Connect with us

World

Brazil’s BrLab Adds Kids Lab, Green Push for 15th Edition Next April (EXCLUSIVE)

Published

on

Brazil’s BrLab Adds Kids Lab, Green Push for 15th Edition Next April (EXCLUSIVE)

As São Paulo-based development and training hub BrLab gears up for its 15th anniversary edition in 2026, one of Latin America’s most influential project labs has opened submissions and unveiled a raft of changes designed to expand its reach, deepen its support for emerging talent and push sustainability up the regional agenda.

The 15th BrLab will run April 7-14, primarily in São Paulo, with satellite activities in Brasilia and Recife. Producers, directors and writers from across Latin America, Spain and Portugal will convene for a week of labs, market encounters and open-industry programming.

Applications for its four 2026 workshops – BrLab Features, BrLab Rough Cut, BrLab Audience Design and the new BrLab Kids – are free and open from Nov. 12 to Dec. 12, 2025 via the lab’s website.

“For us, every edition is an opportunity to identify what’s being imagined across the region,” says BrLab founder, director and curator Rafael Sampaio. “The industry trusts us with new ideas year after year.”

Founded in 2011 and organized by Klaxon Cultura Audiovisual, BrLab has grown from a small workshop for Latin American features into a compact but influential platform, more training hub than full-blown market, yet firmly embedded in the regional calendar for projects looking to sharpen their creative and financial strategies.

Advertisement

Supported by institutions such as the Ibermedia program, Projeto Paradiso and Spcine – and now Petrobras as a multi-year sponsor – BrLab receives more than 400 submissions annually, curated by a professional selection committee. 

As of 2025, 62 features that passed through its various sections have been produced and released, 17 more are in post-production and another 10 are financed for production through 2026. By next year the tally of completed films linked to the lab is expected to approach 90.

Many have premiered at top-tier festivals, including Cannes, Venice, Berlin, San Sebastián, Locarno, Sundance and Toronto. Recent standouts include “The Mysterious Gaze of the Flamingo,” which won the top prize at Cannes’ Un Certain Regard; “Levante” (Cannes Critics’ Week 2023); “Légua,” which screened at Cannes’ Directors’ Fortnight; Sundance title “Los Tiburones”; Berlinale competition multi-prize winner “Las Heiresses”; and San Sebastián Golden Shell laureate “Los Reyes del Mundo.” “The Wolf Behind the Door,” selected in BrLab’s very first edition in 2011, later bowed at Toronto and San Sebastián, announcing a new talent to track in Fernando Coimbra.

Avoiding the Crowded Fall Festival Corridor

Starting with this 15th edition, BrLab has permanently shifted from its traditional October slot to early April. The move is designed to avoid the crowded fall festival corridor and give projects more time to polish scripts and cuts before premiering in the back half of the year.

Advertisement

“This change creates a more useful rhythm for project development,” Sampaio says. “We want our selected teams to take full advantage of the international circuit, and April positions them well to do that – especially for the Rough Cut Lab.”

In 2021, BrLab launched BrLab CoPro, a curated boutique co-production forum aimed at galvanizing new partnerships with Brazil and other Latin American territories. The forum invites producers, funds, sales agents and broadcasters looking to structure cross-border packages at a time when co-production has become essential for financing and circulation.

This platform is deepening BrLab’s role as a connector not only of talent but of the institutional and industrial players that can actually get films made.

Flagship Labs and Audience Design

The program’s backbone remains BrLab Features, focused on fiction features from Latin America plus Spain and Portugal. 12 projects will receive mentorship on script, direction, production and distribution from a roster of regional heavyweights. Longtime backer Programa Ibermedia, a partner since the first edition, will once again offer participation grants to selected teams.

Advertisement

Running in parallel, BrLab Rough Cut caters to fiction and documentary features in the editing stage from across the Ibero-American world, pairing each project with an editing tutor and a small group of peers to help fine-tune the cut and position the film for festivals, sales and distribution.

