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Drake's new Texas ranch tops this week's 5 most-read Austin stories

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Drake's new Texas ranch tops this week's 5 most-read Austin stories


Listen, a song can’t fix everything. People might not be sold on “Don’t Worry, Be Happy” or whatever three little birds are telling them. But reggae was largely protest music; disco was a refusal to step out of the spotlight; and even the blues gave folks the freedom to express how un-free they were. How it makes you feel is important, and the importance often flies under the radar.

Admittedly, this may all be over-intellectualizing Austin artist Jon Muq’s approach, but that’s part of the beauty of it. By reiterating in interviews that his music is supposed to make people happy, the singer-songwriter from Uganda is employing a simplified marketing strategy that isn’t so common nowadays — and it’s working.

Muq has been featured in writing at NPR, Paste Magazine, Spin, and tons of other blogs and regional publications. He’ll also be making his Austin City Limits Music Festival debut in 2024. “I’ve always admired the ACL ever since I moved to Austin 6.5 years ago,” he wrote on Instagram. “It’s about time.”

On May 31, he released his anticipated debut album, Flying Away, produced by Dan Auerbach of the Black Keys. With all this lead-up, listeners might expect a dramatic bursting onto the scene, but the gentle and pleasant tunes slide in smoothly and continue throughout.

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This sunny, retro look suits Muq’s happy and tasteful songwriting.Album cover courtesy of Jon Muq

Most write-ups across Muq’s career mention Afropop; The style is certainly present, especially in the buoyant “Shake, Shake,” a mid-tempo dance track built on staccato guitar textures and, appropriately, at least one shaker. But this is global pop, sung in English (one of the singer’s seven languages) and likely unplaceable to most casual listeners in his new hometown.

“Uganda has 50 tribes and English is an official [language], but it’s not that [big] a priority,” said Muq in an interview with CultureMap in April. “So meaning, people will understand the music differently. Maybe ‘Shake, Shake,’ people dance. And my English vocabulary is not that big. So that’s why all my songs are direct and simple so that someone elsewhere can understand easily.”

Semi-incognito African influences woven through include ukulele and percussion instruments from Uganda on most of the tracks.

“I always appreciated that African sound, most especially from Uganda,” “And since I sang English, the whole idea was to mix up two things at the same time to come up with a vibe. That’s where the Afropop comes in.”

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Muq’s amazing journey from Uganda to ACL hinges on two accidentally pivotal videos. The first was his original discovery: He used to busk on the streets of Kampala, Uganda’s capital city and his hometown, collecting funds for homeless children. Someone posted a video of him singing, and Norwegian Cruise Line found their next entertainment hire.

Cruise contracts can be huge for artists, who aren’t paying for rent or food while onboard, and Muq was ready to sign another. But by the time they landed in the Bahamas, Muq decided he wouldn’t actually be flying home. He looked up events in the United States, and was struck by one at Casa Marianella, an Austin nonprofit that shelters displaced immigrants.

“I didn’t know anything about Austin, except that there is city that’s called Austin,” says Muq. “I called the number, saying ‘Can I come sing for free on your fundraiser?’”

Once at Casa Marianella, Muq met his roommates, a couple who he says “took him in.” In the morning, he asked why he was seeing so many people walking around with guitars, and learned about South by Southwest. Whenever the couple left the house, Muq would practice the guitar, eventually learning The Beatles’ “Blackbird” and recording the second video that changed his professional trajectory. This time, after three years, the discoverer was Auerbach.

“I just believe every system that’s there is there for a reason. And if you feel like you have a song that you’ve created or something good you have created just post it,” says Muq. “Not for the sake that someone will discover it, but some people watch; That’s why those social media things exist. And you never know who are watching.”

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This assuredness is all over Flying Away, full of yearning, yet laid-back tracks like the vaguely funky “Runaway,” the soulful and upbeat “Crying, Laughing, Loving, Lying,” and the ever-so-slightly gospel tinged “Love, Love, Love,” where Auerbach’s piano playing really locks in and takes a spotlight. Whatever diversity exists between tracks, this is tea-sipping music. Rainy days and sunsets are a bonus.

When asked if he makes happy music because he is happy, or because he wishes to be happy, Muq posits:

“Yeah, me as a person, I feel happy because [of] growing up differently, where I always ate one meal a day. [Now in] a place that has too much food and all the choices you can make? I’ll never be sad. I don’t have a reason to ever be sad at all. Even if we live in the world of demand and expectation, and wanting more and more, how can you still be happy? I think it’s possible to be happy without expectations of more and more stuff. So through music, I make sure all the songs I write about are about joy and happiness.”

