Lifestyle
‘We love rejects’: Inside the queer gardening club that’s preserving L.A.’s native flora
The parkway garden sits on a commercial stretch of Glendale’s Brand Boulevard. It’s a modest patch of native plants, hardly visible from the road.
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But this baby plot is the pride and joy of the tight-knit group of green thumbers who tend to it. They gather there every last Sunday of the month for Club Gay Gardens, a garden club catering to queer Angelenos, to maintain the parkway strip, learn about native gardening and connect with other plant lovers.
At Club Gay Gardens’ September gathering, attendees ranged in age and botanical savvy, with some boasting degrees in horticulture and others just happy to lend a hand. After a brief round of introductions — pronouns optional, astrological signs mandatory — they were broken into groups of seed-sorters, pavers, planters and detailers (a euphemism for trash crew).
Club regular Juno Stilley sat inside with the seed-sorters, grinding white sage between her fingers. Stilley, who grew up in L.A., attended her first club meeting in 2023 and since then has established her own landscape design and maintenance business, Juno Garden.
Before Club Gay Gardens, Stilley said her landscaping operation was just “a little seed,” but attending club meetups equipped her with the educational resources and sheer confidence to turn it into a full-time gig.
Juno Stilley reaches for a dried bundle of stems while sorting seeds.
(Juliana Yamada / Los Angeles Times)
Stilley can identify most plant species in the parkway garden at a glance, but she still comes every week that she can, excited to glean fresh wisdom.
“I always learn something when I’m here,” Stilley said, “because there’s so many people who come with different sorts of plant knowledge, and there’s infinite different things about plants and ecology.”
When it comes to plant expertise, Club Gay Gardens co-founder Maggie Smart-McCabe is among the stiffest competition, though she’s far too humble to say so herself.
The 27-year-old urban ecologist and biodiversity educator, originally from New Jersey, has spent the last five years working in composting and native gardening. She’s also a skilled community organizer and often cited as the glue that holds Club Gay Gardens together.
“We’re really trying to find ways to help people reimagine their connection to space, too,” Club Gay Gardens co-founder Maggie Smart-McCabe said. “When you’re walking down a street, you should feel at home there.”
(Juliana Yamada / Los Angeles Times)
In 2022, Smart-McCabe met her match in Linnea Torres, a 29-year-old graphic designer for Junior High, the mixed-use arts and event space near the parkway garden. The club co-founders connected on Instagram after Torres posted some photos of the garden — at that time, they were the only person taking care of it — and planned to meet up a few weeks later.
“Basically, it was a blind date between the two of us,” Smart-McCabe said. Luckily, the pair gelled easily, but they also realized that maintaining the native garden would be too tall an order for them alone.
“We were like, ‘Let’s try and just call out and see if we can get some volunteers to show up,’” Smart-McCabe said. “And people showed up.”
For months, it was just prep work: sheet mulching, teaching and more sheet mulching. The soil was so compacted that each time they dug a planting hole, it took an hour to drain. By the following spring, the first wildflowers had sprung up, and the native plants were digging deep root systems.
Progress has come in waves, with hot L.A. summers turning the plants “crispy,” Torres said, and passersby always leaving behind strange litter. Recently, they found an Abraham Lincoln magnet in the brush.
“People are gonna stomp on your plants,” Smart-McCabe said. “It’s pretty brutal, like, the parkway strip is a pretty hostile environment.”
But as the garden has grown, its eldest and most mature plants have started shielding its youngest, and walkers have been more careful about where they step. When patches do sustain damage, the gardeners are persistent in nursing them back to health.
“Every seed needs certain conditions to thrive, and I think so do people,” said Nina Raj of the Altadena Seed Library. “Especially for queer folks, I think that’s a potent metaphor.”
(Juliana Yamada / Los Angeles Times)
That persistence feels like a queer instinct to Nina Raj, founder of the Altadena Seed Library. The community-run initiative provides free seeds to L.A. residents through a network of exchange boxes throughout the area, one of which is at Junior High.
