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Don Lemon criticizes churchgoers for not seeing him as a journalist as he tagged along with agitators

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Don Lemon criticizes churchgoers for not seeing him as a journalist as he tagged along with agitators

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Former CNN host Don Lemon criticized parishioners who were upset by his presence in their church alongside agitators, saying they could not understand he was merely attending as a journalist. 

In January, a group of agitators interrupted a worship service at a church in St. Paul, Minnesota, over suggestions that the church was affiliated with Immigration and Customs Enforcement (ICE) agents. Cities Church Lead Pastor Jonathan Parnell described the incident as an “ambush” and said agitators were screaming in children’s faces. Parnell said cameras were shoved in his face and he lost sight of his wife, children, and congregation. 

Former CNN host Don Lemon has pleaded “not guilty” to federal charges related to his presence at the church. Lemon has denied wrongdoing and argued he was there as a journalist protected by the First Amendment. He spoke about the controversy in a Wednesday interview with liberal journalist and podcaster Jim Acosta.

Acosta said he was surprised as to why parishioners were viewing Lemon as a disruption rather than a journalist.

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Journalist Don Lemon interviews Rep. Al Green, D-Texas, at a rally at Columbus Circle near Union Station in Washington, D.C., on Sept. 2, 2025. (Andrew Harnik/Getty Images)

“I don’t know. It’s weird because they kept saying it, even when I told them that I’m not. And I think they were looking at me and, because the bulk of the protesters were Black, maybe they thought because I’m Black, that and I kept saying, ‘I’m not a protester. I’m here covering the protest. I’m not with them.’”

He continued, noting, “They were, you know, they just for some reason could not understand. And I just I had to keep telling them that I’m not part of the group. I’m just here photographing, and I would say chronicling or whatever it is. And that’s it, Jim. So why they couldn’t figure that out, I don’t know.”

Acosta then added, “Even when you’re talking to the pastor, you know, that did not seem like a heated confrontation or anything. You just — you’re talking to him.”

During the confrontation, the pastor politely said that disrupting the church was unacceptable, to which Lemon argued they had a right to be there thanks to the First Amendment. Lemon questioned the pastor, asking, “Don’t you think Jesus would be understanding and love these folks?” When the pastor said he was focused on spreading the love of Jesus, Lemon pressed again, more intensely, “But did you try to talk to them? As a Christian?”

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When he was asked to leave, Lemon began his next sentence with “You don’t want us to — “

TEMPLE UNIVERSITY STUDENT WHO ‘ASSISTED DON LEMON’ CHARGED IN FEDERAL CHURCH-STORMING CASE

Liberal podcaster Jim Acosta expressed sympathy for Don Lemon, questioning why parishioners viewed Lemon as part of a disruption rather than as a journalist. (John Nacion/Variety via Getty Images)

Lemon agreed with Acosta’s claim that his encounter with the pastor was not a heated confrontation. 

“It wasn’t heated. He stood there and talked to me for a long time,” Lemon said. “I will just say in this, the video speaks for itself.” 

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“They can as they can try to do, as they did with Renee Good, as they did with Alex Pretti. They can try to get people to believe something other than what they’re seeing with their eyes and hearing with their ears, and that’s what they will try to do,” he said. “But I think that I think the video is — tells you everything, that I was there doing what I’m — I was there doing journalism, which is what I was supposed to be doing, which is what I went there to do, and that’s it.”

Fox News Digital reached out to Cities Church in St. Paul for comment about Lemon’s latest comments and Jonathan Parnell, lead pastor at Cities Church responded, “On Jan. 18, just as I was about to read from John 13 on Jesus’s command to love one another, a mob stormed into the house of God, a place of peace and refuge, and defiled it with rage. Many in our congregation fled, believing it to be an active shooter situation. The agitators accosted our people, terrified our children, and would not leave the sanctuary when asked. They gloated about shutting down our worship of Jesus. Everyone who invaded Cities Church that day was in on the terror.”

CLICK HERE FOR MORE COVERAGE OF MEDIA AND CULTURE

Don Lemon speaks to the media after a hearing at the Edward R. Roybal Federal Courthouse in Los Angeles on Jan. 30, 2026. (Patrick T. Fallon/AFP via Getty Images)

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Detroit, MI

Brother Nature at Night: Jack’s backyard & kayaking the Huron River

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Brother Nature at Night: Jack’s backyard & kayaking the Huron River


Brother Nature Host Jack Nissen joins FOX 2 Detroit Live Host Aaron Jordan for a “Brother Nature @ Night” segment! The two talk about Jack’s completion of his backyard project, as well as his adventures on the Huron River and at the Detroit Zoo.



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Milwaukee, WI

Squire Robinson leads a new generation of Milwaukee artists with his distinctly bold style

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Squire Robinson leads a new generation of Milwaukee artists with his distinctly bold style


In a cavernous attic studio stands Squire Robinson. 

A painting titled “Her Love” by Squire Robinson.

Next to him on the ground is an unfinished painting of his. Hung above him are numerous paintings that he’s finished in the past year.

The walls are filled with works of art, crafted by the various artists who also call 100% MKE, a nonprofit arts studio and workspace at 217 N. Broadway, home. 

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Robinson’s art doesn’t just stand among them – it stands out.

Maybe it’s the saturated reds that prevail in each of his pieces.

Maybe it’s the bold strokes that create the even bolder figures that call his paintings home.

Either way, Robinson’s art has a tangible effect for those with the eyes to see.

“Sometimes the most important piece of art is that you feel. His art makes you feel,” Richard Badger Jr. said. Badger, who goes by the artist name Coyote Rich, is also an artist in residence at 100% MKE.

