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Fear and gloating on the Premier League title trail: watching three contenders in three nights

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Fear and gloating on the Premier League title trail: watching three contenders in three nights

One of the closest, most enthralling Premier League title races in many years is careering towards a climax.

Arsenal, Liverpool and Manchester City played out crucial games on consecutive nights this week — and The Athletic went to all three to survey and convey the emotions of three very different clubs and fanbases.


An Arsenal fan briefly comes up for air between substantial munches of a doner kebab: “The internet is gonna be a f****** joke tonight.”

Welcome to The Emirates. They are a different breed here; still rabid football fans all the way to their inner core, but perhaps with slightly different priorities on a matchday.

The number of selfies being taken in front of the giant Arsenal lettering opposite the Hornsey Road roundabout, for example, is well above average for your typical football ground.

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One man films a staged video of his friend slowly walking towards the camera outside the ground, club-shop bag in hand, shades on. They both watch the video back to make sure it looks good, then they wrap their freshly purchased red and white scarves around their necks. Job done.

There are still all the normal football pre-match sights and sounds. Alcohol, meat, cigarette smoke, anticipation.

“We’ve still got an hour to drink,” one fan informs his mate. “An hour?” he replies. “You’ll be wearing one of them mate,” he cackles as he points to a passerby wearing a protective cast boot.

It does, though, feel pretty normal around the ground. Should it? Arsenal are top of the Premier League with five games left. They haven’t won a title for 20 years.

This place should be brimming with feverish expectation. And yet, the dead-behind-the-eyes robotic football machine that is Manchester City dictates that whatever Arsenal do tonight is irrelevant, in Premier League parlance.

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At least, that’s how some Gunners fans see it.


Arsenal fans prepare for their team’s match with Chelsea as best they can (Zac Goodwin/PA Images via Getty Images)

“The Villa defeat was obviously gutting but otherwise we’ve been basically perfect since the turn of the year,” season ticket holder Jamie says, referring to Arsenal’s otherwise outstanding record of 12 wins and one draw (0-0 at the Etihad) in 2024.

“We’ve only been behind in one game since last year and that was the Villa game. It’s ridiculous, really, how perfect you have to be to beat City. I know we had that run around Christmas (four points from their last five matches of 2023) but yeah, I’m proud of us, we’re pushing them closer than last year.

“I just feel the pressure is off now. If City win every game from now on, they deserve it and we’ll be back next year, we’re growing, on an upward curve. I’m not sure you can say the same for City, (Kevin) De Bruyne is probably less influential and (Erling) Haaland isn’t scoring as many. And Liverpool will obviously change a lot this summer. We’re all good.”

It’s a philosophical attitude, one that seems to reflect a club comfortable in its own skin.

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There isn’t much skin on show as 60,000 people amble into the stadium. People wear hats, scarves and parka jackets. It’s 6°C on April 23.

The cranky sound of AC/DC song Hells Bells fills the enormous red bowl inside. With its talk of high temperatures, it feels like a piss-take.

After a plod-along run of two defeats, one draw and a laboured win over Wolves in their previous four, the question in the air is if Arsenal still have the minerals for this title fight.

The answer comes within 30 seconds. Red swarm over blue like it’s the 1997 General Election all over again, Kai Havertz is sent through on goal (although is marginally offside) and the next few minutes are a blur of aggressive tackles, jinky movement and nimble passes.

The crowd is immediately fully engaged and Arsenal are immediately in front.

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Leoandro Trossard celebrates scoring Arsenal’s first of the evening (Charlotte Wilson/Offside via Getty Images)

By way of retort, Chelsea, with their 58 per cent possession and higher xG in the first half, play with a freedom that spells danger — Nicolas Jackson and Conor Gallagher flashing balls across goal that elicit nervous, leaning-back, pursed-lipped oooohs in the home stands, then spontaneous applause en masse by way of encouragement. Arsenal are a more united bunch these days.

Greater teams — with the emphasis on team — would prey on Arsenal’s fragility, but not Chelsea.

The freedom they are playing with also extends to their defenders, who run in odd directions and blame team-mates for their own mistakes.

