Lifestyle
She Was a Candidate to Lead Levi’s. Then She Started Tweeting.
Earlier than 2020, Jennifer Sey, a high govt at Levi Strauss & Firm and a number one candidate to be the corporate’s subsequent chief, barely used social media. Two years later, Ms. Sey was out of a job, partly, in her telling, due to her exercise on Twitter.
Ms. Sey’s uncommon exit final month from Levi’s after greater than 20 years generated a flurry of headlines, together with her claiming in a broadly circulated essay that her advocacy for varsity reopenings through the pandemic made her a pariah at work and finally led to her ouster.
However the highway to her departure was difficult. It touched on points like whether or not firms can management the private speech of their staff, notably in a interval of isolation, and the politics tied to talking on sure platforms, like Fox Information opinion reveals.
The overwhelming majority of Ms. Sey’s tweets had been about faculties, however a few of them criticized guidance from the Facilities for Illness Management and Prevention and Dr. Anthony S. Fauci, whom she accused of fear mongering. (“So when is Fauci going to cease doing the morning reveals on Sunday, terrorizing the already fearful?” she tweeted in April 2021.)
She additionally expressed skepticism concerning the effectiveness of masking, largely for younger youngsters. (“At the moment there may be not sufficient proof for or in opposition to the usage of masks (medical or different) for wholesome people within the wider neighborhood,” she posted in Might 2020.)
Ms. Sey’s outspokenness drew criticism each inside and outdoors the corporate, together with threats of boycotts. The tweets got here when Levi’s was utilizing public well being steering to handle protocols throughout a whole lot of shops and in distribution facilities. However Ms. Sey stated she was talking as a involved mom, not a company govt. She additionally famous that Levi’s — which has been vocal about hot-button points like gun management — had not beforehand complained when she posted on social media in assist of Democratic politicians like Senator Elizabeth Warren or extra liberal causes.
Levi’s disputes Ms. Sey’s account of occasions, together with her claims that she was punished as a result of her views veered from “left-leaning orthodoxy” and that she walked away from a $1 million severance package deal with a purpose to have the opportunity converse freely concerning the firm. Levi’s stated Ms. Sey had stop fairly than negotiate an exit package deal, which might have contained a nondisclosure settlement. It “wouldn’t include a prohibition on the manager talking out about issues of public curiosity akin to faculty closures or on participating in any legally protected speech,” Kelly McGinnis, the senior vice chairman of company affairs at Levi’s, stated in a press release.
Ms. McGinnis stated that Levi’s supported Ms. Sey’s advocacy on faculties, however that she “went far past calling for faculties to reopen, and steadily used her platform to criticize public well being pointers and denounce elected officers and authorities scientists.”
She added that Ms. Sey “did this at a time in 2020 and 2021 when hospitalizations and deaths from Covid had been spiking, when the corporate had its personal staff hospitalized, and in some instances dying, and firms like Levi’s had been utilizing steering from public well being officers to implement insurance policies to maintain our staff and shoppers secure.”
The corporate’s social media coverage says that staff are free to debate their views however that it expects staff to guard the corporate’s “status and picture.”
Ms. Sey stated she didn’t assume that corporations like Levi’s wanted to endorse particular viewpoints from staff, however they need to “arise for an worker’s proper to speech on what they care about.”
Sarah Sobieraj, a professor of sociology at Tufts College, stated Ms. Sey’s scenario, together with her frustration with how colleagues interpreted her private views, was an instance of an more and more frequent phenomenon within the digital age generally known as “context collapse.”
“You used to have the ability to section who you might be — you may go to church and behave such as you did in church and go to work and behave such as you did at work, then out with associates and behave that manner,” she stated. Now, “no matter it’s we’re saying or posting, we’re posting in entrance of all of the folks in our lives.”
“That blurring is a part of the discomfort for Levi’s, and it’s a part of the difficulty that Jen Sey has confronted,” she added.
Ms. Sey, a former nationwide champion gymnast, was the chief advertising officer at Levi’s earlier than being promoted to model president in October 2020. She was often supplied as much as journalists for interviews, together with Chip Bergh, the corporate’s chief govt. A mom of 4 — two of her youngsters are faculty age whereas the opposite two are 5 and seven — Ms. Sey was effectively favored internally and was an govt sponsor of the corporate’s useful resource group for Black staff.
