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Commentary: ‘Melania’ isn’t a documentary. It’s a cynical and stupefying piece of political propaganda

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Commentary: ‘Melania’ isn’t a documentary. It’s a cynical and stupefying piece of political propaganda

What’s the difference between Brett Ratner and Leni Riefenstahl? Riefenstahl, for all her many sins, was technically innovative; Ratner (unless you count an almost fetishistic fascination with first lady footwear), not so much.

But in the end, they are both political propagandists, collaborators if you will, with heads of state determined to create a narrative that is, at best, at odds with reality and, at worst, a targeted attempt to distort it.

Am I saying that “Melania” is as horrifically significant as “Triumph of the Will”? No, I am not. But it is motivated by the same base forces, and as fun as it might be to watch Jeff Bezos lose most of the $75 million Amazon paid for the purchase and then marketing of the film, it is important to remember that.

As Melania Trump said herself at the film’s premiere: “Some have called this a documentary. It is not. It is a creative experience that offers perspectives, insights and moments.”

A “creative experience” for which the first lady, who serves as narrator and executive producer, reportedly received about $28 million.

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Money she very much does not earn.

Anyone who goes into “Melania” hoping to see even a glimpse of what it is like to be first lady, or indeed Melania Trump, will find instead a super-long version of “we followed [fill in the blank] as they got ready for the Oscars.”

Only in this case, it’s Donald Trump’s second inauguration, which Ratner (given his first big job since being accused by six women of sexual misconduct — Ratner denied the accusations) frames as the Second Coming, from the lingering shots of the sleek lines of the motorcade to the use of “His truth is marching on” from “Battle Hymn of the Republic” as the first couple takes the stage at one of the inaugural balls.

(And in case you think that’s not obsequious enough, at the end of the inaugural festivities, Ratner, off camera, says, “sweet dreams, Mr. President,” which honestly could have been the title of this film.)

Most of the “action” involves the first lady making entrances: off private jets, out of big black cars and into well-appointed rooms. There, Trump and her designers wax rhapsodic over a gown designed to disguise any seams, admire an inaugural dinner menu that begins with caviar in a big golden egg and discuss the furnishings that will be moved in as soon as the Bidens move out.

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These mind-numbing glories are interrupted just long enough for Tham Kannalikham, an interior designer in charge of the White House transition, to talk about how her family immigrated to America from Laos when she was 2 — the opportunity to work in the White House is, for her, the ultimate American dream. Beside her, Trump, also an immigrant, remains silent.

Other things happen. Trump has a video conference with French First Lady Brigitte Macron to discuss initiatives to end cyberbullying, meets with Queen Rania of Jordan to discuss helping foster children and comforts former Hamas hostage Aviva Siegel. Siegel, whose husband, at the time of filming, is still a hostage, provides the film’s one real emotional moment, despite having been clearly included as an opportunity for Trump to reveal a bit of personal kindness (and some political messaging).

We follow Trump as she and her husband attend Jimmy Carter’s funeral, during which her narration describes the pain of her mother’s death the year before, and as she “sneaks” the cameras into a room where her husband is rehearsing his inaugural speech.

There she suggests, with a completely straight face, that he add the word “unifier” to “peacemaker” in his description of what he hopes to be his legacy, a term he then uses in his speech the next day.

Throughout it all, the first lady remains relentlessly poised and personally inaccessible, lending new and literal meaning to the term “statuesque.”

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Given the nature of the film’s subject, and the fact that she is the one literally calling the shots, no one with half a brain could expect to see any interesting or authentic “behind-the-scenes” moments (Melania wearing sweats or counting her breakfast almonds or, I don’t know, sneezing). A brief scene in which the remarkably tone-deaf Ratner attempts to get her to sing along to her favorite song, Michael Jackson’s “Billie Jean,” elicits (finally!) a genuine laugh from her, and while his decision to repeatedly zoom in on her admittedly well-shod feet becomes increasingly creepy, it at least offers drinking-game potential.

Even so, “Melania” is as cynical a piece of filmmaking as exists since the art form began.

Listening to her describe the seriousness with which she takes her duties; her love, as an immigrant, for this great nation; and her dedication to making life better for all Americans — especially children and families — I was reminded of the climactic scene in “A Wrinkle in Time,” when young Charles Wallace has been ensnared by the soothing rhetoric of the evil brain-washing IT.

The superficial blandness of “Melania” isn’t boring; it’s calculated, infuriating and horrifying.

