It’s a misty autumn afternoon and along a winding country road in New Milford, a housing development emerges of stately though modestly-scaled homes with manageable lawns and pristine porches.
Connecticut
With 4 Connecticut tax cut plans on the table, lawmakers weigh costs and relief
With the state generating record budget surpluses, Connecticut legislators are now facing a relatively new situation for a previously cash-strapped state: how much should they cut taxes?
Lawmakers are analyzing four different proposals as they scramble to reach a final compromise before the regular legislative session adjourns on June 7.
They are working behind the scenes on the two-year, $50.5 billion budget that covers everything from salaries for judges to dental care for prison inmates.
Senate Republicans unveiled the largest tax-cut proposal at $1.5 billion, slightly higher than the House Republicans at $1.26 billion. Gov. Ned Lamont called for $654 million in tax cuts in February, and he expressed disappointment when the legislature’s Democratic-controlled tax committee countered with $513 million.
While supporting tax cuts, Lamont remains cautious about whether the state can afford deeper tax cuts at the level offered by Republicans.
“I don’t like to overpromise,” Lamont told reporters. “You know, people have been promising to eliminate the income tax … at least for the last 30 years. Let’s not go there. And I also wanna make sure we have the money to do significant investments in education and higher education and child care. I think we’ve got a good balance.”
All sides agree that they should reduce the state income tax, but the difference is in the amounts. Lamont’s fiscal plan calls for cutting the income tax in two places, including lowering the 5% rate down to 4.5% and reducing the 3% rate to 2%. When those are combined, families earning $100,000 per year would save $594 annually, which is more than Democrats’ competing plan to reduce the 5% rate to 4.75%.
Another key difference is that the Senate Republican tax cut would be retroactive to Jan. 1, 2023 — a full year ahead of Lamont’s plan. That would save taxpayers an additional $325 million.
Overall, a family of four earning $125,000 per year would save $1,045 from the Senate Republican package, including $600 from the income tax and $445 from other taxes. A single individual with no dependents who earns $40,000 per year would save $250 from the income tax.
Both Democrats and Republicans have called for lower income thresholds than Lamont, whose initial plan would have allowed tax cuts for couples earning as high as $690,000 annually. Various proposals sliced those numbers, and the latest GOP plan said there should be no income tax relief for single filers earning more than $150,000 per year and couples earning more than $300,000 per year. Lamont has expressed willingness to compromise on the income levels, but no final deal has been reached.
Child tax deduction
Unlike Lamont, Republicans are calling for a state income tax deduction of $2,000 per child for the first time in Connecticut history. Deductions for children have been available on federal tax returns for decades, and some states allows deductions or credits at the state level.
But the idea contradicts the long-held views of many Republicans that the state income tax should remain as simple as possible without the types of deductions that are available on the federal return. Republicans now, however, say that struggling middle-class families with children need relief as they try to balance their household budgets.
Lamont has been cool to the idea, saying he prefers allocating more money for the earned income tax credit that is designed to help families with children. Republicans, too, favor boosting the earned income credit to 40% of the federal credit for eligible families.
“I think what we’ve done is better,” Lamont said.
Spending cap
Even during a time of surpluses, an issue always lurking in the background for budget negotiators is the state spending cap. The state-mandated cap was reconfirmed by both Democrats and Republicans earlier this year. The fiscal guardrails were enacted by the bipartisan budget of 2017 that was crafted when Republicans had more power in a state Senate tied at 18-18.
But a multipronged coalition, known as Recovery for All, is concerned that the tight restrictions could lead to inadequate funding for pre-K to 12 schools, public colleges and universities and social service needs.
“After suffering through the worst crisis in nearly a century, our communities need public investment now more than ever,” the coalition said. “Yet we are deeply alarmed that rigid adherence to the spending cap will result in a state budget that fails to invest in our communities and meet human needs despite our state’s multibillion-dollar surplus and overflowing Rainy Day Fund. Unless lawmakers take action to address this problem, the people of Connecticut will continue to suffer.”
The Recovery coalition includes unions, Common Cause, Connecticut Citizen Action Group and Connecticut Voices for Children, among others.
Nonprofits
One of the groups expecting to receive more money than recommended by the budget-writing committee is the nonprofit organizations that provide services under state contracts. The group argues that the recommended increase of 1% by the budget committee actually represents a cut during a time of high inflation.
Gian-Carl Casa, a former top state budget official who is now president of the statewide nonprofit alliance, described the recommendation as “a cut in services for people with addiction needs, for those with intellectual disabilities, for people who need shelter, for children and adults with behavioral health needs, for people coming home to make new lives after incarceration and for many more vulnerable Connecticut residents.”
Increased funding, Casa said, is especially needed now because the nonprofits took hits during the long years of budget deficits.