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A painting titled “Solitude” by Squire Robinson.

Robinson first fell in love with art through his grandfather, who painted signs for corner stores. Early memories of drawing contests with his grandfather enchanted Squire into the art world. 

Later, Robinson drew comics and superhero characters, foreshadowing the powerful figures he paints today. 

“My style has always been there, it’s just evolution, it grows and changes,” Robinson said. 

Robinson, a 2024 graduate of the Milwaukee Institute of Art and Design, has always had a certain fascination with Renaissance-era paintings.

Yet despite his appreciation of the style, something was missing. 

“I appreciated the technique and skill, but I just couldn’t really relate to it,” Robinson said. 

For him, the lack of diversity made the style feel distant.

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Black culture in art

Now, Robinson’s style flows through the powerful Black people he paints. 

“I took some of that flavor and remixed it to something that is more me,” Robinson said. “My inspiration comes from Black culture, music and my dreams.”

Two of Robinson’s paintings, titled “4 Deep” (left) and “The Thinker” (right), hang on a wall at 100% MKE.

Robinson’s own personality is vehemently present in each of his pieces. 

“His art has a very strong personality behind it,” said Nelle Speerschneider, a co-founding board member of 100% MKE.

By the end of a lengthy creative process, Robinson’s pieces are saturated with color and shapes that make viewers stop and stare. For Robinson, that’s the goal. 

“To me, good art is when you can just stare at it and sit with it and think,” Robinson said. “If you see my work and walk right past it, then I didn’t do something right.”

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A sketch and painting supplies belonging to Squire Robinson sit on a table.
A painting titled “Cupid’s Wrath” by Squire Robinson.

Music and the flow state

Robinson said when he is met with a blank canvas, he doesn’t begin with a person or a setting; he starts with the mood. Then, with the help of music, he lets his art flow. 

“I don’t try to contain the style, it’s just all me,” Robinson said.

Music is a big deal for Robinson. So much so that he can’t paint without it. Robinson’s taste in music, from classical and jazz to his love for Kendrick Lamar, seeps into his art. 

“Squire’s art makes me feel like music,” Badger said. 

Robinson said music helps him loosen up and get out of a funk. 

“It helps me escape and enter that flow state,” Robinson said. 

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He said music supports his ethereal creative process. 

“Sometimes when I paint, I feel like I’m being guided by something higher than me,” Robinson said.

Squire Robinson lays out a mockup of a future painting on a canvas at 100% MKE on June 17.

Milwaukee made

As a young figure in the Milwaukee art scene, Robinson wears the city on his sleeve. 

“Growing up in Milwaukee made me hard in the sense of staying true to myself,” Robinson said. 

At 100% MKE, Robinson offers a unique voice. “It’s nice to have his youthful and urban take in the studio,” Speerschneider said. 

Badger said young artists like Robinson are vital for pushing the scene forward. 

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“They’re the driving force of what Milwaukee looks and feels like,” he said.

A smaller painting by Squire Robinson sits on a windowsill.
A smaller painting by Squire Robinson sits on a windowsill.
A smaller painting by Squire Robinson sits on a windowsill.

Future goals

Going forward, Robinson wants to become an art therapist, someone who uses the medium of art to process emotional challenges. 

“Art has always been a way to self-express and get my own feelings out,” Robinson said. “That’s why the tone of my paintings matters the most, because those feelings are what I’m trying to evoke.”

As for his art career, Robinson says his finest work is yet to come. 

“I haven’t created my best one yet.”

Squire Robinson poses for a portrait in front of a couple of his paintings at 100% MKE on June 17.


Jonathan Aguilar is a visual journalist at Milwaukee Neighborhood News Service who is supported through a partnership between CatchLight Local and Report for America.

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Indianapolis, IN

INDOT to close ramps connecting Interstate 65 and Raymond Street in Indianapolis

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INDOT to close ramps connecting Interstate 65 and Raymond Street in Indianapolis


INDIANAPOLIS — The Indiana Department of Transportation (INDOT) is planning to close a few ramps connecting Interstate 65 and Raymond Street on the south side of Indianapolis later this month.

According to a release, the ramp from northbound I-65 to Raymond Street is due to close. The ramp ties I-65 northbound to both eastbound and westbound Raymond Street.

A ramp from westbound Raymond Street to I-65 northbound will also be shut down.

INDOT reported that the closures will allow crews to reconstruct the ramps with new asphalt. The closures will go into effect on July 24 around 6 a.m. The ramps are slated to reopen in October.

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Traffic shift in downtown Indianapolis

In addition to the I-65 ramp closures, INDOT has also announced traffic shifts on Interstates 70 and 65 near downtown Indianapolis. The shifts are part of pavement improvements that are being made to portions of I-65 and I-70 between Fletcher Avenue and Washington Street.

Once the traffic shift is in place, northbound I-65 will be separated by a work zone and a barrier wall. The new pattern will force drivers who want to continue north on I-65 to keep left. Drivers aiming to exit for Washington Street will need to keep right before Fletcher Avenue.

Lane and ramp restrictions will be implemented when crews implement the shift. INDOT is expected to provide additional information on the timelines associated with the shifts next week.

While construction is ongoing, the speed limit on I-65 will be reduced to 45 mph.

The ramp closures and traffic shifts are both part of INDOT’s I-65 Safety and Efficiency project. The goal of the initiative is to replace pavement and add additional lanes along the interstate. Officials believe the project will help increase interstate capacity and improve pedestrian and traffic safety in the area.

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