The first lady is describing an alternative universe of peace, love and unity while her husband has unleashed armed Immigration and Customs Enforcement agents to terrorize and detain children and adults (many of whom are citizens or here in this country legally) and, in at least two cases, kill American citizens who protest their actions. She wants to help children and families while her husband slashes federal assistance programs and holds school funding hostage. She would have us believe she is battling cyberbullies while her husband, the president of these United States, regularly engages in lies, direct threats and character assassination on social media.

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President Trump is many things but he is not a unifier — he believes, as he has assured us time and again, in winning, and, as he has also said and shown, he will choose retribution over reconciliation every time.

Melania Trump is, of course, not her husband. But this film is little more than a 90-minute campaign ad. Which, given the fact that Trump cannot legally run for president again, should be cause for much concern.

Many criticized the decision to release “Melania” mere days after federal agents killed Alex Pretti and Renee Good in Minneapolis, and excoriated those notables, including Apple CEO Tim Cook, who chose to attend an early celebratory screening that included “let them eat” cookies with “Melania” scrawled in the icing.

For the kind of person who makes, and buys and distributes, a film that purports to be a “documentary” and is really just old-fashioned, through-the-looking-glass propaganda, however, it’s actually the perfect time.

Why worry about the federal government killing its own citizens when we can all ooh and aah over the fact that the first lady’s inaugural gown is constructed so that none of the seams show? Especially if it makes her husband happy.

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Video: Senate Republicans Block Limits to Trump’s War Powers

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Video: Senate Republicans Block Limits to Trump’s War Powers

new video loaded: Senate Republicans Block Limits to Trump’s War Powers

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Senate Republicans Block Limits to Trump’s War Powers

Senate Republicans voted against a Democratic bill that would have required President Trump to obtain congressional authorization to continue waging war against Iran.

“The yeas are 47. The nays are 53. The motion to discharge is not approved.” “President Trump decided to attack Iran. That decision was profound, deliberate and correct. The president understands the weight of war.” “Why is Donald Trump hellbent on making history repeat itself? Why is he plunging America headfirst into a war that Americans do not want, and which he cannot even explain? The American people deserve a say, and that is what our resolution is about.”

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Senate Republicans voted against a Democratic bill that would have required President Trump to obtain congressional authorization to continue waging war against Iran.

By Shawn Paik

March 5, 2026

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DHS defends McLaughlin against allegations husband’s company profited millions from ad contracts: ‘Baseless’

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DHS defends McLaughlin against allegations husband’s company profited millions from ad contracts: ‘Baseless’

NEWYou can now listen to Fox News articles!

EXCLUSIVE: Newly obtained financial statements shed light on claims that former Department of Homeland Security (DHS) Assistant Secretary Tricia McLaughlin’s husband’s company made millions from a DHS advertising campaign.

DHS Secretary Kristi Noem faced intense questioning during a Senate Judiciary Committee hearing Tuesday, and Sen. John Kennedy, R-La., specifically called out the agency for contracting a public relations firm headed by McLaughlin’s husband, Benjamin Yoho.

“I have personally reviewed the allegations against Ms. McLaughlin, and I find them to be baseless,” DHS General Counsel James Percival told Fox News Digital. “Nothing illegal or unethical occurred with respect to these contracts. Ms. McLaughlin was not involved in selecting any subcontractors.

“She is, however, a superstar in the public affairs world, so I am not surprised that she married a successful businessman whose services were attractive to these outside firms.”

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Newly obtained financial statements address allegations that former Department of Homeland Security Assistant Secretary Tricia McLaughlin’s husband’s firm improperly profited from a multimillion-dollar DHS ad campaign. Lawmakers pressed Secretary Kristi Noem over the contracts during a heated Senate hearing. (Jack Gruber/USA Today)

Kennedy alleged that Yoho’s firm, The Strategy Group, “got most of the money” out of what the Louisiana Republican senator says was $220 million in “television advertisements that feature [Noem] prominently.”

“I’m sorry,” Kennedy said. “Safe America Media was a company formed 11 days before you picked them. And that the Strategy Group got most of the money. And the head of that is married to your former spokesperson.”

“It’s just hard for me to believe knowing the president as I do, that you said, ‘Mr. President, here’s some ads I’ve cut, and I’m going to spend $220 million running them,’ that he would have agreed to that,” Kennedy explained. “I don’t think Russ Vought at OMB [Office of Management and Budget] would have agreed to that.”

