Northeast
Karen Read's second trial heads into weekend without full jury seated
Karen Read’s second murder trial is headed into its first weekend without a fully seated jury after the court spent days vetting dozens of candidates, many of whom were already aware of the high-profile case after her first trial in the death of her Boston police officer boyfriend John O’Keefe ended in a mistrial.
Judge Beverly Cannone cut the parties loose around 4:30 p.m. Friday after four days of jury selection, which began on Tuesday with dozens of potential jurors telling the court they had already heard about the case and formulated opinions.
Ten jurors have been selected out of an expected total of 16, 12 to deliberate and another four alternates. The process resumes Monday morning.
Jury selection is expected to be a crucial aspect of the trial after the first highly publicized event ended with jurors deadlocked and no verdict.
KAREN READ APPEALS DOUBLE JEOPARDY RULING TO US SUPREME COURT
Defendant Karen Read and attorney Alan Jackson review jury questionnaires for the 87 potential jurors in the court jury pool at Norfolk Superior Court in Dedham, Mass. on Wednesday, April 2, 2025. (Greg Derr/ Pool The Patriot Ledger)
Read faces murder, hit-and-run and manslaughter charges in connection with O’Keefe’s death.
She was among the people who found him dead on fellow Boston Police Officer Brian Albert’s front lawn on the morning of Jan. 29, 2022. The region had seen a blizzard overnight and an autopsy found head trauma as well as evidence of hypothermia.
PROBE OF TOWN POLICE IN KAREN READ CASE FINDS NO SIGN OF ‘CONSPIRACY TO FRAME’ SLAIN OFFICER’S GIRLFRIEND
Officer John O’Keefe poses for his official headshot. O’Keefe’s girlfriend, Karen Reed, is currently on trial for murder after he was found dead outside of a Massachusetts home in January 2022. (Boston Police Department)
Prosecutors allege Read backed into O’Keefe after a drunken fight and drove home, leaving him to die in the cold.
She denies the charges, has pleaded not guilty, and her defense has pushed the idea that someone else killed him, dragged him outside and left him there – using Read as a scapegoat to cover it up.
GO HERE FOR FULL COVERAGE OF THE 2ND KAREN READ TRIAL
The explosive claim and massive publicity surrounding her first trial – as well as the numerous media interviews she gave in the aftermath – made it so many people in the community and around the country are familiar with the facts of the case.
Karen Read exits Norfolk Superior Court in Dedham, Mass., Wednesday, April 2, 2025. (Dario Alequin for Fox News Digital)
“Jury selection is critical to the outcome of this case, as in almost every case. In this case, the high level of publicity makes it even more challenging,” said Sam Bassett, a defense lawyer in Austin, Texas, who has been following the proceedings. “Each side has its idea of the personality types that will favor their side so it’s a real battle to get the jurors you like.”
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As a result, he expects both sides to take their time with the process.
“The jury selection process in a case like this takes a very long time because you have to carefully exclude jurors who might have a subtle bias or opinion that causes that juror to be undesirable,” he told Fox News Digital.
“I do not think a break for the weekend matters very much. It’s much more important to ensure that the jury selection is thorough.”
Read the full article from Here
Vermont
Catch these concerts in Vermont outdoors in July
The outdoor concert season in Vermont started in early June, but the alfresco musical offerings really began unfolding later in the month after summer’s official start.
July is overflowing with live music outdoors. In in southern and northern Vermont you can find festivals, and there are music series at both the Essex Experience and the Shelburne Museum.
Artists including “Weird Al” Yankovic, Jack White, Thundertcat, Trombone Shorty and Gillian Welch are playing big stages, while local standouts such as Dave Grippo, High Summer and the Vermont Jazz Ensemble are making their sounds heard in the fresh air as well. Here’s the definitive list.
