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Brenden Aaronson finishes off the ‘perfect team move’ that showed the best of Leeds

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Brenden Aaronson finishes off the ‘perfect team move’ that showed the best of Leeds

It had been a wasteful night for Leeds United before Brenden Aaronson scored a goal-of-the-season contender.

Derby County did their best to frustrate and deny the Championship leaders. They did it well until the 79th minute. But, as they have done all season, Leeds will pass and pass and pass again until they find a minuscule opening capable of hurting their opponents, and so they did with Aaronson’s winner 11 minutes from time.

Leeds had other chances and it threatened to become a costly game in the title race, but the beauty of Aaronson’s goal — which takes his tally to seven for the season and earned him a man-of-the-match award — was worth enduring the frustration up to that point.


It started with Ao Tanaka in the middle (shown below) as he spread the ball wide to Ethan Ampadu.

The captain’s pass into the middle sparked the next string of passes, first to the feet of striker Joel Piroe and then on to Sam Byram wide on the left, completing a swing of possession from one flank to the other.

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Ao Tanaka (No 22, centre) starts the move by spreading play to the right (Sky Sports)

The moment of incision, in a call back to some of the goals scored under Marcelo Bielsa, came with five clinical passes.

Aaronson started the move from a deep position with five of his team-mates ahead of him in the box (shown as he receives a pass from Byram below).


Aaronson (centre, left of referee) starts the five-pass box entry move with team-mates ahead of him

After drawing out two Derby players, Kenzo Goudmijn and Corey Blackett-Taylor, the U.S. international offloaded the ball to Ampadu 10 yards behind him.

Paired with Tanaka in central midfield for the game, Ampadu played the ball wide again to left-back Byram.

Leeds have not been afraid to go back and recycle possession when needed this season, which is helped by creative defensive midfielders like Ampadu and Tanaka and two competent ball-playing centre-backs in Pascal Struijk and Joe Rodon.

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When opponents regularly sit in and try to deny Leeds’ attacking threat, Struijk and Rodon step forward to form a crucial part of attacking moves. United had 61 per cent of the ball against Derby and have only had less than 50 per cent twice this season — in the 0-0 draw with West Bromwich Albion in August and the 4-3 away win at Swansea City in November.

They have become so used to having the ball, more than 70 per cent of it in seven of their 24 league games this season, that unlocking opponents in new ways demands the best of Farke’s attacking players. At times it looks like it will never happen, as was the case against a stubborn Derby, but quality counts and Leeds have it running through their squad.

Substitutes Piroe and Manor Solomon were both involved in the goal. Though he has faced criticism for his subs in the past, Farke has said that “fortune favours the brave” when it comes to calling on his benched players to make an impact. It paid off at Derby.

When Byram received the ball from Ampadu, a quick adjustment of his feet allowed him to play inside to Solomon. The winger’s deft roll to turn inside and ensure he was facing goal as Aaronson began his run into the penalty area was a key trigger in turning the move into a precise attacking moment.

Timing is key here and Aaronson’s movement was proof of his development in the No 10 role in being able to make entries into the area at the right moment.

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As Aaronson made his run, Solomon’s square pass to Piroe drew three Derby players out of shape to allow the Dutchman to poke the ball through for the assist.

There was still work to be done when Aaronson picked up the ball on the edge of the six-yard box, but his calm finish past Jacob Widell Zetterstrom capped off a “perfect team move” in the eyes of his manager.

“In the second half, my feeling was we missed too many chances to win such an away game,” Farke said after the game.

“Even before the goal we had situations with Mateo, Largie, Brenden, Joe Rodon with a free header. But then we scored, for me, the goal of the season, unbelievable. I put it straight away into my poetry album and on such a difficult pitch. A perfect team move, Brenden with a perfect calm finish.”

Patience, quick thinking and a clinical finish made Aaronson’s goal perfect as an isolated move and as a way of wrapping up 2024. Leeds end the year top of the Championship on a high of back-to-back away wins. Poetry indeed.

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(Top photo: Barrington Coombs/PA Images via Getty Images)

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Finding Wisdom in a Poem by Wendy Cope

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Finding Wisdom in a Poem by Wendy Cope

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Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

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To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

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I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

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Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

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Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

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Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

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Tap a word above to fill in the highlighted blank.

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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