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On most days, somewhere between soundchecks and late-night sets, Jeff DaRosa laces up his running shoes and steps into a quieter world.
For nearly two decades, the 43-year-old has been a multi-instrumentalist for Dropkick Murphys, the Boston-bred Celtic punk band synonymous with packed venues and relentless touring — most recently with their new split album “New England Forever,” released March 17.
Discipline, by his own admission, was never part of that life.
But this April, he’ll take on a different kind of stage: the 2026 Boston Marathon, running in support of the Claddagh Fund — and, in many ways, for himself.
Running first entered DaRosa’s life casually — some 5Ks with his sister, a turkey trot, the occasional half marathon. It had a subtle pull.
“It’s kind of like a drug,” he said. “You just need a little more. You find it to be more attainable.”
Still, running Boston — one of the world’s most iconic races — felt distant. After the 2013 bombings, and the band’s performance at the Boston Strong benefit show, the idea lodged in the back of his mind.
“It was this weird fantasy,” he said. “Like, maybe one day.”
For years, the demands of touring kept the fantasy at bay. The band’s annual March run of St. Patrick’s Day shows always collided with marathon training season, making serious preparation impossible.
The shift came when DaRosa turned 40. He quit drinking — on Marathon Monday, coincidentally — and found himself craving something new.
“I was just a rock musician that kind of didn’t have much discipline in my life. All I had to do was be on stage,” he said.
Offstage, life was accelerating. A father of three, he felt time slipping.
“I was really craving to hold on a little tighter to life or something.”
Running became an antidote — a form of meditation, he said, that made him feel more present and grounded.
Since getting sober, running has become both ritual and anchor — even on tour. He recently wrapped a five-week run of shows while training nearly every day.
His approach is simple: “I just wake up and go,” he said. “If I think, it totally stalls me out. I have a coffee. I go.”
In that repetition, he’s found what he’d been missing. “It’s been a life changer for me — the discipline I so badly craved.”
He trains mostly alone, though friends cheer him on and join him for the longer efforts when schedules align. Even mid-run, listening to music, his mind drifts to gratitude.
“The whole time, I’ll be thinking about how grateful I am for my kids,” he said. “It’s so weird.”
DaRosa ran his first marathon in 2024 at the Mesa Marathon in Arizona — an experience he called, with a laugh, “a disastrous situation.”
By mile 15 he was limping, and an 89-year-old runner beside him offered simple wisdom: that’s why they call it a marathon.
He finished anyway.
“Part of this experience for me is to show my kids that you work at something, and you can do it.”
That lesson reshaped how he sees the sport. The race itself, he’s come to believe, is almost beside the point. “It’s the training that is the true — I don’t know,” he paused. “It’s where you really find out about yourself, I think.”
This year, the timing finally aligned. The band will be in Boston. The training is there. And an opportunity that once felt abstract is now real.
He’s keeping his expectations low, including his finishing time.
His one lighthearted goal: to beat Oprah’s marathon time — a 4:29:15 mark he narrowly eclipsed in Arizona.
“My friend wrote to me, ‘You beat Oprah,’” he said. “And I just laughed and laughed and laughed.”
But beneath the humor is something quieter, something more intentional. Running, he said, has brought him back to himself after decades lost in the noise of the road.
“Somewhere along the line, life just started to fly by,” he said. “I just wanted to hold on closer to it.”
For DaRosa, the Boston Marathon isn’t really about the finish line. It’s about showing up — for his kids, for himself, and for the version of his life he’s still shaping.
“To just be present,” he said. “That’s it.”
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An inbound stretch of Storrow Drive and Soldiers Field Road will be closed each night through August for tunnel repairs, officials announced.
Starting Monday, the closures will begin at 8 p.m. and last until 5 a.m., state officials said.
Road closures begin at North Harvard Street in Allston and stretch along the Charles River Esplanade to Mugar Way in Boston, near the Hatch Memorial Shell, officials said.
Traffic will be detoured into Cambridge over the Anderson Bridge, along Memorial Drive, and then be routed into Boston over the Longfellow Bridge.
The closures will allow ongoing repairs to the Storrow Drive Tunnel in the Back Bay. The work is the first phase of a two-stage project to extend the lifespan of the tunnel, which carries roughly 50,000 drivers to and from downtown Boston daily.
The outbound portion of the tunnel and accompanying roadways will not be affected.
State transportation officials said changes to the work schedule will be made when necessary to minimize impacts during major local events at TD Garden, Fenway Park, or during the FIFA World Cup and 250th anniversary celebrations scheduled for this summer.
Additional changes may be made without notice due to weather.
Transportation officials have not specified when the closures will end.
Bryan Hecht can be reached at bryan.hecht@globe.com. Follow him on Instagram @bhechtjournalism.
This story has been updated with new information
OXFORD — Ole Miss softball is back in the NCAA Tournament after making the Women’s College World Series a season ago.
The Rebels (34-24) will play Boston (46-13) on May 15 (1 p.m. CT, ESPNU) in the Lubbock Regional. Ole Miss is the No. 2 seed in the regional, and Boston is the No. 3.
Texas Tech (52-6), the No. 11 overall seed and regional host, will face No. 4 Marist (37-19).
The Rebels went 6-18 in SEC play this season, and have a largely new-look roster from the team that made the WCWS last season.
Ole Miss beat South Carolina and Tennessee in the SEC Tournament to improve its seed.
Freshman Madi George has burst onto the scene in the SEC. The first-year infielder leads Ole Miss with a .385 batting average. She has a team-high 21 home runs and 58 RBIs.
Seniors Emilee Boyer (3.86 ERA), Kyra Aycock (3.97 ERA) and junior Lily Whitten (3.04 ERA) are the primary options in the circle for coach Jamie Trachsel.
Trachsel is in her sixth season leading the Ole Miss program. She led the Rebels to their first WCWS appearance in program history in 2025.
Boston entered the Patriot League Tournament as the top seed and the Terriers delivered. Boston beat No. 2 Colgate 12-1, becoming the second team in Patriot League history to four-peat as conference champions. Boston is on a 12-game winning streak. Kylie Doherty leads the team with a .396 batting average and 26 home runs.
Texas Tech made the 2025 WCWS championship series, losing to Texas in three games.
Texas Tech lost just three Big 12 games this season but lost in the first round of the Big 12 Tournament. The Red Raiders are a strong threat to get to the WCWS again. There are four Texas Tech batters hitting over .400. Star pitcher NiJaree Canady leads the Red Raiders with a 1.24 ERA. She has 209 strikeouts.
Marist plays in the MAAC and won the conference tournament. Marist split a two-game series against South Carolina early in the season. Ava Metzger (12-3, 2.51 ERA) and Peyton Pusey (.404 batting average) lead the team.
Sam Hutchens covers Ole Miss for the Clarion Ledger. Email him at Shutchens@gannett.com or reach him on X at @Sam_Hutchens_
Mojo, a music brand and concert organizer, was founded in 2021 by Charley Blacker, Alex Parker, and Emily Donovan while they were students at the University of Massachusetts Amherst. The trio of friends decided to create Mojo out of their shared love for music and house shows.
“We saw there were so many local musicians that were so talented, but they didn’t have the platform we thought they really deserved,” Blacker told the Globe during Saturday’s festivities. “So we thought if we could do the behind-the-scenes work of organizing photographers and [provide] a social media platform, we could give these musicians the platform they deserve.”

