Just before celebrations for Eid al-Adha, a major Muslim holiday, began in Gaza, an Israeli airstrike hit a building in Gaza City, killing Mohammed Odeh, the newly appointed head of Hamas’ military wing, according to Israeli officials and later confirmed by Hamas.

Reports from regional media said members of Odeh’s family were also killed in the strike. Two hours later, Gaza’s markets were full.

Fox News Digital reviewed video filmed in Gaza showing crowded Eid streets, children shopping and families gathering, with little visible reaction to the killing of the Hamas commander Israel described as one of the architects of the Oct. 7, 2023, attacks on Israel. 

The contrast underscored what many Gazans and analysts describe as a growing disconnect between Hamas leaders and civilians exhausted by nearly three years of war, which has killed more than 70,000 Palestinians, according to the Hamas-run Gaza Health Ministry — figures that do not distinguish between civilians and combatants — and displaced most of Gaza’s population.

ISRAEL ANNOUNCES IT KILLED ONE OF THE ARCHITECTS OF THE OCT. 7 ATTACKS

Hadeel Oueis, editor-in-chief of Jusoor News, told Fox News Digital the assassinations are creating “a clear vacuum” inside Hamas and weakening coordination between leaders in Gaza and abroad.

“With the deaths of its leaders and the collapse of strong centralized command, Hamas is turning into a smaller militia competing with other armed groups operating in Gaza,” Oueis said. “Hamas is now fighting for survival.”

In a joint statement issued Tuesday, Israeli Prime Minister Benjamin Netanyahu and Defense Minister Israel Katz said Odeh, who had replaced senior commander Izz al-Din al-Haddad only days earlier, was “one of the architects of the October 7 massacre.”

“Sooner or later, Israel will reach all of them,” Netanyahu and Katz said.

Inside Gaza, several residents interviewed by Jusoor News said they no longer viewed the deaths of Hamas leaders as personal losses.

“Of course we didn’t feel anything when Haddad, Sinwar, or others were killed,” one Gazan activist and former political prisoner told Jusoor News in an on-camera interview, speaking with his face blurred for safety reasons.

The activist was referring to Izz al-Din al-Haddad, the Hamas military commander Israel said it killed earlier in May, and Yahya Sinwar, the former Hamas leader and chief architect of the Oct. 7, 2023, attacks, who was killed by Israeli forces in southern Gaza in October 2024.

“Ordinary people are the ones who paid the price, not the leaders who made reckless decisions without thinking,” the activist said.

“As a result, Gaza today is almost completely destroyed,” the activist said. “There are families who have lost everything, while the remaining leaders abroad and inside continue to gamble with our lives constantly.”

GRASSROOTS PUSH FOR FREEDOM GROWS IN GAZA AS HAMAS TIGHTENS ITS DEADLY GRIP

A Gaza-based journalist echoed the frustration. 

“When we heard about the killing of Izz al-Din Haddad or others, we were not affected,” the journalist said. “What is even more painful is that the children of the leaders live outside Gaza, in Turkey and Qatar, driving luxury cars and living comfortable lives, while people here have almost gone back to the Stone Age.”

Another Gaza journalist and human rights advocate told Jusoor Hamas had harmed Palestinians as much as Israelis. 

“I do not see the deaths of the leaders as losses for the Palestinians, because we ordinary people are the ones who paid the price,” the advocate said. “Honestly, Hamas did not only hurt the Israelis — they hurt us as well.”

At the same time, Israeli analysts caution that the repeated assassinations do not necessarily mean Hamas is close to collapse.

Michael Milshtein, an expert on the Palestinian arena, told Fox News Digital that Hamas unquestionably has suffered severe damage since Oct. 7, 2023, particularly with the deaths of veteran commanders who helped build the organization’s military structure and doctrine.

