California
Sam Mendes directs the new play from the legendary Jez Butterworth
Jez Butterworth’s first play in seven years unfurls with the richness and depth of a well-crafted novel.
Backed by West End super producer Sonia Friedman, ‘The Hills of California’ has a level of resource behind it that would probably fund whole seasons at his alma mater the Royal Court, where his previous works have premiered. But by heck the ‘Jerusalem’ playwright – and his big-name director Sam Mendes – know how to put those resources to work.
Initially it’s pretty much a kitchen sink drama, following a fractious group of sisters: the Webbs. In the sweltering summer of ’76, they have reunited at their childhood home: a Blackpool guest house somewhat ambitiously called Seaview (it doesn’t have a sea view).
The occasion is the imminent death of their mother Veronica, unheard and unseen upstairs, rotting away in the final stages of stomach cancer. It begins with a conversation between square, stay-at-home daughter Jill (Helena Wilson) and Penny (Natasha Magigi), a nurse who offers to put the family in touch with a doctor willing to end Veronica’s pain. Jill is interested, but won’t do it until her sisters arrive, two of whom duly do: blunt, pragmatic Gloria (Leanne Best) and fiercely witty Ruby (Ophelia Lovibond).
The final sister is Joan: we don’t know anything about her, except she apparently lives in America now. Her plane is delayed, and Jill is adamant they put any mercy killings on ice until her arrival.
Unexpectedly, the second scene sees ‘The Hills of California’ shift from ‘70s period drama to a ‘50s one, as a second cast comes in and we meet the girls – including Joan – as children, now under the watchful eye of the ambitious younger Veronica (Laura Donnelly). She wants more for her kids than Blackpool, and is coaching them as a vocal harmony group in the hope they’ll hit the big time. And they might: they’re impeccably drilled, and their harmonies are glorious.
Without wishing to get into spoiler territory, it’s a drama about the pain and joy and complicatedness of family, that centres on the gradually unfurling, never unambiguously resolved mystery of what precisely went down between Veronica and the younger Joan.
Butterworth writes – and Mendes directs – with a deft, novelistic fluidity, as the story flits from one period to another. Tangents are taken. New characters are woven in at daringly late junctures. It’s increasingly dense and charged.
Butterworth for the most part writes the Webbs wonderfully: smart, tough, vulnerable women left in different shades of disarray over a childhood dream that never came to be. They feel like tangible, real beings, grounded in a world in which the men are largely absurd background figures – weak husbands like Bryan Dick’s hapless Dennis, or Shawn Dooley’s infuriating Mr Halliwell, an unreconstructed weirdo who can communicate only in bad jokes.
The performances are uniformly tremendous, notably Lovibond’s quicksilver Ruby and Best’s pained, angry Gloria. There is first-rate accent work: enormous respect to dialect coach Danièle Lydon for thoroughly indoctrinating her largely non-Lancastrian cast. And there’s stunning work from designer Rob Howell: the main set is simply the living room of the guesthouse, but there is something profoundly haunting about the towering, almost Escher-like set of stairs that erupts from it, a conduit from the humdrum downstairs to the unseen realm of death that hovers in the wings.
What makes the show, though, is Donnelly. Yes, she probably didn’t have to audition for this one – she’s Butterworth’s wife – but I don’t think anyone’s going to complain. As Veronica, she’s tightly wound but tender: a complicated ball of conflicted feelings. She’s undoubtedly something of a momzilla. But her desire to see her daughters perform feels motivated by pride, love and hope they’ll have a better life than she did. She is driven, but her ambition is for them, not herself – which causes her to make a catastrophic decision that scars the family forever.
But Donnelly also has a second role, as the adult Joan. To be intentionally vague about something that happens late, she is now greatly changed from the perky girl in the ’50s. After an astonishing entrance scene, Donnelly’s otherworldly presence as Joan electrifies a show that palpably builds in power and ambition as it goes. ‘The Hill of California’ threatens to climax with the same sort of stunning metaphysical eruptions that crowned ‘Jerusalem’ and ‘The Ferryman’.