When the pandemic began, Ms. Sey was residing in San Francisco, the place Levi’s has its headquarters. She grew nervous about how younger youngsters like hers is likely to be harmed by public faculty closures. That was when she turned to Twitter, the place in a time of isolation she discovered different like-minded mother and father.
“I used to be used to being within the workplace and seeing a whole lot of individuals, and whereas it was work-focused, we’d chitchat within the hallways, ask about folks’s children and what’s happening of their lives,” Ms. Sey, 53, stated. “So this reference to different mother and father was significant for me. It might really feel in San Francisco that no person shared this view.”
She often posted about faculty closures, an particularly contentious situation within the metropolis, and was concerned with rallies about reopening them. She stated she had taken care to symbolize herself as a mom and a non-public citizen, leaving Levi’s, which is publicly traded, out of her public profiles.
“I do know it was straightforward to seek out,” she stated of her position with Levi’s, “however I used to be in truth talking for myself.”
Ms. Sey, whose commentary got here earlier than vaccines had been launched and when lecturers’ unions opposed returns, stated that she had been “inspired to tone it down” by a board member and different leaders on the firm, however that she had by no means been informed to cease posting or supplied any company social media pointers.
Final spring, Ms. Sey was requested to seem on Laura Ingraham’s present on Fox Information to speak about her choice to maneuver to Denver in order that her youngsters might expertise in-person education. Whereas she was not recognized as a Levi’s govt, the looks prompted an outcry on the firm. Round that point, Ms. Sey additionally did a YouTube interview with Naomi Wolf, who has been barred from Twitter for spreading vaccine misinformation.
Levi’s, like many corporations on the peak of the pandemic, held employees conferences each few weeks the place staff might ask questions anonymously. At a March 31 assembly, there have been questions on Ms. Sey’s look on Ms. Ingraham’s present.
In a message shared by Levi’s with The New York Occasions, one worker wrote: “I’d not have had an issue together with her showing on Fox Information however that isn’t what Ingraham Angle is. It’s Fox opinion and he or she is an particularly divisive and bigoted character who often assaults the very causes that Chip and the corporate champion.”
Ms. Sey stated she had been hesitant about happening the present, however having did not get the eye of retailers like CNN, she appeared as a result of she “felt assured that I might get my message throughout and never be backed into something I didn’t need to say or agreeing with something that was maybe Covid denialism.”
“Simply because I don’t agree with all the things she says doesn’t imply I can’t have a dialog together with her,” Ms. Sey added, pointing to the present’s excessive viewership.
Whereas Ms. Sey caught to her message and he or she stated Mr. Bergh had internally defended her proper to talk on the subject as a mom, the corporate requested Ms. Sey to carry a separate assembly with staff.
“If you give an interview to somebody who’s forged doubt on vaccines, you actually do lend some type of legitimacy to that individual and people views,” stated Kara S. Alaimo, a professor of public relations at Hofstra College, referring to Ms. Ingraham. “I can perceive why folks would have been upset about it, and if I used to be advising her, I don’t assume these platforms had been the suitable ones for sharing her views.”
Ms. Sey stated she had deleted some posts after receiving pushback on matters that may have an effect on Levi’s enterprise, together with one which was considered internally as shaming plus-size prospects for poor Covid well being outcomes. She was additionally requested by Levi’s to chorus from tweeting about matters like pharmaceutical corporations and the California governor recall.
Ms. Sey stated she unfairly confronted criticism for tweets from her husband, who was outspoken on social media about his opposition to vaccines and masks, posting comments like: “Covid masks are obedience coaching and Covid vaccines are loyalty oaths.”
“Present me a married couple that agrees on all the things and I’ll present you a unicorn,” stated Ms. Sey, who did reply to a few of her husband’s posts at instances. “Can we need to reside in a world the place the opinions of relations decide your employment choices?”
Ms. Sey stated her views on faculties made her a goal. “The concept of pushing for varsity openings bought conflated with being anti-science and a Covid denier, and I’d say neither of these issues are true,” she stated. “I take situation with this concept that you just can not criticize public well being pointers, as a result of so a lot of them have confirmed to be deeply flawed.”
Final October, Ms. Sey met with Mr. Bergh. She stated he had requested for approval to conduct a background verify on her, a routine step for these being vetted as potential C.E.O.s. She was informed that her social media conduct was the one factor holding her candidacy again and that Levi’s needed to overview it.
