Culture
Pulitzer Prizes 2025: A Guide to the Winning Books and Finalists
Nineteen books were recognized as winners or finalists for the Pulitzer Prize on Monday, in the categories of memoir, poetry, general nonfiction, fiction, biography and history, which had two winners.
Fiction
Winner
James, by Percival Everett
Everett’s reimagining of “Huckleberry Finn” is a subversive homage to Mark Twain’s classic novel, as narrated by the enslaved man who accompanies Huck down the Mississippi. In “James,” Everett endows his title character (known as Jim in Twain’s book) with a rich intellectual life, deep curiosity and world-weariness that comes from trying to stay alive in the South. There are episodes of soul-deadening brutality, absurd satire and even philosophical treatises, but “James” reads with the fleetness of an adventure story. One of the most decorated releases of 2024, it also won the National Book Award for fiction and earned a place on the Book Review’s 10 Best Books of the year list.
Doubleday
Finalist: Headshot, by Rita Bullwinkel
This debut novel zeros in on eight female boxing contestants who converge in Reno, Nev., for a teenage national championship. Bullwinkel follows them well after the events of the tournament, tracing the eventual course of their lives. Our critic Dwight Garner made clear his admiration for the author, writing in his review: “Make room, American fiction, for a meaningful new voice.”
Viking
Finalist: Mice, 1961, by Stacey Levine
The story of two orphaned sisters in Cold-War-era America, Jody and Mice (nicknamed so for her unusual appearance and mannerisms), is told by their housekeeper, as their neighborhood prepares for an all-out bash.
Verse Chorus Press
Finalist: The Unicorn Woman, by Gayl Jones
A World War II veteran falls helplessly in love with a Black woman he spies at a carnival, where she is among the sideshow attractions owing to the regal, spiraled horn sprouting from her forehead. Jones is among the most influential Black authors writing today, whose work helps reframe questions of identity, race and sexuality. Her 2021 novel “Palmares” — her first in 22 years — was also a finalist for the Pulitzer.
Beacon Press
History
Winner
Native Nations: A Millennium in North America, by Kathleen DuVal
The author, a professor at the University of North Carolina at Chapel Hill, draws on oral and written records to tell the stories of hundreds of Indigenous nations that live in what is now the United States. “Native Nations” also received the Bancroft Prize, among the most distinguished awards for works examining American history.
Random House
Winner
Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War, by Edda L. Fields-Black
In her account of the Combahee River Raid, Fields-Black examines a lesser-known chapter of Harriet Tubman’s life, as a leader in a military operation that liberated some 730 enslaved people from plantations in 1863. Fields-Black — a descendant of a formerly enslaved man who fought in the raid — draws on extensive documents, among them Tubman’s U.S. Civil War pension file, to reveal how Tubman commanded a group of scouts and spies to lead military expeditions during the war.
Oxford University Press
Finalist: Plantation Goods: A Material History of American Slavery, by Seth Rockman
The concept of the agrarian South and industrialist North is an oversimplification, argues Rockman, a historian at Brown University. Looking at the objects integral to the practice of slavery — whips, shoes, shovels, hats — that were manufactured in the North before making their way to the South, he examines how the American economy was organized around enslavement.
University of Chicago Press
In his sweeping narrative of intellectual and scientific rivalry, Roberts explores the intertwined legacies of Carl Linnaeus, the Swedish biologist and physician who is known as the founding father of taxonomy, and Georges-Louis Leclerc, Comte de Buffon, an aristocratic French naturalist, mathematician, and cosmologist. Both men set out to catalog and define life on earth, but had wildly different approaches and philosophies. Roberts makes the case that Buffon, while less well-known than Linnaeus, had greater and more lasting insights, among them his beliefs that racial differences are superficial and that living creatures are shaped by their environments.
Random House
Finalist: John Lewis: A Life, by David Greenberg
Greenberg, a professor of history at Rutgers University, traces the life of the Civil Rights icon John Lewis from his childhood in rural Alabama to his ascent to the halls of Congress, where he became a powerful advocate for racial and economic equality. Greenberg draws on extensive interviews with 275 people who knew Lewis, as well as previously unseen documents, including F.B.I. files, to create what a New York Times review called a “panoramic and richly insightful biography.”
Simon & Schuster
Finalist: The World She Edited: Katharine S. White at The New Yorker, by Amy Reading
In her meticulously researched biography, Reading paints a portrait of the influential and trailblazing New Yorker editor Katharine White. She joined the magazine in 1925 and helped transform it during her 36 years at the publication, cultivating the careers of women writers like Mary McCarthy, Elizabeth Bishop, Jean Stafford and Nadine Gordimer.
