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Spring 2025 Fashion Trends: Jackets, Shoes and More to Shop This Season

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Spring 2025 Fashion Trends: Jackets, Shoes and More to Shop This Season

Easy pants, wafer-thin sweaters, go-everywhere coats and more.


Spring is a time of renewal. As temperatures rise, daylight extends and pollen froths in the air, wardrobes also undergo a turnover. Thick, woolly sweaters and heavy coats are pushed to the back of closets, making way for lighter layers, breathable fabrics and punches of color.

Those looking to refresh their spring wardrobe have no shortage of options to choose from, a fact that can quickly make shopping a daunting endeavor. To help, I spent more than 12 hours browsing websites to find worthy items in eight key categories of springtime attire.

These 48 products come from brands across the world. Some are big, but many are small, independent labels. They range in price from about $60 to $800, and were picked with a variety of body types and personal preferences in mind. Most importantly, they address a desire for simple clothing that is better than basic.

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Good news for those in constant search of comfort: Loose pants are still in style, and some of the season’s best come with drawstrings or elastic waists.

They include styles from high-end labels like Pleats Please Issey Miyake and mall chains like Gap. Deiji Studios, an Australian brand, offers a dark pinstripe pair and J. Crew has a sporty style with a stripe down each side. The patchwork look of a pair from Tigra Tigra, a label in Los Angeles, was achieved by working with artisans in India, while another pair, from the in-house line of the San Francisco store Reliquary, has the color and soft silhouette of a cloud.


Gossamer-like cardigans have been appearing more on runways and on the people who closely follow them. They are often worn as a sweet — almost ironic — foil to baggy low-rise jeans or slouchy pants that break and pool at the ankle.

The American label Eckhaus Latta, which specializes in knits and is considered by many to be at the forefront of cool sweaters, is offering several shrunken cardigans this season, including one in a coral shade called “langoustine” that was made to mimic a button-up shirt. Geel, an emerging label in Los Angeles, sells a cropped version with a hood and Guest in Residence, a label founded by Gigi Hadid, makes pointelle-knit cardigans in punchy colors like mint green and in neutrals like cream.


As the weather warms, having a polished overcoat that can be worn comfortably over a variety of items — a T-shirt, sweats, a lighter jacket or a blazer — can take some of the guesswork out of getting dressed.

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A number of small labels — Kule in New York, Mijeong Park in Los Angeles and Studio Nicholson in London among them — offer calf-skimming versions in neutral shades that evoke the all-weather coats by the heritage Scottish brand Mackintosh. Notable weather-resistant options include a sherbet-colored style from Land’s End and a Banana Republic coat that comes with a matching bucket hat.


The spring months could be described as a bridge to beach season. The same could be said for woven leather bags, which mimic the look of luxury versions by Bottega Veneta and marry the heft of a leather carryall with the carefree sensibility of a summery raffia bag.

Traditional basket weaving and other handicrafts inform the aesthetic of the Belgian brand Dragon Diffusion. Bembien and St. Agni, two labels known for sleek designs, offer versions in a range of sizes, including small cross-body bags and substantial totes. While many woven leather bags are stiff at first, they tend to soften with use.


Many new styles of cotton or linen shirts — collared or otherwise — are so oversize that they toe the line between casual and formal, making them more versatile. They can be worn untucked with a pair of jeans or paired with slim slacks for a more formal look.

The French label Charvet, founded in 1838, traditionally affixes mother-of-pearl buttons to each of its designs, which are produced in solids, stripes and other patterns. With Nothing Underneath, a brand in London, offers button-ups in a selection of pastels, and Flore Flore, a Dutch brand, produces its versions in Portugal using organic Italian cotton.

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Denim jackets are generally durable, easy to layer and give a dash of Americana to an outfit. These days, there are many that break from the garment’s classic trucker look.

Meals, a label in Los Angeles and orSlow, which was founded in Nishinomiya, Japan, offer coverall jackets with deep pockets and relaxed shapes that take inspiration from vintage work wear. Other versions include a pullover boat-neck style by Toast, a brand started in Wales, and a tailored jacket with an hourglass shape by Caron Callahan, a designer in New York, which has a square neckline and can be worn in lieu of a blouse.


Full skirts have long been a shoulder season wardrobe staple in countries like Japan and Italy, where they easily transition from being worn with coats and sweaters to being styled with T-shirts and sandals.

Standout versions now available include an army green skirt made with an iridescent ripstop Japanese cotton by 6397, a label in New York; a style made of Italian taffeta — and with pockets — by KasMaria, another a local brand; and an adjustable skirt that ties at the hip by Brooke Callahan, a designer in Los Angeles.


Newly released sneakers are embracing the proportions and details of ballet flats, moving a category long saturated with chunky shapes to a more delicate place.

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Embodying this daintier style is Ralph Lauren’s so-called Ballerina sneaker, which has a tapered toe and an elasticized heel, and a new tennis shoe by Repetto, the French pointe shoemaker, which is laced with ballet-pink ribbons. Both pairs have whisper-thin soles, as do other streamlined sneakers from Larroudé and Dries Van Noten, brands whose styles appear to take inspiration from 1970s footwear.


The ethics behind our shopping reporting. When Times reporters write about products, they never accept merchandise, money or favors from the brands. We do not earn a commission on purchases made from this article.


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Bill Maher is getting the Mark Twain Prize after all

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Bill Maher is getting the Mark Twain Prize after all

Satirist Bill Maher is this year’s recipient of the Mark Twain Prize for American Humor. Maher will receive the award at the Kennedy Center on June 28th. The show will stream on Netflix at a later date.