“There’s something really potent about queer people rooting for the underdog,” Raj said. “And so something like a little parkway garden that takes a lot of extra care is really sweet, because you’re kind of rooting for it to thrive despite all the odds.”
Smart-McCabe agreed that queer people are drawn to spaces where they can take care of something together.
“Maybe that kind of helps people with any other sort of negative relationships they may have with home,” she said.
At the parkway in late September, Smart-McCabe plunged her shovel into the dirt a third time. The club co-founder was beginning the day’s plant demo, and on her first two swings, she’d hit grate below the ground. This time, as she sunk the metal into the earth, the sound was soft.
“Yes! We found soil! At the parkway!” Smart-McCabe shouted victoriously. The group cheered as though she’d won the Powerball jackpot.
Linnea Torres prepares to place a plant into a planter box.
(Juliana Yamada / Los Angeles Times)
Beside Smart-McCabe’s planting hole is a raised plant bed, which the gardeners designated as the “goth” bed with dark plants only. On the opposite end of the parkway is its fraternal twin, the “rainbow” bed — a free-for-all of colorful plants. In between, rows of mallow and other native plants were separated by pavers.
As Smart McCabe began sending club attendees to their stations, Cassandra Marketos announced that her trunk was packed with donations from Silver Lake’s Plant Material. The plants were too dead for the nursery to sell.
“We love rejects,” Smart-McCabe said with a grin.
Like many of her peers, Smart-McCabe grew up envisioning home gardeners as conforming to a very particular archetype: usually wealthy, often white and always women. With Club Gay Gardens, she and Torres sought to deconstruct that archetype.
They did so with the club’s name, a riff on the 1975 documentary “Grey Gardens,” which chronicles the lives of ex-socialites Edith “Big Edie” Ewing Bouvier Beale and her daughter, Edith “Little Edie” Bouvier Beale, who, despite retiring to a rundown Long Island estate, continue sporting luxurious furs and gowns as they go about their daily lives.
Gardeners at the September meetup were dressed in various looks, from frayed overalls and baseball caps to babydoll dresses and chokers.
Bex Muñoz waters a planting hole in a raised garden bed.
(Juliana Yamada / Los Angeles Times)
Niamh Sprout wore a smattering of chunky silver rings, which complemented the long black nails she had dug into the parkway soil as Smart-McCabe did her plant demo. It was nearly impossible for Sprout to scrape the dirt completely from under her nails, but after a lifetime of being “raised by plants,” as she put it, she was used to the mess.
“I don’t have the traditional hands of a gardener,” Sprout said at the seed-sorting table. “For me, it’s gotten to the point where, like, I’m so used to it, and it doesn’t feel so strange.”
“Everyone’s always been like, ‘Oh, so how do you take care of plants?’” Niamh Sprout said. “I’m like, ‘I just listen to them. They just tell me how they need to be taken care of.’”
(Juliana Yamada / Los Angeles Times)
From the beginning, Smart-McCabe and Torres didn’t want Club Gay Gardens to exist in a vacuum. They wanted to politicize the act of gardening and place it within a broader social justice framework.
As part of that mission, the pair each year hosts an event called Pisces Plantasia, which features native plant resources, local artists and more. In its first year, profits from the event went to the Palestine Children Relief Fund. This past year, they went to the Altadena Seed Library and the No Canyon Hills legal defense fund.
The club co-founders also regularly speak during meetups about food accessibility and improving people’s access to urban green space, something club member Katya Forsyth believes is not valued enough by city planners.
“The basis of all human society, human life, is the soil and the plants that grow out of it,” Forsyth said. “It’s so abundant, and it wants to give us so much, and we’re like, ‘I’m gonna put some concrete over you.’”
The parkway garden on Brand Boulevard might be small, but to Forsyth, it’s a definite step in the right direction.
