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Blackbird Revolt: Transforming Minneapolis' vacant spaces | Minnesota Spokesman-Recorder

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Blackbird Revolt: Transforming Minneapolis' vacant spaces | Minnesota Spokesman-Recorder


Credit: Blackbird Revolt Website

Revitalizing Minneapolis Through Art, Culture, and Community Engagement

The Arts & Culture Vibrant Storefronts Initiative is redefining downtown Minneapolis by transforming vacant spaces into thriving hubs of creativity, culture, and innovation. Led by the City of Minneapolis, this initiative subsidizes rent for previously empty storefronts, empowering creative businesses to establish a vibrant presence in the Harmon Place Historic District and beyond. This two-year program supports five exceptional awardees, giving them the opportunity to refine their business models while engaging the public through art.

Each storefront will feature dynamic quarterly programming, turning what were once empty spaces into centers of artistic expression and community connection. By offering support to these creative businesses, the initiative is ensuring that art and culture become integral parts of the fabric of the city. The transformation of these vacant spaces represents the core mission of the initiative: to turn vacancy into vibrancy in Minneapolis.

First Up: Blackbird Revolt – An Abolitionist Design Studio

Creating Designs that Shift Culture and Build Power

Among the five businesses chosen for this initiative is Blackbird Revolt, an abolitionist design studio that strives to create designs that not only reflect culture but challenge and reshape it. Founded in 2016, Blackbird Revolt emerged from the desire to address the ongoing lack of representation and exclusion of diverse voices in mainstream narratives. The studio seeks to create a platform for conscious creatives who want to transform their communities and advance causes of racial justice, liberation, and abolition.

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At Blackbird Revolt, design is more than aesthetics; it is a tool for activism and movement work. The studio aims to break down the political and social barriers that trap marginalized communities, using their art to inspire engagement, foster change, and promote collective action. They are committed to co-creating solutions with their community and changing the way people experience and engage with the world around them.

The Meaning Behind the Name

The name Blackbird Revolt is deeply tied to the music of Nina Simone. The iconic song “Blackbird” speaks to the struggles and resilience of Black women, and its lyrics capture the intersectionality that Blackbird Revolt seeks to address. “So why you wanna fly, Blackbird, You ain’t ever gonna fly…,” Nina Simone’s voice echoes the harsh realities faced by those who are marginalized by oppressive systems. At Blackbird Revolt, these experiences of exclusion and oppression are central to their mission.

“We unapologetically center these voices,” says co-founder Terresa Moses, a justice-centered designer and creative director. “Racial justice, abolition, and liberation drive what we do and how we do it.” The team is committed to ensuring their design work reflects a vision of a radically just future. Whether through projects or partnerships, Blackbird Revolt is a powerful force for change in the community.

A Commitment to Community

Terresa Moses, co-founder and creative director of Blackbird Revolt Credit: Ivy Vanio

Art and design have always been intertwined with movements for social change, and Blackbird Revolt sees their work as part of that ongoing legacy. Terresa Moses, co-founder and creative director, is a Black queer woman who has dedicated her life’s work to the liberation of Black and brown people. A professor, illustrator, and community-engaged scholar, Moses centers anti-racism, abolition, Black feminism, and Black liberatory futures in her work. Her designs are grounded in the understanding that art is a tool for resistance, reflection, and progress.

Moses states, “Our work can never be separate from community. We are dedicated to centering community and a collective vision for the future.” This ethos guides everything Blackbird Revolt does. From their designs to their collaborations, community engagement is at the heart of their mission.

The Role of Blackbird Revolt in the Arts & Culture Vibrant Storefronts Initiative

As part of the Arts & Culture Vibrant Storefronts Initiative, Blackbird Revolt will be bringing their vision of justice, culture, and liberation to the Harmon Place Historic District. Their storefront will be more than just a space for creative output—it will be a place where people can gather, engage, and learn. Throughout the two-year program, Blackbird Revolt will host quarterly programming that reflects the core values of racial justice and community empowerment. These programs will give the public an opportunity to experience the transformative power of art in new and meaningful ways.

Blackbird Revolt’s participation in this initiative is a testament to the power of creative businesses to drive change. By revitalizing a vacant storefront, they are not only contributing to the cultural vibrancy of Minneapolis but also amplifying the voices of those who have historically been marginalized. The initiative allows Blackbird Revolt to further their mission while continuing to build power through art and design.

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A Vision for the Future

At the heart of Blackbird Revolt’s work is a commitment to creating a radically just future. They believe that art can be a powerful tool for liberation, and they are using their design studio to engage with their community in meaningful ways. By participating in the Arts & Culture Vibrant Storefronts Initiative, Blackbird Revolt will continue to push boundaries, challenge the status quo, and advocate for justice.

As part of the initiative, Blackbird Revolt’s storefront will be a place where people can come together to reflect, create, and grow. It will be a space for art, dialogue, and activism—a space where the community can connect and co-create solutions for a better future.

For more information, visit Blackbird Revolt.

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Minneapolis, MN

Fan behind Anthony Edwards’ orange bracelet has beaten cancer

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Fan behind Anthony Edwards’ orange bracelet has beaten cancer


The story behind Anthony Edwards wearing a bright orange bracelet since last season has received a positive development, after Timberwolves fans learned Luca Wright has beaten leukemia.

Anthony Edwards, Luca Wright connection

What we know:

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Last January, the 6-year-old Minnesotan met “Ant” for the first time following a game against the Detroit Pistons, proclaiming him to be his favorite player, and asking him to wear a bracelet that symbolizes leukemia awareness, resilience and support for those affected. During the interaction, the fan had created a sign with a to-do list: “1. Beat Cancer. 2. Be The Next MJ.”

Leukemia is a type of cancer that spreads throughout the bloodstream, infecting bone marrow and a person’s lymphatic system by rapid production of abnormal white blood cells that can’t fight infection.

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Since then, the Wolves’ MVP has worn a bracelet that proclaims, “Love Like Luca” on it for every game he has played, vowing to wear it “until he hangs up his sneakers.”

Ant has gone on to explain how the gesture connected with him given that he lost both his mother, Yvette, and grandmother, Shirley, to cancer when he was 14 years old. The No. 5 jersey he wears currently is a tribute to them both.

Luca bracelet latest

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Dig deeper:

More than a year later, Wolves fans have received the update they hoped for – now 7-year-old Luca has beaten his cancer.

What’s next:

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Ant has since responded to the news with his own social media video, calling it “God’s gift” and saying, “Let’s do this Luca.”

No word yet on whether he intends to keep wearing the bracelet, though he’s previously said he has a stash of replacements near the team bench should one ever be broken.

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The Source: Information provided by the Minnesota Timberwolves public relations department.

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:


A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken. 

Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.

The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone. 

Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.

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Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”

Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.

Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented. 

“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.

Family members say the system and Duncan’s family let them down.

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Freeman says Duncan’s family saw the warning signs and still bailed him out

“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said. 

The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request. 

“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.

For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers. 

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Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.

“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face. 

Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.

Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly


MODE by Flickr

The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.  

Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.  

Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.  

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“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”  

Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations. 

Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.  

Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com. 





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