After an initial phase centered on Brazil, BrLab’s Audience Design program returns with a broader remit, now open to the whole of Latin America and the Iberian Peninsula. Inspired by methodologies Sampaio first encountered at TorinoFilmLab, the workshop helps teams think strategically about audiences from development onwards, mapping core and secondary viewers and plotting release paths that can combine festivals, theaters, platforms and alternative circuits.

“In Brazil everyone talks about ‘creating new audiences,’ but for years people have become disconnected from our own cinema — they’re simply not educated to see themselves on screen,” Sampaio explained. “That’s why we need spaces like BrLab, where Latin American narratives and histories can be developed and protected, even as we keep one eye on the market, because being represented on screen is a right.”

Kids Lab in Recife

The biggest new innovation now announced for 2026 is BrLab Kids, a new workshop dedicated to film and series projects for children and young audiences, which will unspool in Recife. The initiative responds to what Sampaio sees as a chronic lack of specific public policy and institutional support for kids content in Brazil and much of Latin America.

Advertisement

“If children don’t grow up watching Latin American stories, they won’t feel connected to our history and our cinema when they become adults,” he argued.

Projects selected for BrLab Kids will receive tutorship from writers specialized in young audiences, including Janaína Tokitaka and Gabriella Mancini, alongside pedagogical consultants. Recife-based producer Nara Aragão will oversee production mentoring.

For Sampaio, the kids strand is closely linked to the audience-design push, offering a space to tackle the challenges of family titles competing with U.S. studio fare while trying to build a loyal local audience for regional stories.

Green Initiative With Petrobras

Backed for the first time by Petrobras as presenting partner and lead sponsor, BrLab’s 15th edition will also launch a sustainability push. Curated by pioneering green-production specialist Ariane Ferreira, the lab has assembled Think Tank BrLab Petrobras, together with Cinema Verde Festival, an initiative to adapt emerging international eco-standards to Latin American realities and to encourage local institutions to integrate environmental criteria into film funding.

Advertisement

Sampaio points to new European reports and incentive schemes around greener film and TV production as a reference, but stresses that Latin America is starting from a different baseline. The aim, he says, is to convene the industry around practical steps that can be progressively adopted in the region.

“In many cases, the only real green practices in our region are happening on big international streamer shows that arrive with their own protocols,” he says. “If we can pilot ideas in the audiovisual sector, that can also inspire changes in other parts of society.”

Co-Production Hub in a Rebounding Brazil

BrLab’s 15th edition comes as Brazilian cinema experiences renewed momentum. After years of funding paralysis, minority co-production schemes have been revived and Brazil is once again fast consolidating as a sought-after partner on major Latin American projects, often in combination with European finance.

“Today, foreign projects can come to BrLab to find Brazilian minority co-producers,” Sampaio notes. “When we launched, Ibermedia was practically the only co-production avenue. Now there are multiple funds, and the lab has become a natural meeting point.”

Advertisement

Audience design session at BrLab 2019

Bella Tozini

World

How Sheila the three-wheeler dodged danger on a record 14,000-mile journey to tip of South Africa

Published

on

How Sheila the three-wheeler dodged danger on a record 14,000-mile journey to tip of South Africa

CAPE TOWN, South Africa (AP) — Englishman Ollie Jenks remembers when his friend first pitched the idea to him.

“It was so ridiculous I couldn’t say no,” Jenks said.

The proposal by Canadian buddy Seth Scott, a fellow lover of cars and crazy adventures, was for them to drive a decades-old British-made Reliant Robin car from London to the southern tip of Africa — a 14,000-mile (22,500-kilometer) journey through 22 countries — to set a record for the longest trip in a three-wheeled vehicle.

Reliant Robins have cultlike status in the U.K. as humble three-wheelers that, in Jenks’ words, were designed to go to the shops and back in 1970s Britain. They went out of production in the early 2000s but remain loved in British culture, especially after a Reliant appeared as the Trotter brothers’ trusty but battered yellow van in the hugely popular sitcom “Only Fools and Horses.”

