’s just a very complicated delivery system.”

In the case of kidneys, people can become diseased donors — who register to donate in the case of their sudden death — or living donors, who donate one kidney will relying on the other. Dr. O’Shea said both are critical to meet nationwide demand for life-saving transplants, though the living donations tend to have a longer lifespan — around roughly 20 years — for recipients.

“A number of folks get transplanted every year off this list,” O’Shea explained. “It is also true that a greater number of folks get added to the list every year.”

To register to become a deceased donor, Coloradans can visit their local Department of Motor Vehicles office or visit registerme.org.

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O’Shea said those considering living donations face an “exceedingly small” medical risk for end-stage kidney disease, but should consult with their doctor about the decision.

Even as the games leave Denver, a reminder will stick around through the summer. Denver Parks and Recreation, the Downtown Denver Partnership and DaVita have partnered to set up a basketball court in Skyline Park near Arapahoe and 17th Streets, in order to keep the spirit of the games alive and honor the resilience of organ donors, recipients and their families.



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