Evan Agostini/Invision/AP


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Bill Maher will be receiving the Mark Twain Prize for American Humor after all.

There’s been some confusion about whether the comedian and longtime host of HBO’s Real Time with Bill Maher would, indeed, be getting the top humor award. After The Atlantic cited anonymous sources saying he was, White House press secretary Karoline Leavitt called it “fake news.” But today the Kennedy Center made it official.

“For nearly three decades, the Mark Twain Prize has celebrated some of the greatest minds in comedy,” said Roma Daravi, the Kennedy Center’s vice president of public relations in a statement. “For even longer, Bill has been influencing American discourse – one politically incorrect joke at a time.”

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Is President Trump, chair of the Kennedy Center’s board, in on the joke?

Maher once visited Trump at the White House and he tends to be more conservative than many of his comedian peers but after their dinner Trump soured on Maher, calling him a “highly overrated LIGHTWEIGHT” on social media.

Maher’s acerbic wit has targeted both political parties and he’s been particularly hard on Trump recently, criticizing his decisions to wage a war with Iran and his personnel choices.

“Trump said, ‘when oil prices go up, we make a lot of money.’ Um, who’s ‘we?,’” Maher said in a recent monologue.

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Past recipients of the Mark Twain Prize include Conan O’Brien, Dave Chappelle, Jon Stewart, Julia Louis-Dreyfus, Tina Fey, Eddie Murphy and Carol Burnett.

In a statement released through the Kennedy Center, Maher said, “It is indeed humbling to get anything named for a man who’s been thrown out of as many school libraries as Mark Twain.”

Maher will receive the Mark Twain Prize at the Kennedy Center on June 28. The show will stream on Netflix at a later date.

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What European Luxury Can Learn From American Fashion

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What European Luxury Can Learn From American Fashion
This week on The Debrief, BoF’s Diana Pearl explains why brands like Coach, Ralph Lauren and Tory Burch are outperforming many European luxury houses — and what their turnarounds reveal about pricing, product, retail and long-term brand building.
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Suit asks court to force Trump administration to use ‘The Kennedy Center’ name

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Suit asks court to force Trump administration to use ‘The Kennedy Center’ name

Workers react to the media after updating signage outside the Kennedy Center on Dec. 19, 2025, in Washington, D.C.

Jim Watson/AFP via Getty Images


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Rep. Joyce Beatty of Ohio is asking a federal court in Washington, D.C., to force President Trump and the board and staff of the Kennedy Center to revert to calling the arts complex The John F. Kennedy Center for the Performing Arts.

The motion, which Beatty filed on Wednesday, asks a federal circuit court judge to reverse the Trump administration and the center’s current board and staff’s decision to call the complex “The Trump-Kennedy Center.”

In the filing, Beatty’s attorneys wrote: “Can the Board of the Kennedy Center — in direct contradiction of the governing statutes — rename this sacred memorial to John F. Kennedy after President Donald J. Trump? The answer is, unequivocally, ‘no.’ By renaming the Center — in violation of the law — Defendants have breached the terms of the trust and their most basic fiduciary obligations as trustees. Shortly after President John F. Kennedy’s assassination, Congress designated the Kennedy Center as the ‘sole national memorial to the late’ President in the nation’s capital.”

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In a statement emailed to NPR Thursday, Roma Daravi, the vice president of public relations for the Kennedy Center, wrote: “We’re confident the court will uphold the board’s decision on the name change and the desperately needed renovations which will continue as scheduled.” NPR also reached out to the White House for comment, but did not receive a reply.

In December, White House press secretary Karoline Leavitt announced that the complex would heretofore be called “The Trump-Kennedy Center.” Although the new moniker was never approved by Congress, the Center’s website and publicity materials were immediately updated to reflect the administration’s chosen name, and the same day as Leavitt’s announcement, Trump’s name went up on the signage of the complex’s exterior, over that of the slain President Kennedy.

Later that month, Rep. Beatty who serves as an ex-officio member of the Kennedy Center’s board of trustees, sued Trump, members of the Kennedy Center board appointed by Trump, and some ex-officio members, arguing that the complex’s name had been legislated by Congress in 1964. Wednesday’s motion is part of that lawsuit.

In a press release sent to NPR on Wednesday, Rep. Beatty said: “Donald Trump’s attempt to rename the Kennedy Center after himself is not just an act of ego. It is an attempt to subvert our Constitution and the rule of law. Congress established the Kennedy Center by law, and only Congress can change its name.”

For many patrons, artists and benefactors of the Kennedy Center, the name change was the last straw in politicizing the performing arts hub. Following the White House announcement of the new name, many prominent artists withdrew planned performances there, including the composer Philip Glass (a Kennedy Center Honors award recipient, who received his prize during the first Trump administration), the famed Broadway composer and lyricist Stephen Schwartz and the 18-time Grammy-winning banjo master Béla Fleck.

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The Washington National Opera (WNO), which had been in residence at the Kennedy Center since 1971, also severed its ties in January after ticket sales dropped precipitously. Earlier this month, WNO artistic director Francesca Zambello told NPR, “We did try as best as we could to encourage [the patrons] that we are a bipartisan organization, but people really voted with their feet and with their pocketbooks. And so we realized that there was really no choice for us.”

On Monday, a coalition of eight architecture and cultural groups also sued Trump and the Kennedy Center board in federal court over the complex’s scheduled closing in July for unspecified renovations. Their suit seeks to have the White House and board members comply with existing historic preservation laws, and to secure Congressional approval before moving ahead with the renovation plans.

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