Lamont, House Speaker Matt Ritter of Hartford and Senate President Pro Tem Martin Looney of New Haven all have said that more money should be sent to the nonprofits. Senate Republicans offered the highest amount at 2.5%, which would be about $100 million over two years.
Sen. Cathy Osten, a Sprague Democrat who co-chairs the budget committee, told committee members that tough choices were made in crafting the spending plan that the committee approved by 40-12.
“Our nonprofits do essentially God’s work,” Osten told committee members. “We live within the confines of the spending cap.”
Latest budget projections
The talk of tax cuts and spending increases is made possible by the state’s positive financial outlook.
The latest numbers from the state comptroller’s office shows a projected surplus of $1.58 billion in the state’s general fund in the current fiscal year that ends on June 30. An additional surplus of nearly $250 million is projected in the once-troubled Special Transportation Fund, which includes money from gasoline taxes, fees, grants, and other sources. The latest projections come on the heels of a record-breaking surplus in the general fund last year of $4.3 billion.
The state’s rainy day fund is expected to grow by the end of the fiscal year to $6.2 billion, which would allow $2.9 billion to be transferred to the long-underfunded pension funds. Of that total, $2.1 billion would be set aside for state employees, while another $856 million would go toward the pensions of public school teachers.
Study on car taxes
In a state that collects multiple taxes, another long-running complaint in Connecticut is the property tax on cars. The problem is that the tax rates on the same car vary widely from town to town, depending on the local mill rate.
Lamont, who lives in Greenwich, says residents should not “pay more for a Honda in Hartford than a Hummer in Harwinton.”
Multiple governors have talked about repealing the tax over the past 30 years, but that has never happened because cities and towns have complained that they would not be adequately reimbursed for the lost tax money.
In another attempt, the state Senate voted 36-0 Thursday to create a bipartisan task force of municipal leaders, tax experts and others to study the potential repeal.
Sen. Tony Hwang of Fairfield and other Republicans said that the task force needs to broaden its scope to study how to make up the lost tax income.
“Connecticut is unaffordable,” Hwang said on the Senate floor.
Sen. Herron Gaston, a freshman Democrat, said that his hometown of Bridgeport suffers from income inequality, and his constituents have complained to him about the car tax.
“It is a burden,” Gaston said, adding that lawmakers must concentrate on “making this state much more affordable for people.”
Sen. Saud Anwar, a Democrat, said his previous service as mayor of South Windsor showed him that local budgets “are dependent on the car tax” to balance the books.
“This is not going to be an easy answer by any stretch,” Anwar said. “Not all municipalities are the same.”
Senate Majority Leader Bob Duff noted lawmakers were close to eliminating the tax during the 2017 bipartisan budget talks but did not strike a deal.
“The answers on how to do that have been perplexing for many years,” Duff said. “That has brought the ire of the Connecticut Conference of Municipalities because they’re afraid of losing the revenue. … Connecticut is a great state. I love living here. I know it’s expensive at times. … Let’s make sure we get rid of this tax once and for all.”
Looney said the money lost by the elimination of the car tax could be covered through state funding by “a slightly higher increment on income or capital gains.”
One of the issues, Looney said, is the state has 169 “completely, jealously protected municipal fiefdoms” across the state.
The state has a long and unsuccessful history in eliminating the car tax under various plans by Governors Lowell P. Weicker, M. Jodi Rell and Dannel P. Malloy. Rell proposed a complete elimination in 2006 and 2007, while Malloy proposed a partial elimination in 2013 that would apply only to cars with a market value of less than $28,500. As a result, high-end cars like Rolls-Royces, Bentleys and Ferraris would still have been taxed. But the plans were never adopted.
The next three weeks
With four different plans on the table, the negotiators say they are in general agreement on various points.
“Over 99% of our proposed spending mirrors the budget proposed by the governor,” said Senate Republican leader Kevin Kelly of Stratford.
The differences, Ritter says, are relatively small in the context of a two-year, $50.5 billion budget, and he recently predicted that the negotiators will reach a comprehensive agreement.
“We always do,” Ritter said.
Courant staff writer Alison Cross contributed to this report.
Christopher Keating can be reached at ckeating@courant.com
Connecticut
Tony-award winning director Jack O'Brien talks about career, life in CT
In one of the dozen or so homes in this quiet mini-village is where theater director Jack O’Brien has lived for the past 10 years.
“I call the style of home ‘Early Ozzie and Harriet,’ ” he said laughing, as he greets his visitors.
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Like the avuncular man himself, the two-story house reflects a sense of the classic, the playful and the practical.
Over a six-decade career in the theater and nearly 50 Broadway credits, O’Brien has earned three Tony Awards and in June received another for lifetime achievement.
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At 85, he’s still achieving plenty.