Jammin’ in July in Essex
5-7:30 p.m. Wednesday, July 1, the weekly music series “Jammin’ in July” kicks off with the Lara Cwass Band and continues at the same time each week with, on July 8, The Grift; July 15, the All Night Boogie Band; July 22, Soul Porpoise with The Project; and July 29, Kyle Chadburn & the Earthbound Spirits, The Old Stage at the Essex Experience. Free. doubleevt.com
Dead of Summer festival brings out the Dead
Thursday, July 9-Sunday, July 12, the Dead of Summer Music Festival welcomes God Street Wine, Pink Talking Fish, Leftover Salmon, Steely Dead, Giant Panda Guerrilla Dub Squad, Saints and Liars, Jatoba, Deadgrass, Mystic Dead, the Krishna Guthrie Band and many more acts paying tribute directly or indirectly to the Grateful Dead, Hunter Park, Manchester Center. $35-$335. deadofsummermusicfestival.com
Jeezum Crow at Jay Peak
Friday, July 10-Saturday, July 11, the 11th annual Jeezum Crow Festival starts with Yonder Mountain String Band, Dead Man Strumming and Beg, Steal or Borrow and continues Saturday with The Disco Biscuits, Lee Ross, Railroad Earth, Shane Goodwin, Magoo, Tim Comings, Charlie Parr, Koa Phoenix and Kyle Chadburn & the Earthbound Spirits, Stateside Amphitheater, Jay Peak. $45-$75; free for ages 6 and under. jaypeakresort.com
Do Good with Smash Mouth, Toad the Wet Sprocket
1:30 p.m. Saturday, July 11, the annual Do Good Fest unleashes the sounds of Neon Trees, Toad the Wet Sprocket, Smash Mouth, Augustana, Glam Cowboys and DJ Cheetatah on the back lawn at National Life, Montpelier. $10 minimum donation benefiting the National Life Peace of Mind Fund to support children’s mental health. dogoodfest.com
Middlebury Festival on the Green gets going
7 p.m. Sunday, July 12, the weeklong Middlebury Festival on the Green starts with the Colorado sextet Mojo Birds, town green, Middlebury. Free. festivalonthegreen.org
Get the blues with Jack White
7:30 p.m. Wednesday, July 15, rock star Jack White visits Vermont for a show on the midway lawn at the Champlain Valley Exposition, Essex Junction; free for ages 12 and under. $69.50. highergroundmusic.com
Big Head Todd on a big mountain
6 p.m. Thursday, July 16, ‘90s rockers Big Head Todd and the Monsters inaugurate a trio of concerts co-presented by Higher Ground and the Spruce Peak Performing Arts Center, Spruce Peak Village Green, Stowe. $16.70-$64.85; free for ages 5 and under. highergroundmusic.com or sprucepeakarts.org
Getting Frendly in southern Vermont
Thursday, July 16-Saturday, July 18, the Frendly Gathering (remember, there is no “I” in Frend) brings Gatsby’s Revenge, Neighbor, Satsang, Ryan Dempsey, Coyote Island, Jatoba, Jarv, The Big Takeover, All Night Boogie Band and more to Timber Ridge, Windham. $250; free for ages 13 and under. frendlygathering.com
Dave Grippo joined by Jennifer Hartswick
7 p.m. Friday, July 17, Vermont sax legend Dave Grippo leads the Grippo Funk Band with trumpeter/singer/Vermont native Jennifer Hartswick, The Old Stage at the Essex Experience. $20. doubleevt.com
Music and food in Stowe
Noon-8 p.m. Saturday, July 18, the first von Trapp Music & Food Festival offers plenty of the latter as well as music from Uprooted featuring Michael Glabicki of Rusted Root plus Dwight & Nicole, the All Night Boogie Band, Blues Over Easy featuring Gina Coleman and Mal Maiz, von Trapp Family Lodge & Resort concert meadow, Stowe. $40-$125. vontrappresort.com/musicfestival
Welch and Rawlings and a night at the Museum
7 p.m. Tuesday, July 21, Americana stalwarts Gillian Welch and David Rawlings play the Concerts on the Green series at the Shelburne Museum. $56. highergroundmusic.com
Long lines for Trombone Shorty
7 p.m. Wednesday, July 22, the jazz-and-more sounds of Trombone Shorty & Orleans Avenue, joined by JJ Grey & Mofro, continue the Concerts on the Green series at the Shelburne Museum. Sold out. highergroundmusic.com
Getting weird with Al Yankovic
7:30 p.m., Friday, July 24, musical comedy weirdo “Weird Al” Yankovic follows Puddles Pity Party in a performance on the midway lawn, Champlain Valley Exposition, Essex Junction. $69.50; seated admission is sold out; free general-admission tickets for ages 12 and under. highergroundmusic.com
Maple Roots Music Festival takes shape
Noon Saturday, July 25, the half-day Maple Roots Music Festival offers performances by the Vermont Jazz Ensemble, the Lara Cwass Band, festival organizer Michael-Louis Smith & Friends, Bob Wagner, High Summer, Mikahely, Linda Bassick, Doug Perkins’ “Hot Pickin’ Party,” the Eames Brothers Band, the Onion River Jazz Band and more, Morse Farm Maple Sugar Works, Montpelier. Free; donations accepted; parking passes available upon entry for a fee. maplerootsfest.com
A bit of Allman, a bit of Betts
7 p.m. Saturday, July 25, together, Devon Allman and Duane Betts lead The Allman Betts Band, inspired by the sounds of their family’s Allman Brothers Band, Stateside Amphitheater, Jay Peak Resort. $49 in advance, $65 day of show; free for ages 6 and under. jaypeakresort.com
Sample The Samples once again in Essex
7 p.m. Saturday, July 25, veteran jam-rock favorites The Samples, plus Arty LaVigne & Friends, play outside on The Old Stage at The Double E, Essex. $25. doubleevermont.com
Shakey and Dope sing in Shelburne
6 p.m. Sunday, July 26, two guys named Alejandro Rose-Garcia and Angus Stone — better known as Shakey Graves and Dope Lemon — share a Concerts on the Green bill that includes an opening performance from Texino, Shelburne Museum. $54.50; free for ages 12 and under. highergroundmusic.com
Thundercat starts Waterfront Concert Series
7 p.m. Thursday, July 30, bassist and singer Thundercat jump-starts four straight days of music presented by Higher Ground in its Waterfront Concert Series, Waterfront Park, Burlington. $54.50; free for ages 12 and under. highergroundmusic.com
Sylvan Esso goes down to the water
7 p.m. Friday, July 31, electropop group Sylvan Esso, featuring Bennington College graduate Amelia Meath, follows Landlady on the second night of Higher Ground’s Waterfront Concert Series, Waterfront Park, Burlington. $54.50; free for ages 12 and under. highergroundmusic.com
Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.