‘YOU SHOULD BE ASHAMED!’: PROTESTER DRAGGED FROM KRISTI NOEM’S SENATE HEARING

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Senate scrutiny intensified over a DHS advertising campaign after Sen. John Kennedy, R-La., questioned whether a firm linked to McLaughlin’s husband benefited unfairly. DHS officials and the company deny any wrongdoing or multimillion-dollar profits. (Andrew Harrer/Bloomberg via Getty Images)

The Strategy Group is a conservative advertising agency for which Yoho serves as CEO.

Figures obtained by Fox News Digital show a slightly lesser total advertising expenditure of approximately $185 million, with a total of roughly $146.5 million going to a campaign called “Save America.”

However, of the total that went to “Save America,” roughly $348,000 went to production costs, while the remaining $142 million went to “media buys.”

Sources at DHS say that media buys are the cost of actually buying the ads themselves, whether purchased from social media or for a TV ad.

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Kennedy also alleged that the bidding process for the contracts never took place and that Safe America Media’s recent founding was a cause for concern and collusion between McLaughlin and her husband’s business. 

WATCH THE MOST VIRAL MOMENTS AS KRISTI NOEM’S HEARING GOES OFF THE RAILS

Debate over DHS’ “Save America” ad campaign intensified as senators challenged its costs and contractor ties, even as agency officials touted the initiative as a historic success in promoting self-deportation. (Graeme Sloan/Getty Images)

“Yes they did,” Noem responded during the hearing. “They went out to a competitive bid, and career officials at the department chose who would do those advertising commercials.”

The Strategy Group posted to X Tuesday that it never had a contract with the department. While it did receive several hundred thousand dollars for production costs associated with the advertising campaigns, The Strategy Group never made millions.

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“The Strategy Group has never had a contract with DHS,” the post said. “We had a subcontract with Safe America [Media] for limited production services. Safe America paid us $226,137.17 total for 5 film shoots, 45 produced video advertisements and 6 produced radio advertisements.

DHS SPOKESWOMAN TRICIA MCLAUGHLIN TO LEAVE TRUMP ADMIN, SOURCE CONFIRMS

Critics raised concerns about potential conflicts of interest in a high-dollar DHS advertising effort, but department representatives say McLaughlin recused herself and that subcontracting decisions were made independently. (AP Photo/Jose Luis Magana, File)

“If you’re going to try to question our integrity, bring actual evidence — we did,” the post concluded.

Because these ads were purchased using public funds, all contract totals are publicly available. 

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Lauren Bis, who took up the role of assistant secretary once McLaughlin left office, told Fox News Digital Tuesday that scrutiny from Republicans and Democrats over the advertising spending was unjustified because the campaigns resulted in “the most successful ad campaign in U.S. history.”

“Sanctuary politicians are attacking this ad campaign because it has been successful in CLOSING our borders and getting more than 2.2 million illegal aliens to LEAVE the U.S.,” Bis said. 

“The DHS domestic and international ad campaign was the most successful ad campaign in U.S. history. The results speak for themselves: 2.2 million illegal aliens self-deported, and we now have the most secure border in American history.”

KRISTI NOEM TO FACE SENATE GRILLING OVER MINNEAPOLIS SHOOTINGS AS DHS SHUTDOWN HITS WEEK 3

The Trump administration reaffirmed that all illegal immigrants are eligible for deportations as they focus on arresting violent criminals first.  (Raquel Natalicchio/Houston Chronicle via Getty Images)

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Bis also compared the cost of arresting and deporting an illegal migrant to that of the minimal cost of an illegal migrant self-deporting. The department says the advertising campaign played a key role in marketing self-deportation.

A spokesperson at DHS also told Fox News Digital that contractors decide who they hire, fulfilling the terms of a contract, not the department itself. 

“By law, DHS cannot and does not determine, control or weigh in on who contractors hire or use to fulfill the terms of the contract,” a DHS spokesperson told Fox. “Those decisions are made by the contractor alone. We have only become aware of these companies because of this inquiry and did not hire those companies.”

The spokesperson also noted that McLaughlin “recused herself” from interactions with subcontractors to avoid “any perceived appearance of impropriety.”

“Upon hearing who the subcontractors were for production of the ad, Ms. McLaughlin recused herself from any interaction or engagement with any subcontractors to avoid any perceived appearance of impropriety,” the spokesperson continued. “DHS Office of Public Affairs is the program officer. Ms. McLaughlin oversees the DHS Office of Public Affairs, which is simply the vehicle for this contract.”