In the future, Smart McCabe hopes to help establish Club Gay Gardens satellite locations across L.A. and to create more professional development opportunities for local gardeners. In the fall, she’ll get some support on that front through a grant benefiting Club Gay Gardens, the Altadena Seed Library and ecological landscaping business Soil Wise.
The grant will allow four Club Gay Gardens members to take a six-week course on working safely with contaminated soils, which Smart-McCabe said is especially needed in the aftermath of the January wildfires in Altadena and Pacific Palisades.
Smart-McCabe has a favorite saying about native plants in Southern California: “First they sleep, then they creep, then they leap.”
It’s a reference to how these plants have adapted to a cycle of hot, dry summers and cool, wet winters by establishing deep tap roots that keep them hydrated even during long dry spells.
“So that means in their first year, they’re not growing as much as they are establishing their root system,” Smart-McCabe said. She likens this phenomenon to the slow but steady growth of Club Gay Gardens.
As the club co-founder discussed the details of the new grant with grantees, club regular Bex Muñoz began to tear up.
“We’re leaping,” they said.
Lifestyle
A Kiss and a Proposal — All on Their First Date
Dr. John Henry Cook III hadn’t meant to appear bare-chested on Sylvia Rosemarie Auton’s iPhone when he called her for a chat last July. It was 7:45 a.m., and Cook, who was home alone with his dog in Leesburg, Va., was having trouble facing the day.
“I was lying in the bed my wife had died in,” he said. “I was feeling busted by sorrow, and I just wanted to talk to Sylvia.” An accidental push of the FaceTime button sent more than his voice through the ether.
Auton, who was visiting her daughter at the time in Phoenix, Md., was taken aback.
“He said, ‘Good morning, Love,’” she recalled. “I was stunned.” She was equally stunned a day later when, hours after their first kiss, he proposed.
Auton, 85, and Cook, 90, first met in May 2011, when Auton and her late husband, Forrest Hanvey, became patients at Cook’s concierge medical practice in Leesburg. Hanvey, who died in 2024, had known Cook since the 1950s, when both were midshipmen at the U.S. Naval Academy. A friendly relationship between the former classmates soon extended to their wives, Auton and Agnes diZerega Cook, whom friends knew as Di.
Both couples would routinely see each other at U.S.N.A. alumni events, and after Cook retired from medicine in 2017, they met up occasionally for group lunches with Navy friends.
“I got to know Di, who was a wonderful watercolor artist and wonderful person,” Auton said. When Di died in April 2025 of cardiac arrest, the friendship between the two surviving spouses deepened.
Auton is an author and educator. Before she moved to Fairfax, Va., in 1969 with her first husband, a nuclear physicist named David Auton, she lived in Chicago, where she grew up. Her bachelor’s degree in mathematics and master’s in mathematics education are from the University of Chicago. Her doctorate in mathematics education and statistics is from the University of Maryland.
Auton and David, who died of a cerebral hemorrhage in 2003, raised a daughter, Alyson Russo, now an anesthesiologist at the Johns Hopkins Hospital and the mother of Auton’s two grandsons, ages 6 and 2. The Autons also had a son, Timothy Lee, who died in 2014.
Auton taught in Chicago classrooms before she was promoted to her first position in educational leadership in the late 1970s. In 2005, she retired as director of staff development for Fairfax County Public Schools.
Auton now teaches personal finance classes at the Osher Lifelong Learning Institute, part of George Mason University. She also advises women on beginner stock market and investment strategies.
Her advice extends to navigating romance and relationships, too. “The Last Embrace: Caregiving for a Beloved Spouse,” a self-published 2025 book, was written after she spent a protracted period caring for Hanvey, who died after a fall at home in Fairfax Station. “The Wondrous Embrace: Finding Love in the Sunset Years,” also self-published in 2025, is meant to inspire hope among older people who may be souring on the chances of finding love.
Auton met Hanvey when she was well into her 60s and he was 70 in January 2005. They married the same year, in September. “One thing I do not want is for anyone to feel discouraged,” when it comes to love or otherwise, she said.
