Sports
Bernie Williams and his unique road from the World Series to New York Philharmonic
For Bernie Williams, grabbing a bat was easy. He would pull out the same trusty 34 1/2-inch, 33-ounce Rawlings model for all occasions during his New York Yankees career, whether that was in spring training or the playoffs, whether he was facing a flamethrower or a knuckleballer.
Music, however, is different.
“Choosing a guitar is about the gig,’’ Williams said. “It’s about the sound that you want to create, and it’s about the music that you’re going to play. You need the right instrument with the right gig, and that varies with time.”
Such is what vexes the former outfielder as he prepares for a second big-league debut — this time in the arts. Williams for the first time will play guitar with the New York Philharmonic, at the Spring Gala on Wednesday, an epic milestone for a five-time All-Star and four-time World Series champion now deep into life’s second act.
So, which guitar? The acoustic steel string? The archtop? Williams said a few weeks ago that he might even choose to go electric “for that sort of Santana-like sound,” though he added it “might just be too over the top for that environment.”
Williams, who spent his entire career with the Yankees from 1991 to 2006, has rebranded himself as an accomplished musician, ordained with a Latin Grammy nomination and critical acclaim. Still, at age 55, the thought of stepping into the spotlight at another hallowed New York venue — think Yankee Stadium, but with better acoustics — gives Williams butterflies.
On Wednesday, he will play one selection, his 2009 piece “Moving Forward,” as newly arranged by jazz artist Jeff Tyzik. Famed conductor Gustavo Dudamel will be at the helm.
“I expect to be as nervous as I’ve ever been on any kind of stage,’’ Williams said “But I think it’s gonna be no different from playing a seventh game of the World Series, you know?”
To answer that last question: No, Mr. Williams, we don’t know. There is no one else in baseball history poised to compare the experience of baseball’s Fall Classic and the Philharmonic’s Spring Gala. No one else has played in “The House That Ruth Built” and in the concert hall Leonard Bernstein christened by conducting on opening night in 1962.
Williams’ distinction means much gnashing of teeth for the president and CEO of the New York Philharmonic. Gary Ginstling is an ardent Mets fan.
“This is a deeply difficult decision for me, I have to say,’’ Ginstling cracked during a phone interview. “I did scour the landscape for any retired Mets. But no one could hold a candle to Bernie Williams.”
Bernie Williams has performed the national anthem before baseball games since retiring. Here he is in 2021 at an Oakland Athletics-Minnesota Twins game. (Darren Yamashita / USA Today)
This experience is enough to give Williams flashbacks to his first big-league at-bat. The switch hitter was 22 years old when he stepped to the plate in the third inning at Yankee Stadium against left-handed junkballer Jeff Ballard on July 7, 1991. It was hardly a soaring opening note. The Baseball-Reference box score immortalized the moment this way: Groundout: 3B-1B (Weak 3B).
The outing got better. Williams drove in a run with the sacrifice fly in the fifth and brought home another run with an infield single in the ninth.
“I remember being really nervous,’’ Williams said of that debut. “I remember being in this place where there was a lot of uncertainty about my career and my own ability to stay in the big leagues. All I wanted to do was to get an opportunity to be able to show people what I can do.’’
A week later, Williams hit his first home run at Anaheim Stadium against the California Angels. He hit a fastball thrown by Chuck Finley over the left-center field wall. He kept rolling from there: a .297 batting average with 287 home runs and 147 stolen bases over 16 seasons.
July 14, 1991
Bernie Williams hits his first career home run pic.twitter.com/nYIteNuXlL— NY Yankees Throwbacks (@yankeethrowback) February 19, 2022
Williams helped the Yankees win four World Series titles, including three in a row from 1998 to 2000. His 22 career postseason homers rank third all-time behind Manny Ramírez (29) and José Altuve (27).
That summation has applied, at times, to his musical career, partly because it would be easy to dismiss Williams as just another retired jock with an expensive new hobby. But his lifelong musical journey is part of what appeals to the New York Philharmonic. The Spring Gala, to be performed at the David Geffen Hall at the Lincoln Center for the Performing Arts, is a fundraiser for musical education. Ginstling wants the younger crowd to be inspired by Williams’ scholarly dedication to his craft.
Williams’ first instructor was his father. Bernabé Williams, an able seaman with the Merchant Marine, returned from Spain with a gift for his 7-year-old son. It was a guitar that his son never put down. The family then found a guitar teacher in its neighborhood in Puerto Rico, and by the time Bernie was 9 years old, he had performed on a local radio station with other star pupils.