Unfortunately, Butterworth fumbles the plot a little at the end. While his female characters are wonderful, what actually happens to them can feel cliche-bound, based on a distinctly pulpy view of the female experience. Again, I’m not going to spoil. But a big late revelation about one of the sisters feels disappointingly cheap and even silly; ‘The Hills of California’ ends on a stumble (even if the final image is beautiful).
‘Jerusalem’ is still more or less reckoned to be the best play of the twenty-first century so far – the bar is set absurdly high for a new Butterworth work. If it’s not faultless writing, I’d still say ‘The Hills of California’ handily clears that bar. The cast and director and the blank cheque from Sonia Friedman help. But Butterworth remains a one-off, a man who can write plays about ordinary people that carry the charge of the great tragedies.
California
Apple settles with EPA after whistleblower tip on toxic waste dumping in California
Federal regulators say Apple violated hazardous waste laws at one of its Silicon Valley facilities, leading to a settlement after inspections revealed lapses in handling and storage practices.
The U.S. Environmental Protection Agency said Tuesday that the tech giant’s Santa Clara site failed to properly identify, store and label hazardous waste, among other violations of the Resource Conservation and Recovery Act.
Apple agreed to pay a $261,283 penalty and has since come into compliance, the EPA said.
Inspections were conducted in August 2023 and January 2024 after the agency received a tip from the public.
“Hazardous waste regulations serve as critical safeguards for facility workers, communities, and the environment,” Amy Miller, director of the EPA’s Pacific Southwest Enforcement and Compliance Assurance Division, said in a statement. “EPA’s actions will protect human health and the environment in the community of Santa Clara from the risk of hazardous waste.”
According to the EPA, Apple’s violations included failing to maintain a permit to store hazardous waste for more than 90 days, to control air emissions from a solvent waste tank and to perform daily inspections of waste containers.
The EPA said its inspections were prompted by a “tip and complaint from the public.”
The inspections followed a June 2023 complaint from former Apple employee Ashley Gjøvik, who said she alerted regulators after observing chemical emissions venting into the air from an Apple facility near her Santa Clara home, where she said she had become sick from the fumes.
The case adds to Apple’s history of environmental enforcement in California.
In 2016, the company agreed to pay penalties and increase inspections after state regulators found hazardous waste violations at facilities in Sunnyvale and Cupertino.
California
Chance of more showers in L.A., with a new storm set to hit Thursday
Showers could linger in Los Angeles on Tuesday following four straight days of rain — and even more rain is likely on Thursday and Friday.
There’s a 20% to 30% of showers and thunderstorms Tuesday across much of Los Angeles County, the National Weather Service said, although it’s expected to be mostly sunny. The thunderstorms will remain a slight risk because of a cold front that ushered in unstable air Monday.
By Tuesday, the cold front will have moved away from L.A., but the cold core of the low-pressure system will still be around. “This will bring enough instability to the area for a slight chance of thunderstorm development,” the weather service in Oxnard said.
Temperatures have chilled with the latest storm. While the L.A. coast and San Gabriel Valley on Monday reached the mid-60s, due to late arriving rain, most of L.A. County’s coastal areas and valleys “struggled to get out of the 50s,” the weather service said.
Wednesday will bring a reprieve with sunny skies, but another storm is expected to enter Southern California on Thursday and continue through Friday.
Thursday’s storm is expected to drop from 0.25 to 0.75 inches of precipitation. That’s on top of the 0.74 inches of rain that fell on downtown L.A. in the 24-hour period that ended at 9 p.m. Monday. Before that, the weekend storm that began Friday brought 2.68 inches of rain to downtown.
For the 24-hour period ending 9 p.m. Monday, Porter Ranch received 1.61 inches; La Cañada Flintridge, 1.5; Northridge, 1.43; Bel-Air, 1.21; Castaic, 1.15; Van Nuys, 1.12; and Beverly Hills, 1.11.
Warm Springs Camp, in the mountains overlooking the Santa Clarita Valley, recorded an 18-hour rainfall total of 2.5 inches by Monday evening.