Austinites looking for some of that joy and happiness can find it on Flying Away, now streaming and for sale on various platforms. Signed vinyls ($25) and CDs ($11) are also available via easyeyesound.com. See Jon Muq at the O4 Center on June 7 before he embarks on an international tour and festival circuit. Next time he’ll be back is for Austin City Limits on Saturday, October 5.





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Austin, TX

Austin excels as one of America’s top 3 cities to start a career

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Austin excels as one of America’s top 3 cities to start a career


After ranking as the third-best large U.S. city for starting a business last year, Austin took a surprising tumble into the 24th spot nationally for 2026.

WalletHub’s annual report, “Best Large Cities to Start a Business (2026)” compared 100 U.S. cities based on 19 relevant metrics across three key dimensions: business environment, access to resources, and costs. Factors that were analyzed include five-year business survival rates, job growth comparisons from 2020 and 2024, population growth of working-age individuals aged 16-64, office space affordability, and more.

Florida cities locked other states out of the top five best places in America for starting a new business: Tampa, Orlando, Jacksonville, Hialeah, and St. Petersburg.

Austin’s business environment ranked 11th best in the country, and the city ranked ninth in the “access to resources” category. The city also tied with Boise, Idaho, and Fresno, California, for the highest average growth in the number of small businesses nationally.

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Austin lagged behind in the “business costs” ranking, coming in at No. 80 overall. This category examined metrics such as the city’s working-age population growth, the share of college-educated individuals, financing accessibility, the prevalence of investors, venture investment amounts per capita, and more.

Earlier this year, WalletHub declared Texas the third-best state for starting a business in 2026, and several Houston-area cities have seen robust growth after being recognized among the best career hotspots in the U.S. WalletHub also ranked Austin on its top-10 list of the best U.S. cities to find a job. Entrepreneurial praise has also been extended to 15 Austin-based innovators that made Inc Magazine’s 2026 Female Founders 500 list.

Texas cities with strong environments for new businesses
Multiple cities in the Dallas-Fort Worth Metroplex can claim bragging rights as the best Texas locales for starting a new business. Dallas ranked highest overall — appearing 11th nationally — and Irving landed a few spots behind in the 16th spot. Arlington (No. 23), Fort Worth (No. 30), Plano, (No. 35), and Garland (No. 65) followed behind.

Only six other Texas cities earned spots in the report: Houston (No. 26), Lubbock (No. 36), Corpus Christi (No. 39), San Antonio (No. 64), El Paso (No. 67), and Laredo (No. 76). Corpus Christi and Laredo also topped WalletHub’s list of the U.S. cities with the most accessible financing.

“From the Gold Rush and the Industrial Revolution to the Internet Age, periods of innovation have shaped our economy and driven major societal progress,” the report’s author wrote. “However, the past few years have been particularly challenging for business owners in the U.S., due to factors such as the COVID-19 pandemic, the Great Resignation and high inflation.”

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‘I want to be louder’: Austin Drag King Bobby Pudrido refuses to be deterred by Texas ban

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‘I want to be louder’: Austin Drag King Bobby Pudrido refuses to be deterred by Texas ban


Jay Thomas grew up like any kid, laughing at silly things and making up funny names.

So in the ’90s, when Tejano superstar Bobby Pulido’s songs played on the radio, young Jay and his peers couldn’t help but rhyme his last name with the Spanish word pudrido (which means rotten in English).

“We grew up calling him that just because it was funny,” he told Austin Signal host Jerry Quijano.

When he was thinking of a name for his drag persona, Thomas created a list.

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“I was thinking of some queer icons and some not queer icons,” he said. “This one just resonated because he is a Tejano star. And in the ’90s he was this really big heartthrob that everybody wanted to be or be with.”

And three years ago, Thomas became Drag King Bobby Pudrido.

He thought it would be fun to impersonate a masculine figure from the Latino community and perform for an audience attracted to that type of energy. He also wanted to bring his culture into his drag.

Pudrido’s name has new recognition these days: Tejano singer Pulido decided to retire from music and go into politics. He’s running for Congress in South Texas’ District 15 against incumbent Republican Monica De La Cruz.