“The guitar teacher had all the little kids that were taking lessons with him, the ones that were kind of like standouts,’’ Williams recalled. “He would give them an opportunity to play a song or two on that radio show. … It was such a great experience and kind of set the stage for everything that came after.”
Williams kept playing throughout his baseball career, especially so while grieving the loss of his father, who died of lung disease in 2001. The former batting champion then studied guitar and composition for a year at the State University of New York at Purchase in preparation for his first album, “Moving Forward.” That release strengthened his bona fides thanks to 14 solid tracks including collaborations with Bruce Springsteen, Jon Secada and Dave Koz.
Bernie Williams and musician Jon Secada performing during the Grammy SoundCheck on April 17, 2009, in New York City. (Joe Kohen / WireImage)
But eventually, Williams formalized his expertise. He enrolled in the prestigious Manhattan School of Music en route to a bachelor’s degree.
“I tell you what, none of the home runs that I hit in the postseason helped me there,” Williams said. “I had to really reinvent myself. And in a very strange way, I had to earn the admiration of the kids that I was playing with, because they were all virtuosos in their own instruments by the time they got to the Manhattan School of Music.
“I was the old guy in the back of the room. I was asking all the questions and asking that no one erase the blackboard until I was finished writing all the notes.”
Williams wasn’t chasing a diploma for the sake of the paper. The experience signified his graduation from ballplayer to artist.
“I think the school gave me a great perspective on the reasons why I wanted to be a musician and the responsibility that we have as music makers to make sure that we make this world a better place,” he said. “The joy and the power of music is just incredible thing to use for the good of the world.”
Therein lies the message of the Spring Gala and underscores why even a Mets fan like Ginstling embraces a Yankee in the house. The eclectic bill on Wednesday is designed to introduce new audiences to the philharmonic. Selections range from a suite from Richard Strauss’ “Der Rosenkavalier” to two pieces from rapper Common to an aria called “Bachianas Brasileiras No. 5,” sung by the South Korean soprano Hera Hyesang Park.
“I think that’s what I’m so excited about,” Ginstling said. “We’re gonna get a ton of Bernie Williams fans in the house that night who probably will be hearing the New York Philharmonic for the first time. It’ll be great for them to hear Bernie, but we want them to hear the orchestra play Strauss. And we want them to hear the orchestra play Nina Shekhar, this up-and-coming composer whose piece we’re playing.
“We’re hoping that they’ll get hooked not just by Bernie, but by all of this repertoire, and they’ll come back.”
Until then, Williams sometimes wakes up unexpectedly at 2:30 a.m. and reaches for his guitar. Still half-awake, he’ll strum until the notes sound just as they should before allowing himself to drift back to sleep.
“That’s the level of preparation you need for an event like this,” he said. “Because when the nerves come in, you want to still be in control and not freeze when the situation arises. The only antidote to that is being well-prepared.
“That’s true of doing anything that requires the spotlight and great expectations and great pressures.”
Williams hardly is the first ballplayer to make news with his music. As far back as 1964, a Yankees bus ride turned tense when Yogi Berra grew tired of hearing “Mary Had a Little Lamb” as played on the harmonica by a utility infielder named Phil Linz.
But that was the “New York Phil harmonica.” The New York Philharmonic is a whole different ballgame.
“If anything,” Williams said, “baseball taught me to be able to perform under pressure, and this is definitely going put that to the test.”
(Top photo: Mychal Watts / Getty Images)
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Croatia thought their FIFA World Cup hopes were still alive when they scored the game-tying goal just before the end of stoppage time in the second half.
But a VAR review said Mario Pasalic was offside, and it was Portugal moving on instead.
Gonçalo Ramos’ goal just minutes earlier — a beautiful header into the back of the net in the 94th minute — was the decider in this 2-1 victory for Portugal. And it was only the second time in Portuguese World Cup history the nation needed to come from behind to win, underscoring its resilience on the sport’s biggest stage.
Luka Modric of Croatia and teammates react after the 1-2 loss during the FIFA World Cup 2026 Round of 32 match between Portugal and Croatia at Toronto Stadium on July 2, 2026 in Toronto, Ontario. (Patrick Smith – FIFA)
It was a controversial ending, though, and one where Croatia tried to argue the ball never hit the head of Igor Matanovic, which made Pasalic offside during VAR review.