Mauricio Pochettino, for the time being, is a picture of calm amid the storm of an unceasing first half. Mikel Arteta buzzes around his technical area like a wasp who has accidentally sniffed some chilli powder.

At half-time, Rollin’ by Limp Bizkit is inexplicably played in full. It feels like the early 2000s again, a sentiment Arsenal take literally as they regale their glory days by demolishing Chelsea over the next 25 minutes.

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The loudest cheer is for the third goal, orgasmic groans at Martin Odegaard’s wand-ish through ball, then euphoria as Havertz finishes it off.

As the goals fly in, the giddiness elevates. All four sides of the ground are on their feet and the noise is overpowering at times. As a stadium, an entity, a feeling, this place is unrecognisable from three years ago. There is a tangible feeling of unity and delirium.

“Who put the ball in the Chelsea net? Half the fucking team did,” they sing. Technically only three of them have scored, which is 27 per cent of the team, but you get the sentiment.

The ultimate indignity arrives in the final minutes as they shout ‘ole’ at a rare sequence of Chelsea passes.

“You have to react and face the moment,” Arteta says of Arsenal’s return to form. “And the moment is beautiful. We’ve been working for it for nine months.”

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Arsenal’s players are restrained, but the fans are not (David Price/Arsenal FC via Getty Images)

On the pitch at full time, the celebrations are fairly restrained. Outside the ground, this is not the case.

People aren’t just walking away chatting about the match; they’re singing, hugging and dancing. There is an incessant buzz of unfiltered, intoxicating joy.

The scenes are so rhapsodic they bring to mind the end of the film adaptation of Nick Hornby’s Fever Pitch, set amid Arsenal’s 1989 last-minute league title win at Anfield, when fans poured onto the streets back home.

“I feel like I’m walking out of a festival and we’ve just watched the headliner,” one fan says to his friends. Everyone is high on Arsenal.

A group of three lads are dropping the c-word (champions), while another is shouting about goal difference.

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At the Tollington pub, the chant on repeat is not about the title, it’s about Chelsea getting battered. Whatever happens in the next three and a half weeks, this night will not be forgotten anytime soon.


With Liverpool stumbling through Jurgen Klopp’s Last Dance, they shouldn’t mind that Everton are their next opponents.

It might be a local derby, where form is supposed to ‘go out the window’, but this fixture has been massively skewed towards the Reds since the turn of the century.

They have beaten Everton 28 times since 2000; the Toffees have won just five.

“You wouldn’t get chips like that at Anfield,” a father tells his lad as he passes him one outside the Blue Dragon just a few feet from Goodison Park, with the chips in question being proper chips, and the insinuation being Everton are the proper club. Or the people’s club, as they say in this part of Liverpool.

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If Everton are a proper club, then lord knows what a disjointed one looks like in 2023-24. It has been a season of upheaval and strife and the visit of their neighbours is not necessarily being relished.

Klopp stands impassively as he surveys the opening minutes of his final Merseyside derby, his feet encased by fluorescent orange trainers.


Jurgen Klopp assesses the scene ahead of his last Merseyside derby (Paul Ellis/AFP via Getty Images)

Perhaps he’s just taking it all in, his last visit to the grand/creaking/traditional/outdated (delete as applicable) old stadium, arguably unique in English football (there are other ancient grounds, but not of this size). Or perhaps he just knows what’s coming.

Liverpool are submissive and compliant to the point of BDSM as they fail to cope with an Everton side who look like they’ve been locked up in darkness for the last week, caged and made to listen to the Z-Cars theme tune on repeat.

As with Arsenal, the tone is set within the opening minutes, but on Liverpool’s part this means meek surrender. The wobbly wheels are in motion. They win 25 per cent of all duels in the opening half an hour, a ridiculous statistic.

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If The Emirates is an arena, a colosseum, Goodison is 38,000 people shouting into an empty tin can. It’s being sat in a wheelie bin while burly blokes beat the outside of it with baseball bats.