This fall on Broadway he directed close chums Patti LuPone and Mia Farrow — who live nearby — in the Jen Silverman comedy “The Roommate.” He also launched the national tour of the 2023 Broadway musical “Shucked,” which earned him his seventh nomination. He is readying to cast the musical for its London premiere and for 2025 he will be working on a Broadway-bound revival of “The Sound of Music.”
“Let’s go upstairs,” O’Brien eagerly said, leading his guests to a large alcove whose walls are covered with production photos, design sketches and posters of some of the hits (and misses) of his career. To comfortably take it all in there’s a butterscotch-colored leather couch, accented with a colorful variety of textured pillows.
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“Isn’t this fun?,” he said taking a seat, clearly pleased in showing off the room to a theater aficionado. “And this isn’t even everything!”
It’s a theater archivist’s dreamscape: memorabilia that goes back to the start of his career with the APA Phoenix Repertory Company in the ‘60s; the launch of his Broadway career — in the ‘70s with an acclaimed production of “Porgy and Bess;” his years as artistic director of San Diego’s Old Globe and its Broadway transfers in the ‘80s and ‘90s; a string of hit musicals and collaborations with Tom Stoppard in the 2000s; more awards and nominations in the 2010s; and his latest nomination in the 2023 for “Shucked.”
For each piece of the past, there’s inevitably a backstage tale and O’Brien is known to be one of the best theater storytellers in the business, the person you most want to sit next to at dinner. He has authored two anecdote-filled memoirs, the last being “Jack in the Box or, How to Goddamn Direct.”
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The airy second floor is for overnight guests and those who might enjoy looking at his theater collection, he said. For himself, well, O’Brien is just too busy to overindulge in nostalgia, residing on the ground floor.
“I have no rear-view mirror,” said the upbeat director. “I only look forward.”
Connecticut escape
Connecticut — and specifically Litchfield Country — has been O’Brien’s refuge from the demands and chaos of Manhattan for nearly 25 years, initially wooed by theater pals who lived here.
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“Lindsay Law, who produced all my television shows (for PBS’ “American Playhouse” in the ‘70s) lived in Roxbury and I would come up to visit every weekend,” he said.
Following the death of his partner, composer James J. Legg Jr., in 2000, O’Brien decided to create new memories in the serene corner of Connecticut. He bought a sprawling homestead which he named “Imaginary Farms,” after the 2002 Broadway play he was directing at the time, “Imaginary Friends.”
”It was the house that ‘Hairspray’ built,” he said, referring to his 2002 hit musical.
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“It was gorgeous,” he said of that first home, noting its swimming pool, guest house and 20 acres. “We always had loads of friends there. I traditionally cooked Thanksgiving or Christmas for (composer Stephen) Sondheim and all our friends.”
“But several years ago my financial advisor said to me, ‘You can’t keep this house because it takes three staffs of people to run it.’ So I said OK, and I made a video of the place and sent it to all my theater people, most of whom had been guests there at one time or another.’
Ethan Hawke, whom O’Brien directed in Stoppard’s “The Coast of Utopia” trilogy and Shakespeare’s “Henry IV” and “Macbeth,” bought the house “And everything in. He said, ‘We want to live like you live.’ I feel so wonderful about how it all turned out.”
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After selling his apartment on Central Park West 10 years ago, he sought a return to Connecticut. He learned that a new development was being built in New Milford, and that he could customize a home to his tastes, which one might call a slightly different kind of directing.
“The entire development looks like the back lot of MGM in 1945,” he said. “And by that I mean quite charming. It’s perfect for me now.”
Long runs for directors
O’Brien leads his guests to his ground-floor bedroom where on display are shelves of his multiple awards — including his Tonys, an armful of Drama Desk trophies, and the Theatre Hall of Fame honor. On the floor there’s a throw rug created by stage designer David Rockwell completely made up of colorful satin bow ties.
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In the living room, he eases into an oversized, wing-chair next to a marble fireplace, as Coda, as if on cue, jumps into his lap.
“I’ve had four Yorkies in my lifetime and Coda (is) the last of a distinguished line,” he said, seemingly a nod to his own age more than his dog’s.
It is pointed out to him that legendary theater director George Abbott lived to be 107 and continued working until his death in 1995.
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“I met him when he was 105,” he said, referring to the time O’Brien directed a revival of “Damn Yankees” starring Jerry Lewis. Abbott was protective of his original script which O’Brien sought to rewrite. “Those extra two angry years kept him alive,” he said.
“I guess there’s something about theater directors. Twenty years ago, I didn’t know anyone in their 90s. Now I know a lot and many of them are still working. I’m working all the time now, too. It’s ridiculous. I thought it was going to stop — but it didn’t.”