In January, Mr. Bergh stated her Twitter presence was “too problematic so that you can maintain this position of C.E.O., and there’s not a viable path ahead for you on the firm,” Ms. Sey stated. Whereas Levi’s requested her to remain till it discovered her alternative, she stated, she was not and stop.
Ms. Sey has argued that she was topic to “viewpoint discrimination” by Levi’s. She stated she had beforehand posted on social media in assist of Senator Warren within the Democratic presidential primaries and about her unhappiness over the murders of Ahmaud Arbery and George Floyd in 2020. The corporate had “not been against political speech or criticism of presidency insurance policies and even weighing in on candidates” in these cases, she stated.
Certainly, that has difficult the circumstances of Ms. Sey’s departure, in line with public relations consultants. Whereas corporations and company leaders have lengthy tried to keep away from wading into political debates, the heightened divides of this period have prompted Levi’s and another manufacturers to be extra outspoken on public points, together with L.G.B.T.Q. rights and immigration.
“A non-public employer can impose restrictions on staff’ speech or conduct,” Ms. Sobieraj stated. “The important thing situation right here is the place that boundary lies and what about if you’re not working.”
Each Ms. Alaimo and Ms. Sobieraj famous that at the least a few of the criticism that Ms. Sey confronted, together with from former gymnasts who nonetheless comply with Ms. Sey’s profession, might have appeared outsized to Levi’s as a result of ladies are inclined to face extra vitriol and harassment on-line.
Ms. Alaimo stated that “corporations must be extra clear about what their insurance policies are.” She added: “Since 2016, we’ve seen corporations begin to take much more stances on political and social points, and we’ve seen loads of staff converse out once they disagree with them.”
As for Ms. Sey, she is completed with working within the retail business and company America, she stated. She felt vindicated final month when three members of San Francisco’s Board of Training had been voted out. She stays energetic on Twitter and is engaged on a memoir “that’s centered on utilizing your voice and talking up with integrity and doing it as a girl in company America.”
Lifestyle
Defining Depersonalization Derealization Disorder
Barrie Miskin was newly pregnant when she noticed her appearance was changing. Dark patches bloomed on her skin like watercolor ink. A “thicket” of hairs sprouted on her upper lip and chin.
The outside world was changing, too: In her neighborhood of Astoria, Queens, bright lights enveloped objects in a halo, blurring her vision. Co-workers and even her doctors started to seem like “alien proxies” of themselves, Ms. Miskin, 46, said.
“I felt like I was viewing the world through a pane of dirty glass,” she added. Yet Ms. Miskin knew it was all an illusion, so she sought help.
It took more than a year of consulting with mental health specialists before Ms. Miskin finally found an explanation for her symptoms: She was diagnosed with a dissociative condition called depersonalization/derealization disorder, or D.D.D. Before her pregnancy, Ms. Miskin had stopped taking antidepressants. Her new psychiatrist said the symptoms could have been triggered by months of untreated depression that followed.
While Ms. Miskin felt alone in her mystery illness, she wasn’t. Tens of thousands of posts on social media reference depersonalization or derealization, with some likening the condition to “living in a movie or a dream” or “observing the world through a fog.”
People who experience depersonalization can feel as though they are detached from their mind or body. Derealization, on the other hand, refers to feeling detached from the environment, as though the people and things in the world are unreal.
Those who are living with D.D.D. are “painfully aware” that something is amiss, said Elena Bezzubova, a psychoanalyst who specializes in treating the condition. It’s akin to seeing an apple and feeling that it is so strange it doesn’t seem real, even though you know that it is, she added.
The disorder is thought to occur in about 1 to 2 percent of the population, but it’s possible for anyone to experience fleeting symptoms.
Mental health providers have sometimes dismissed D.D.D. as its own diagnosis not only because of a lack of familiarity with the disorder, but also because its symptoms overlap with conditions like depression, anxiety or panic disorder.
As new research has emerged, it has become more widely acknowledged and discussed. The second edition of “Feeling Unreal,” a primer on D.D.D. originally published in 2006, was released in 2023. And Ms. Miskin published a memoir on the subject titled “Hell Gate Bridge” last June. The same month, the novel “Please Stop Trying to Leave Me” came out, featuring a protagonist with D.D.D. The author, Alana Saab, knows the disorder well: She was diagnosed several years ago.