There is an unceasing air of frantic desperation in their pleading yells for their team to tackle, to pass, to shoot, to block. No Premier League fanbase gets off on an agricultural sliding tackle more than at Goodison. Nowhere else is more spittle rasped for the tenacious blocking of a powerfully struck opposition shot.

When the merited opener arrives via Jarrad Branthwaite’s left foot, Liverpool’s fans begin to fear the worst.

Everton are willing to hoof the the ball out of play to clear a corner when they have all 11 players behind the ball… in the first half. Liverpool are not.

The rabid home team are seemingly prepared to do and sacrifice anything to win this football match. Liverpool are not.

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“Games likes these, the bare minimum is fight,” Virgil van Dijk says later. “We were lacking that at so many moments.”

Liverpool are creating chances, but they are losing all the key moments; missing chances (or shooting straight at Jordan Pickford), conceding chances and losing tackles and loose balls.


Jarrad Branthwaite’s shot squirms under Alisson (Daniel Chesterton/Offside via Getty Images)

The game is being played almost exclusively in Everton’s half. “We’re going to see record possession statistics for Liverpool in this half,” one home fan says.

But his fears are not realised. Dominic Calvert-Lewin heads home a second, the roof comes off. One man sat in the home seats does not move, remaining seated and wearing a wry smile, if not a red shirt.

Hope is lost in the away end. Defiance is not in their repertoire tonight, they are too despondent for that.

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They are told their “support is f***ing s***” and can only retort with muted sarcastic applause from a few hundred of them.

Nerdy statistical models would have Liverpool winning this 19 times out of 20. But the Opta supercomputer does not allow for Sean Dyche wearing a tracksuit.

“F**k off to Norway, the city is ours,” rings around Goodison (a dig at what they see as Liverpool’s tourist-heavy fanbase). As the whistle blows on an iconic Everton performance, the line “and if you know your history” from It’s a Grand Old Team must be one of the most thunderous noises heard in English football this season.

Fourteen years of no home victories over Liverpool, the fact that survival is all but secured, that Liverpool’s title bid has been seriously dented, and Klopp’s farewell party severely sullied, plus the points deductions, the fury, the injustice, it all pours into that noise.

“You lost the league, at Goodison Park,” is the refrain being sung over and over, more so outside the ground as people literally jump into each other’s arms outside the Winslow.

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Liverpool’s fans have long since scarpered, the away end emptying within a couple of minutes at full-time.

The post-match quotes are telling. Calvert-Lewin says Everton were happy to let Liverpool have the ball because “we never feared they were gonna really hurt us”.

Van Dijk criticises his team mates. Klopp apologies to his supporters and says that historically City and Arsenal don’t drop the number of points they’ll need to for Liverpool to stand a chance now. His words don’t say the title dream is over, but his face does.


Klopp and Van Dijk after Liverpool’s potentially costly defeat at Everton (Peter Byrne/PA Images via Getty Images)

“We were rubbish,” Neil Atkinson of The Anfield Wrap sums up succinctly.

“I’d rather have lost 4-2, but we didn’t have that card to play, there wasn’t a point where we thought they could make it a mad game. They didn’t have that gear. All I saw coming was the fact we had to score first.”

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The Athletic’s naivety around whether this was still a “friendly derby” for Liverpool, at least in comparison to the rivalry with Manchester United, is very quickly dismissed.

“It’s absolutely horrendous losing to Everton,” Neil clarifies. “I’m always hugely perturbed when we lose to them. It doesn’t happen very often.

“Klopp looks tired. You wonder now if he felt (when announcing he was leaving) his race was run… maybe we can see this manifesting itself more now than we could at the time he announced it.

“If he’d looked this way in November, people would have understood it more. He now looks really rather grey.”

And all the while they sing in the pubs around Goodison: “You lost the league, at Goodison Park, you lost the league, at Goodison Park.”

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Yep, they probably did.


There are two football teams playing at the Amex but the focus is directed at just one. Manchester City are in town.

“Fancy bus, innit?” a Brighton fan says to her friend as they walk past City’s coach which has five 10ft-high trophies emblazoned across its side. They both have their picture taken by it.

“I like (Jack) Grealish for England but not City,” another Brighton fan says.