Before Cook earned his medical degree from Yale, he was a Polaris submarine commander in the U.S. Navy. During the Cold War, he served in nuclear submarines. He married Di in 1957, the day after he graduated from the Naval Academy.
Military service had been a Cook family legacy. His father was a Marine first lieutenant; he was born at Marine Corps Base Quantico in Virginia. With Di, he had a daughter, Elizabeth, and two sons, John and Harrison. His five grandchildren range in age from 24 to 30.
When Hanvey was declining in 2024, Auton wasn’t always certain she understood his needs. In those moments, she would ask Hanvey if he wanted to talk with someone else. “Invariably, it would be, ‘I want to talk with Jack,’” she said. Cook picked up the phone every time.
On May 17, 2025, Cook held a memorial for Di at St. James’ Episcopal Church in Leesburg, where they had married almost 70 years earlier. Soon after she died, Auton sent the family a condolence card and tucked a printout of the 1934 poem “Immortality,” by Clare Harner, inside. “I thought it might comfort Jack,” she said.
At the memorial, he told her how much he liked it. But Auton knew his grief was of a depth poetry could do little to assuage. “I saw the pain he was in,” she said.
Less than two weeks later, she was surprised when he texted her a handwritten poem. “He had taken the original poem I sent him and created a poem as if Di were reading it to him,” she said. “I was so taken with that I sent a poem back to him as though Forrest were writing to me.” Both poems touched on how they shouldn’t feel alone, how their spouses’ spirits wouldn’t leave them.
Auton was planning a June 2025 celebration of life for Hanvey at the time. “Jack had done such a wonderful job with Di’s, I asked him if he would come over and look at my ideas,” she said. Over lunch, the effects of his loss were as apparent as they had been at the memorial for Di.
“He was still zombielike with grief,” she said. Compassion and a sense of hopefulness about helping him through his pain led to a shift toward tender new feelings.
On June 29, as Cook was leaving the celebration of life for Hanvey, he bent down to hug her and whispered “I love you” in her ear. “What was astonishing is that, without a moment of hesitation, I responded ‘I love you, too,’” she said.
The next morning, he sent her a text message: “Bravo Zulu,” a Navy term for “well done.” She asked herself if his declaration of love at the service meant little more than appreciation for the celebration honoring his friend.
They didn’t speak again until July 11, when Auton was preparing to get in the shower at her daughter’s house and Cook was shirtless and in bed. Auton checked that only her face was visible when she answered the early morning call. They hung up with a plan to meet for lunch the next day, at Auton’s house in Fairfax Station.
“At 1 o’clock, there he was, holding a mini orchid plant” as a gift, she said. “He stepped into the foyer, stepped into my arms and gave me a long, deep kiss.” Two hours later, on a deck overlooking a lake on the property, he proposed.
At the memorial for Hanvey, Cook’s feelings for Auton had taken him by surprise. “When you’ve been in a long-term, loving marriage, you always have your feelers out” for your spouse, he said. When the spouse dies, “those feelers that had been intertwined wither away.” For Cook, maintaining hope that they would one day regenerate and intertwine with someone else had been a challenge.
But “the moment I kissed her, it’s almost like I put the key in the lock,” he said. “My life started again.”
On May 9, Cook and Auton married at St. James’ Episcopal Church. Rev. Chad Martin officiated a traditional Christian ceremony for 90 guests.
Auton wore a dusty rose ankle-length dress from her closet — the same dress she had worn to marry Hanvey. “It brought back loving memories,” she said. Cook wore a dark gray suit with a multicolored tie and his trademark red socks. Both had entered the church from a side door, then sat in chairs arranged in front of the altar, standing only to say their vows.
“At our age, stability is an issue,” Auton said. “I wobble well, but I didn’t want to wobble up a long aisle.”
After a kiss to mark the start of their married life and a careful recess to the church parish for a buffet lunch, they reflected on the resilience of the heart.