“It’s kind of what I would imagine a drug trip would be,” she said of her experience with the disorder. “But it’s 2 in the afternoon and I’m completely sober.”
The Cambridge Depersonalization Scale is widely considered the most reliable measure of the disorder. Patients are asked to rate how often and how long 29 different experiences occur. Examples include feeling like “a robot,” losing bodily sensations like hunger or thirst and seeing a world that now looks “flat” or “lifeless,” like a picture.
People with D.D.D. may feel disconnected from themselves and their surroundings for months or even years at a time. Less commonly, they may also experience auditory distortions — like muffled or louder sounds.
D.D.D. is often associated with a history of emotional abuse or neglect. The symptoms can be brought on by anxiety, depression, the resurfacing of early trauma, major life stressors, cannabis and hallucinogens like LSD, said Dr. Daphne Simeon, an expert on the disorder and the co-author of “Feeling Unreal.”
In some people, there can be multiple triggers, particularly if there is an underlying propensity to dissociate.
“You can meet a person whose first episode was triggered by panic and then it happened again when they got depressed and then it happened a third time when they had a terrible divorce,” Dr. Simeon said.
Researchers have hypothesized that depersonalization/derealization might be part of the mind’s defense system.
“Your body and your mind are telling you something,” Dr. Simeon added. “You’re having an intolerable experience, essentially, from which you then have to detach.”
Jeffrey Abugel, Dr. Simeon’s co-author on “Feeling Unreal,” dealt with D.D.D. for more than a decade before finally getting a diagnosis. He knows exactly where it stemmed from: “Pot, plain and simple,” he said. The drug pushed him “over the edge,” he added, creating a “massive panic attack.”
Mr. Abugel, who is a health and wellness coach, eventually found help. He now offers private consultations and virtual support groups for people with the disorder.
Ms. Miskin’s symptoms improved with a combination of psychotherapy and medication. She restarted her antidepressant and also began taking lamotrigine, or Lamictal, a medicine best known for treating seizures and bipolar disorder.
Recovery was a painful process.
“You have to relearn how to be in the world,” she said, even though “you just want to lay in bed and pull the covers over your head and never come out.”
Lifestyle
This country karaoke night in L.A. is a rootin', tootin' hootenanny with a queer twist
“I’m gay so I can’t do the guitar solo,” quips Sam Buck.
A grin plays across his face as the unmistakable jangle of Tim McGraw’s “I Like It, I Love It” wafts through the room. Members of the audience chuckle knowingly — the tall, bearded musician could absolutely shred it if he wanted to, but on this night, fun trumps virtuosity.
Buck stands under the soft glow of Tiffany-style fixtures, his guitar slung casually over his shoulders and his brown cowboy hat casting a shadow over his black denim jacket. Behind him, silver tinsel sparkles, a Nashville-glam backdrop to the intimate stage at Permanent Records Roadhouse, a cozy bar-cum-record store in Glassell Park. He’s kicking off the KFM Karaoke Country Revue, a monthly celebration where honky-tonk culture meets the queer community to toast, twang and tumble through songs like old friends in a Garth Brooks ballad.
“What I love about this show is that it’s like Goldilocks — it’s never just right,” Buck says before announcing the night’s singers.
This isn’t just a showcase; it’s a haven. A place where country music, with all its contradictions and complexities, embraces its messiest, queerest, most joyful self. Trans, nonbinary, queer, gay, cis and straight performers all take the stage with the same goal: to make space to celebrate country music for those who aren’t usually embraced by its stubbornly conservative circles.
Over its two-year run, KFM, named after Buck’s podcast KFM Country Radio, has drawn talent like Julianna Barwick, Dougie Poole and Jae Matthews of electronic duo Boy Harsher. One of the night’s guests, Amber Coffman, the former co-frontperson of the Brooklyn-based indie band Dirty Projectors, stirs the crowd with her rendition of “Hard Candy Christmas,” a Dolly Parton classic from 1978, which she officially covered in 2020.
L.A.-based singer Sedona, wearing a vintage T-shirt that says “Rodeo Girls,” performs a rocking version of Bonnie Raitt’s “Angel From Montgomery.” And Loren Kramar, an up-and-coming orchestral singer-songwriter, smolders through Little Big Town’s “Girl Crush.”