Connecticut
Officials: CT troopers respond to 108 crashes from midnight Monday to about noon Tuesday
As of noon Tuesday, Connecticut State Police stopped 98 vehicles since the start of the Christmas holiday.
State police responded to 108 vehicle crashes, including 12 in which a person was injured. No fatalities were reported.
Eleven people were arrested for driving under the influence since midnight Monday.
State police responded to 982 calls from motorists seeking assistance on the highway.
Connecticut
O Little Town of Bethlehem: Connecticut Town Celebrates Christmas All Year Long
A rural town connects beautifully to the miraculous event so long ago.
“O little town of Bethlehem, how still we see thee lie,” begins a beloved Christmas carol sung since 1868, paying homage to Jesus’ birthplace.
But have you heard of Bethlehem, Connecticut?
It’s a favorite destination because of its Christmas connection. With approximately 3,400 residents, modest in size like its ancient namesake once was, the rural town of Bethlehem has two places that connect beautifully to that miraculous event of the Nativity.
The Nutmeg State’s Bethlehem is home to Regina Laudis Abbey, a community of cloistered Benedictine nuns founded after World War II. Here, the nuns have a magnificent early-18th-century Neapolitan crèche, displayed in a restored barn nearly as old and donated specifically to house this Nativity scene. Both the crèche and barn received a meticulous four-year restoration completed less than two decades ago by experts from the Metropolitan Museum of Art in New York City.
This is no small Neapolitan crèche. It spans 16 feet wide and 6 feet deep. The Nativity scene takes place before a backdrop mural of an 18th-century seaside and an azure sky.
Jesus, Mary and Joseph are at the heart of the crèche where our Savior’s birth is set vividly in a Neapolitan mountainside village — complete with angels hovering in wonderment and awe and scores of villagers react in different ways to the overwhelming presence of the Holy Family.
Simple peasants close to the Holy Family stand in awe and mingle with the Three Kings. Some villagers stop to contemplate Jesus’ birth. Others go on with everyday life as if nothing unusual or life-changing is happening.
The animated scene’s 68 figures and 20 animals of carved wood, ceramic, metal and plant fiber stand up to 16 inches high. They’re dressed in their original period dress that the Metropolitan Museum specialists also carefully restored to pristine condition.
From all indications and evidence, this crèche was a gift to Victor Amadeus II of Sardinia on his coronation in 1720. In 1948, it was brought to America and then in 1949 the woman who then owned it donated it to the abbey to preserve and display it.
Also on the abbey’s grounds is a simple, life-size Nativity scene of the Holy Family, located in a simple shed, with Joseph dressed in a checked farmer’s jacket. Abbey visitors might even spot a sheep or two.
Later during the Christmas season, you might want to watch the 1949 film Come to the Stable that tells the story of Regina Laudis Abbey and whose main characters, two nuns played by Loretta Young and Celeste Holm, are based on the actual Benedictine nuns who came from France after World War II to establish it. It’s a much neglected classic.
Church Highlights Nativity All Year
In nearly a straight line, less than 3 miles from the abbey and a few yards from the center of town, the Church of the Nativity remembers the birth of Jesus year-round. Now a part of Prince of Peace parish, the church was built in 1992 of fieldstone and wood and specifically designed to suggest or look like a large crèche. The church is topped with a star that is lit at night and directs people to the sacred edifice like the star directed the Magi.
The focal point of the church vestibule is a life-size manger scene. The figures were carved from a single pine tree by a Maine artist.
A panorama of the town of Bethlehem is etched high on the glass behind the Holy Family. Etched on another glass panel are the Three Kings, depicted following the star to adore the Newborn King.
In the nave, the church’s interior of stone, wood and large beams intentionally add to the manger atmosphere — as do the words “O Come All Ye Faithful” that stretch and beckon from high behind the altar.
The Nativity atmosphere continues all year. The Knights of Columbus built a 20-foot crèche on the parish’s front lawn.
Another Major Nativity
A little over 500 feet away is the Bethlehem Post Office, which, of course sees lots of extra traffic at this time of year — people enjoy getting their Christmas cards postmarked from “Bethlehem” and envelopes stamped with a Christmas greeting from the town.
Those who do visit these two Nativity treasures can continue singing Little Town of Bethlehem’s later verses:
How silently, how silently The wondrous gift is given! So God imparts to human hearts The blessings of His heaven. No ear may hear His coming, But in this world of sin, Where meek souls will receive him still, The dear Christ enters in.
O holy Child of Bethlehem Descend to us, we pray Cast out our sin and enter in Be born to us today O come to us, abide with us Our Lord Emmanuel!
PLAN YOUR VISIT
Visiting hours for the abbey crèche: Wednesdays through Sundays from 10 a.m. – 3 p.m. Closed Mondays and Tuesdays. Winter Closure: Jan. 7-Easter Sunday; free.
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