ISRAEL, HAMAS CEASEFIRE DEAL COULD ENABLE REARMING OF GAZA TERRORISTS

“Almost nobody remains from the core group that planned and led the October 7 attack,” he said.

But he noted that Odeh himself had been viewed largely as a second-tier figure before the war rather than an obvious successor to Hamas’ historic military leadership.

“The people replacing them are far less experienced, less capable and far less charismatic,” Milshtein said.

Still, he argued, Hamas continues to maintain functioning chains of command and ideological cohesion despite the losses.

“People know they are likely going to die, and they still compete for these leadership positions,” he said.

The debate over Hamas’ future comes as international efforts to shape a postwar political framework for Gaza accelerate.

TRUMP-BACKED BOARD OF PEACE, ISRAEL ‘WILL TAKE ACTION’ IF HAMAS REMAINS OUT OF COMPLIANCE: NETANYAHU ADVISOR

Nickolay Mladenov, who was appointed High Representative for Gaza under the Board of Peace initiative, published the core elements of a proposed 15-point “Roadmap to Complete the Implementation of President Trump’s Gaza Comprehensive Peace Plan.”

The proposal includes a phased Hamas disarmament process, internationally supervised security reforms and the establishment of “one authority, one law, one weapon” inside Gaza.

“Gaza cannot recover while armed groups simultaneously operate as governing authorities,” Mladenov wrote while outlining the proposal on social media.

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For many Gazans exhausted by years of war, displacement and destruction, the deaths of Hamas leaders now appear to carry less emotional weight than the hope that the conflict itself could finally end.

“Gaza cannot remain hostage to the idea of permanent war while civilians alone pay the entire price,” one activist said.

The head of the United Nations health agency is visiting the epicentre of a deadly Ebola outbreak in eastern Democratic Republic of the Congo (DRC), urging local communities to lead the fight against a disease whose confirmed cases have nearly doubled in two days.

Tedros Adhanom Ghebreyesus, the World Health Organization (WHO) director-general, arrived in Bunia, the capital of Ituri province, on Saturday.

“The international community is involved under the leadership of the government of DRC, and at the same time, community ownership is important; that’s why we’re here to discuss with the community to see how the response is you know, running, and if there are challenges, to help,” Tedros told reporters.

“The communities understand the problems better, and they know the solution, as well.”

Congolese authorities say the number of confirmed cases in DRC reached 225 on Friday, nearly double the figure of 121 reported two days earlier.

The outbreak is caused by the Bundibugyo virus, a rare and severe form of Ebola for which there is no approved vaccine or treatment.

The WHO has declared the outbreak a global health emergency, its highest level of alarm, and the medical NGO Doctors Without Borders, known by its French initials MSF, calls it one of the fastest-spreading Ebola outbreaks ever recorded.

Authorities have also recorded 1,028 suspected cases and more than 220 suspected deaths in DRC, while the disease has crossed into neighbouring Uganda, which has recorded nine confirmed cases and one death.

Ebola was first identified in this part of central Africa in 1976; this is the DRC’s 17th outbreak.

Bundibugyo is one of three virus types behind most major epidemics; the deadliest, the Zaire Ebola virus, drove the 2014–2016 West Africa outbreak, the largest on record, with more than 28,000 cases.

“Nobody knows the true scale and severity of this outbreak,” MSF said, warning that the response has not kept pace.

The WHO has cautioned that the death rate could reach 30 to 50 percent – the range seen in the previous two Bundibugyo outbreaks – though the rate among confirmed cases so far has been lower.

Al Jazeera’s Alain Uaykani, reporting from the eastern Congolese city of Goma on Saturday, said DRC’s health ministry had expanded testing, contact tracing and monitoring, uncovering infections that might otherwise go unrecorded.

Help has begun to arrive

As the virus spreads rapidly, the European Union has sent medical supplies to Ituri, and the United States has pledged more than $112m.

Even so, the Africa Centres for Disease Control and Prevention (Africa CDC), the African Union’s health body, says global funding for the response has more than halved, from $498m to $219m.

