The Dallas Mavericks entered the 2026 NBA Draft with the #9 pick, the #30 pick and a fair amount of trade rumors swirling around them. After selecting Morez Johnson, Jr. at #9, things went dreadfully quiet on the trade front. As subsequent picks were made and the minutes ticked by, it seemed apparent that Dallas would be making a selection at #30 instead of packaging that pick with a veteran in an effort to move up the draft board. Any hope at picking up a young guard to help in the rebuild looked bleak.
Dallas, TX
Dallas Jenkins says he is the ‘evangelical mascot of the LDS church’ and talks Easter celebrations
In the lead-up to Easter, Dallas Jenkins is encouraging “joyous” celebrations.
Jenkins, the creator of the hit biblical drama, “The Chosen,” appeared on the “followHIM” podcast in an episode released Wednesday. The podcast, hosted by Hank Smith and John Bytheway, explores the weekly lesson in the “Come, Follow Me” study manual from The Church of Jesus Christ of Latter-day Saints.
Every year around Easter, Jenkins said he enjoys focusing on the resurrection of Jesus Christ.
“I really do, especially as a storyteller, think about how this story still impacts us 2,000 years later, and how I never want to take it for granted,” Jenkins said. “‘The Chosen’ is in many ways, my attempt to make sure that we never take it for granted.”
The filmmaker also described how he observes Easter at home and with his congregation, and shared advice on how the religious holiday can be celebrated with greater joy, particularly among members of The Church of Jesus Christ of Latter-day Saints.
While building 5&2 Studios, the film studio that produces “The Chosen,” Jenkins worked alongside his co-founder Derral Eves, a Latter-day Saint. During this time, he realized he would be collaborating with several members of the church and began learning about the theological differences from his own evangelical faith.
“What I admire about (Latter-day Saint) folks is you guys are very well behaved, very tucked in,” Jenkins said. “Now, occasionally I’ll watch a BYU game and I’ll see you cheer like crazy.”
He added that during Easter services with his congregations, they often say, “I’ve seen you cheer during a Bears game. I’ve seen you celebrate multiple sporting events or graduations. What is the most celebratory and joyous and exciting victory in the history of the world that we get to participate in? It’s the resurrection of Christ.”
Though typically more “tucked in” during religious settings, Jenkins encouraged a “most joyous and celebratory” service during Easter.
“I appreciate the reverence of the different people within different faith traditions,” he continued. “But I would say it’s OK to express as much joy or more in the resurrection of your Savior as it is the student that hit a half-court shot that I just saw in the BYU game on Friday.”
“It’s OK to do it in the context of the greatest moment in the history of the world.”
Jenkins then shared that one of his favorite scenes from “The Chosen” is when Jesus tells the disciples to cast their nets on the other side, resulting in heaps of fish and a boisterous celebration.
The scene didn’t turn out as Jenkins had anticipated, but once he saw it come together, he realized the jubilee was exactly what the story needed — and those joyful portrayals have been part of why “The Chosen” has resonated with audiences.
“I’m honored evangelical mascot of the LDS church, so I’ve been granted favor to say certain things that maybe others can’t,” Jenkins said, while discussing the scene.
“There’s such a reverence, and there’s such a genuine respect for Christ (in the Latter-day Saint church), which is great. You guys probably do that better than we evangelicals do it, but sometimes it can lead to a formality, and I’ve seen it in paintings. I’ve seen it in some of the LDS videos. And portrayals of Christ are very formal,” he continued.
“This comes from a good place of honoring scripture, fidelity to scripture, just it feels like a reenactment of a scripture. One of the things that makes a scene … really work is the portrayals — the acting, the fun, the winks, the laughter, some of those moments that aren’t spelled out in scripture but undoubtedly would have happened.”
Reflecting on his BYU devotional
Jenkins also took a moment during his appearance on the podcast to reflect on his 2024 BYU devotional, where he spoke on overcoming failure and surrendering to God.
“I run into so many LDS friends or viewers of the show around the country, so many of them bring up that forum where I got a chance to speak at BYU to the students and community,” Jenkins said.
During the devotional, Jenkins recalled sharing his experience after a failed Hollywood movie, explaining that faith is about focusing on doing your part well rather than controlling the outcome, and that God can work through us in the depths of our failures, not just our accomplishments.
“There’s something especially poignant about whenever God works through failure and works through our lack and our desperation, as opposed to working through success. I think it’s especially wonderful when we see things that have become successful,” he said.
The name of his studio, 5&2, is a reminder that we are responsible for providing our best effort — five loaves and two fish — and the results are up to God.
