Austin, TX
Drake's new Texas ranch tops this week's 5 most-read Austin stories
Listen, a song can’t fix everything. People might not be sold on “Don’t Worry, Be Happy” or whatever three little birds are telling them. But reggae was largely protest music; disco was a refusal to step out of the spotlight; and even the blues gave folks the freedom to express how un-free they were. How it makes you feel is important, and the importance often flies under the radar.
Admittedly, this may all be over-intellectualizing Austin artist Jon Muq’s approach, but that’s part of the beauty of it. By reiterating in interviews that his music is supposed to make people happy, the singer-songwriter from Uganda is employing a simplified marketing strategy that isn’t so common nowadays — and it’s working.
Muq has been featured in writing at NPR, Paste Magazine, Spin, and tons of other blogs and regional publications. He’ll also be making his Austin City Limits Music Festival debut in 2024. “I’ve always admired the ACL ever since I moved to Austin 6.5 years ago,” he wrote on Instagram. “It’s about time.”
On May 31, he released his anticipated debut album, Flying Away, produced by Dan Auerbach of the Black Keys. With all this lead-up, listeners might expect a dramatic bursting onto the scene, but the gentle and pleasant tunes slide in smoothly and continue throughout.
This sunny, retro look suits Muq’s happy and tasteful songwriting.Album cover courtesy of Jon Muq
Most write-ups across Muq’s career mention Afropop; The style is certainly present, especially in the buoyant “Shake, Shake,” a mid-tempo dance track built on staccato guitar textures and, appropriately, at least one shaker. But this is global pop, sung in English (one of the singer’s seven languages) and likely unplaceable to most casual listeners in his new hometown.
“Uganda has 50 tribes and English is an official [language], but it’s not that [big] a priority,” said Muq in an interview with CultureMap in April. “So meaning, people will understand the music differently. Maybe ‘Shake, Shake,’ people dance. And my English vocabulary is not that big. So that’s why all my songs are direct and simple so that someone elsewhere can understand easily.”
Semi-incognito African influences woven through include ukulele and percussion instruments from Uganda on most of the tracks.
“I always appreciated that African sound, most especially from Uganda,” “And since I sang English, the whole idea was to mix up two things at the same time to come up with a vibe. That’s where the Afropop comes in.”
Muq’s amazing journey from Uganda to ACL hinges on two accidentally pivotal videos. The first was his original discovery: He used to busk on the streets of Kampala, Uganda’s capital city and his hometown, collecting funds for homeless children. Someone posted a video of him singing, and Norwegian Cruise Line found their next entertainment hire.
Cruise contracts can be huge for artists, who aren’t paying for rent or food while onboard, and Muq was ready to sign another. But by the time they landed in the Bahamas, Muq decided he wouldn’t actually be flying home. He looked up events in the United States, and was struck by one at Casa Marianella, an Austin nonprofit that shelters displaced immigrants.
“I didn’t know anything about Austin, except that there is city that’s called Austin,” says Muq. “I called the number, saying ‘Can I come sing for free on your fundraiser?’”
Once at Casa Marianella, Muq met his roommates, a couple who he says “took him in.” In the morning, he asked why he was seeing so many people walking around with guitars, and learned about South by Southwest. Whenever the couple left the house, Muq would practice the guitar, eventually learning The Beatles’ “Blackbird” and recording the second video that changed his professional trajectory. This time, after three years, the discoverer was Auerbach.
“I just believe every system that’s there is there for a reason. And if you feel like you have a song that you’ve created or something good you have created just post it,” says Muq. “Not for the sake that someone will discover it, but some people watch; That’s why those social media things exist. And you never know who are watching.”
This assuredness is all over Flying Away, full of yearning, yet laid-back tracks like the vaguely funky “Runaway,” the soulful and upbeat “Crying, Laughing, Loving, Lying,” and the ever-so-slightly gospel tinged “Love, Love, Love,” where Auerbach’s piano playing really locks in and takes a spotlight. Whatever diversity exists between tracks, this is tea-sipping music. Rainy days and sunsets are a bonus.
When asked if he makes happy music because he is happy, or because he wishes to be happy, Muq posits:
“Yeah, me as a person, I feel happy because [of] growing up differently, where I always ate one meal a day. [Now in] a place that has too much food and all the choices you can make? I’ll never be sad. I don’t have a reason to ever be sad at all. Even if we live in the world of demand and expectation, and wanting more and more, how can you still be happy? I think it’s possible to be happy without expectations of more and more stuff. So through music, I make sure all the songs I write about are about joy and happiness.”