It’s also worth noting that a new chip within the ball shows when it is touched, giving more concrete evidence to the referee’s final decision in such a crucial time of the match. This was the 10th goal overruled by VAR thus far in the World Cup.
GABRIEL MARTINELLI’S 96TH-MINUTE GOAL RESCUES BRAZIL FROM JAPAN UPSET IN WORLD CUP ROUND OF 32
So, with the goal annulled, Croatia’s time at the tournament has ended. As a result, Croatian legend Luka Modrić is finishing his fifth World Cup, which will likely be the 40-year-old midfielder’s final one.
But another older legend on the pitch will move on, as Cristiano Ronaldo made some World Cup history during this match.
When No. 7 stepped foot on the pitch and the ball was kicked, he became the oldest player to participate in a knockout stage match at the World Cup at 41 years and 147 days old. He also became the oldest player to score in a knockout stage match when he saw a penalty situation while Portugal was down 1-0 in the match.
Cristiano Ronaldo of Portugal celebrates after scoring his team’s first goal during the FIFA World Cup 2026 Round of 32 match between Portugal and Croatia at Toronto Stadium on July 2, 2026 in Toronto, Ontario. (Patrick Smith – FIFA)
Ivan Perisic got the first goal of this game and put Portugal’s back against the wall. But after a foul was committed inside Croatia’s box in the 67th minute, it was time for Ronaldo to get his first career knockout goal, and he didn’t disappoint.
Ronaldo was ecstatic, sprinting toward the corner flag and performing his signature “SIU!” celebration, which the crowd bellowed with the score at 1-1. Ronaldo had also seemed to get that first knockout goal just minutes earlier but he was called offside.
Modrić and Ronaldo, two former teammates on Real Madrid, also made history together, as they were the first two players 40 years or older to play in the same match together.
Luka Modric of Croatia congratulates Cristiano Ronaldo of Portugal after the 2-1 win during the FIFA World Cup 2026 Round of 32 match between Portugal and Croatia at Toronto Stadium on July 2, 2026 in Toronto, Ontario. (Buda Mendes/Getty Images)
It was also an emotional moment after the match, as Ronaldo wore the jersey of late Portugal teammate Diogo Jota, who died in a car accident a year ago. A team photo was taken on the pitch, with Ronaldo holding up Jota’s jersey alongside his squad.
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Now that the job is done in the Round of 32 for Portugal, they face a big challenge against a key rival in the Round of 16.
Spain, who dominated Austria with a 3-0 finish earlier on Thursday, awaits Portugal at Dallas Stadium on July 6 at 3 p.m. ET.
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Roki Sasaki’s abysmal appearance faded away in the Dodgers’ 12-7 win over the San Diego Padres on Thursday night, but only after the National League West leaders rose from a catatonic first inning.
The Dodgers roared back from a 6-0 deficit as Andy Pages skirted a tying double down the left-field line, and Mookie Betts and Max Muncy each drove in runs to give them the lead for good in a four-run fourth inning. All of which sent the sold-out Dodger Stadium crowd into jubilant celebrations, some jumping, others breaking out World Cup chants.
“Thankfully, it played out the way I didn’t expect,” manager Dave Roberts said of the team’s ability to turn the game around, “or the way it started.”
By the time the game ended, Sasaki’s three-inning start seemed like a murky nightmare the Dodgers awoke from in a sweat. Except the Dodgers weren’t dreaming, and the team hadn’t done much to assuage the concerns with Sasaki.
The problem with Sasaki isn’t his stuff. On his best nights, when the velocity and command combine, Sasaki blows past batters with a triple-digit fastball and cutting off-speed pitches. The problem has been how to tick the radar without making the strike zone look like a Jackson Pollock painting — and recently, it has.
Sasaki’s June swoon, impervious to the calendar change, continued into Thursday’s series opener against the Padres, in which the right-hander gave up three home runs among seven hits before Roberts called it quits going into the fourth inning.
“They were on everything,” Roberts said. “You could see it.”
One possible concern? Tipping pitches. While Roberts and catcher Dalton Rushing said the team would need to do more research into Sasaki’s start, both left the door open to this answer.
“That would be a big explanation as to how they felt like they were on every pitch,” Rushing said.
As San Diego chugged through its lineup, Sasaki struggled to keep up. With his first pitch, he gave up a double to Fernando Tatis Jr., who scored on Manny Machado’s home run that left center fielder Pages staring at the ball’s path as it plopped down on the other side of the blue outfield fence.