Brighton are concentrating on City… and so are City. For them, Arsenal and Liverpool’s results are irrelevant if, as everyone expects, they enter ‘closer’ mode and win all their remaining fixtures.

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Guardiola stepped off the Man City team bus knowing a win at Brighton was essential (Clive Rose/Getty Images)

“I didn’t watch either game this week,” City season ticket holder of 30 years, Mike Hammond, says, but not from a position of irrelevance. “It’s just no good for your mental health, I can’t be doing with it,” he adds.

Mike is, as he puts it, a legacy fan. From Maine Road, to League One, to the Etihad and the Champions League trophy. Hell of a journey.

But while Arsenal have a party and Liverpool stretch their emotions thin like butter scraped over too much toast, how are City’s fans feeling about the possibility of another Premier League title?

“You get a mix,” Mike says. “Some are presumptuous, they’ll say; ‘Yep, been here before, we’re at our best now and it should be straightforward’. Most are pretty realistic and, yeah, to be honest, most think we’ll do it.

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“I thought Arsenal might not drop any points but that Villa result has made a big difference. We’ll have to win every game to win the title, but we’ve done that before.

“I’m not massively confident, tonight won’t be easy. We’ve struggled a bit with Brighton, they’ve got a good system that we struggle with sometimes.”

Brighton’s fans don’t share Mike’s lack of confidence in a City win.

“What are you doing missing this? We could have been 3-0 down by now,” a woman jokes as someone walks in late to sit next to her with two minutes on the clock. No, that comes in the 34th minute.

City had been well below their best when edging past Chelsea in their FA Cup semi-final last weekend, days after being knocked out of the Champions League by Real Madrid.

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Like Arsenal, they had appeared to look tired and lethargic. Like Arsenal (and unlike Liverpool) they come correct at the Amex from the opening whistle.

Their passing is sharp, their pressing is on point and full of energy, their movement is balletic.


De Bruyne and Foden celebrate as City demolish Brighton (Sebastian Frej/MB Media/Getty Images)

They are fortunate when Phil Foden falls over and is awarded a free kick by Jarred Gillett — and luckier still when said free kick deflects into the net — but otherwise this is an utterly dominant victory against meek opponents.

In their previous 44 matches this season in all competitions, the lowest amount of possession Brighton had kept in a game was 45 per cent. Tonight they have 35 per cent of the ball.

“That’s so easy, they’re taking the piss,” a Seagulls fan screams as Julian Alvarez scores City’s fourth in the second half. They are.

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The celebrations at full time are fairly restrained. This kind of victory is bread and butter for City, especially in April. It’s job done. Five to go.

As a fan who regularly attends away games as well as home, Mike is one of a select few thousand who are in the inner sanctum of watching this title race unfold in the flesh.

“It is a privilege,” he says. “And the away games are great, always a good atmosphere, most people really look forward to the away days.

“It’s not ‘pinch yourself’ like it was in the first few years of Pep, the manner in which he did it, the football he’s introduced, he’s something else that guy. The best you’ve ever seen.

“Obviously we’re going for the fourth in a row. We’ve done three, it’s not the end of the world if it doesn’t happen this year, but the team know how to do it and this is kind of where we come good.”

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Just like at The Emirates and Goodison Park, there is a song on repeat at the Amex as the evening draws to a close.

“Champions again, ole ole, champions again, ole ole.”

In some ways it has been an extraordinary week, what with Liverpool’s first defeat at Everton for 14 years probably ending their title hopes and Arsenal’s biggest victory over Chelsea for, well, ever.

In some ways it has also played out to type – Arsenal loving life, Liverpool on the emotional rollercoaster and City utterly serene.

(Top photo: Zac Goodwin/PA Images via Getty Images)

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The people and moments that made Kentucky Derby winner Mystik Dan

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The people and moments that made Kentucky Derby winner Mystik Dan

LOUISVILLE, Ky. — The thing about a life-changing event that takes two minutes to finish: every move, every decision, even every non-decision matters. Except it’s not just the moves, the decisions and the non-decisions made in those two minutes that matter; it’s a lifetime of split-decision choices that combine to create a life and, in one case on a muggy Saturday evening, make history.