New York
Metropolitan Diary Challenge Day 2: How to Write Your N.Y. Story
Welcome to Day 2 of the Metropolitan Diary challenge, part of our celebration of the column’s 50th anniversary. On Day 1, we gave you tips for identifying your New York City story. Today, we’ll help you write it. (Missed Day 1? It’s not too late to start.)
What makes for a good Diary? It’s simply a good story that happens to be set in, and capture, the essential New York-ness of the city. While this isn’t a full writing course, we do have guidance on the kinds of elements that the submissions we publish include. They typically have: a beginning, middle and end; sharp details; catchy dialogue; a bit of surprise; some humor, warmth or emotion. But there is no formula, so flouting these loose rules can be worthwhile.
Don’t worry if you don’t think of yourself as a “writer.” Focus on being a “storyteller.” Pretend you are telling your story to the person who’d most appreciate it, using whatever conversational language or pacing that would hold their attention. Do it out loud if you want, maybe give that person a call and tell them your story (or tell it to them again). Then write it down.
That’s the big picture. For more tips, read on.
Here is an example of a published Diary that we (and readers) really liked, and a few thoughts on why that may help crystallize yours.
Unacceptable
Dear Diary:
I went to a new bagel store in Brooklyn Heights1 with my son.
When it was my turn to order, I asked for a cinnamon raisin bagel with whitefish salad and a slice of red onion.2
The man behind the counter looked up at me.
“I’m sorry,” he said. “I can’t do that.”3
— Richie Powers
One of this item’s best qualities is that it is short and snappy. Only 53 words! Although we will use stories of up to 300 words, many don’t need to be that long and the column doesn’t work if we don’t have a mix of long, medium and short, so we are always looking for stuff like this. Here’s another one!
At Attention
Dear Diary:
It was December 1967. I had just finished basic training at Fort Dix in New Jersey and was traveling to Boston in uniform. For reasons I no longer recall, I stopped in New York City on the way.1
Walking on the Upper East Side2 in a snowstorm, I spied another man in a uniform. He was older, and his cap bore the familiar gold band that identified him as an officer.
I rendered a snappy salute. It was not returned. 3The uniform was unfamiliar, so I guessed he was a foreign officer. Military courtesy still required me to salute.
A little farther down the street, I encountered another officer and offered another salute that went unacknowledged.4 His uniform was strange to me as well.
The third time it happened, the man I saluted ignored me while holding the door for a couple 5on their way into a large apartment building.
I realized I had been saluting doormen.6
— Stephen Salisbury
To get your storytelling muscles going, think through or jot down the answers to some of these questions.
Let’s start with setting the scene.
- When and where in the city did this happen? Is this place well-known?
- Was there anything particular about that point in your life that’s relevant?
- What did you see, hear, smell? Was there something notable about the weather?
Now, let’s move to the middle, the meat of the story.
- Did you have an exchange with someone?
- What details are important to how events unfolded, especially in setting up the ending?
And now, the end.
- What’s the resolution? Is there a punchline?
- Does the story end with a sense of shared humanity or some other warm feeling that lingers? You don’t need to name it. A good description will often allow readers to feel it too.
- Why has this experience stayed with you?
- Lines like “and that’s why I love New York” are almost always unnecessary.
That’s it. Keep your story simple and use the kind of plain language you use in conversation. You are sketching a moment in time. The details are important. Let them move the story along. Have fun and good luck.
Once you’re done, read through what you’ve got. What details are less important and can be left out? (Remember, there is a strict 300-word limit.)
Write your Metropolitan Diary however you like, on paper, on your phone or wherever! When you’re happy with what you’ve written, put your diary entry into the box below, fill out your information and submit it. You might just hear from me about including it in a future column.
This is the official submission form, so make sure to double-check your work before hitting submit.
That’s it! Submit your Metropolitan Diary.
By transmitting your submission, you grant The New York Times Company a perpetual, royalty-free license to use the submission in any medium. They may be edited, and may be republished and adapted in all media. You may reprint your story elsewhere after it appears in The Times.
Boston, MA
Boston Pops surprise travelers at Logan Airport with July 4th preview performance
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