Five years later, the team behind Mojo is sticking to their mission, tackling their biggest venue yet with this weekend’s event at City Hall Plaza, which previously served as the original location for Boston Calling before it moved to the Harvard Athletic Complex in Allston. Boston Calling announced last year that it is taking a one-year hiatus in 2026, with plans to return in 2027.
In addition to getting the chance to work on such a big event with his best friends, Blacker hopes Mojo Boston can help “lead to a lot more opportunities for local music.”

There was a wide range of genres represented at Saturday’s event, from the pop-rock stylings of The Bends to house and garage music from DJ AC Slater. Prior to the Boston debut, Mojo brought a festival to Pennsylvania’s Happy Valley in April and returned to Amherst later that month to host another event.
Mojo Boston attendees and former UMass Amherst students Emily Bowler and Max Debeau have been familiar with Mojo since its inception, watching the organization go from hosting basement shows to full scale music festivals. Debeau noted how many of the acts at Saturday’s event have worked with Mojo in the past, performing at UMass and other shows around the Bay State.
“To see it all come together has been great,” Debeau said. “This is the stage that they all deserve.”
“It’s crazy how quickly they were able to erect something so amazing,” Bowler added.

Formed in New Bedford, the band Autumn Drive was one of 18 acts that performed at Mojo Boston, and they are no strangers to a Mojo show.
“We’ve done, I think, every single Mojo that there is, so we’re very tight with them,” said guitarist and singer Charlie Gamache. “When we found out they were doing a big festival [in Boston], I was like, ‘We want in no matter what.’”
The band emphasized how much their relationship with Mojo has meant to them over the years, with Autumn Drive drummer Joe Gauvin praising the organization for “always putting us in front of a crowd that’s there to see music and hear us.”

From a makeshift stage out of wooden pallets in his basement to Boston’s City Hall Plaza, Blacker is is proud of Mojo’s success and is already looking ahead at what’s to come.
“This is really just the start of it all,” said Blacker. “We have very lofty ambitions and goals, and we have nothing but confidence in our ability to accomplish everything we set out to do.”
Gitana Savage can be reached at gitana.savage@globe.com. Follow her on X @gitana_savage.
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