To unspool the story of Kentucky Derby winner Mystik Dan’s historic run along the rail and into the record books requires far more than a rewind around the Churchill Downs track. It includes a decision to not bail on a dinner date 30-plus years ago and a hunt for bloodstock information in the basement of a college library years before even that. It necessitates a commitment to a would-have-been retired mare and a father convincing his son to fall in love with horse racing. It requires one jockey to study another rail-riding rider, and a partnership between a collection of people who compete with the big names but intentionally never cared about being one of them.

On the historic 150th running of this race, Mystik Dan delivered a breath-holding finish, beating second-place Sierra Leone and third-place Forever Young in the first three-horse photo finish since 1947. So close was the finish, not even winning jockey Brian Hernandez Jr. was certain what happened, asking an outrider as he eased Mystik Dan if he’d won the Kentucky Derby.

It took an agonizing five minutes for the answer to arrive, the 156,710 spectators on hand going from euphoric as the three horses neared the wire to near-stunned silence as they, like the jockey, awaited the decision.

Finally, Mystik Dan’s name flashed on the big board, the crowd in the stands whooping in joy, the outrider sharing the news with Hernandez. “It took about two minutes, and then finally when they said, ‘Yeah, you’ve just won the Kentucky Derby, I was like, ‘Oh wow, that’s a long two minutes. That was the longest two minutes in sports — from the fastest two minutes to the longest by far.’’

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Perhaps the only person not surprised was trainer Ken McPeek. The Kentucky-based trainer practically made like Babe Ruth and called his shot all week. On Friday, when he sat at a press conference to celebrate his Kentucky Oaks winner Thorpedo Anna, it was suggested that perhaps he’d return for another winning presser the next day. “Count on it,’’ he said. When the promise was delivered, McPeek celebrated on the track, holding his daughter Annie’s hand tight.

By combining the winning ride with that of Thorpedo Anna, McPeek became the first trainer since Ben Jones in 1952 to win the Kentucky Oaks-Kentucky Derby double, and Hernandez the first jockey to do so since Calvin Borel in 2009.

It is fitting that Hernandez matched Borel. In the longer view of this race, the one that makes more like “It’s A Wonderful Life” and considers how even the most inconsequential of decisions lead to an epic life, it was Borel that Hernandez cued up on the videos to study. Borel was known around the track as Calvin Bo-Rail for his love and comfort with riding along the rail, a spot plenty of jockeys would prefer to avoid. When Mystik Dan drew post position three, Hernandez and McPeek started talking about how they might be able to turn what plenty envisioned as a disadvantage into an advantage. Hernandez discovered the secret sauce in the recaps of Borel’s rides.


One of Mystik Dan’s owners, Sharilyn Gasaway, holds the 150th Kentucky Derby trophy.

In the immediate here and now, in the 2:03.34 it took Mystik Dan to cover the 1 ¼ miles, the race was won because Hernanedez Jr. steered the horse on a brilliant ride. He followed Track Phantom along the rail, and when the lead horse gave him a half-step’s worth of room, he squeezed Mystik Dan through the narrow space that opened like the sliver of light beneath a doorframe, holding on to the finish line to win by a nose. Favorite Fierceness finished 15th.

But this race was won long before Hernandez cued up the video. It was won some 40 years ago when a young McPeek buried himself in the University of Kentucky agriculture library to educate himself on BloodHorse and thoroughbred records. Taken to Keeneland by his grandfather, McPeek never saw himself doing much else other than horse racing. He jokes that his ag library basement studies might have resulted in better grades than his normal coursework, but it’s only because it fed a passion.

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All that studying and poking around, though, created a sort of horse-racing Everyman. He prefers to touch every bit of horse racing and is respected as much as a bloodstock agent as a trainer. He even created an app — Horses Now — for replays. He’s a big believer in the industry, well-liked and well-respected among his peers for his loyalty and decency and his willingness to keep things simple. Horse racing is a big business, and an expensive one, the animals often owned by conglomerates over individuals. McPeek has purposefully tried to eschew that approach. “I think what I’m most proud of is, we didn’t do with Calumet Farm horses,’’ he said, citing the big-breeding conglomerate in Lexington. “We did it with working-class horses.’’