The outbreak recorded its first confirmed recovery this week, and WHO is working with both DRC and Uganda to assess experimental drugs and a candidate vaccine.

Tedros, who met DRC’s Prime Minister Judith Suminwa Tuluka in Kinshasa before flying to Bunia, said he was confident the country, which has battled Ebola repeatedly, could again bring it under control.

Still, containing the disease is made harder by years of conflict in eastern DRC. Health teams in Ituri have come under attack from the Allied Democratic Forces (ADF), an armed group linked to ISIL (ISIS), and from local ethnic militias. The virus has also reached North Kivu and South Kivu provinces, where the Rwanda-backed M23 rebel group controls major cities.

Anger over strict rules for handling victims’ bodies, which clash with local burial customs, has fuelled at least three attacks on health centres.

Regional countries are meanwhile on alert. Both Uganda and Rwanda have shut their borders with DRC, while Washington has barred most travellers who have recently visited DRC, Uganda or South Sudan.

The WHO advises against such steps, and Tedros has dismissed border closures as ineffective, arguing they discourage countries from reporting outbreaks openly.

Health ministers from the Intergovernmental Authority on Development (IGAD), an eight-nation East African bloc, met this week and agreed to redirect about $7m towards prevention across the region.

A US plan to open an Ebola quarantine centre in Kenya for exposed Americans was suspended by a Kenyan court this week after a rights group, the Katiba Institute, challenged it.

Africa CDC has also objected, warning the facility would strain Kenya’s health system, while Kenyan officials defended it as an international obligation.

The US says it expects to resolve the dispute.

LONDON (AP) — Samuel Smith spent years writing songs with a guitar in his hands.

Now, the London-based singer-songwriter is using artificial intelligence tools to help him continue making Americana music after Parkinson’s disease largely took away his ability to play guitar.

Smith, who was diagnosed with the progressive neurological disorder in 2020, recently released his second album, “The Art of Letting Go.” For one of the eight tracks, an instrumental piece titled “Horizon,” he relied on platforms that use AI to generate music to create demo arrangements that would convey his vision to the musicians who recorded the song.

The demos he created by humming rough melodies into his phone and uploading the recordings into song generators like Suno and Udio weren’t for mixing into the final studio version of “Horizon,” Smith stressed. But tremors, stiffness and fatigue, which are common symptoms of Parkinson’s, caused his guitar skills to deteriorate during the more than a year he worked on the album, he said.

“So then I’m faced with a question,” Smith, 49, said. “‘Don’t play, don’t be creative, or find a way out, find a route.’ And for me, this was the route.”

Generative AI has divided the music industry, whose artists and record labels have complained of their copyrighted work being used to train the models behind AI-powered music tools. Sony Music Entertainment, Universal Music Group and Warner Records sued Suno and Udio in June 2024, although Universal later reached a settlement and partnership deal with Udio and Warner did the same with Suno.

Less discussed is what those platforms can do when employed by a serious musician like Smith, whose disease affects the tools central to his songwriting and identity as a guitarist: his hands. He released his debut album, “In the Springtime,” in 2023, saying he wanted to give his two sons a way to remember when he could perform and record music himself.

“I’d always written, I’d also played, I always sung,” he said. “And immediately it became clear to me that I was in trouble, that my music was going to be seriously compromised.”

From prompts to convincing demos

AI music generators use systems trained on large datasets of recorded music and audio. The platforms analyze patterns in melody, harmony, and rhythm before generating new audio based on prompts or uploaded recordings. Users don’t need musical talent to end up with a serviceable song, or even a popular one.

Smith said producing convincing demos from the synthetic tracks the apps generated often required “50, 100, 150 attempts” and extensive editing “to get something that sounds close to my music.” After humming a song into his phone and uploading the recording, he gives prompts describing instrumentation, mood and style. .