The storms, thus far, have caused some mayhem but no severe or life-threatening damage in recently burned areas.
By late Monday night, landslides and flooding were reported on a number of roads. The 5 Freeway near Highway 14, between Sylmar and Santa Clarita, suffered flooding Monday afternoon, as did an offramp on the 91 Freeway at Carmenita Road. The California Highway Patrol said there was flooding at onramps to the 10 Freeway in El Monte and the 605 Freeway on the southern border of Baldwin Park.
Mountain roads were hard hit. One motorist on Angeles Crest Highway, a road that winds through the San Gabriel Mountains, became “stuck in mud, dirt and rock” in a northbound lane, while the southbound lane was completely blocked with multiple landslides, according to reports filed to the National Weather Service. Snowplows couldn’t haul away the debris because it was too heavy.
Near the 101 Freeway in Hidden Hills, a number of vehicles hydroplaned as Round Meadow Road flooded near Mureau Road.
Monday afternoon and evening also brought rockslides or mudsldies to San Francisquito Canyon Road, the mountainous route that connects Santa Clarita to the Antelope Valley; a section of Kanan Dume Road, which leads into the Santa Monica Mountains from Malibu; and on Mulholland Highway south of Calabasas.
Snow levels were at around 7,000 feet on Monday but were expected to drop to 5,000 feet by Tuesday. Officials issued a winter weather advisory for the eastern San Gabriel Mountains and the northern Ventura County mountains that is set to last through Tuesday night. About 2 to 5 inches of snow could fall in the mountains.
“As for the Grapevine area, there is a chance of a dusting of snow Tuesday morning as the snow levels lower,” the weather service said. The Grapevine is a key travel corridor on the 5 Freeway that connects L.A. and Santa Clarita with the Central Valley and the San Francisco Bay Area.
The highest point of the Grapevine section is the Tejon Pass, which peaks in elevation at 4,144 feet above sea level. At that location, “some non-accumulating snow is possible,” the weather service said.
California
New roller coaster coming to Legoland California and Florida
Legoland doesn’t have the same mindshare as a Disney or Universal resort, but Merlin Entertainments, the owner of those theme parks, is hoping to get onto the radar of more theme park enthusiasts with an upcoming $90 million expansion.
The Galacticoaster, scheduled to open in 2026 at both the Legoland Florida and Legoland California resorts, will be an indoor family coaster that’s themed to one of the first Lego space sets from the 1970s, when a 100-piece set was considered expansive.
This will be the first new roller coaster at Carlsbad’s Legoland California in nearly 20 years. In Winter Haven, Fla., it will be Legoland Florida’s first new coaster in 15 years.
Legoland hasn’t offered a lot of details about the coaster just yet. The building that will house it, however, will have the same footprint as 10 basketball courts. The track will be more than 1,500 feet long.
California’s Lego Galaxy expansion will also feature two additional themed rides, food and gift shop offerings, and a “Junior Astronaut Training Zone” for toddlers.
Legoland’s expansion comes as Disney is in the midst of a $60 billion capital investment between now and 2033, which includes a variety of planned updates and changes at its park, updating legacy attractions and unveiling what it called “the largest ever” expansion plans for the Magic Kingdom. The company is also adding seven ships to its cruise line fleet, including the Destiny, which will begin sailing on Nov. 20.
Universal, meanwhile, recently launched Epic Universe, a $6 billion new theme park that spans 110 acres, with hundreds more for expansion. Universal, in August, said revenue at its parks was up 19% thanks to Epic Universe.
A $90 million expansion doesn’t come close to matching those numbers, but Legoland doesn’t have to fight at the same level as those companies. Merlin Entertainment, earlier this year, said annual sales hit a record high last year, with revenues jumping 8% to £2.1 billion (about $2.8 billion) in 2024.
Beyond Legoland, Merlin owns the Madame Tussauds museums and the Orlando Wheel at Icon Park, Central Florida’s tallest ferris wheel.
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