McPeek trained Mystik Dan’s mare, Ma’am, and when she neared retirement, he convinced Lance, Brent and Sharilyn Gasaway not to retire her but to breed her with Goldencents, a 2013 Derby entrant. That they agreed goes to the trust the owners put in McPeek, but also back to their own horse-racing roots and their little moments that led them to a small-ish racehorse with the biggest of wins.

Lance Gasaway, you might argue, is the Mystik Dan of college football. That is to say, perhaps a tad overlooked. A record holder and Hall of Famer, he starred not at Arkansas but at Arkansas-Monticello, where he was an NAIA All-American for the Boll Weevils. He got into horse racing at the urging of his dad, Clint, the two partnering at Oaklawn, their home track. Their biggest and best shot at the limelight came with Wells Bayou, who won the Louisiana Derby and was targeted for the Kentucky Derby until COVID struck and moved the race to September.

Clint died about a year ago, and as Lance sat on the dais, he got more than a little choked up when he recalled his father’s influence. “To me, this is for him,’’ he said. “Dad would have loved it. He loved the game.’’ But a few years ago, back when Ma’am was about to be retired, Clint decided he was getting too old to get into breeding horses. Lance opted to bring in his first cousin, Brent.

Thirty-five years ago, Brent was meant to meet his now-wife Sharilyn for a date, but he was late. And then later. Turns out he was at the track, still at the races. Sharilyn was less than thrilled — at least until Brent that night popped the question. When Sharilyn quit her full-time job, the couple opted to get into horse racing full-time, about the same time that Clint and Lance got into the game. When Lance needed a new partner for breeding and, eventually, in the ownership of Mystik Dan, Sharilyn and Brent made perfect sense.

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Sitting side-by-side, sandwiched between McPeek and Hernandez, Lance and Sharilyn both seemed a bit wide-eyed and happily dazed. Asked how they might celebrate, Lance deadpanned, “I don’t know. I never won the Derby before.’’

Neither had McPeek. But now, with his own Triple Crown — he won the Preakness in 2020 with Swiss Skydiver and the Belmont in 2002 with Sarqva — he at least had an inkling. “I’m going to go back to the barn and hug all the staff and all the family,’’ he said. “And then my house is wide open if anyone wants to come over.’’

Mystik Dan may have won the Derby in two minutes of maneuvering, but it took a million smaller moments to create the masterpiece.

(Photo of jockey Brian J. Hernandez Jr. on Mystik Dan: Rob Carr / Getty Images)

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Former tennis prodigy Kylie McKenzie awarded $9 million in sexual assault lawsuit against USTA

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Former tennis prodigy Kylie McKenzie awarded $9 million in sexual assault lawsuit against USTA

Once a tennis prodigy, Kylie McKenzie is being awarded $9 million in a federal lawsuit against the United States Tennis Association, where she claimed the organization did not protect her from being sexually assaulted by her former coach at a training facility in Florida in 2018, per The Athletic. 

Anibal Aranda, then 34 years old, was McKenzie’s coach when she was a 19-year-old prodigy out of Arizona. McKenzie claimed in a 2022 lawsuit that Aranda had assaulted her on a back court at the USTA’s Orlando training facility. 

McKenzie stated the USTA failed to disclose that Aranda assaulted a former employee years before her own assault. 

Kylie Mckenzie returns a shot during the ITF World Tennis Tour W50 Sao Paulo at Clube Hipico de Santo Amaro on March 27, 2024, in Brazil. (Buda Mendes/Getty Images for ITF)

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McKenzie’s lawsuit was filed after the U.S. Center for SafeSport found Aranda “more likely than not” touched her vagina over her clothes and groped her during the process of showing her a serving technique in 2018, per The New York Times. 

Since the assault, McKenzie said she suffers from panic attacks, anxiety and depression.