“Even if the days ahead are few, both of us would like others to have hope for the future,” Auton said. Since he and Auton fell in love, Cook said, “life has been delightful.”
“Beauty and music surround us all,” he added. “If you listen for it, you’ll hear it. If you don’t, you’ll miss it.”
On This Day
When May 9, 2026
Where St. James’ Episcopal Church, Leesburg, Va.
Church Finest The reception in the church parish was catered by Tuscarora Mill, a local restaurant whose owner Cook has known for years. On the menu were prime rib and roast chicken. The lively spring décor, including bright florals, pink napkins and white tablecloths, had been set up by the church sexton and came as a surprise to Auton. “People came up to us to say they had never seen the church look so lovely,” she said.
A Past Worth Preserving Cook will move into Auton’s home in Fairfax Station. He recently sold the 16-acre Leesburg farm he and Di lived on for over 40 years, known as Historic Rock Spring, to the City of Leesburg, to be used as a park. “It was important to Di that the land be preserved,” he said.
Accidental Vintage Auton’s wedding dress was at least 21 years old, she estimated, and Cook’s suit was more than 30. “We were not in today’s fashions by any means,” she said, unapologetically.
Gratitude The day after the wedding, Auton and Cook sent thank-you emails and texts to each of their guests. “At 85 and 90, we wake up each day with a sense of profound thanks-giving: for you, for our health and for the joy of hoping to continue to be of value in this world,” they wrote. They signed their first correspondence as husband and wife with, “Many thanks from two wrinkly, creaky, wobbly but very grateful people.”
Lifestyle
Jonathan Anderson’s first Dior Cruise show in L.A. was a movie
L.A. is proof that sometimes all you need is a car, a streetlamp and that orange light to make something really special happen. Jonathan Anderson presented his first Dior Cruise show in L.A. under the fluttering shadows cast by Peter Zumthor’s new Brutalist building at LACMA, and the whole thing felt like the equivalent of sending a text after hours of getting ready, buzzing with anticipation: “I’m OMW.”
At the base of the David Geffen Galleries, anchored by classic American cars in colors like bubblegum and butter, where models sat inside sucking lollipops and talking close, was “an illusion of L.A., in L.A.,” so say the show notes. The scene mirrored the energy of a film set, all drama and specific lighting and smoke billowing from mysterious corners, honoring the house’s relationship with cinema. The show notes also came in the form of a film script — titled “Wilshire Boulevard” — opening with the “No Dior, No Dietrich!” of it all and followed by Anderson’s thoughts on escapism and dreaming. Today’s Hollywood stars — Taylor Russell, Greta Lee, Anya Taylor-Joy, Alison Oliver, Jisoo, Maude Apatow, Jeff Goldblum, Sabrina Carpenter, to name a few — were in attendance.
The looks that walked down the runway also called upon the dream, soundtracked by a score that included blues icon John Lee Hooker and beloved French band Air. A new iteration of the Dior Saddle bag was car-inspired, sharing DNA with John Galliano’s 2001 Dior Cadillac bags, featuring car paint surfaces and motor key charms. There were the bespoke Philip Treacy hats that revisited a technique the milliner has honed for years, with feathers forming typography in words like “Buzz” and “Flow,” worn with some of the men’s looks. There was Anderson’s take on the bar jacket that Christian Dior made for Marlene Dietrich to wear in Alfred Hitchcock’s “Stage Fright,” white with a geometric black collar. A grey flannel coat was inspired by film noir, featuring a stripe detail that took inspiration from Venetian blinds. A red velvet dress with a rosette was Anderson’s way of playing with Christian Dior’s practice of putting a red dress partway through a show “simply to wake people up.”