“AI is not replacing anything for me,” he said. “It’s unlocking, it’s enabling. It’s allowing me to keep writing. I upload my lyrics; AI doesn’t create my lyrics. I upload my music; AI does not create my music.”

He added: “It then brings it to life in a way that I can play to session players and say, ‘Here, that’s what I’m thinking, that is what I’m hearing.’”

A bittersweet guitar duet

The album was produced by Grammy-winning pianist and producer Matt Rollings, who assembled a group of established roots and bluegrass musicians for the project. They included dobro player and 16-time Grammy winner Jerry Douglas, Grammy-winning banjo player Alison Brown, fiddler Stuart Duncan, guitarist Bryan Sutton, bassist Viktor Krauss and singers Jonatha Brooke and Glen Phillips.

For Smith, the experience of singing in a Nashville studio alongside musicians he had admired for decades was “an extraordinary moment.”

Grammy-nominated guitarist Julian Lage, known for his jazz and acoustic recordings with Blue Note Records, performed on the album’s title track and on “Horizon.” The latter recording became a bittersweet high point in Smith’s career; despite the progression of his disease, he managed to play a guitar duet with his friend.

“I hadn’t been able to play for months, but I kept telling myself that if I wrote something to take to the studio, perhaps the clouds would part for a few minutes,” Smith said. “That’s what happened. I had a window of about 10 minutes in the studio when my arm freed up. … So in the end, I was able to capture the last breath of my guitar playing.”

New possibilities and perils

Experts said AI-assisted music tools could benefit other people with disabilities or illnesses.

Ruaidhri Mannion, a composer, music producer and sonic artist who teaches at Brunel University of London, said technology like affordable digital recording software “effectively democratized the making of music” in recent decades. By helping songwriters and musicians communicate ideas and collaborate more easily, AI tools that generate polished-sounding material from voice or text prompts could work in the same way, he said.

“If these tools are able to enable people to be able to participate with other creative groups and encourage more people to feel confident to be able to reach out to an ensemble or an orchestra or something, then I think that is all for the better,” Mannion said.

But an overreliance on technology could intefere with the trial and error, frustration and synergy that are necessary parts of a musician’s artistic development, Mannion said.

“What makes a lot of music-making meaningful is the collaborative element,” he said. “There’s a lot of experimentation and development and failure that’s part of musical discovery.”

Udio and Suno have denied copyright infringement allegations and said they wanted to work with the music industry, not in opposition to it. Some musicians are unconvinced. A group of recording artists and activists, including singer-songwriter Tift Merritt, David Lowery of the bands Cracker and Camper Van Beethoven, and ECR Music Group President Blake Morgan, published an open letter in February under the heading “So no to Suno.”

“Many in our community are embracing responsible AI as a tool for creation, and as a means for fans to explore and interact with our artistry. That’s wonderful,” the letter read. “But it’s not the same as creating an environment where AI-generated works sourced from our music are mass distributed to dilute our royalties or, worse yet, reward those actively seeking to commit fraud. Artists need to know the difference.”

‘Show us what you can do’

Smith said he thinks his experience demonstrated how AI could benefit society and expand creative access, if it’s developed responsibly.

“My message would be that if these companies want to show they’ve got a place, a role in society, then step up,” Smith said. “Engage with health professionals, engage with music therapists, engage with society and show us what you can do.”

On May 21, Smith collaborated with the Berklee Music and Health Institute for an event in New York that brought together music industry leaders, researchers and clinicians to examine how music can support people living with neurological conditions. Smith discussed his experience living with Parkinson’s and sang again alongside musicians who played on “The Art of Letting Go.”

Creating music is crucial to the legacy Smith hopes to leave for his children, ages 4 and 17.

“My 4-year-old is probably never going to remember me playing, and it’s heartbreaking,” he said. “But I’ve been able to pull this into something and refuse to be defined by this disease.”