Mariner Books
Winner
Feeding Ghosts: A Graphic Memoir, by Tessa Hulls
To better understand three generations of women in her Chinese American family, the author embarked on a book project despite never having drawn comics and not speaking Chinese. As Hulls dove into the lives of her grandmother — a journalist who fled Shanghai for Hong Kong and wrote a best-selling memoir Hulls couldn’t read — and her mother, who attended boarding school in Hong Kong before coming to the United States in 1970, she could appreciate both her immense curiosity and feelings of alienation.
MCD Books
Finalist: Fi: A Memoir of My Son, by Alexandra Fuller
This devastating account details the death of Fuller’s 21-year-old son, named Fi, and the grief that sent her into a tailspin. Despite its frankness about the heartbreak of mourning an adult child, a vivid picture of a “smart, hilarious, earnest, self-aware” young man emerges.
Grove Press
Finalist: I Heard Her Call My Name: A Memoir of Transition, by Lucy Sante
In her 60s, the author, a longtime cultural critic and writer, decided to transition genders: an attempt to seize the “parallel life” she feared was passing her by. As she recounts her story, the book doubles as a study of a bygone 1970s New York. The Book Review named this memoir one of the 10 Best Books of 2024.
Penguin Press
General Nonfiction
To write this exhaustive account based on two decades of research, Nathans, a historian at the University of Pennsylvania, combed through K.G.B. case files, unpublished diaries and private correspondence. While many have dated the dissolution of Soviet totalitarianism to the 1980s, he makes the case that opposition to Soviet oppression began decades earlier.
Princeton University Press
Finalist: Until I Find You: Disappeared Children and Coercive Adoptions in Guatemala, by Rachel Nolan
Over several decades, tens of thousands of Guatemalan children were forcefully and illegally taken from their families and put up for adoption. Many of those children were from Indigenous families and many of them ended up in the United States. Nolan, a professor at Boston University, digs deep into a tragic outgrowth of the almost 40-year Guatemalan civil war.
Harvard University Press
Finalist: I Am on the Hit List: A Journalist’s Murder and the Rise of Autocracy in India, by Rollo Romig
In 2017, Gauri Lankesh, a journalist and outspoken critic of India’s Hindu nationalist ruling party, was assassinated outside her home in Bangalore. Romig, who wrote about the crime for The New York Times Magazine in 2019, has expanded the story into a book that, among other things, “paints a full picture of the social and professional world that convulsed in the wake of Gauri’s death,” according to our reviewer.
Penguin Books
Poetry
Winner
New and Selected Poems, by Marie Howe
Culling work from Howe’s four earlier books into a generous selection of 111 poems, this career retrospective highlights her gift, from her 1987 debut all the way through to the new material here, for mixing the mundane and the transcendent. In “What the Living Do,” addressed to a dead brother, the speaker recites a litany of everyday hassles — a clogged sink, a dropped bag of groceries — and connects it to “What you called that yearning./What you finally gave up.” Even the numerous biblically themed poems are grounded in concrete detail: “Magdalene — The Seen Devils,” for instance, combines a checklist of common gripes (“The laundry was never finally done”) with the devastating losses we daily bear: “the way my mother looked when she was dying/the sound she made.” This overview seems sure to seal Howe’s reputation as one of the major poets of her generation.
Norton
Finalist: Bluff, by Danez Smith
Smith’s poetry balances a delight in the possibilities of language with an innate skepticism about its use in the world; here is a poet who nurses the tension between art and action and exhorts readers to acknowledge injustice while appreciating the chaotic nature of human existence. “In these searching, stunning poems,” our reviewer wrote, “Smith metaphorizes city into body politic, showing us the interstate running through all our hearts; demonstrating that we all contain protest and police, cowardice and commitment, money and kindness, looting and food drives.”
Graywolf Press
An Authentic Life, by Jennifer Chang
True to her title, Chang uses the poems in “An Authentic Life” to hold her experiences against various received wisdoms, as a way to challenge convention and insist on authenticity. The topics range widely — war, religion, patriarchy, literary criticism — but the methods are the same: Chang cites some snippet she has learned or heard (“my father turns philosophical again/which is to say wandering away from any self”), then wanders freely to debunk it, deploying her arguments with flashes of brilliant wit, flights of vivid imagery and rigorous self-questioning.
Copper Canyon Press
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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