As polished-glam and old-Hollywood as the references were, there were moments that also felt sleazy and fun in the way that Hollywood in 2007 did, when getting photographed pouring out of a car on the way into the club was a rite of passage and full of its own twisted promise. Denim was intentionally pilled and embroidered with fine silver chains in the rips, replacing frayed strands of cotton (“the everyday becomes couture,” the show notes say). Leather pants were worn with oversized rhinestone-rimmed sunglasses. A fuzzy coat in almost a wood grain-like pattern was worn slipshod over a shoulder with a black dress. Shirts were made in collaboration with L.A. artist Ed Ruscha, worn by models with messy long hair and hands in their pockets, sporting the kind of attitudinal walk that the skater boy-actor-model working at your local coffee shop has perfected. “When I think of L.A., I think of Ruscha’s work, which has a fascinating sense of the mundane and how it relates to the city’s grandeur,” Anderson wrote in the notes.
A resort collection is all about the destination, and in L.A. a destination can be the most quotidian, normal-ass place. For example, even the rarest piece in your closet is first experienced by your car, or your backyard, or the courtyard of a county museum. L.A. people get that the mundane is the destination because our version of mundane is anything but.
Cut to the afters at the Chateau Marmont. It was a blur of champagne, full sized In-N-Out cheeseburgers, chic ushers wearing Dior uniforms with snug grey sweaters and slacks that pooled perfectly at the leg. Oh, and also, a collective fear that someone would slip and fall into the gleaming turquoise pool (but isn’t that the intrusive thought that hangs over every Chateau party?). Faces like Teyana Taylor, Mikey Madison, Paul W. Downs, Role Model and Dominic Fike, all in Dior, were soaking in the ambiance.
As the night waned and we piled into big black SUVs with an emblematic “CD” on the windows that were there to take us home, one couldn’t help but call to mind a Hollywood trope, where in L.A., the journey was the destination all along.
Dior creative director Jonathan Anderson.
Taylor Russell and Mikey Madison.
Malcolm McRae and Anya Taylor-Joy.
Greta Lee and her parents.
Steven Yeun and Humberto Leon.
Lifestyle
The Family Branding of Sean Duffy’s Road Trip Reality Show
That spot did not go over well with many fliers, who voiced their disagreement on social media (it’s unclear that getting gussied up would solve the upset caused by delayed flights, increasingly tiny seats and other flying indignities). But it was merely a warm-up for the longer show, which has its debut next month on YouTube. This one features Duffy in a whole variety of dad outfits straight from the “Father Knows Best” closet of the American mind, with his family as supporting characters, down to their matching PJs.
There he is in the Oval Office, introducing his kids (and the show’s concept) to President Trump as white-collar dad in a Trumpian outfit of blue suit, white shirt and red-and-blue tie. There he is in snowy Montana, leading his gang on snowmobiles in coordinated snowsuits. In Philadelphia, he’s in a polo shirt and jeans, introducing his children to a role-playing Benjamin Franklin. He hangs out in a plaid shirt with Kid Rock, a scene that also features Duffy’s wife, Rachel Campos-Duffy, a Fox anchor, in an American flag sweater and matching American flag cowboy boots. (The two met on the reality show “Road Rules: All Stars.”) He wears a lot of shackets. And that’s just in the show’s four-minute promo.
In other words, this does not seem to be in the mode of the storied road trips of American pop-culture mythology, be they the grungy road trip of Peter Fonda and Jack Nicholson in “Easy Rider” or the existential one of Chloé Zhao’s Oscar winner “Nomadland.” It does not even seem to be modeled on the gaffe-filled comic road trip of the Griswold clan in “National Lampoon’s Vacation.”
It’s more like “Road Trip: The Suburban Nostalgia Version.” (See the cars, which include throwback station wagons redolent of “Leave It to Beaver” and a big, black Toyota SUV with Duffy, of course, in the driver’s seat.) It was conceived, presumably, to evoke the values — “wholesome,” “patriotic,” “joyful” — enumerated by Duffy in his post on X and meant to define the show and, by association, himself.
As such, it effectively brands him as the Everydad of the administration, complete with ur-weekend wardrobe. And when it finally airs next month, it may turn out to be less about actual reality (reality TV rarely is) than about heavily messaged reality. In other words: marketing for history.
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