Both in an out of drag, Pudrido is also politically vocal. He advocates for trans rights and against the drag ban that went into effect statewide in March. The law prohibits drag performances in public properties or in front of children. Venues that host these performances can be fined up to $10,000.

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Bobby Pudrido puts on makeup in his home.

“As a drag artist, one of the things we need to do is get booked so we can pay our bills,” Pudrido said.

Even though it’s unclear whether the ban affects some venues, he said, he thinks certain business owners won’t book drag performers because of the risk of being fined.

But as a working-class artist, he doesn’t have the luxury to dwell on it.

“You have to go to work, because you need to pay your bills,” he said.

The law has taken an emotional toll on him, too.

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“The way it chips away at a queer person to hear any type of anti-queer legislation pass is something that is really big for me,“ he said. “We are constantly — just as human beings — trying to maintain our mental health. “

But that doesn’t mean his love for performing has been diminished. In fact, quite the opposite is true.

“It has fueled me,” Pudrido said. “Right now I’m in the angry phase where I want to be louder.”

As a performer and producer, the drag king has put on shows in the Austin area and recently traveled back to his hometown in Laredo for a show.

A person dressed in drag king make up poses for a photo in their makeup room.
Bobby Pudrido has become an advocate for trans rights and against the ban that prohibits drag performances on public property or in front of children.

“It’s hard for drag kings to get booked sometimes, so we are still far away from the perfect ideal world for [them],” he said. “But the fact that I have a platform at all is huge.”

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Pudrido’s passion for performing comes from his drag ancestors, “who started the art form as a way of being political and of being against the systems that were oppressing queer people.”

Drag King Bobby Prudido is currently producing his second queer quinceañera, “Con Mucho Amor,” with an anticipated show date in the fall.





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Men wrongly accused of grisly yogurt shop murders in Texas reach $35 million settlement with city

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Men wrongly accused of grisly yogurt shop murders in Texas reach  million settlement with city


The city of Austin will pay $35 million to three men and the family of a fourth who were wrongly accused of the 1991 rape and murder of four teenage girls at a yogurt shop, a case that initially sent one of the men to death row and another to life in prison, under a tentative settlement reached Tuesday.

Robert Springsteen, Michael Scott, Forrest Welborn and Maurice Pierce had all insisted they were innocent of one of the city’s most notorious crimes. They were finally declared innocent by a judge in February after investigators determined the crime was committed by a suspect who died in 1999.

The settlement must still be approved by the city council at a later date. Details of the payments to the men and their families were not released.

“This settlement closes the final chapter of a devastating story in Austin’s history,” Austin City Manager T.C. Broadnax said in a statement. “We are pleased to have reached an agreement with those who were wrongly accused and wrongly convicted in this case and hope that this settlement brings a sense of closure to everyone affected by this horrific event.”

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Scott and his attorney Tony Diaz said in a joint statement they are hopeful the settlement will help improve investigation practices and safeguards against wrongful convictions.

“Discussions and negotiations are ongoing regarding police reforms that would help ensure that nothing like what occurred in this case ever happens again,” they said.

Amy Ayers, 13; Eliza Thomas, 17; and sisters Jennifer and Sarah Harbison, ages 17 and 15, were bound, gagged and shot in the head at the “I Can’t Believe It’s Yogurt” store where two of them worked. The building was set on fire.

Investigators chased thousands of leads and several false confessions before the four men, who were teenagers when the girls were killed, were arrested in late 1999.

Springsteen and Scott were convicted based largely on confessions they insisted were coerced by police. Both convictions were overturned in the mid-2000s.

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Welborn was charged but never tried after two grand juries refused to indict him. Pierce spent three years in jail before the charges were dismissed. He died in 2010 in a confrontation with police after a traffic stop.

Prosecutors wanted to try Springsteen and Scott again, but a judge ordered the charges dismissed in 2009 when new DNA tests that were unavailable in 1991 and the previous trials revealed another male suspect.

Investigators determined in 2025 that new DNA science and reviews of old ballistics evidence pointed to Robert Eugene Brashers as the sole killer.

Since 2018, authorities had used advanced DNA evidence to link Brashers to the strangulation death of a South Carolina woman in 1990, the 1997 rape of a 14-year-old girl in Tennessee and the shooting of a mother and daughter in Missouri in 1998.

The link to the Austin case came when a DNA sample taken from under Ayers’ fingernail came back as a match to Brashers from the 1990 killing.

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Brashers died in 1999 when he shot himself during an hourslong standoff with police at a motel in Kennett, Missouri.



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