The microphone isn’t only for seasoned performers; however, Buck ensures that the show runs smoothly by curating the lineup and requiring everyone to rehearse beforehand. The setup feels like karaoke, with Buck cueing backing tracks, but there is no lyrics screen to lean on. “Bad karaoke can be so rough if someone’s wasted or they don’t know the song,” Buck says. “[KFM performers] have to learn the song, and there is some care that needs to go into it.”
For example, comedian John Early belts out the Chicks’ “Wide Open Spaces,” prancing about dramatically to choreographed moves, while Nicholas Braun from HBO’s “Succession” watches from the audience.
Other shows have featured comedians like Kate Berlant and Casey Jane Ellison. Longtime KFM regulars like Chloe Coover and Maddie Phinney, hosts of the popular perfume podcast “Nose Candy,” bring their own fabulous flair — Phinney leaves a trail of Céline’s sophisticated Black Tie perfume, and Coover is dressed in a full-length ball gown while she sings NewSong’s fascinatingly sentimental Christian country ballad “The Christmas Shoes.” Artist Erin Bagley takes on Fleetwood Mac’s 1977 country-rock “Silver Springs.” And Buck’s partner, JT Friedman, leads a raucous rendition of Alan Jackson’s “Honky Tonk Christmas” while passing out candy canes from a stocking.
Rosie Ruel, a hopeful pop star who sunlights as an energy worker and a real estate agent, belts out the bombastic bullfighting song “El Toro Relajo” (The Toublesome Bull), that both floors the audience and underscores a tenet of KFM: that the genre’s lines are meant to be toed. Mariachi is really just Mexican country music, Ruel later tells me.
Mary Rachel Kostrova, owner of the vintage eye-wear boutique Eyefi, delivers a sultry performance of Melissa Etheridge’s “I’m the Only One,” her voice dripping with raw emotion. Growing up in Georgia, Kostrova witnessed country music’s polarizing presence — ubiquitous, yet embraced only by those unafraid to claim it openly. Among her peers, she recalls the familiar chestnut about listening to all genres but rap and country. A wry smile forms on her face. “And now a lot of people are like, ‘I only listen to rap and country,’” she says.
“Country is in such an interesting place,” muses Buck, who is playing a show with Mercedes Kilmer (the singer-songwriter daughter of Val) at Zebulon on Feb. 9. Pop stars like Beyoncé and Post Malone are experimenting with the genre, while country’s own Kacey Musgraves and Taylor Swift drift closer to pop. Meanwhile, the industry is cautiously diversifying, but the support is uneven. “There’s not any mainstream gay musician,” says Buck. “I am not sure there ever will be.”
Buck’s journey into the genre is its own kind of outlaw story. Born and raised in coastal Massachusetts — a place far removed from the South’s storied hollers — he grew up feeling like an outsider for being a Miranda Lambert fan. “I’m a Yankee through and through,” he says. “But anyone from a rural place knows that country doesn’t have to come from the Deep South. In terms of stolen country valor, I’ve probably stolen more than most.”
KFM began as a pandemic-era podcast. Buck spins country records, tells meandering stories and indulges in sharp gossip about county elite. “I have to be careful,” he jokes. “If I talk about [so-and-so’s] ex-cop husband and his disgusting bow-tie pasta, I don’t want that getting back to her, just in case I end up playing a show with her.” He doesn’t shy away from skewering controversial figures like right-wing influencer Brittany Aldean (“She only believes in evil things,” he says), but the podcast’s charm lies in its mix of irreverence and authentic reverence for country music.
For Buck, who also works as an artist (and recently showcased paintings of architecturally significant L.A. homes at the historic Echo Park restaurant Taix), the appeal of the KFM Karaoke Country Revue — the next one takes place Jan. 23 — lies in its intimacy and chaos. “It’s messy, it’s beautiful, it’s small,” he says. “People feel like they connect with each other here. And in a time when everything’s about getting bigger and louder, I think small things are good.”
And as the night rolls on — voices rising, drinks flowing and silver tinsel shimmering under the lights — Buck reflects on the strange universality of country music. “The more time goes on, the more I realize that everywhere is country. Especially Los Angeles.”
Lifestyle
A Fashion Reporter Considers the Ways Trends Trickle Down
Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.
On a chilly day in December, Jacob Gallagher, a men’s fashion reporter for the Styles desk of The New York Times, is wearing a button-up shirt and black slacks, one of about a dozen pairs he owns. The look is put together, but casual.