Even as his projects, including “The Chosen,” became objectively successful, Jenkins believes the goal remains to offer God our best work and trust him with the impact.
“You’re not responsible for the feeding of the 5,000, you’re just responsible for loaves and fish,” he said. “It’s a good and healthy and important reminder.”
Dallas, TX
These children were sold for sex. Then the system failed them again
A 12-year-old Dallas middle-schooler ended up on the streets, where a pimp discovered her. For as little as $50, he sold her for sex. He withheld food unless she worked. She later disappeared into the state’s foster care system after suffering from depression. She attempted suicide.
A 13-year-old seventh- grader was forced to have sex with men in Houston by a pimp who hooked her on drugs. She died shortly after turning 18 from a fentanyl overdose — a few months before her abuser was sentenced to prison.
A 17-year-old Lubbock runaway was required to have sex with men in hotels and truck stops until she earned her pimp $1,000 daily. That quota meant seeing up to 20 “clients” per day. She spiraled into drug addiction.
These children have more in common than the abuse they endured — and the lifelong trauma that comes with it. Each was mandated by federal law to receive financial compensation from the pimps and pedophiles who abused them.
You can read more in-depth reporting from our media partner, The Dallas Morning News.
Dallas, TX
Reports: Mavericks acquire Sergio De Larrea in four-team Draft night trade
With the #30 pick, Dallas selected Koa Peat, Adam Silver said goodnight and that was that. Except it wasn’t. As the first round of the Draft was concluding, rumors started buzzing that the Mavericks were in fact making a move. Details are still being confirmed, but as it stands, Dallas will be trading the #30 pick Koa Peat and two future second-round draft picks to the New York Knicks in exchange for Sergio DeLarrea’s services. The exact second-rounders were still being determined late Tuesday night.
Here are the details we have at this time:
Los Angeles Lakers Received: 24th Overall Pick (Cameron Carr, Baylor)
Dallas Mavericks Received: 25th Overall (Sergio de Larrea, Spain)
Phoenix Suns Received: 30th Overall (Koa Peat, Arizona)
New York Knicks Received: Cash (Lakers), two second-round picks (Mavericks), and three more second-round picks (Suns)
DeLarrea was on the radar of a number of Mavs Moneyball staffers, perhaps none more than Tyler Edsel who wrote an excellent crash course on him and what he can bring to the Mavs. To be clear, it is unlikely he is going to have a massive day-one impact on the team, but the Mavericks really needed to do something to acquire more young talent that fit a position of need. While he may not be as flashy a name as Brayden Burries (whom the Mavs skipped over in favor of Morez) or Labaron Philon, Jr. (who somewhat surprisingly slipped to #22), Dallas really needed to do bolster the guard position and they came through.
If DeLarrea’s shooting transfers to the NBA level, it would be a big boon for a team that struggled from downtown much of last season. While not an immediate impact player, Dallas did well to move up a bit in a low-cost move that keeps all of their other assets intact for what will surely be a summer of retooling via trades and free agency.
Stay tuned for updates, as it is unclear which second-round picks the Mavericks will let go of in this deal.
I invite you to follow me @_80MPH on X, and check back often at Mavs Moneyball for all the latest on the Dallas Mavericks.
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Dallas, TX
Impact: How Jeffery Simmons’ extension could affect Quinnen Williams
What Drake London’s new deal could mean for George Pickens
Falcons WR Drake London is now the NFL’s third-highest paid wide receiver in AAV, signing a four-year, $141 million extension with $100 million guaranteed and $35.26 million per year.
London, who is 25, is the same age as Cowboys wide receiver George Pickens, and both are heading into their fifth seasons in the NFL. Pickens too was seeking a long-term contract, but the Cowboys told him and his representation that would not happen this offseason, and he instead signed his $27.3 million franchise tag that keep shim under contract for the 2026 season.
Pickens’ one-year deal on the tag makes him the 17th highest-paid wide receiver in the league in AAV. Should Pickens go out and post a year similar to his 2025 campaign where he had more than 1,400 receiving yards and nine touchdowns, a deal similar to London’s may be in the ballpark of what Pickens could seek. For reference, CeeDee Lamb is the league’s fifth-highest paid WR at $34 million annually. If Pickens surpasses him and is closer to London’s $35 million per year mark, he and Lamb would become the highest-paid WR duo in NFL history, surpassing the Bengals’ Ja’Marr Chase and Tee Higgins, who currently combine for $69 million per year. – Tommy Yarrish
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