TENNIS STARS STEFANOS TSITSIPAS, PAULA BADOSA CALL IT QUITS AFTER ABOUT A YEAR

McKenzie was awarded $3 million in compensatory damages and $6 million in punitive damages after a jury determined “there was a conscious disregard for the rights and safety of others, given in part attempts by the USTA to keep McKenzie’s case quiet,” per The Athletic. 

“I feel validated,” McKenzie, who is still trying to pursue a career in tennis, told The Athletic on Monday. “It was very hard, but I feel now that it was all worth it. I hope I can be an example for other girls to speak out even when it’s hard.”

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USTA spokesman Chris Widmaier said his organization will “pursue all avenues of appeal” in a statement that included sympathy for McKenzie. 

Kylie McKenzie return

Kylie Mckenzie during the ITF World Tennis Tour W50 Sao Paulo on March 27, 2024. (Buda Mendes/Getty Images for ITF)

“The court ruled that the USTA was liable because one of its employees – a non-athlete – had an obligation to report her own experience with this coach to the USTA, an incident that was unknown until after the USTA removed the coach. This sets a new and unreasonable expectation for victims, one that will deter them from coming forward in the future,” the statement read.

However, McKenzie’s attorney, Robert Allard, countered Widmaier, saying the jury found the USTA failed to regulate itself. 

“They don’t put athletes first,” Allard stated. “There needs to be a complete change in the organization so victims are not silenced but encouraged to come forward.”

Kylie McKenzie tosses ball for serve

Kylie Mckenzie serves in the singles match against Maria Mateas during the ITF World Tennis Tour W50 Sao Paulo on March 27, 2024. (Buda Mendes/Getty Images for ITF)

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McKenzie joined the USTA’s full-time training team out in California at 12 years old, and she’d go on to win the national U-16 championship at 15 years old. When she was 18, she transferred to the Orlando facility.

Aranda has denied touching McKenzie inappropriately in 2018. 

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Caitlin Clark's L.A. debut and two other Sparks games moved to Crypto.com Arena

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Caitlin Clark's L.A. debut and two other Sparks games moved to Crypto.com Arena

The Sparks were poised to host Caitlin Clark and the Indiana Fever on May 24 at the snug Walter Pyramid, a venue that seats 4,000.

It was an odd choice that left lots of potential revenue on the table, as other WNBA teams tried to maximize the number of seats they had available for games featuring Clark, college basketball’s all-time scoring leader and the No. 1 pick in the 2024 draft.

With the Lakers, Clippers and Kings knocked out of the playoffs, the Sparks announced they moved the game against the Fever along with contests against the Dallas Wings on May 26 and Minnesota Lynx on June 5 to Crypto.com Arena. The venue seats 19,067 for basketball games.

Season-ticket holders will have early access to purchase additional tickets starting Tuesday and single-game tickets will be available to the general public on Thursday at 8 a.m. PDT.

Clark’s college games set attendance records and ticket orders spiked around the league as soon as she announced she was entering the WNBA draft. The Indiana Fever selected her with the No. 1 pick, headlining a star-studded draft class that included the Sparks’ No. 2 pick Cameron Brink and No. 4 pick Rickea Jackson.

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When asked about potentially moving the game during the Sparks’ recent media day, general manager Raegan Pebley said team officials understood the interest and demand for tickets that has been steadily growing.

“This is an incredible class, we’re going to see continued classes start to rotate into the WNBA in the years to come. Again, that’s part of the impact of a Lisa Leslie and Candace Parker and all the other Sparks that have come before,” Pebley said. “But absolutely, we’re very aware of the energy surrounding the WNBA and positioning ourselves in an arena and an atmosphere that this game right now deserves.”

The Sparks will still play their season opener May 15 against the Atlanta Dream and a May 21 game against the Washington Mystics at Walter Pyramid on the Long Beach State campus.

“We appreciate the partnership that we have built with Long Beach State and are excited to open our 2024 season in front of the Long Beach community,” Sparks president Christine Monjer said in a statement. “Women’s basketball is experiencing unprecedented viewership and attendance numbers so moving these games back to Crypto.com Arena provides us the ability to have more fans in the stands and have our players back to competing on their home floor.”

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