The inning was only a preview of the Padres’ power. Each of the nine San Diego batters got his chance against Sasaki in the second, and the team quickly dug the Dodgers into a six-run hole. He surrendered two home runs in the second inning. Jackson Merrill blasted a ball to left-center field leading off, and, two outs later, Jake Cronenworth drove in two runs with a shot to right-center.
Sasaki said through interpreter Kensuke Okubo that he needed to work on his command, but he felt like his fastball was good.
Roki Sasaki has his head down after giving up a solo homer to Jackson Merrill in the second inning.
(Gina Ferazzi / Los Angeles Times)
“I don’t think my stuff was bad today,” Sasaki said. “Overall, it wasn’t great but a lot of things evolved.”
Part of Sasaki’s issue lies with his approach. Roberts said he wants the second-year pitcher to be aggressive, to play the cat-and-mouse game required to beat batters in the box. But when given the opportunity, Sasaki has shrunken in recent outings, struggling with his command and his ability to pitch deep into games.
“We had a great May, so let’s just get back to competing and making pitches,” Roberts said.
When reliever Will Klein walked out to the mound in the fourth to the aggressive, rambunctious clamor of the Dropkick Murphys’ “I’m Shipping Up to Boston” and collected two scoreless, one-hit innings, the relief was immediate: The Dodgers took the lead.
The lineup already was revving, as Rushing homered in the second inning while Sasaki was still in the game, and both Kyle Tucker and Muncy drove in runs off starter Randy Vasquez in the third, cutting the deficit to two. The Dodgers broke through against the Padres’ bullpen to score six runs in the fourth and fifth innings.
“The bullpen was fantastic tonight, and then the offense came up big,” Roberts said.
A late catch by Pages helped close out the game after he gloved a ball despite ramming into the padding of the center field wall. A combined effort by Paul Gervase and Tanner Scott shut down San Diego’s ninth-inning momentum after it pushed across a run.
“Turned back around, was able to find the ball and make a really good catch right there,” Tucker said of Pages. “That was a huge out.”
The Dodgers (57-31) beat their division rivals for the fifth time in seven games to open a 13-game lead over both San Diego and Arizona. The Padres, meanwhile, have lost six straight and given up 66 runs over the last six days, the most in such a span in franchise history.
But San Diego’s flaws don’t negate the Dodgers’ as they burned through six relievers in their win. So, while the Dodgers crawled out of the hole with a season-high 17 hits, the steep cost heightens the pressure on the rest of the rotation the rest of the series.
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In previous years, the Round of 16 was the first knockout stage match, but with an expanded field of 48 teams— it is now the second.
Let’s check out the odds at FanDuel Sportsbook as of July 2 for which countries are favored to make the Round of 16 and emerge from it.
This page may contain affiliate links to legal sports betting partners. If you sign up or place a wager, FOX Sports may be compensated. Read more about Sports Betting on FOX Sports.
To Reach Round of 16
Argentina: -2000 (bet $10 to win $10.50 total)
Colombia: -550 (bet $10 to win $11.82 total)
Portugal: -340 (bet $10 to win $12.94 total)
Switzerland: -235 (bet $10 to win $14.26 total)
Egypt: -148 (bet $10 to win $16.76 total)
Australia: +122 (bet $10 to win $22.20 total)
Algeria: +186 (bet $10 to win $28.60 total)
Croatia: +260 (bet $10 to win $36 total)
Ghana: +380 (bet $10 to win $48 total)
Cape Verde: +1160 (bet $10 to win $126 total)
Now let’s check out the odds at FanDuel Sportsbook as of July 2 for the matchups already in place.
SATURDAY, JULY 4
Canada vs. Morocco
To Advance: MAR -300, CAN +225
Moneyline: MAR -130, Draw +240, CAN +420
Paraguay vs. France
To Advance: FRA -1800, PRY +1140
Moneyline: FRA -600, Draw +600, PRY +1800
SUNDAY, JULY 5
Brazil vs. Norway
To Advance: BRA -245, NOR +196
Moneyline: BRA -120, Draw +260, NOR +340
Mexico vs. England
To Advance: ENG -134, MEX +110
Moneyline: ENG +145, Draw +210, MEX +200
MONDAY, JULY 6
USA vs. Belgium
To Advance: USA -110, BEL -110
Moneyline: USA +165, Draw +230, BEL +170
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