Austinites looking for some of that joy and happiness can find it on Flying Away, now streaming and for sale on various platforms. Signed vinyls ($25) and CDs ($11) are also available via easyeyesound.com. See Jon Muq at the O4 Center on June 7 before he embarks on an international tour and festival circuit. Next time he’ll be back is for Austin City Limits on Saturday, October 5.
Austin, TX
Rainbow Kitten Surprise at Moody Amphitheater in Austin, TX – Loud Hailer Magazine
On a warm March night, alternative-indie rock band, Rainbow Kitten Surprise, thrilled eager fans with their return to Austin, TX.
Rainbow Kitten Surprise is known for their eclectic influences and unique sound. They are made up of musicians Ela Melo (vocals), Darrick “Bozzy” Keller (guitar/vocals), Ethan Goodpaster (guitar), and Jess Haney (drums). They have been making music since 2013, and their most recent release was a single titled “Sixteen.” In total, they have five studio albums and are hopefully working on another.
Opening for Rainbow Kitten Surprise is Southern California-based band Common People. The band consists of members Nicky Winegardner (vocals/guitar), Konrad Ulich (vocals/bass), Cormac Cadden (drums), Asher Thomson (guitar), and Sam Belzer (guitar). Their garage-rock sound caught the eyes of Red Light Management, and in addition to Rainbow Kitten Surprise, they have opened for big-name artist Cage The Elephant. Their debut single “Thank You” gained traction last year, in 2025. Since then, they have released a few more singles, but fans are still eagerly waiting for an EP or debut album.
Common People came onto the stage with great energy. They performed their song “Ready or Not,” along with a few other originals. Mid-set, they took a second to thank and praise Rainbow Kitten Surprise for having them join them on tour. Sadly, Austin will be their last stop on Rainbow Kitten Surprise’s tour. Following, they performed an awesome cover of The Pixies’ “Where Is My Mind?” At around the 40-minute mark of their set, they closed with their newest single, “Dear Worry.”
Rainbow Kitten Surprise opened their set with “Hell Nah” from their most recent album, bones (2025), and “Our Song,” a single from 2020. Many fans at the barricade held signs that applauded the band. They also waved LGBTQ+ and Transgender Pride flags. Ela announced to fans that this would be the last stop on their 2026 bones Tour before they took a well-deserved break. At the end of May, Rainbow Kitten Surprise will pick back up their tour in Europe and before returning to the US for a few more shows. Their set continued, and they played songs such as the newer 2025 single “Espionage” and the throwback “All’s Well That Ends.”
Before beginning their latest single, “Sixteen,” Ela introduced it as the most emo song they’ve ever made. Towards the end of their show, they performed a quick three-song acoustic run of “Texas Hold’em,” “Bare Bones,” and “First Class.” As the night came to an end, Rainbow Kitten Surprise shut it down with an encore of the closing track from bones, “Tropics” and “It’s Called: Freefall,” their 2018 top-hit from the album How To: Friend, Love, Freefall.
Fans can expect their favorite band to come to Austin sometime soon, as it seems Rainbow Kitten Surprise tours here pretty regularly.
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Austin, TX
A 104-Year-Old Woman Sold Them Their Austin Bungalow. Now, It’s Ready for Another Century.
Holly Beth Potter and her husband Matt, 35, an entrepreneur, admired the historic Rosewood neighborhood of Austin, Texas, for years until they finally purchased a 1930s-era Victorian-style bungalow that was owned by a 104-year-old woman.
“She lived in the house for more than 70 years, and her ‘kids’—who are in their 80s—sold it to us instead of a developer because we told them we loved the character of the house and wanted to restore it,” said Holly Beth Potter, 33, a former EMT who’s now an interior designer. When the Potters purchased the house in 2019, they hoped to have children and now they have three—ages four, three and seven months.
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“We knew the house needed work, especially since not all of the plumbing was functional,” Potter said. Once they brought in Side Angle Side Architects, however, it was clear they faced a full-blown renovation. “After the project started, they discovered rotting wood, broken windows and a dysfunctional roof structure, plus when we pulled off the skirting under the house it revealed that we needed a new foundation and new framing.”
The Potters pulled back from that renovation to build an accessory dwelling unit (ADU) on the property, a two-bedroom, two-bathroom house they lived in while the main house was rebuilt. Now the ADU serves as a guest house for friends and family.