His love for style, Mr. Gallagher said in an interview that day, began with tailored suits and Italian shoes. His father, a museum exhibition designer, has worn such a uniform “every day to work for decades,” Mr. Gallagher said.
It was that influence, and Mr. Gallagher’s immersion in skateboarding culture and the hardcore punk scene growing up in Maryland — subcultures in which, he said, image and how you carry yourself is very important — that led him to his beat: analyzing fashion as an expression of political, social and cultural identity.
Mr. Gallagher, 33, joined The Times in October, after nearly a decade covering men’s fashion for The Wall Street Journal. In recent months, he has written about the rise of the sinewy male stars that he calls noodle boys, the symbolism of the black sweatshirts and puffer jackets worn by rebels in Syria, and the cloaks on display in the papal drama “Conclave.”
In an interview, he reflected on how men’s wear has evolved, why he believes scrutinizing style matters, and the fashion advice he would give now to his 20-year-old self. These are edited excerpts from the conversation.
Where do you find your story ideas?
We’ll often look at the news of the day, or what’s occurring in pop culture, and think, “What’s the story off it that we can do that’s style-focused?” I also spend a lot of time talking to retailers, and going to stores to try to figure out what’s selling and what’s not selling.
Had you worked in the fashion industry before you became a journalist?
When I was in college at The New School, I worked at a few mass retailers, and a men’s wear boutique, in New York City. That was a pivotal moment in my life because it instilled in me the importance of understanding how people really shop, the way trends trickle down. I still think about those truisms a lot: If men find the right pair of pants, they will always buy that pair of pants.
Some people think of fashion as fluffy. Why does fashion coverage matter?
Fashion is one of the biggest industries in the world — one of the richest men on earth, Bernard Arnault, runs a luxury conglomerate. After language and beyond how we carry ourselves, what they wear is the first thing people interpret about each other when they interact. There’s so much messaging and self-identity that’s reflected through clothing.
Your beat spans many cultural spheres, including politics, sports and film. Is there one you’re particularly fascinated by?
I love looking at politics, because there’s such a narrow box of what politicians can quote-unquote wear. So any minor change, a different way of appearing, or a different way of dressing, is always going to reverberate and be super interesting to write about.
And I think athletes are the most important people in men’s wear right now. They’re having the most fun, universally, and being the most experimental. You can find every microtrend in existence in tunnel-walk outfits.
They’re definitely taking more risks than I would say most, but certainly not all, actors do. They’re often doing the shopping for themselves, and that is always ripe for coverage. I might be sitting at a show in Paris and thinking, “Oh, that’s wild. Who would ever wear that?” Six months later, it’s on a football or basketball player.
It seems like we’re in something of a golden age for male athlete fashion.
There was a time when people had a very narrow view of what kind of man was into clothes. That, in my experience, has withered.
A lot of people in the fashion industry keep it simple style-wise, like wearing all black. How do you think about dressing?
Certainly I would not wear everything that I cover, nor do I cover everything that I wear. I’m extremely particular about the brands I wear. That’s a form of expression for me. I understand why other fashion reporters sometimes stick to a uniform, but I get a kick out of it.
What fashion advice would you give your 20-year-old self?
Fewer zany pants. I wore patterned pants for too long.
Is there something you wish you would have taken a class on in college?
The ability to comb through documents and legal cases is such an impressive skill. It’s something that I’m still learning. It took me some time to learn how to read an earnings report for a company. That level of investigative work is something I think every reporter is going to have to be skillful at, because our nation is so litigious, and there are fascinating legal wrinkles to almost every story. I definitely speak with more lawyers for reporting purposes than I had ever thought I would.
-
Business1 week ago
These are the top 7 issues facing the struggling restaurant industry in 2025
-
Culture1 week ago
The 25 worst losses in college football history, including Baylor’s 2024 entry at Colorado
-
Sports1 week ago
The top out-of-contract players available as free transfers: Kimmich, De Bruyne, Van Dijk…
-
Politics7 days ago
New Orleans attacker had 'remote detonator' for explosives in French Quarter, Biden says
-
Politics6 days ago
Carter's judicial picks reshaped the federal bench across the country
-
Politics5 days ago
Who Are the Recipients of the Presidential Medal of Freedom?
-
Health4 days ago
Ozempic ‘microdosing’ is the new weight-loss trend: Should you try it?
-
World1 week ago
Ivory Coast says French troops to leave country after decades