Yet you couldn’t find a less suitable vehicle to take thousands of miles through tropical jungles, mountain ranges and deserts down the west side of Africa. And that’s precisely why Jenks went for the absurd plan.

Advertisement

Sheila the three-wheeler

Sheila, the silver three-wheeler — one of the last Reliant Robins to be built — was acquired specifically for the adventure. Jenks and Scott set off in October with a can of fuel and a few essential supplies strapped to Sheila’s small roof, and a large amount of blind hope that they would somehow make it to Cape Town, South Africa, near the bottom of the world.

“No power steering, no air con, and it doesn’t do well up hills or down them. It is the most unsuitable car for probably any journey,” Jenks said in an unkind assessment of Sheila’s abilities. “We made friends with the designer of this car, and he’s scared to take it any more than 20 miles.”

Jenks and Scott ignored all the advice and took Sheila on the epic journey over four-and-a-half months that cost in the region of $40,000 to $50,000, Jenks said. They had help from sponsors and crowd funding, and documented the journey on an Instagram page that pulled in nearly 100,000 followers under the title: “14,000 miles, 3 wheels, 0 common sense.”

Attempted coups and airstrikes

They arrived in Benin during an attempted coup. They skirted through northern Nigeria as the U.S. launched airstrikes on Islamic State targets. They were given a military escort for about 300 miles (480 kilometers) through a region of separatist violence in Cameroon.

“Imagine this car in a military convoy,” Jenks said.

Advertisement

And there were many brushes with traffic-related danger, including when an overtaking bus almost flattened Sheila against a cliff face in Congo.

True to form that Reliants are sometimes not so reliable, there were also countless breakdowns on the punishing roads.

Sheila needed her wheel springs replaced in the first two weeks. The gearbox broke in Ghana, leaving them with only fourth gear. In Cameroon, there were clutch and distributor problems and then the big one: the engine blew up.

Through all the technical problems, the kindness of strangers and the intrepidness of Jenks and Scott kept them going. One man got a new gearbox shipped to Ghana. Reliant enthusiasts in the U.K. helped find a new engine to send to Cameroon.

After one breakdown, people helped load Sheila onto a cattle truck so she could be taken to a garage. Mechanics across the continent screwed, hammered and welded Sheila to keep her together, sometimes shaking their heads at the madness of it all.

Advertisement

Where no Reliant Robin has gone before

But there were also majestic moments, the kind that Jenks and Scott had envisioned to make it all worth it.

Sheila cruised through stunning mountain ranges and vast deserts — where surely no Reliant Robin has gone before. She went on safari, driving alongside galloping giraffes, spotting endangered rhinos, and posing for a picture next to a giant elephant.

More than 120 days after setting off, she rattled into Cape Town last month on an engine that began badly overheating in the Namibian desert and had been touch and go for about 1,000 miles (1,600 kilometers).

“This is a great underdog story,” said Graeme Hurst, a South African car lover who followed them on Instagram and came to see Sheila. “I see the farcical kind of comical nature of it … but also the sheer admiration. I mean, they have utter tenacity.”

In South Africa, Sheila was put on temporary display in a showroom for high-end cars and was the center of attention ahead of the glittering Porsches and Mercedes, showing off her broken side window, her petrol-stained windshield, her bent tire rims, and her countless dents and scratches.

Advertisement

She will rest now and be given the thorough service she deserves, Jenks said. Eventually, she’ll be driven to Kenya, put on a ship to Turkey, then make one last trip back to the U.K. to find a home at the London Transport Museum.

Jenks said he felt triumphant after reaching Cape Town, but relieved to have survived and finally be out of the tiny two-seater.

“It was like driving a motorized coffin,” he said.