“They basically had to take apart the main house piece by piece and put it back together, but they saved as much as they could of the wood and trim and reused it,” Potter said. “It probably would have been easier to tear it down, but we wanted to preserve the character as much as we could. They reconfigured the original house on the same footprint, moving the kitchen between the living room and dining room on one side of the hallway, with the primary bedroom and a second bedroom on the other side.”
The dining room has the original shiplap from the old house and original wood pocket doors. The new kitchen and living room are open to each other, with a hemlock wood ceiling overhead. The architects took some space from the central hallway to create a mudroom, closet and pantry.
An addition, which doubled the living space from 1,800 square feet to about 3,600 square feet, includes an office, a family room with a loft and the children’s bedrooms.
“Our goal with the addition was to deliberately design it in a different architectural style,” Potter said. “Sometimes people ask me if this is one house or two.”
MORE: ‘Shiplap in Nearly Every Room.’ Inside Empty-Nesters’ $1 Million L.A. Home Renovation.
The Potters declined to comment on how much the renovation and addition cost. Construction took about 21 months.
The collaboration between Potter and Side Angle Side Architects on the house was so successful that her company, HB Studio, is now part of Side Angle Side.
Potter and the Side Angle Side team offered more insight into the renovation process:
I would describe the aesthetic as… “timeless,” Potter said. “I chose furniture that felt contemporary, while also leaning into tones and patterns that were warm and romantic to create an overall feeling of timelessness.”
My advice to others… “is to let the old house tell you what to do,” said Annie-Laurie Grabiel, co-founder of Side Angle Side Architects. “In this case, it was important to let the original home be the star of the show. We figured out that the best way to add onto the house without compromising its integrity was to essentially build a separate building next to it and connect the two as minimally as we could. The new addition almost stands alone and connects to the old house with a lower roof that just tucks under the existing roof eave.”
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My favorite post-renovation feature is… “the way we embraced indoor-outdoor living,” Potter said. “We preserved this big tree in the backyard and built the courtyard and pool area around it. We can open all the doors and windows around it, so you feel like you’re outside even when you’re indoors.”
The biggest challenge… “was working with the existing house,” said Arthur Furman, a co-founder of Side Angle Side Architects. “The clients loved the character of the old home, and we were determined to keep it as a central aspect of the new design. However, the wood framing was compromised from water damage and rot. In the end the house had to be reframed, but we matched the original footprint and proportions. We salvaged and reinstalled as much of the interior woodwork as we could, including the wood floors, interior doors, window trim and base boards.”
The most dramatic change was… “the new kitchen,” Grabiel said. “The original kitchen was small and dark and didn’t have a strong connection to the outdoors. We relocated [it] to the heart of the interior and opened it up with access and views to the back porch and pool deck.”
The biggest surprise was… “that some of the best elements weren’t part of our pre-construction plans,” Furman said. “When the roof was being reframed, we looked up at the treetops through the rafters and we thought how nice it would be to open up a skylight and experience the natural light right when you enter the home. Also, we had always planned the kids’ loft area, but then one day the clients had the idea to add the netting to extend the loft space and create more connectivity between above and below.”
Favorite materials we discovered during the process… “include the natural materials for the walls, floors and bathrooms,” Potter said. “In the living room we installed a hemlock wood ceiling and a plaster fireplace wall, and we used quartzite counters in the kitchen and bathrooms.”
Austin, TX
No shots fired at Rodeo Austin, crowd panic triggered by fight between minors
AUSTIN, Texas — Rodeo Austin and the Travis County Sheriff’s Office cleared up confusion after a scare in the rodeo’s carnival area Tuesday night.
Deputies and multiple law enforcement agencies working off-duty at the event received reports of shots fired around 9:20 p.m. after a large crowd began running and dispersing from the carnival area. Investigators found no guns, no evidence of gunshots and no injuries, the sheriff’s office said.
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The incident was later determined to have started as a physical altercation between minors.
In a statement, Rodeo Austin said on-site law enforcement responded quickly to defuse the situation:
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“On Tuesday night, during the $2 Tuesday promotion, a disturbance occurred in the carnival area, which caused confusion for attendees. Rodeo Austin’s on-site law enforcement responded quickly to help defuse the situation and ensure all guests were safe. There is no evidence of any gun shots fired at the event. We will continue to work diligently with law enforcement and our full safety team to ensure Rodeo Austin is a safe environment for all attendees,” a spokesperson said.
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