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Department of Homeland Security Secretary Kristi Noem takes her seat as she arrives to testify during a Senate Judiciary Committee hearing Tuesday on Capitol Hill in Washington, D.C. (Jim Watson/AFP via Getty Images)

McLaughlin told Fox News Digital the criticism of her and her family by senators at the hearing is a matter of public manipulation.

CLICK HERE TO DOWNLOAD THE FOX NEWS APP

“This is yet another example of politicians intentionally trying to dupe and manipulate the public to try to manufacture division and anger,” McLaughlin told Fox News Digital. “The ad spend and contracts are a matter of public record, and the process was done by the book.

“These politicians would rather smear private citizens and American small businesses than do any basic research.”

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Fox News Digital’s Alexandra Koch contributed to this report.

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DHS defends ad blitz amid Senate scrutiny, says campaign drove 2.2M self-deportations and saved taxpayers $39B
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Senate rejects war powers measure to withdraw forces from Iran

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Senate rejects war powers measure to withdraw forces from Iran

Senate Republicans blocked a war powers resolution Wednesday designed to withdraw U.S. forces from hostilities in Iran, as the Trump administration accelerates its military campaign in a conflict that has killed hundreds, including at least six American service members.

The motion failed in a vote of 47-53.

In addition to pulling out military resources from the Middle East, the measure — introduced by Sens. Chuck Schumer (D-N.Y.), Adam Schiff (D-Calif.) and Tim Kaine (D-Va.) — would have required Congress’ explicit approval before future engagement with Iran, a power granted to the legislative branch in the Constitution.

The House, where Republicans also hold an advantage, is scheduled to weigh in on a similar measure Thursday. Even if both Democratic-led measures were to succeed, President Trump was widely expected to veto the legislation.

“We are doing very well on the war front, to put it mildly,” President Trump said at a White House event on Wednesday afternoon. The president, who has come under scrutiny for offering shifting explanations on the war’s endgame, said that if he was asked to scale the American military operation from one to 10, he would rate it a 15.

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Democrats dispute that Trump possesses the authority to wage the ongoing operation in Iran without explicit congressional approval.

Acknowledging the measure was unlikely to succeed, they framed the vote as a strategy to force lawmakers to put their support for or opposition to the war on record.

“Today every senator — every single one — will pick a side,” Schumer said. “Do you stand with the American people who are exhausted with forever wars in the Middle East, or stand with Donald Trump and Pete Hegseth as they bumble us headfirst into another war?”

Senate Majority Leader John Thune (R-S.D.) and most of his Republican colleagues have maintained that the president carried out a “pre-emptive” and “defensive” strike in Iran, giving him full authority to continue unilateral military operations.

Republicans saw the vote as the “last roadblock” stopping Trump from carrying out his mission against the Islamic Republic.

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“I think the president has the authority that he needs to conduct the activities and operations that are currently underway there. There are a lot of controversy and questions around the war powers act, but I think the president is acting in the best interest of the nation and our national security interests,” Thune said at a news conference.

Senators largely held to party loyalties, with the exception of Kentucky Republican Rand Paul, who broke ranks to support the measure, and Pennsylvania Democrat John Fetterman, who opposed it.

The vote comes as Defense Secretary Pete Hegseth said Wednesday that the war against Iran is “accelerating,” with American and Israeli forces expanding air operations into Iranian territory. He pointed to evidence released by U.S. Central Command of a submarine strike on an Iranian warship, and also lauded other strikes throughout the region as civilian casualties in Iran surpassed 1,000 on the fourth day of the conflict, according to rights groups.

“We’re going to continue to do well,” Trump said Wednesday. “We have the greatest military in the world by far and that was a tremendous threat to us for many years. Forty-seven years they’ve been killing our people and killing people all over the world, and we have great support.”

Republicans blocked a similar war powers vote in January after the president ordered U.S. special forces to capture and extradite Venezuelan President Nicolás Maduro in Caracas on drug trafficking charges.

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GOP leaders argued that the outcome of that mission equated to a quick success in the Middle East, despite an uncertain timeline from the Department of Defense.

In the House, lawmakers will vote on a separate war powers effort Thursday. That bill is led by Rep. Ro Khanna (D-Calif.) and Rep. Thomas Massie (R-Ky.), the two lawmakers who authored the Epstein Files Transparency Act.

“Instead of sending billions overseas, we need to invest in jobs, healthcare, and education here,” Khanna said on X.

In addition to that proposal, moderate Democrats in the House have introduced a separate resolution that would give the administration a 30-day window to justify continued hostilities in the Middle East before requiring a formal declaration of war or authorization from Congress.

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