___

AP Africa news: https://apnews.com/hub/africa

Advertisement

Continue Reading

World

Pope Leo urges Africans to stay and ‘serve your country’ instead of migrating as displacement climbs

Published

on

Pope Leo urges Africans to stay and ‘serve your country’ instead of migrating as displacement climbs

NEWYou can now listen to Fox News articles!

Pope Leo XIV last Friday urged African youth to work toward improving their own countries rather than migrating elsewhere in search of better opportunities.

The leader of the Roman Catholic Church directed his remarks to university students at the Catholic University of Central Africa in Yaoundé, the capital of Cameroon, during an 11-day apostolic journey in Africa. 

“In the face of the understandable tendency to migrate — which may lead one to believe that elsewhere a better future may be more easily found — I invite you, first and foremost, to respond with an ardent desire to serve your country and to apply the knowledge you are acquiring here to the benefit of your fellow citizens,” Leo said. 

While displacement in Africa has steadily increased in recent years amid economic and political challenges, Leo said each country’s rising generations should be “committed to society,” reflect their nations’ needs and confront systemic issues at home.

Advertisement

BISHOP ROBERT BARRON: WHAT LEO’S CHOICE OF NAME TELLS US ABOUT THE NEW POPE

Pope Leo XIV speaks as he meets with the community of Bamenda at Saint Joseph’s Cathedral in Bamenda on the fourth day of an 11-day apostolic journey to Africa April 16, 2026. (Alberto Pizzoli/AFP via Getty Images)

“Africa, indeed, must be freed from the scourge of corruption. For young people, this awareness must take root from their years of formation,” he said.

“These are the witnesses of wisdom and justice, of which the African continent needs.”

He added that through education and spiritual formation, “you learn to become builders of the future of your respective countries and of a world that is more just and humane.”

Advertisement

POPE LEO SAYS HE’S UNAFRAID OF THE TRUMP ADMIN AFTER PRESIDENT CALLS HIM ‘TERRIBLE’ ON FOREIGN POLICY

Pope Leo XIV delivers a speech during his visit to Central African Catholic University as part of his Africa tour April 17, 2026, in Yaoundé, Cameroon. (Ahmet Emin Donmez/Anadolu)

According to the World Migration Report, most of Africa’s displacement occurs internally within the continent, with 21 million Africans recorded as living in another African country in 2020.

Overseas African migration has also steadily increased, with figures more than doubling between 1990 and 2020.

In 2020, roughly 11 million Africans reportedly migrated to Europe, 5 million to Asia and 3 million to Northern America.

Advertisement

MORNING GLORY: LEO’S LAUNCH

Pope Leo XIV visits Central African Catholic University as part of his Africa tour April 17, 2026, in Yaoundé, Cameroon. (Ahmet Emin Donmez/Anadolu)

The causes of displacement are largely attributed to political conflict, corruption, violence and economic hardship, including widespread poverty. 

These factors are particularly pronounced in countries such as Somalia, one of Africa’s largest sources of refugees; Nigeria, which is riddled with natural disasters and economic pressures; and Sudan’s surrounding areas, where civil war, political instability and food insecurity have driven large-scale displacement.

The Pope’s remarks come just days after President Donald Trump criticized Leo on Truth Social, calling him “weak on crime, and terrible for foreign policy.” 

Advertisement

The backlash followed the pontiff’s criticism of the U.S.-Israeli war in Iran and his appeal for a return to peace.

CLICK HERE TO DOWNLOAD THE FOX NEWS APP

Tensions between the two boiled over several days before the Pope said last Saturday that it was “not in my interest at all” to debate the president.

Leo has insisted that his position is focused on bridging divides among nations and promoting peace and reconciliation.

Advertisement
Continue Reading

World

Tehran vows to ‘resist bullying’ as Trump extends Iran truce, blocks ports

Published

on

Tehran vows to ‘resist bullying’ as Trump extends Iran truce, blocks ports
Advertisement
Continue Reading
Advertisement

Trending